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Displaying results 1 to 3 of 3.

  1. The Imaginary Geography of Hollywood Cinema 1960–2000
    Author: Long, Christian B.
    Published: 20171211
    Publisher:  Intellect, Bristol

    The Imaginary Geography of Hollywood Cinema 1960-2000 combines digital cartography with close readings of representative films to write a history of twentieth century Hollywood narrative cinema at the intersection of the geographies of narrative... more

     

    The Imaginary Geography of Hollywood Cinema 1960-2000 combines digital cartography with close readings of representative films to write a history of twentieth century Hollywood narrative cinema at the intersection of the geographies of narrative location, production, consumption and taste in the post-classical era, before the rise of digital cinema. This text reorients and redraws the boundaries of film history both literally and figuratively by cataloguing films’ narrative locations on digital maps to examine where Hollywood locates its narratives over time.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781783208302
    Other identifier:
    Subjects: Films, cinema
    Other subjects: Media & Communications; Hollywood cinema; cinema geography; film cartography; narrative location; United States
  2. Italian American Gangsterspeak
    Linguistic characterization of Italian American mobsters in Hollywood cinema and in Italian dubbing
    Author: Parini, Ilaria
    Published: 2013
    Publisher:  LAP LAMBERT Academic Publishing, Saarbrücken

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783659422898; 3659422894
    Other identifier:
    9783659422898
    Edition: 1. Aufl.
    Other subjects: (Produktform)Electronic book text; Identity; (VLB-WN)1564: Englische Sprachwissenschaft, Literaturwissenschaft; Translation; Dubbing; Italian Americans; Italian mafia; Hollywood cinema; Ethnolect; Sociolect; mob slang
    Scope: Online-Ressource
    Notes:

    Lizenzpflichtig. - Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten
  3. Joyless streets
    women and melodramatic representation in Weimar Germany
    Author: Petro, Patrice
    Published: [1989]; copyright 1989
    Publisher:  Princeton University Press, Princeton, N.J

    Patrice Petro challenges the conventional assessment of German film history, which sees classical films as responding solely to male anxieties and fears. Exploring the address made to women in melodramatic films and in popular illustrated magazines,... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Inter-library loan:
    No inter-library loan

     

    Patrice Petro challenges the conventional assessment of German film history, which sees classical films as responding solely to male anxieties and fears. Exploring the address made to women in melodramatic films and in popular illustrated magazines, she shows how Weimar Germany had a commercially viable female audience, fascinated with looking at images that called traditional representations of gender into question. Interdisciplinary in her approach, Petro interweaves archival research with recent theoretical debates to offer not merely another view of the Weimar cinema but also another way of looking at Weimar film culture. Women's modernity, she suggests, was not the same as men's modernism, and the image of the city street in film and photojournalism reveals how women responded differently from men to the political, economic, and psychic upheaval of their times

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691222066; 0691222061
    Subjects: Motion pictures; Silent films; Motion picture audiences; Photojournalism; Women in mass media; Sex role in mass media; Sex role in motion pictures; Women; Feminist criticism; Feminist literary criticism; Cinéma - Allemagne - Histoire; Films muets - Allemagne - Histoire et critique; Cinéma - Publics - Allemagne - Histoire; Photographie de presse - Allemagne - Histoire; Femmes dans les médias - Histoire; Rôle selon le sexe dans les médias - Histoire; Rôle selon le sexe au cinéma; Femmes - Allemagne - Histoire - 20e siècle; Critique féministe; Feminist literary criticism; Women in mass media; Women; Silent films; Sex role in motion pictures; Sex role in mass media; Photojournalism; Motion pictures; Motion picture audiences; Feminist criticism; Frau - Film - Deutschland; Film - Frau - Deutschland; Film - Deutschland - Geschichte 1901-1933; Liebesfilm - Geschichte 1900-1945; Motiv (Literatur); Motiv (Kunst); Geschichte; Frau; Film; Frau; Criticism, interpretation, etc; History
    Other subjects: Anna Boleyn; Baudelaire, Charles; Being and Time; Berlin; Buci-Glucksmann, Christine; Communist Party; Derrida, Jacques; Elsaesser, Thomas; Evans, Richard J; Freud, Sigmund; Geschlecht in Fesseln; Grossmann, Atina; Hansen, Miriam; Heidegger, Martin; Hollywood cinema; Irigaray, Luce; Jardine, Alice; Johnston, Claire; Kammerspielfilm; Kerbs, Diethart; Koonz, Claudia; Lamprecht, Gerhard; Lang, Fritz; Letzte Mann, Der; Luxemberg, Rosa; Mellencamp, Patricia; Metropolis; Munson, Anthony; Nazi cinema; Nolde, Emil; Oedipal narrative; Prometheus; Quataert, Jean; Querschnitt, Der; Ruttmann, Walter; Schönlank, Bruno; androgyny: female; anti-Semitism; censorship, film; consumerism; crisis: historical; documentary realism; film style; homophobia; hysteria; imperial Germany; masquerade; mass culture; modernism; petite-bourgeoisie; photoessay; press archives; rationalization
    Scope: 1 Online-Ressource, illustrations
    Notes:

    Bibliography: p. 229-241

    Cover page -- Half-title page -- Title page -- Copyright page -- Dedication page -- Contents -- List of Figures -- Acknowledgments -- Introduction -- Chapter One: On the Subject of Weimar Film History -- Mass Culture, Modernism, and the Male Spectator in Weimar Film Histories -- Women in Weimar: Theorizing the Female Spectator -- Melodrama and Expressionism: The Conventions of Pathos -- Chapter Two: Perceptions of Difference -- Perception, Mass Culture, and Distraction: Martin Heidegger -- Perception, Mass Culture, and Distraction: Walter Benjamin and Siegfried Kracauer

    Men's Modernism versus Women's Modernity: Weimar Women at Work and at the Movies -- Chapter Three: Weimar Photojournalism and the Female Reader -- Institutional and Textual Politics: Photojournalism and Film in Weimar -- Modes of Representation in the Illustrated Press -- Gender, Looking, and the Address to Female Readers: Die Dame and the Arbeiter Illustrierte Zeitung -- Chapter Four: Weimar Cinema and the Female Spectator -- Gender, Looking, and Identification in the Weimar Cinema: Male and Female Spectatorship -- Dirnentragodie: Sexual Mobility, Social Mobility, and Melodramas of the Street

    Hintertreppe: Modes of Looking and Female Spectator Identification -- Zuflucht: Male Identity and Female Visual Pleasure -- Die freudlose Gasse: Censorship and the Female Spectator -- Afterword: Feminism and Film History-Joyless Streets Circa 1988 -- Bibliography -- Index