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Displaying results 1 to 6 of 6.

  1. Grisaille als Metapher
    zum Entstehen der Peinture en Camaieu im frühen 14. Jahrhundert
    Author: Krieger, Michaela
    Published: 1995
    Publisher:  Holzhausen, Wien

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3900518270
    RVK Categories: LH 70160 ; LH 70270 ; LH 70340 ; LH 72130 ; LM 86290
    Series: Wiener kunstgeschichtliche Forschungen ; 6
    Subjects: Grisaille painting; Painting, Gothic; Architekturdarstellung; Malerei; Vorhang <Motiv>; Camaïeu; Realismus; Ikonographie; Ästhetik; Grisaille; Buchmalerei; Plastik <Motiv>; Bildliche Darstellung
    Other subjects: Giotto di Bondone (1266-1337); Jean Pucelle (-1334); Geschichte 1300-1399
    Scope: 197, XVIII S., zahlr. Ill.
    Notes:

    Zugl.: Wien, Univ., Diss., 1984 u.d.T.: Krieger, Michaela: Die Grisaillemalerei im Stundenbuch der Jeanne d'Evreux und ihre Bedeutung für das Entstehen der neuzeitlichen Kunstauffassung
  2. From Kairos to Occasio through Fortuna
    text/image/afterlife : on the antique critical moment, a grisaille in Mantua (School of Mantegna, 1495-1510), and the fortunes of Aby Warburg (1866-1929)
    Author: Baert, Barbara
    Published: [2021]; © 2021
    Publisher:  Harvey Miller Publishers, London ; Turnhout

    The author discusses the Mantuan fresco's key position in the iconographic 'Nachleben' of the Kairos/Occasio figure, and the way the theme was accustomed in the Quattrocento and the transition from the Middle Ages to the Renaissance. The ancient... more

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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    The author discusses the Mantuan fresco's key position in the iconographic 'Nachleben' of the Kairos/Occasio figure, and the way the theme was accustomed in the Quattrocento and the transition from the Middle Ages to the Renaissance. The ancient Greeks had a name for the joy as well as the sorrow of an occasion that suddenly presents itself, but disappears just as swiftly: kairos, or in Latin occasio. Using the Mantua grisaille as starting point and leading motif, Barbara Baert guides us in her own intriguing way through the history of the representation of this figure in art. How did the archaic Greek Kairos model survive in the Quattrocento? Which appearances did Kairos take on along the way and how can we explain his mutations? The author shows us how the semantic and rhetorical expansion of the concept kairos/occasio brought about gender switches and conflations with other personifications of time and fate. Grasping the lock of hair of Kairos/Occasio, spinning the wheel of fortune of Tyche/Fortuna, acting as the mast of the ship and holding the billowing sails, she steers us through depictions of the motionlessness of the moment throughout history before dropping anchor in the fascinating vocabulary of Aby Warburg. During this journey, she invites us to go offshore looking for a new critical moment that presents itself as a powerful opening of possibilities.

     
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  3. From Kairos to Occasio through Fortuna
    text/image/afterlife : on the antique critical moment, a grisaille in Mantua (School of Mantegna, 1495-1510), and the fortunes of Aby Warburg (1866-1929)
    Author: Baert, Barbara
    Published: [2021]; © 2021
    Publisher:  Harvey Miller Publishers, London ; Turnhout

    The author discusses the Mantuan fresco's key position in the iconographic 'Nachleben' of the Kairos/Occasio figure, and the way the theme was accustomed in the Quattrocento and the transition from the Middle Ages to the Renaissance. The ancient... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    The author discusses the Mantuan fresco's key position in the iconographic 'Nachleben' of the Kairos/Occasio figure, and the way the theme was accustomed in the Quattrocento and the transition from the Middle Ages to the Renaissance. The ancient Greeks had a name for the joy as well as the sorrow of an occasion that suddenly presents itself, but disappears just as swiftly: kairos, or in Latin occasio. Using the Mantua grisaille as starting point and leading motif, Barbara Baert guides us in her own intriguing way through the history of the representation of this figure in art. How did the archaic Greek Kairos model survive in the Quattrocento? Which appearances did Kairos take on along the way and how can we explain his mutations? The author shows us how the semantic and rhetorical expansion of the concept kairos/occasio brought about gender switches and conflations with other personifications of time and fate. Grasping the lock of hair of Kairos/Occasio, spinning the wheel of fortune of Tyche/Fortuna, acting as the mast of the ship and holding the billowing sails, she steers us through depictions of the motionlessness of the moment throughout history before dropping anchor in the fascinating vocabulary of Aby Warburg. During this journey, she invites us to go offshore looking for a new critical moment that presents itself as a powerful opening of possibilities.

     
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  4. Grisaille als Metapher
    zum Entstehen der Peinture en Camaieu im frühen 14. Jahrhundert
    Author: Krieger, Michaela
    Published: 1995
    Publisher:  Holzhausen, Wien

    Location:
    Berlin-Brandenburgische Akademie der Wissenschaften, Akademiebibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    TU Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 3900518270
    RVK Categories: LH 70160 ; LH 70270 ; LH 70340 ; LH 72130 ; LM 86290
    Series: Wiener kunstgeschichtliche Forschungen ; 6
    Subjects: Grisaille painting; Painting, Gothic; Architekturdarstellung; Malerei; Vorhang <Motiv>; Camaïeu; Realismus; Ikonographie; Ästhetik; Grisaille; Buchmalerei; Plastik <Motiv>; Bildliche Darstellung
    Other subjects: Giotto di Bondone (1266-1337); Jean Pucelle (-1334); Geschichte 1300-1399
    Scope: 197, XVIII S., zahlr. Ill.
    Notes:

    Zugl.: Wien, Univ., Diss., 1984 u.d.T.: Krieger, Michaela: Die Grisaillemalerei im Stundenbuch der Jeanne d'Evreux und ihre Bedeutung für das Entstehen der neuzeitlichen Kunstauffassung
  5. Andrea Mantegna - die Grisaillen
    Malerei, Geschichte und antike Kunst im Paragone des Quattrocento
    Author: Blumenröder, Sabine
    Published: 2008
    Publisher:  Mann, Berlin

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    Content information
    Source: Union catalogues
    Contributor: Mantegna, Andrea
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783786125587
    RVK Categories: LI 56180
    DDC Categories: 700
    Subjects: Grisaille painting; Painting, Italian
    Scope: 297 S., zahlr. Ill., 29 cm
    Notes:

    Literaturverz. S. 257 - 289. - Literaturangaben
  6. Die Grisaillen des Genter Altars
    altniederländische Skulpturenimitation im Kontext des Lettners
    Author: Greub-Frącz, Krystyna
    Published: 2014
    Publisher:  Imhof, Petersberg

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2014:6159:
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783731900290
    Other identifier:
    9783731900290
    RVK Categories: LO 20509 ; LI 28690
    Series: Studien zur internationalen Architektur- und Kunstgeschichte ; 115
    Subjects: Grisaille painting
    Other subjects: Eyck, Jan van (1390-1440): Ghent altarpiece
    Scope: 176 S., zahlr. Ill., 30 cm
    Notes:

    Literaturverz. S. 154 - 174

    Teilw. zugl.: Wien, Univ., Diss., 2011