Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Last searches

Results for *

Displaying results 1 to 7 of 7.

  1. <<The>> child in contemporary Latin American cinema
    Author: Martin, Deborah
    Published: [2019]; © 2019
    Publisher:  Palgrave Macmillan, New York, NY ; Springer Nature America, Inc.

    What is the child for Latin American cinema? This book aims to answer that question, tracing the common tendencies of the representation of the child in the cinema of Latin American countries, and demonstrating the place of the child in the... more

     

    What is the child for Latin American cinema? This book aims to answer that question, tracing the common tendencies of the representation of the child in the cinema of Latin American countries, and demonstrating the place of the child in the movements, genres and styles that have defined that cinema. Deborah Martin combines theoretical readings of the child in cinema and culture, with discussions of the place of the child in specific national, regional and political contexts, to develop in-depth analyses and establish regional comparisons and trends. She pays particular attention to the narrative and stylistic techniques at play in the creation of the child's perspective, and to ways in which the presence of the child precipitates experiments with film aesthetics. Bringing together fresh readings of well-known films with attention to a range of little-studied works, The Child in Contemporary Latin American Cinema examines films from the recent and contemporary period, focussing on topics such as the death of the child in ‘street child’ films, the role of the child in post-dictatorship filmmaking and the use of child characters to challenge gender and sexual ideologies. The book also aims to place those analyses in a historical context, tracing links with important precursors, and paying attention to the legacy of the child’s figuring in the mid-century movements of melodrama and the New Latin American Cinema

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137528223
    Other identifier:
    Series: Global cinema
    Subjects: Motion pictures, American; Ethnology-Latin America; Motion pictures; Youth-Social life and customs; Communication; Latin American Cinema and TV; Latin American Culture; Global Cinema and TV; Youth Culture; Media and Communication
    Scope: 1 Online-Ressource (xii, 245 Seiten), Illustrationen
    Notes:

    Enthält Literaturverzeichnis auf Seite 217-237

    :
  2. Exploring the Spatiality of the City across Cultural Texts
    Narrating Spaces, Reading Urbanity
    Contributor: Kindermann, Martin (Publisher); Rohleder, Rebekka (Publisher)
    Published: 2020
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    Exploring the Spatiality of the City across Cultural Texts: Narrating Spaces, Reading Urbanity explores the narrative formations of urbanity from an interdisciplinary perspective. Within the framework of the “spatial turn,” contributors from... more

     

    Exploring the Spatiality of the City across Cultural Texts: Narrating Spaces, Reading Urbanity explores the narrative formations of urbanity from an interdisciplinary perspective. Within the framework of the “spatial turn,” contributors from disciplines ranging from geography and history to literary and media studies theorize narrative constructions of the city and cities, and analyze relevant examples from a variety of discourses, media, and cities. Subdivided into six sections, the book explores the interactions of city and text—as well as other media—and the conflicting narratives that arise in these interactions. Offering case studies that discuss specific aspects of the narrative construction of Berlin and London, the text also considers narratives of urban discontinuity and their theoretical implications. Ultimately, this volume captures the narratological, artistic, material, social, and performative possibilities inherent in spatial representations of the city

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Kindermann, Martin (Publisher); Rohleder, Rebekka (Publisher)
    Language: English
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 9783030552695
    Other identifier:
    Edition: 1st ed. 2020
    Series: Geocriticism and Spatial Literary Studies
    Subjects: Literature—Philosophy; Literature   ; Motion pictures; Cities and towns—History; Historiography; Sociology, Urban; Literary Theory; Postcolonial/World Literature; Global Cinema and TV; Urban History; Memory Studies; Urban Studies/Sociology
    Scope: 1 Online-Ressource (XXI, 338 Seiten), 5 Illustrationen
    Notes:

    1. Introduction: Exploring the Spatiality of the City across Cultural Texts, Rebekka Rohleder and Martin Kindermann -- 2. City Scripts / City Scapes. On the Intertextuality of Urban Experience, Andreas Mahler -- 3. (Urban) Sacred Places and Profane Spaces—Theological Topography in T. S. Eliot’s The Waste Land, Verena Keidel -- 4. Traveling Discourses: The Works of Pavel Ulitin (1918-1986) and the Problem of Narrative Alternatives, Daria Baryshnikova -- 5. “This America, man.” Narrating and Reading Urban Space in The Wire, Christopher Schliephake -- 6. Reading the City: ‘Mind Mapping’ in the BBC’s Sherlock, Janina Wierzoch -- 7. Transcription: Addressing the Interactivity between Urban and Architectural Spaces and their Use, Klaske Maria Havik -- 8. Politics and the Production of Space: Downtown and Out with Rancière and Lefebvre, Dennis Büscher-Ulbrich -- 9. The People of New Jerusalem: Narratives of Social In- and Exclusion in Rotterdam after the Blitz of 1940, Stefan Couperus -- 10. Smart City Narratives and Narrating Smart Urbanism, Anke Strüver and Sybille Bauriedl -- 11. Poetic Mobility and the Location of an Anglo-Jewish Self: Amy Levy’s and Elaine Feinstein’s Cityscapes, Martin Kindermann -- 12. Gender and the City: Virginia Woolf’s London between Promise of Freedom and Structural Confinement, Claudia Heuer -- 13. The City Stripped Bare of its Histories, Even: Crisis and Representation in two German Trümmerfilme of 1948, Daniel Jonah Wolpert -- 14. “A ‘bridgehead’ in the visible domain”: Chloe Aridjis’s, J.S. Marcus’s and Theodore Sedgwick Fay’s Tales of Berlin, Joshua Parker -- 15. Finding Causes for Events: The City as Normative Narrative, Rebekka Rohleder -- 16. Private Topographies: Visions of Tōkyō in Modern Japanese Literature, Gala Maria Follaco -- 17. Reading Against the Grain—Black Presence in Lower Manhattan, New York City, Tazalika M. te Reh
  3. <<The>> Palgrave Handbook of Magical Realism in the Twenty-First Century
    Contributor: Perez, Richard (Publisher); Chevalier, Victoria A (Publisher)
    Published: 2020
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

    The Palgrave Handbook of Magical Realism in the Twenty-First Century examines magical realism in literatures from around the globe. Featuring twenty-seven essays written by leading scholars, this anthology argues that literary expressions of magical... more

     

    The Palgrave Handbook of Magical Realism in the Twenty-First Century examines magical realism in literatures from around the globe. Featuring twenty-seven essays written by leading scholars, this anthology argues that literary expressions of magical realism proliferate globally in the twenty-first century due to travel and migrations, the shrinking of time and space, and the growing encroachment of human life on nature. In this global context, magical realism addresses twenty-first century politics, aesthetics, identity, and social/national formations where contact between and within cultures has exponentially increased, altering how communities and nations imagine themselves. This text assembles a group of critics throughout the world—the Americas, Europe, Africa, Asia, the Middle East, and Australia—who employ multiple theoretical approaches to examine the different ways magical realism in literature has transitioned to a global practice; thus, signaling a new stage in the history and development of the genre.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Perez, Richard (Publisher); Chevalier, Victoria A (Publisher)
    Language: English
    Media type: Ebook; Data medium
    Format: Online
    ISBN: 9783030398354
    Other identifier:
    Edition: 1st ed. 2020
    Subjects: Literature, Modern—20th century; Literature, Modern—21st century; Literature   ; Fiction; Motion pictures; Ethnology—Latin America; Contemporary Literature; Postcolonial/World Literature; Fiction; Global Cinema and TV; Latin American Culture
    Scope: 1 Online-Ressource (XXI, 650 Seiten), 2 Illustrationen, 1 Illustrationen
    Notes:

    1. Proliferations of Being: The Persistence of Magical Realism in Twenty-First Century Literature and Culture, Richard Perez & Victoria A. Chevalier -- 2. The Global Life of Genres and the Material Travels of Magical Realism, Mariano Siskind -- 3. Magical Realism, Afrofuturism, and (Afro)surrealism: The Entanglement of Categories in African Fiction, Lydie Moudileno -- 4. South Asian Magical Realism, Roanne L. Kantor -- 5. Magical Realism and the Descriptive Turn, María del Pilar Blanco -- 6. Harboring Spirits: Deontological Time, Magic, and Race in Gods Go Begging by Alfredo Vea, Richard Perez -- 7. 1978, the Year of Magical Thinking: Magical Realism and the Paradoxes of White Gay Ontology in Andrew Holleran’s Dancer from the Dance and Edmund White’s Nocturnes for the King of Naples, Nicholas F. Radel -- 8. Magical Realism and Indigenous Survivance in Australia: The Fiction of Alexis Wright, Maria Takolander -- 9. Magical Terrestrealism in Edwidge Danticat’s Claire of the Sea Light, Carine M. Mardorossian Angela Veronica Wong -- 10. The Multiplicity of This World: Troubling Origins in Jesmyn Ward’s Sing, Unburied, Sing, Victoria A. Chevalier -- 11. The Analogical Legacy of Ground Zero: Magical Realism in Post-9/11 Literary and Filmic Trauma Narratives, Eugene Arva -- 12. The Uses of Enchantment: Magic Realism in Toni Morrison’s Later Writing, Claudine Raynaud -- 13. Reconstructing Personal Identity and Creating an Alternative National History: Magical Realism and the Marginalised Female Voice in Gioconda Belli’s The Inhabited Woman, Md Abu Shahid Abdullah -- 14. Black Magic: Conjure, Syncretism, and Satire in Ishmael Reed, Joshua Lam -- 15. The Magical Book-Within-the Book: I.B. Singer, Bruno Schulz, and Contemporary Jewish Post-Holocaust Fiction, Caroline Rody -- 16. Magical Realism in the Fiction of Bessie Head, Nicole Rizzuto -- 17. The Magical and Paradigmatic Intimacy of Blackness and Indianness in The Brief Wondrous Life of Oscar Wao, Chad B. Infante -- 18. Fiction on the Verge: Testing Taboos in The Republic of Wine, Keming Liu -- 19. Magical Embodiment: Strategic Deontology in Toni Morrison’s Fiction, Johanna X. K. Garvey -- 20. Out of Time: Resisting the Nation in One Hundred Years of Solitude, Lorna L. Perez -- 21.‘The Deep Root Snapped’: Reproductive Violence and Family Un/making in Quan Barry’s She Weeps Each Time You’re Born, Mai-Linh K. Hong -- 22. Undocumented Magic: Magical Realism as ‘Aesthetic Turbulence’ in Salvador Plascencia’s The People of Paper, Marion Rohrleitner -- 23. Flying Over the Abyss: Magical Realism in Salim Barakat's The Captives of Sinjar, Fadia F. Suyoufie -- 24. Pedagogical Magic: Magical Realism’s Appeal for the Twenty-First Century Classroom, Kim Anderson Sasser & Rachael Mariboho -- 25. Outrageous Humour: Satirical Magical Realism, Maggie Ann Bowers -- 26. Winged Words and Gods as Birds: Magical Realism and Nature in the Homeric Epic, Lorna Robinson -- 27. Streaming from the Past: Magical Realism as Postmodern Fairy Tale, Dana Del George
  4. Leadership in Game of Thrones
    Author: Biehl-Missal, Brigitte
    Published: 2020
    Publisher:  Springer VS, Wiesbaden

    Der Kampf um die Macht in Westeros ist zwar blutiger als in jedem heutigen Unternehmen, aber genauso berechnend mit Intrigen, Fallen und Demütigungen. Das Buch analysiert Strategien von Führung (Leadership) am Beispiel der beliebten Fernsehserie und... more

    Location:
    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
    Signature:
    120-1754
    Inter-library loan:
    Loan of volumes, no copies

     

    Der Kampf um die Macht in Westeros ist zwar blutiger als in jedem heutigen Unternehmen, aber genauso berechnend mit Intrigen, Fallen und Demütigungen. Das Buch analysiert Strategien von Führung (Leadership) am Beispiel der beliebten Fernsehserie und verbindet Serienkulturen mit Managementforschung. Das populäre Phänomen spielt in einer mittelalterlichen Fantasy-Welt und führt uns umso überzeichneter vielfältige Leadership-Archetypen in einem unsicheren Zeitalter vor: charismatische, authentische, maskuline und mütterliche Führungspersonen werden konstruiert und wieder demontiert. Hände, Penisse und Köpfe werden abgetrennt. So zelebriert die Serie auch die Macht derjenigen, die folgen oder es auch nicht tun müssen, und ihre Leader stets beeinflussen. Dr. Brigitte Biehl (Biehl-Missal) ist Professorin für Media and Communication Management an der SRH Berlin University of Applied Sciences, School of Popular Arts (ehemals SRH Hochschule der populären Künste) in Berlin und leitet dort den Studiengang Creative Industries Management sowie das Institut für Weiterbildung (IWK). Ihr Hintergrund ist Theater-, Film- und Medienwissenschaft und BWL, sie publiziert international über Ästhetik und Management.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783658293000
    Other identifier:
    9783658293000
    10.1007/978-3-658-29301-7
    Series: Serienkulturen: Anlayse - Kritik - Bedeutung
    Subjects: Führung <Motiv>
    Other subjects: Politische Führung; B; Global Cinema and TV; Literature, Cultural and Media Studies; Popular Culture; Filmgattungen, Filmgenre; Cultural Theory; Populärkultur; Media Sociology; Kulturwissenschaften; Genre; Mediensoziologie; Hardcover, Softcover / Kunst/Fotografie, Film, Video, TV; Motion pictures; Popular Culture; Culture—Study and teaching; Mass media; Communication; Film genres; Culture-Study and teaching; Game of Thrones;TV-Serien;Machtkämpfe in TV-Serien;Führungstypen in TV-Serien;Leadership in TV-Serien;Kulturelle Denkmuster;Popkulturelle Phänomene
    Scope: VII, 135 Seiten, 266 grams.
    Notes:

    Der Kampf um die Macht in Westeros ist zwar blutiger als in jedem heutigen Unternehmen, aber genauso berechnend mit Intrigen, Fallen und Demütigungen. Das Buch analysiert Strategien von Führung (Leadership) am Beispiel der beliebten Fernsehserie und verbindet Serienkulturen mit Managementforschung. Das populäre Phänomen spielt in einer mittelalterlichen Fantasy-Welt und führt uns umso überzeichneter vielfältige Leadership-Archetypen in einem unsicheren Zeitalter vor: charismatische, authentische, maskuline und mütterliche Führungspersonen werden konstruiert und wieder demontiert. Hände, Penisse und Köpfe werden abgetrennt. So zelebriert die Serie auch die Macht derjenigen, die folgen oder es auch nicht tun müssen, und ihre Leader stets beeinflussen. Der Inhalt- Einleitung: Populäre Kultur und Leadership- Authentizität (Eddard Stark)- Kapital (Robb und Catelyn Stark, Petyr Baelish)- Phallus (Asha Greyjoy, Varys)- Frauen (Sansa Stark)- Isolation (Cersei Lennister)- Charisma (Daenerys Targaryen)- Romantisierung (Jon Snow)- Behinderung (Tyrion Lennister, Brandon Stark)- Fazit: Leadership ist BeziehungssacheDie AutorinDr. Brigitte Biehl (Biehl-Missal) ist Professorin für Media and Communication Management an der SRH Berlin University of Applied Sciences, School of Popular Arts (ehemals SRH Hochschule der populären Künste) in Berlin und leitet dort den Studiengang Creative Industries Management sowie das Institut für Weiterbildung (IWK). Ihr Hintergrund ist Theater-, Film- und Medienwissenschaft und BWL, sie publiziert international über Ästhetik und Management.

    Einleitung: Populäre Kultur und Leadership.- Authentizität (Eddard Stark).- Kapital (Robb und Catelyn Stark, Petyr Baelish).- Phallus (Asha Greyjoy, Varys).- Frauen (Sansa Stark).- Isolation (Cersei Lennister).- Charisma (Daenerys Targaryen).- Romantisierung (Jon Snow).- Behinderung (Tyrion Lennister, Brandon Stark).- Fazit: Leadership ist Beziehungssache.
  5. Peruvian Cinema of the Twenty-First Century
    Dynamic and Unstable Grounds
    Contributor: Vich, Cynthia (Herausgeber); Barrow, Sarah (Herausgeber)
    Published: [2020]
    Publisher:  Palgrave Macmillan, Cham

    This is the first English-language book to provide a critical panorama of the last twenty years of Peruvian cinema. Through analysis of the nation’s diverse modes of filmmaking, it offers an insight into how global debates around cinema are played... more

    Location:
    Universitätsbibliothek Duisburg-Essen
    Signature:
    KNKP1216
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This is the first English-language book to provide a critical panorama of the last twenty years of Peruvian cinema. Through analysis of the nation’s diverse modes of filmmaking, it offers an insight into how global debates around cinema are played out on and off screen in a distinctive national context.The insertion of post-conflict Peru within neoliberalism resulted in widespread commodification of all areas of life, significantly impacting cinema culture. Consequently, the principal structural concept of this collection is the interplay between film production and market forces, an interaction which makes dynamism and instability the defining features of 21st-century Peruvian cinema.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
  6. Peruvian Cinema of the Twenty-First Century
    Dynamic and Unstable Grounds
    Contributor: Vich, Cynthia (Herausgeber); Barrow, Sarah (Herausgeber)
    Published: [2020]
    Publisher:  Palgrave Macmillan, Cham

    This is the first English-language book to provide a critical panorama of the last twenty years of Peruvian cinema. Through analysis of the nation’s diverse modes of filmmaking, it offers an insight into how global debates around cinema are played... more

    Location:
    Universitätsbibliothek Duisburg-Essen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This is the first English-language book to provide a critical panorama of the last twenty years of Peruvian cinema. Through analysis of the nation’s diverse modes of filmmaking, it offers an insight into how global debates around cinema are played out on and off screen in a distinctive national context.The insertion of post-conflict Peru within neoliberalism resulted in widespread commodification of all areas of life, significantly impacting cinema culture. Consequently, the principal structural concept of this collection is the interplay between film production and market forces, an interaction which makes dynamism and instability the defining features of 21st-century Peruvian cinema

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
  7. Leadership in Game of Thrones
    Author: Biehl, Brigitte
    Published: 2020
    Publisher:  Springer VS, Wiesbaden

    Der Kampf um die Macht in Westeros ist zwar blutiger als in jedem heutigen Unternehmen, aber genauso berechnend mit Intrigen, Fallen und Demütigungen. Das Buch analysiert Strategien von Führung (Leadership) am Beispiel der beliebten Fernsehserie und... more

    Location:
    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Der Kampf um die Macht in Westeros ist zwar blutiger als in jedem heutigen Unternehmen, aber genauso berechnend mit Intrigen, Fallen und Demütigungen. Das Buch analysiert Strategien von Führung (Leadership) am Beispiel der beliebten Fernsehserie und verbindet Serienkulturen mit Managementforschung. Das populäre Phänomen spielt in einer mittelalterlichen Fantasy-Welt und führt uns umso überzeichneter vielfältige Leadership-Archetypen in einem unsicheren Zeitalter vor: charismatische, authentische, maskuline und mütterliche Führungspersonen werden konstruiert und wieder demontiert. Hände, Penisse und Köpfe werden abgetrennt. So zelebriert die Serie auch die Macht derjenigen, die folgen oder es auch nicht tun müssen, und ihre Leader stets beeinflussen. Dr. Brigitte Biehl (Biehl-Missal) ist Professorin für Media and Communication Management an der SRH Berlin University of Applied Sciences, School of Popular Arts (ehemals SRH Hochschule der populären Künste) in Berlin und leitet dort den Studiengang Creative Industries Management sowie das Institut für Weiterbildung (IWK). Ihr Hintergrund ist Theater-, Film- und Medienwissenschaft und BWL, sie publiziert international über Ästhetik und Management

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783658293000
    Other identifier:
    9783658293000
    Series: Serienkulturen: Anlayse - Kritik - Bedeutung
    Subjects: Motion pictures; Popular Culture; Culture—Study and teaching; Mass media; Communication; Film genres; Culture-Study and teaching; Game of Thrones;TV-Serien;Machtkämpfe in TV-Serien;Führungstypen in TV-Serien;Leadership in TV-Serien;Kulturelle Denkmuster;Popkulturelle Phänomene
    Other subjects: Politische Führung; B; Global Cinema and TV; Literature, Cultural and Media Studies; Popular Culture; Filmgattungen, Filmgenre; Cultural Theory; Populärkultur; Media Sociology; Kulturwissenschaften; Genre; Mediensoziologie; Hardcover, Softcover / Kunst/Fotografie, Film, Video, TV
    Scope: VII, 135 Seiten, 266 grams
    Notes:

    Der Kampf um die Macht in Westeros ist zwar blutiger als in jedem heutigen Unternehmen, aber genauso berechnend mit Intrigen, Fallen und Demütigungen. Das Buch analysiert Strategien von Führung (Leadership) am Beispiel der beliebten Fernsehserie und verbindet Serienkulturen mit Managementforschung. Das populäre Phänomen spielt in einer mittelalterlichen Fantasy-Welt und führt uns umso überzeichneter vielfältige Leadership-Archetypen in einem unsicheren Zeitalter vor: charismatische, authentische, maskuline und mütterliche Führungspersonen werden konstruiert und wieder demontiert. Hände, Penisse und Köpfe werden abgetrennt. So zelebriert die Serie auch die Macht derjenigen, die folgen oder es auch nicht tun müssen, und ihre Leader stets beeinflussen. Der Inhalt- Einleitung: Populäre Kultur und Leadership- Authentizität (Eddard Stark)- Kapital (Robb und Catelyn Stark, Petyr Baelish)- Phallus (Asha Greyjoy, Varys)- Frauen (Sansa Stark)- Isolation (Cersei Lennister)- Charisma (Daenerys Targaryen)- Romantisierung (Jon Snow)- Behinderung (Tyrion Lennister, Brandon Stark)- Fazit: Leadership ist BeziehungssacheDie AutorinDr. Brigitte Biehl (Biehl-Missal) ist Professorin für Media and Communication Management an der SRH Berlin University of Applied Sciences, School of Popular Arts (ehemals SRH Hochschule der populären Künste) in Berlin und leitet dort den Studiengang Creative Industries Management sowie das Institut für Weiterbildung (IWK). Ihr Hintergrund ist Theater-, Film- und Medienwissenschaft und BWL, sie publiziert international über Ästhetik und Management

    Einleitung: Populäre Kultur und Leadership.- Authentizität (Eddard Stark).- Kapital (Robb und Catelyn Stark, Petyr Baelish).- Phallus (Asha Greyjoy, Varys).- Frauen (Sansa Stark).- Isolation (Cersei Lennister).- Charisma (Daenerys Targaryen).- Romantisierung (Jon Snow).- Behinderung (Tyrion Lennister, Brandon Stark).- Fazit: Leadership ist Beziehungssache