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  1. Transfiguring Transcendence in Harry Potter, His Dark Materials and Left Behind
    Fantasy Rhetorics and Contemporary Visions of Religious Identity
    Author: Gray, Mike
    Published: 2013
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

    Three recent and commercially successful series of novels employ and adapt the resources of popular fantasy fiction to create visions of religious identity: J.K. Rowling's Harry Potter books, Phillip Pullman's Dark Materials and Tim LaHaye and Jerry... more

    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Three recent and commercially successful series of novels employ and adapt the resources of popular fantasy fiction to create visions of religious identity: J.K. Rowling's Harry Potter books, Phillip Pullman's Dark Materials and Tim LaHaye and Jerry Jenkins' Left Behind series. The act of creating fantasy counter-worlds naturally involves all three stories in the creation of what Mike Gray terms "transfigurations of transcendence": hopeful albeit paradoxical encodings of the ambiguous, non-observable reality whose primary locus in modern society is the societally extra-systemic human individual. Popular fantasy fiction turns out to involve acts of world-creation that are inherently religious and inherently paradoxical.A substantive examination shows that all three are involved in more or less intentional re-narrations of traditional Christian beliefs and narratives. The »atheist« His Dark Materials series does not deny but re-imagines the Christian visions of selfhood; the »traditionalist« Left Behind series does not simply replicate but modifies its own declared values; the apparent secularity of the Harry Potter series is shaped by its creative reception of Christian patterns and narratives. While the stories' visions of selfhood clearly clash, the basic paradoxes involved in their struggle to articulate transcendence expose significant parallels and a productive conversation with the Christian tradition.It is not simply that popular fantasy fiction is theologically relevant - the Christian Heilsgeschichte, too, proves to be highly relevant in popular culture. However, while far from obsolescent, models of religious identity in contemporary society require criticism and creativity - and, as evinced most powerfully in the Harry Potter stories, a flair for constructive engagement with paradox

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783647604473
    Edition: 1st ed
    Series: Research in Contemporary Religion (RCR)
    Subjects: Glaube /i. d. Literatur; Populärkultur; Religionswissenschaft
    Scope: 1 Online-Ressource (308 Seiten)
  2. Transfiguring transcendence in Harry Potter, his dark materials and left behind
    fantasy rhetorics and contemporary visions of religious identity
    Author: Gray, Mike
    Published: c 2013
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783525604472; 3525604475
    Other identifier:
    9783525604472
    Series: Research in contemporary religion ; Vol. 13
    Subjects: Religion <Motiv>
    Other subjects: Rowling, J. K. (1965-): Harry Potter; Pullman, Philip (1946-): His dark materials; LaHaye, Tim (1926-2016): The left behind series; (Produktform)Hardback; Glaube /i. d. Literatur; Religionswissenschaft; Populärkultur; (VLB-WN)1541: Hardcover, Softcover / Religion/Theologie/Allgemeines, Lexika
    Scope: 306 S., 24 cm
    Notes:

    Literaturangaben
  3. Transfiguring Transcendence in Harry Potter, His Dark Materials and Left Behind
    Fantasy Rhetorics and Contemporary Visions of Religious Identity
    Author: Gray, Mike
    Published: 2013
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783647604473
    Other identifier:
    9783647604473
    Edition: 1. Aufl.
    Series: Research in Contemporary Religion (RCR) ; Band 013
    Subjects: Religion <Motiv>
    Other subjects: Rowling, J. K. (1965-): Harry Potter; Pullman, Philip (1946-): His dark materials; LaHaye, Tim (1926-2016): The left behind series; (Produktform)Electronic book text; Populärkultur; Glaube /i. d. Literatur; Religionswissenschaft; (VLB-WN)9541
    Scope: Online-Ressource
    Notes:

    Ggf. gehört die archivierte Coverdatei nicht zum Titel (fehlerhaft geliefert).

    Lizenzpflichtig
  4. Transfiguring Transcendence in Harry Potter, His Dark Materials and Left Behind
    Fantasy Rhetorics and Contemporary Visions of Religious Identity
    Author: Gray, Mike
    Published: 2013; ©2013
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

    Three recent and commercially successful series of novels employ and adapt the resources of popular fantasy fiction to create visions of religious identity: J.K. Rowling’s Harry Potter books, Phillip Pullman’s Dark Materials and Tim LaHaye and Jerry... more

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    Universitätsbibliothek Braunschweig
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Bibliothek der Pädagogischen Hochschule Freiburg/Breisgau
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Universitätsbibliothek Leipzig
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    Universität Potsdam, Universitätsbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Hochschule Zittau / Görlitz, Hochschulbibliothek
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    Three recent and commercially successful series of novels employ and adapt the resources of popular fantasy fiction to create visions of religious identity: J.K. Rowling’s Harry Potter books, Phillip Pullman’s Dark Materials and Tim LaHaye and Jerry Jenkins’ Left Behind series. The act of creating fantasy counter-worlds naturally involves all three stories in the creation of what Mike Gray terms “transfigurations of transcendence”: hopeful albeit paradoxical encodings of the ambiguous, non-observable reality whose primary locus in modern society is the societally extra-systemic human individual. Popular fantasy fiction turns out to involve acts of world-creation that are inherently religious and inherently paradoxical.A substantive examination shows that all three are involved in more or less intentional re-narrations of traditional Christian beliefs and narratives. The »atheist« His Dark Materials series does not deny but re-imagines the Christian visions of selfhood; the »traditionalist« Left Behind series does not simply replicate but modifies its own declared values; the apparent secularity of the Harry Potter series is shaped by its creative reception of Christian patterns and narratives. While the stories’ visions of selfhood clearly clash, the basic paradoxes involved in their struggle to articulate transcendence expose significant parallels and a productive conversation with the Christian tradition.It is not simply that popular fantasy fiction is theologically relevant – the Christian Heilsgeschichte, too, proves to be highly relevant in popular culture. However, while far from obsolescent, models of religious identity in contemporary society require criticism and creativity – and, as evinced most powerfully in the Harry Potter stories, a flair for constructive engagement with paradox.

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783647604473
    Other identifier:
    9783647604473
    Edition: 1. Aufl.
    Series: Research in Contemporary Religion (RCR) ; Band 013
    Subjects: Glaube /i. d. Literatur; Religionswissenschaft; Populärkultur
    Scope: Online Ressource
  5. Transfiguring Transcendence in Harry Potter, His Dark Materials and Left Behind
    Fantasy Rhetorics and Contemporary Visions of Religious Identity
    Author: Gray, Mike
    Published: 2013
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

    Three recent and commercially successful series of novels employ and adapt the resources of popular fantasy fiction to create visions of religious identity: J.K. Rowling's Harry Potter books, Phillip Pullman's Dark Materials and Tim LaHaye and Jerry... more

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Evangelische Hochschule Nürnberg, Bibliothek
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    Location:
    Technische Hochschulbibliothek Rosenheim
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Three recent and commercially successful series of novels employ and adapt the resources of popular fantasy fiction to create visions of religious identity: J.K. Rowling's Harry Potter books, Phillip Pullman's Dark Materials and Tim LaHaye and Jerry Jenkins' Left Behind series. The act of creating fantasy counter-worlds naturally involves all three stories in the creation of what Mike Gray terms "transfigurations of transcendence": hopeful albeit paradoxical encodings of the ambiguous, non-observable reality whose primary locus in modern society is the societally extra-systemic human individual. Popular fantasy fiction turns out to involve acts of world-creation that are inherently religious and inherently paradoxical.A substantive examination shows that all three are involved in more or less intentional re-narrations of traditional Christian beliefs and narratives. The »atheist« His Dark Materials series does not deny but re-imagines the Christian visions of selfhood; the »traditionalist« Left Behind series does not simply replicate but modifies its own declared values; the apparent secularity of the Harry Potter series is shaped by its creative reception of Christian patterns and narratives. While the stories' visions of selfhood clearly clash, the basic paradoxes involved in their struggle to articulate transcendence expose significant parallels and a productive conversation with the Christian tradition.It is not simply that popular fantasy fiction is theologically relevant - the Christian Heilsgeschichte, too, proves to be highly relevant in popular culture. However, while far from obsolescent, models of religious identity in contemporary society require criticism and creativity - and, as evinced most powerfully in the Harry Potter stories, a flair for constructive engagement with paradox

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783647604473
    Edition: 1st ed
    Series: Research in Contemporary Religion (RCR)
    Subjects: Glaube /i. d. Literatur; Populärkultur; Religionswissenschaft
    Scope: 1 Online-Ressource (308 Seiten)
  6. Transfiguring Transcendence in Harry Potter, His Dark Materials and Left Behind
    Fantasy Rhetorics and Contemporary Visions of Religious Identity
    Author: Gray, Mike
    Published: 2013
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

    Three recent and commercially successful series of novels employ and adapt the resources of popular fantasy fiction to create visions of religious identity: J.K. Rowling’s Harry Potter books, Phillip Pullman’s Dark Materials and Tim LaHaye and Jerry... more

    Access:
    Verlag (lizenzpflichtig)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Three recent and commercially successful series of novels employ and adapt the resources of popular fantasy fiction to create visions of religious identity: J.K. Rowling’s Harry Potter books, Phillip Pullman’s Dark Materials and Tim LaHaye and Jerry Jenkins’ Left Behind series. The act of creating fantasy counter-worlds naturally involves all three stories in the creation of what Mike Gray terms “transfigurations of transcendence”: hopeful albeit paradoxical encodings of the ambiguous, non-observable reality whose primary locus in modern society is the societally extra-systemic human individual. Popular fantasy fiction turns out to involve acts of world-creation that are inherently religious and inherently paradoxical.A substantive examination shows that all three are involved in more or less intentional re-narrations of traditional Christian beliefs and narratives. The »atheist« His Dark Materials series does not deny but re-imagines the Christian visions of selfhood; the »traditionalist« Left Behind series does not simply replicate but modifies its own declared values; the apparent secularity of the Harry Potter series is shaped by its creative reception of Christian patterns and narratives. While the stories’ visions of selfhood clearly clash, the basic paradoxes involved in their struggle to articulate transcendence expose significant parallels and a productive conversation with the Christian tradition.It is not simply that popular fantasy fiction is theologically relevant – the Christian Heilsgeschichte, too, proves to be highly relevant in popular culture. However, while far from obsolescent, models of religious identity in contemporary society require criticism and creativity – and, as evinced most powerfully in the Harry Potter stories, a flair for constructive engagement with paradox.

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783647604473
    Other identifier:
    9783647604473
    Edition: 1. Aufl.
    Series: Research in Contemporary Religion (RCR) ; Band 013
    Subjects: Glaube /i. d. Literatur; Religionswissenschaft; Populärkultur
    Scope: Online Ressource