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Displaying results 1 to 17 of 17.

  1. The speech-gesture complex
    modernism, theatre, cinema
    Author: Paraskeva, Anthony
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh ; Oxford University Press, Oxford

    This study examines the representation of gesture in modernist writing, performance, and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This study examines the representation of gesture in modernist writing, performance, and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748695249
    Other identifier:
    RVK Categories: ES 172
    Series: Edinburgh critical studies in modernism, drama and performance
    Subjects: Geste <Motiv>; Sprache <Motiv>; Drama; Film; Gesture in literature; Modernism (Literature); Gesture in motion pictures; Speech and gesture; Theater
    Other subjects: Beckett, Samuel (1906-1989); Lewis, Wyndham (1882-1957); Joyce, James (1882-1941)
    Scope: 1 Online-Ressource (vi, 199 pages).
    Notes:

    Includes bibliographical references and index
  2. Gesture in French post-new wave cinema
    Author: Giraud, François
    Published: [2023]
    Publisher:  Peter Lang, Oxford

    "Since the invention of cinema in the late nineteenth century, gesture has been a central preoccupation and source of innovations for early film pioneers and avant-garde filmmakers. Gesture is a non-verbal form of expression and communication which... more

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    Universität Mainz, Zentralbibliothek, RVK-Aufstellung
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    200 AP 59735 G522
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    "Since the invention of cinema in the late nineteenth century, gesture has been a central preoccupation and source of innovations for early film pioneers and avant-garde filmmakers. Gesture is a non-verbal form of expression and communication which enables us to consider, on the one hand, the medium specificity of cinema and, on the other hand, the concept of intermediality, that is, the relations between the moving image and other visual and performing arts. To date, studies on gesture in sound cinema and post-war European modern cinema remains relatively scarce, even though gesture during this period is symptomatic of deep cinematic transformations. Through an interdisciplinary approach, this book examines the aesthetics of gesture in a selection of French post-New Wave films, made on the fringes of film industry, which reveal how cinema can be used as a particularly pertinent instrument to show the impact of sociocultural conditioning on the body, especially in the aftermath of May 1968. Exploring radical manners of filming, performing and editing gestures, post-New Wave filmmakers develop a profusion of cinematic approaches and styles to represent the body as well as the ritualisation of attitudes, postures and gestures"

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1800796382; 9781800796386
    Other identifier:
    9781800796386
    RVK Categories: AP 59735 ; AP 44935 ; AP 73900
    DDC Categories: 791
    Series: European connections ; volume 47
    Subjects: Gestik; Geste; Film; Geste <Motiv>; New wave films; Gesture in motion pictures; Motion pictures; Gesture in motion pictures; Motion pictures; New wave films
    Other subjects: Perec, Georges (1936-1982): Un homme qui dort; Akerman, Chantal (1950-2015); Klossowski, Pierre (1905-2001); Zucca, Pierre (1943-1995)
    Scope: xi, 284 Seiten, Illustrationen, 23 cm.
  3. Le corps exposé
    Published: 1996
    Publisher:  Place, Paris

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    Universitätsbibliothek Passau
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  4. Les mains au cinéma
    Author: Marques, Sandrine
    Published: [2017]
    Publisher:  Aedon, Le Vernet

    "Elles orchestrent la rencontre et scellent la désunion, établissent le partage et la déchirure: les mains parcourent le cinéma. Connectées à l'oeil, elles se font pensée en mouvement et réconcilient comme elles opposent. Main-pulsionnelle ou... more

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    "Elles orchestrent la rencontre et scellent la désunion, établissent le partage et la déchirure: les mains parcourent le cinéma. Connectées à l'oeil, elles se font pensée en mouvement et réconcilient comme elles opposent. Main-pulsionnelle ou main-affect qui formulent les sentiments secrets, elles sont un langage. Au cinéma, elles rivalisent d'éloquence. Plus qu'un motif iconographique, les mains s'accordent à la temporalité émouvante d'une existence. Leur visibilité à l'écran cache pourtant le paradoxe de leur mystère et de leur incapacité à embrasser la totalité de l'autre. Temps, mouvement, mémoire, altérité, sexualité se mêlent dans le battement harmonieux des mains. Faites de la même substance que le cinéma, elles l'obsèdent. Scorsese, De Sica, Fellini, Vidor, Preminger, Denis, Bresson, Mann, Hitchcock, Chabrol, Lang, Wiene, Burton, Craven, Raimi, Browning, Genet, Godard, Kubrick: tous les ont fétichisées, transformant leurs films en étreintes."--Page 4 of cover

     
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  5. The speech-gesture complex
    modernism, theatre, cinema
    Author: Paraskeva, Anthony
    Published: [2020]
    Publisher:  Edinburgh Univ. Press, Edinburgh

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781474473200; 9780748684892
    RVK Categories: ES 172
    Series: Edinburgh critical studies in modernism, drama and performance
    Subjects: Geschichte; Gesture in literature; Modernism (Literature); Gesture in motion pictures; Speech and gesture; Theater / History; Film; Geste <Motiv>; Literatur; Aufführung
    Scope: vi, 199 Seiten, 24 cm
  6. Qu'est-ce qu'un geste politique au cinéma ?
    Contributor: Campan, Véronique (Publisher); Martin, Marie (Publisher); Rollet, Sylvie (Publisher)
    Published: 2019
    Publisher:  Presses universitaires de Rennes, Rennes

    "L'attention portée aux gestes confirme le tournant anthropologique que connaissent depuis quelques années les études cinématographiques. Le geste filmé, le geste de filmer, le geste de recevoir un film et de lui répondre sont les vecteurs d'une... more

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    "L'attention portée aux gestes confirme le tournant anthropologique que connaissent depuis quelques années les études cinématographiques. Le geste filmé, le geste de filmer, le geste de recevoir un film et de lui répondre sont les vecteurs d'une expérience partagée : repris, détaillé, le geste filmé s'offre comme réalité sensible et adresse à l'autre. Loin de toute assignation de sens comme de toute obligation de résultat, le geste s'impose ainsi, selon Agamben qui est le fil rouge de ce volume, comme l'une des dernières formes d'expression du politique. L'expérience du film rendrait ainsi possible une nouvelle définition de l'être-ensemble qui constitue le politique : un passage de relais où personne filmée, cinéaste, spectateur, tour à tour s'exposent et (se) regardent. Les textes de ce volume cernent les points de tension où s'impose, dans l'éclat et l'éclair d'un geste, cette dimension politique, entre emprise et émancipation, action militante et mise en scène de soi. C'est surtout dans les formes libres du film-essai ou du documentaire de création, de Pasolini à Godard, de Kiarostami à Kawase, de Farocki à Wang Bing et de Zilnik à Klotz et Perceval que s'illustrent ces oscillations. Les contributions de trois cinéastes passeurs, Xavier Christiaens, Sylvain George et Sothean Nhieim, perpétuent le geste politique dont est ici proposée l'analyse."--Page 4 of cover

     
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    Source: Union catalogues
    Contributor: Campan, Véronique (Publisher); Martin, Marie (Publisher); Rollet, Sylvie (Publisher)
    Language: French
    Media type: Book
    ISBN: 9782753576377; 2753576378
    Series: Collection Le spectaculaire
    Subjects: Film; Geste; Politik <Motiv>
    Other subjects: Motion pictures; Gesture in motion pictures
    Scope: 241 Seiten, 10 ungezählte Seiten Tafeln, Illustrationen, 1 Diagramm, 21 cm
  7. The speech-gesture complex
    modernism, theatre, cinema
    Author: Paraskeva, Anthony
    Published: 2013
    Publisher:  Edinburgh Univ. Press, Edinburgh

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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780748684892
    RVK Categories: ES 172
    Series: Edinburgh critical studies in modernism, drama and performance
    Subjects: Geschichte; Gesture in literature; Modernism (Literature); Gesture in motion pictures; Speech and gesture; Theater / History; Film; Geste <Motiv>; Aufführung; Literatur
    Scope: VI, 199 S., 24 cm
  8. The Speech-Gesture Complex
    Modernism, Theatre, Cinema
    Author: Paraskeva, Anthony
    Published: [2022]; © 2013
    Publisher:  Edinburgh University Press, Edinburgh

    Places the performative gesture at the point of intersection between literature, theatre and cinemaProvides new close readings of major and neglected work by Kafka, Joyce, James, Lewis, Nabokov and Beckett, revealing their complex relations with both... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Places the performative gesture at the point of intersection between literature, theatre and cinemaProvides new close readings of major and neglected work by Kafka, Joyce, James, Lewis, Nabokov and Beckett, revealing their complex relations with both theatre and cinemaEstablishes a new critical-theoretical category, and highlights an unexplored dialogue between Ibsen, Benjamin, Adorno, Griffith, Eisenstein, Chaplin, Brecht, Artaud, Lang, Meyerhold, Duse and GarboAnalyses central and neglected modernist texts alongside stage productions, styles of acting, film history and performance theoryThis study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748684908
    Other identifier:
    Series: Edinburgh Critical Studies in Modernism, Drama and Performance : ECSMDP
    Subjects: Literary Studies; LITERARY CRITICISM / European / General; Gesture in literature; Gesture in motion pictures; Modernism (Literature); Modernism (Literature); Speech and gesture
    Scope: 1 Online-Ressource (208 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
  9. The Speech-Gesture Complex
    Modernism, Theatre, Cinema
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    This study examines the representation of gesture in modernist writing, performance and cinema more

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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    This study examines the representation of gesture in modernist writing, performance and cinema

     
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  10. The Speech-Gesture Complex
    Modernism, Theatre, Cinema
    Author: Paraskeva, Anthony
    Published: [2022]
    Publisher:  Edinburgh University Press, Edinburgh

    Frontmatter -- Contents -- Acknowledgements -- INTRODUCTION -- 1 JAMES JOYCE -- 2 WYNDHAM LEWIS -- 3 THE TRANSITION TO SOUND -- 4 SAMUEL BECKETT -- BIBLIOGRAPHY -- Index Places the performative gesture at the point of intersection between literature,... more

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    Frontmatter -- Contents -- Acknowledgements -- INTRODUCTION -- 1 JAMES JOYCE -- 2 WYNDHAM LEWIS -- 3 THE TRANSITION TO SOUND -- 4 SAMUEL BECKETT -- BIBLIOGRAPHY -- Index Places the performative gesture at the point of intersection between literature, theatre and cinemaProvides new close readings of major and neglected work by Kafka, Joyce, James, Lewis, Nabokov and Beckett, revealing their complex relations with both theatre and cinemaEstablishes a new critical-theoretical category, and highlights an unexplored dialogue between Ibsen, Benjamin, Adorno, Griffith, Eisenstein, Chaplin, Brecht, Artaud, Lang, Meyerhold, Duse and GarboAnalyses central and neglected modernist texts alongside stage productions, styles of acting, film history and performance theoryThis study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748684908
    Other identifier:
    RVK Categories: ES 172
    Series: Array
    Subjects: Gesture in literature; Gesture in motion pictures; Modernism (Literature); Modernism (Literature); Speech and gesture; LITERARY CRITICISM / European / General
    Scope: 1 Online-Ressource (208 p)
  11. The speech-gesture complex
    modernism, theatre, cinema
    Author: Paraskeva, Anthony
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema Introduction -- James Joyce -- Wyndham Lewis -- The transition to sound -- Samuel Beckett

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748684908
    RVK Categories: ES 172
    Subjects: Gesture in literature; Gesture in motion pictures; Modernism (Literature); Speech and gesture; Speech and gesture; Gesture in literature; Gesture in motion pictures; Modernism (Literature)
    Scope: 1 Online-Ressource (vi, 199 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  12. The speech-gesture complex
    modernism, theatre, cinema
    Author: Paraskeva, Anthony
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748684908
    RVK Categories: ES 172
    Subjects: Speech and gesture; Gesture in literature; Gesture in motion pictures; Modernism (Literature); Aufführung; Geste <Motiv>; Film; Literatur
    Scope: 1 online resource (vi, 199 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction -- James Joyce -- Wyndham Lewis -- The transition to sound -- Samuel Beckett
  13. The speech-gesture complex
    modernism, theatre, cinema
    Author: Paraskeva, Anthony
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is... more

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    Bayerische Staatsbibliothek
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    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748684908
    RVK Categories: ES 172
    Subjects: Speech and gesture; Gesture in literature; Gesture in motion pictures; Modernism (Literature); Film; Literatur; Aufführung; Geste <Motiv>
    Scope: 1 online resource (vi, 199 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Introduction -- James Joyce -- Wyndham Lewis -- The transition to sound -- Samuel Beckett
  14. The Speech-Gesture Complex
    Modernism, Theatre, Cinema
    Author: Paraskeva, Anthony
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748684908; 0748684905; 9780748695249; 0748695249; 9780748684892; 0748684891
    Series: Edinburgh critical studies in modernism, drama and performance
    Subjects: Gesture in literature; Gesture in motion pictures; Speech and gesture; LANGUAGE ARTS & DISCIPLINES / Composition & Creative Writing; LANGUAGE ARTS & DISCIPLINES / Rhetoric; REFERENCE / Writing Skills; Gesture in literature; Gesture in motion pictures; Modernism (Literature); Speech and gesture; LITERARY CRITICISM / Semiotics & Theory; Speech and gesture; Gesture in literature; Gesture in motion pictures; Modernism (Literature); Literatur; Aufführung; Film; Geste <Motiv>
    Scope: 209 pages
    Notes:

    Title Page; Imprint; Contents; Acknowledgements; INTRODUCTION; 1 JAMES JOYCE; 2 WYNDHAM LEWIS; 3 THE TRANSITION TO SOUND; 4 SAMUEL BECKETT; BIBLIOGRAPHY; index

    This study examines the representation of gesture in modernist writing, performance and cinema

    Includes bibliographical references and index
  15. The speech-gesture complex
    modernism, theatre, cinema
    Author: Paraskeva, Anthony
    Published: 2013
    Publisher:  Edinburgh Univ. Press, Edinburgh

    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is... more

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    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, 'the speech-gesture complex', Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780748684892
    RVK Categories: HM 1101 ; ES 172
    Series: Edinburgh critical studies in modernism, drama and performance
    Subjects: Speech and gesture; Gesture in literature; Gesture in motion pictures; Modernism (Literature); Gesture in literature; Modernism (Literature); Gesture in motion pictures; Speech and gesture; Theater
    Scope: VI, 199 S., 25 cm
    Notes:

    Literaturverz. S. 172 - 191
  16. The speech-gesture complex
    modernism, theatre, cinema
    Author: Paraskeva, Anthony
    Published: [2013]
    Publisher:  Edinburgh University Press, Edinburgh

    This study examines the representation of gesture in modernist writing, performance and cinema more

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    Hochschulbibliothek Friedensau
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    This study examines the representation of gesture in modernist writing, performance and cinema

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748684892
    Series: Edinburgh critical studies in modernism, drama and performance
    Subjects: Modernism (Literature); Gesture in motion pictures; Theater; Speech and gesture; Gesture in literature
    Scope: Online-Ressource (206 pages)
    Notes:

    Includes bibliographical references and index

    Title Page; Imprint; Contents; Acknowledgements; INTRODUCTION; 1 JAMES JOYCE; 2 WYNDHAM LEWIS; 3 THE TRANSITION TO SOUND; 4 SAMUEL BECKETT; BIBLIOGRAPHY; index.
  17. The speech-gesture complex
    modernism, theatre, cinema
    Author: Paraskeva, Anthony
    Published: 2013
    Publisher:  Edinburgh University Press, Edinburgh

    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is... more

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    This new study examines the representation of gesture in modernist writing, performance and cinema. Deploying a new theoretical term, ‘the speech-gesture complex’, Anthony Paraskeva identifies a relationship between speech and gesture which is neither exclusively literary nor performative and which, he argues, is fundamental to the aesthetics and politics of modernist authors. In discussions of works by Franz Kafka, James Joyce, Henry James, Wyndham Lewis, Vladimir Nabokov and Samuel Beckett, Paraskeva shows how this relationship is closely informed by their attention to the performed gestures of actors in theatre and cinema Introduction -- James Joyce -- Wyndham Lewis -- The transition to sound -- Samuel Beckett

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748684908
    RVK Categories: ES 172
    Subjects: Gesture in literature; Gesture in motion pictures; Modernism (Literature); Speech and gesture; Speech and gesture; Gesture in literature; Gesture in motion pictures; Modernism (Literature)
    Scope: 1 Online-Ressource (vi, 199 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)