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  1. Sprachliche Spur der Moderne
    In Gedichten um 1900: Nietzsche, Holz, George, Rilke, Morgenstern
    Published: [2010]; ©2010
    Publisher:  De Gruyter, Berlin ; Boston

    Die Moderne ist, literarisch gesehen, erst einmal ein Sprachprojekt. Und Lyrik gilt als Paradigma der Moderne: In Gedichttexten lösen sich die Fesseln der Tradition. - Friedrich Nietzsche ruft "Sprache als Kunst" aus, und Dichter der Moderne um 1900... more

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    Die Moderne ist, literarisch gesehen, erst einmal ein Sprachprojekt. Und Lyrik gilt als Paradigma der Moderne: In Gedichttexten lösen sich die Fesseln der Tradition. - Friedrich Nietzsche ruft "Sprache als Kunst" aus, und Dichter der Moderne um 1900 folgen, jeweils auf ihre Weise, diesem Ruf. Arno Holz spricht von "Wortkunst", Stefan George insistiert auf seiner "literatur sprache", Rainer Maria Rilke setzt auf "Verwandlung in Worte" und Christian Morgenstern auf "Umwortung aller Worte". Die Studien arbeiten, vergleichend, die Sprachkonzepte der Dichter heraus und erschließen das je Eigene sowie das Gemeinsame auf dem Weg in die Moderne. Sie ruhen auf einer literarisch-linguistischen Interpretation, die im dicht gewebten lyrischen Text den sprachlichen Ausgriff der Poeten aufzeigt: "schon kaum / erklärbar mehr: vielleicht ein Pflaumenbaum, / von dem ein Kuckuck hastig abgeflogen."

     

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  2. Das Buch der Psalmen und die deutschsprachige Lyrik des 20. Jahrhunderts
    Zu den Psalmen im Werk Bertolt Brechts und Paul Celans
    Published: [2015]; © 1989
    Publisher:  Böhlau Verlag, Köln

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
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    Series: Kölner Germanistische Studien
    Subjects: Brecht, Bertolt; Celan, Paul; Psalmendichtung; German poetry / 20th century / History and criticism; Rezeption; Deutsch; Lyrik
    Other subjects: Celan, Paul (1920-1970); Brecht, Bertolt (1898-1956)
    Scope: 1 online resource (341p.)
    Notes:

    Frontmatter --INHALTSVERZEICHNIS --I. EINLEITUNG --II. "ICH MUß NOCH EINMAL PSALMEN SCHREIBEN." - DIE PSALMEN IM WERK BERTOLT BRECHTS --III. "ASCHREJ, EIN WORT OHNE SINN" - DIE PSALMEN IM WERK PAUL CELANS --IV. SCHLUßBEMERKUNG --ANMERKUNGEN --LITERATURVERZEICHNIS --Backmatter

  3. Thresholds, encounters
    Paul Celan and the claim of philology
    Contributor: Mendicino, Kristina (Publisher); Zechner, Dominik (Publisher)
    Published: [2023]
    Publisher:  SUNY Press, Albany

    "Explores the various ways in which poetic and philosophical writing meet in texts by, and on, Paul Celan" more

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    "Explores the various ways in which poetic and philosophical writing meet in texts by, and on, Paul Celan"

     

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    Source: Union catalogues
    Contributor: Mendicino, Kristina (Publisher); Zechner, Dominik (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781438494418
    Series: SUNY series literature in theory
    Subjects: Philologie; Poetik; Philosophie
    Other subjects: Celan, Paul (1920-1970); Celan, Paul / Criticism and interpretation; Celan, Paul / Themes, motives; German poetry / 20th century / History and criticism; Philology
    Scope: ix, 314 Seiten, 24 cm
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    SUNY = State University of New York Press

  4. Sprachliche Spur der Moderne
    In Gedichten um 1900: Nietzsche, Holz, George, Rilke, Morgenstern
    Published: [2010]; ©2010
    Publisher:  De Gruyter, Berlin ; Boston

    Die Moderne ist, literarisch gesehen, erst einmal ein Sprachprojekt. Und Lyrik gilt als Paradigma der Moderne: In Gedichttexten lösen sich die Fesseln der Tradition. - Friedrich Nietzsche ruft "Sprache als Kunst" aus, und Dichter der Moderne um 1900... more

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    Die Moderne ist, literarisch gesehen, erst einmal ein Sprachprojekt. Und Lyrik gilt als Paradigma der Moderne: In Gedichttexten lösen sich die Fesseln der Tradition. - Friedrich Nietzsche ruft "Sprache als Kunst" aus, und Dichter der Moderne um 1900 folgen, jeweils auf ihre Weise, diesem Ruf. Arno Holz spricht von "Wortkunst", Stefan George insistiert auf seiner "literatur sprache", Rainer Maria Rilke setzt auf "Verwandlung in Worte" und Christian Morgenstern auf "Umwortung aller Worte". Die Studien arbeiten, vergleichend, die Sprachkonzepte der Dichter heraus und erschließen das je Eigene sowie das Gemeinsame auf dem Weg in die Moderne. Sie ruhen auf einer literarisch-linguistischen Interpretation, die im dicht gewebten lyrischen Text den sprachlichen Ausgriff der Poeten aufzeigt: "schon kaum / erklärbar mehr: vielleicht ein Pflaumenbaum, / von dem ein Kuckuck hastig abgeflogen."

     

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  5. "... et j'ai lu tous les livres"
    Mallarmé-Celan
  6. Hitler's war poets
    literature and politics in the Third Reich
    Published: 2008
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521876896; 0521876893
    RVK Categories: GM 1565 ; NQ 2280 ; NQ 2270
    Edition: 1. publ.
    Subjects: German poetry / 20th century / History and criticism; National socialism and literature; German poetry / Themes, motives; World War, 1914-1918 / Influence; Heroes in literature; Nationalism in literature; Antisemitism in literature
    Scope: XIII, 284 S., Ill.
    Notes:

    Literaturverz. S. 266 - 276

  7. Utopie und Ideologie in der expressionistischen Lyrik
    Published: [2012]; ©1980
    Publisher:  Max Niemeyer Verlag, Tübingen

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110916355
    Other identifier:
    RVK Categories: GM 1623
    Edition: Reprint 2012
    Series: Untersuchungen zur deutschen Literaturgeschichte ; 25
    Other subjects: Expressionism; German poetry / 20th century / History and criticism; Expressionismus; Ideologie / i. d. Literatur; Lyrik / Länder, Gebiete, Völker // Deutschland; Lyrik; Utopie / i. d. Literatur; Lyrik; Expressionismus; Deutsch; Interpretation; Utopie; Literatur; LITERARY CRITICISM / European / German
    Scope: 1 online resource (309 p.)
  8. Deutsche Wanderer-, Vagabunden- und Vagantenlyrik in den Jahren 1910 bis 1933
    Wege zum Heil - Straßen der Flucht
    Published: [2012]; ©1976
    Publisher:  De Gruyter, Berlin ; Boston

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110843040
    Other identifier:
    RVK Categories: GM 1792
    Edition: Reprint 2012
    Series: Quellen und Forschungen zur Sprach- und Kulturgeschichte der germanischen Völker. N.F. ; 66
    Other subjects: German poetry / 20th century / History and criticism; Landstreicher / i. d. Literatur; Lyrik; Vagantendichtung; Wanderer / i. d. Literatur; Weimarer Republik; LITERARY CRITICISM / General
    Scope: 1 online resource (357 p.)
  9. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Published: 2008
    Publisher:  Boydell & Brewer, Suffolk

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or... more

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    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. Powell's term 'the Technological Unconscious' refers both to the intersection between psychoanalysis and theories of modernism and to the philosophical mediation between history and nature, a motif important from Kant to Adorno. The book's four chapters center on the representation of nature in German prose and - especially - poetry by Rilke, Benn, Brecht, and Döblin from the years 1900 to 1945. In connection with these works, Powell analyzes the conceptions of 'subject' and 'system' in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. 'The Technological Unconscious' is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic 'culturalist' theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other. Larson Powell is assistant professor of German at the University of Missouri-Kansas City

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571138071
    RVK Categories: GM 1600 ; GM 2394 ; GM 2660 ; GM 2986 ; GM 5165
    Subjects: German poetry / 20th century / History and criticism; German literature / 20th century / Themes, motives; Nature in literature; Modernism (Aesthetics); Natur <Motiv>; Lyrik
    Other subjects: Rilke, Rainer Maria (1875-1926); Döblin, Alfred (1878-1957); Brecht, Bertolt (1898-1956); Benn, Gottfried (1886-1956)
    Scope: 1 online resource (256 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The limits of technocracy -- Rilke's unnatural things: from the end of landscape to the Dinggedicht -- Nature on stage: Gottfried Benn: beyond the aesthetics of shock? -- The limits of violence: Döblin's colonial nature -- Nature as paradox: Brecht's exile lyric

  10. German and European poetics after the Holocaust
    crisis and creativity
    Contributor: Hofmann, Gert (Publisher)
    Published: 2011
    Publisher:  Boydell & Brewer, Suffolk

    Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this... more

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    Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this volume discuss postwar poetics in terms of new poetological directions and territory rather than merely destruction of traditions. Embedded in the discourse triggered by Adorno, the volume's foci include the work of Paul Celan, Gottfried Benn, and Ingeborg Bachmann. Other German writers discussed are Ilse Aichinger, Rose Ausländer, Charlotte Beradt, Thomas Kling, Heiner Müller, and Nelly Sachs; concrete poetry is also treated. The final section offers comparative views of the poetics of European literary figures such as Jean Paul Sartre, André Malraux, and Danilo Kis and a consideration of the aesthetics of Claude Lanzmann's film 'Shoah.' Contributors: Chris Bezzel, Manuel Bragança, Gisela Dischner, Rüdiger Görner, Stefan Hajduk, Gert Hofmann, Aniela Knoblich, Rachel MagShamhráin, Marton Marko, Elaine Martin, Barry Murnane, Marko Pajevic, Tatjana Petzer, Renata Plaice, Annette Runte, Hans-Walter Schmidt-Hannisa, Michael Shields, Peter Tame. Gert Hofmann is a Lecturer in German, Comparative Literature, Drama, and Film and Rachel MagShamhráin is a Lecturer in German, Film, and Comparative Literature, both at University College Cork; Marko Pajevic is a Lecturer in German at Queen's University Belfast; Michael Shields is a Lecturer in German at the National University of Ireland, Galway

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hofmann, Gert (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137661
    RVK Categories: GN 1411 ; GN 1701
    Subjects: Geschichte; German poetry / 20th century / History and criticism; Poetics / History / 20th century; European poetry / 20th century / History and criticism; Schreiben nach Auschwitz; Deutsch; Lyrik; Judenvernichtung; Poetik
    Scope: 1 online resource (vi, 310 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    pt. 1: Poetics after Auschwitz -- pt. 2: Tradition and transgression -- pt. 3: Comparative explorations in European poetics

  11. The technological unconscious in German modernist literature
    nature in Rilke, Benn, Brecht, and Döblin
    Published: 2008
    Publisher:  Boydell & Brewer, Suffolk

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Even after the end of modernism and postmodernism, grandiose fantasies of artifice and self-reference still resonate in the 'social constructivism' of current literary and cultural theory: in the idea that we can perform or construct 'identities' or social roles without external constraint, as if we had consumer choice of self. Larson Powell's book posits nature as a limit to such fantasies, redefining aesthetic modernity's conception of and relation to nature and therefore its relation to reality. Powell's term 'the Technological Unconscious' refers both to the intersection between psychoanalysis and theories of modernism and to the philosophical mediation between history and nature, a motif important from Kant to Adorno. The book's four chapters center on the representation of nature in German prose and - especially - poetry by Rilke, Benn, Brecht, and Döblin from the years 1900 to 1945. In connection with these works, Powell analyzes the conceptions of 'subject' and 'system' in the theories of Adorno, Luhmann, and Lacan and their relation to their complement, nature. 'The Technological Unconscious' is thus an important polemical intervention both in the debates over interdisciplinarity and in those between eclectic 'culturalist' theories such as New Historicism and postcolonialism on the one hand and systems theory and psychoanalysis on the other. Larson Powell is assistant professor of German at the University of Missouri-Kansas City

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571138071
    RVK Categories: GM 1600 ; GM 2394 ; GM 2660 ; GM 2986 ; GM 5165
    Subjects: German poetry / 20th century / History and criticism; German literature / 20th century / Themes, motives; Nature in literature; Modernism (Aesthetics); Natur <Motiv>; Lyrik
    Other subjects: Rilke, Rainer Maria (1875-1926); Döblin, Alfred (1878-1957); Brecht, Bertolt (1898-1956); Benn, Gottfried (1886-1956)
    Scope: 1 online resource (256 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    The limits of technocracy -- Rilke's unnatural things: from the end of landscape to the Dinggedicht -- Nature on stage: Gottfried Benn: beyond the aesthetics of shock? -- The limits of violence: Döblin's colonial nature -- Nature as paradox: Brecht's exile lyric

  12. German and European poetics after the Holocaust
    crisis and creativity
    Contributor: Hofmann, Gert (Publisher)
    Published: 2011
    Publisher:  Boydell & Brewer, Suffolk

    Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this... more

    Bayerische Staatsbibliothek
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    Crisis presents chances for change and creativity: Adorno's famous dictum that writing poetry after Auschwitz would be barbaric has haunted discourse on poetics, but has also given rise to poetic and theoretical acts of resistance. The essays in this volume discuss postwar poetics in terms of new poetological directions and territory rather than merely destruction of traditions. Embedded in the discourse triggered by Adorno, the volume's foci include the work of Paul Celan, Gottfried Benn, and Ingeborg Bachmann. Other German writers discussed are Ilse Aichinger, Rose Ausländer, Charlotte Beradt, Thomas Kling, Heiner Müller, and Nelly Sachs; concrete poetry is also treated. The final section offers comparative views of the poetics of European literary figures such as Jean Paul Sartre, André Malraux, and Danilo Kis and a consideration of the aesthetics of Claude Lanzmann's film 'Shoah.' Contributors: Chris Bezzel, Manuel Bragança, Gisela Dischner, Rüdiger Görner, Stefan Hajduk, Gert Hofmann, Aniela Knoblich, Rachel MagShamhráin, Marton Marko, Elaine Martin, Barry Murnane, Marko Pajevic, Tatjana Petzer, Renata Plaice, Annette Runte, Hans-Walter Schmidt-Hannisa, Michael Shields, Peter Tame. Gert Hofmann is a Lecturer in German, Comparative Literature, Drama, and Film and Rachel MagShamhráin is a Lecturer in German, Film, and Comparative Literature, both at University College Cork; Marko Pajevic is a Lecturer in German at Queen's University Belfast; Michael Shields is a Lecturer in German at the National University of Ireland, Galway

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hofmann, Gert (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137661
    RVK Categories: GN 1411 ; GN 1701
    Subjects: Geschichte; German poetry / 20th century / History and criticism; Poetics / History / 20th century; European poetry / 20th century / History and criticism; Lyrik; Poetik; Judenvernichtung; Schreiben nach Auschwitz; Deutsch
    Scope: 1 online resource (vi, 310 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    pt. 1: Poetics after Auschwitz -- pt. 2: Tradition and transgression -- pt. 3: Comparative explorations in European poetics

  13. Traumatic verses
    on poetry in German from the concentration camps, 1933-1945
    Published: 2007
    Publisher:  Boydell & Brewer, Suffolk

    Displaying a strong command of trauma and pain theory, as well as the prior history of Holocaust studies, [Nader] illuminates the role of poetry in the camp inmates' reclamation of the German language and cultural heritage. Offering many poems in... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Displaying a strong command of trauma and pain theory, as well as the prior history of Holocaust studies, [Nader] illuminates the role of poetry in the camp inmates' reclamation of the German language and cultural heritage. Offering many poems in English for the first time, in elegant translation, Nader's anthology and commentary add a significant new dimension to Holocaust studies

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137067
    RVK Categories: GM 1411 ; GM 1600 ; GM 1792
    Subjects: Weltkrieg (1939-1945); Concentration camp inmates' writings / History and criticism; German poetry / 20th century / History and criticism; Holocaust, Jewish (1939-1945), in literature; World War, 1939-1945 / Literature and the war; Lyrik; Gefangener; Konzentrationslager
    Scope: 1 online resource (x, 258 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Literary activities in the camps -- Identity under threat -- "Everyday life" in the concentrationary universe -- Communicating torture -- Contemporaneous poetry in the Third Reich

  14. Traumatic verses
    on poetry in German from the concentration camps, 1933-1945
    Published: 2007
    Publisher:  Boydell & Brewer, Suffolk

    Displaying a strong command of trauma and pain theory, as well as the prior history of Holocaust studies, [Nader] illuminates the role of poetry in the camp inmates' reclamation of the German language and cultural heritage. Offering many poems in... more

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Displaying a strong command of trauma and pain theory, as well as the prior history of Holocaust studies, [Nader] illuminates the role of poetry in the camp inmates' reclamation of the German language and cultural heritage. Offering many poems in English for the first time, in elegant translation, Nader's anthology and commentary add a significant new dimension to Holocaust studies

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781571137067
    RVK Categories: GM 1411 ; GM 1600 ; GM 1792
    Subjects: Weltkrieg (1939-1945); Concentration camp inmates' writings / History and criticism; German poetry / 20th century / History and criticism; Holocaust, Jewish (1939-1945), in literature; World War, 1939-1945 / Literature and the war; Konzentrationslager; Gefangener; Lyrik
    Scope: 1 online resource (x, 258 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)

    Literary activities in the camps -- Identity under threat -- "Everyday life" in the concentrationary universe -- Communicating torture -- Contemporaneous poetry in the Third Reich

  15. Deutsche Wanderer-, Vagabunden- und Vagantenlyrik in den Jahren 1910 bis 1933
    Wege zum Heil - Straßen der Flucht
    Published: [2012]; ©1976
    Publisher:  De Gruyter, Berlin ; Boston

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110843040
    Other identifier:
    RVK Categories: GM 1792
    Edition: Reprint 2012
    Series: Quellen und Forschungen zur Sprach- und Kulturgeschichte der germanischen Völker. N.F. ; 66
    Subjects: German poetry / 20th century / History and criticism; Landstreicher / i. d. Literatur; Lyrik; Vagantendichtung; Wanderer / i. d. Literatur; Weimarer Republik; LITERARY CRITICISM / General
    Scope: 1 online resource (357 p.)
  16. Utopie und Ideologie in der expressionistischen Lyrik
    Published: [2012]; ©1980
    Publisher:  Max Niemeyer Verlag, Tübingen

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110916355
    Other identifier:
    RVK Categories: GM 1623
    Edition: Reprint 2012
    Series: Untersuchungen zur deutschen Literaturgeschichte ; 25
    Subjects: Expressionism; German poetry / 20th century / History and criticism; Expressionismus; Ideologie / i. d. Literatur; Lyrik / Länder, Gebiete, Völker // Deutschland; Lyrik; Utopie / i. d. Literatur; Deutsch; Interpretation; Utopie; Literatur; LITERARY CRITICISM / European / German
    Scope: 1 online resource (309 p.)
  17. Antikenkonfigurationen in der deutschsprachigen Lyrik nach 1990
    Published: [2014]
    Publisher:  De Gruyter, Berlin/Boston

    Homer, Sappho, Horace, Catullus, and other authors of antiquity have enjoyed a rebirth in German-speaking lyric poetry since the 1990s. Examining the work of four particularly notable poets – Durs Grünbein, Thomas Kling, Barbara Köhler, and Raoul... more

     

    Homer, Sappho, Horace, Catullus, and other authors of antiquity have enjoyed a rebirth in German-speaking lyric poetry since the 1990s. Examining the work of four particularly notable poets – Durs Grünbein, Thomas Kling, Barbara Köhler, and Raoul Schrott – this book illuminates how classical antiquity is presented anew in contemporary lyric poetry, and sheds light on the ideas that are connected to this rediscovery of the Greek and Roman past

     

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110368697
    Other identifier:
    Series: spectrum Literaturwissenschaft / spectrum Literature ; 44
    Subjects: German poetry / 20th century / History and criticism; German poetry / Classical influences; Deutsche Literatur
    Scope: 1 online resource(xi,382p.), illustrations
    Notes:

    Description based on online resource; title from PDF title page (ACM, viewed April 03 2015)

    Also available in print edition

  18. Snow from broken eyes
    cocaine in the lives and works of three expressionist poets
    Published: 2012
    Publisher:  Peter Lang, Bern

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783035103120; 3035103127
    RVK Categories: GM 1048
    Series: Australisch-neuseeländische Studien zur deutschen Sprache und LIteratur ; 20
    Subjects: German poetry / 20th century / History and criticism; Cocaine abuse in literature; Expressionism; Poets, German / 20th century; POETRY / Continental European; Cocaine abuse in literature / (OCoLC)fst01430059; Drug abuse / (OCoLC)fst00898480; Expressionism / (OCoLC)fst00918891; German poetry / (OCoLC)fst00941930; Poets, German / (OCoLC)fst01067907; Cocain (Motiv) / (DE-588c)4731482-5; Cocain / (DE-588c)4128249-8; Drogenmissbrauch (Motiv) / (DE-588c)4303185-7; Drogenmissbrauch / (DE-588c)4070587-0
    Other subjects: Benn, Gottfried / 1886-1956 / Drug use; Rheiner, Walter / 1895-1925 / Drug use; Trakl, Georg / 1887-1914 / Drug use; Benn, Gottfried / 1886-1956 / (OCoLC)fst00046470; Rheiner, Walter / 1895-1925 / (OCoLC)fst00175196; Trakl, Georg / 1887-1914 / (OCoLC)fst00004565; Benn, Gottfried / (DE-588c)4005512-7; Rheiner, Walter / (DE-588c)4104703-5; Trakl, Georg / (DE-588c)4060605-3
    Scope: 1 online resource (341 pages)
    Notes:

    Print version record

    Includes bibliographical references (pages 323-334) and index

    1 Introduction; 1.1 .'Snow from Broken Eyes' 9; 1.2 .Drugs, Cocaine: A Condensed Literary History 15; 1.3. .Secondary Literature Review 37; 1.4. .Reading Cocaine: Some Methodological Considerations 54; Part One: Gottfried Benn; 2 The Toxicology of Genius; 2.1 .Disentangling Benn 69; 2.2 .Artificially Inspired? Brussels, 1916 74; 3 Benn's Cocaine Poems; 3.1 .Depersonalization and the Blueness of Poetry 83; 3.2 .Gods in the Last Line 89; 3.3. .Poetological Interference, or the Will to Explanation 99; 3.4. .The Second Regression 104; 4 Benn's Cocaine Plays

    4.1 .The Strange Case of Doctors Rönne and Pameelen 1174.2. .Picasso's Drugged Exhaustion 123; 4.3. .The Etymology of a Magic Formula 127; Part Two: Walter Rheiner; 5 A Portrait of the Artist as a Drug Addict; 5.1. .Under the Influence: Cocaine, Morphine, Expressionism 137; 5.2 .Literary Affinities and the Autobiographical Thread 161; 6 Rheiner's Master Narrative of Addiction; 6.1 .Innocence and Experience 173; 6.2. .The Decadent Drug 185; 6.3. .Two Portraits of the Addict as a Madman 192; 6.4. .Rheiner's Final Chapter 218; Part Three: Georg Trakl

    7 The Life and Death of an Austrian Drug-Eater7.1 .'Lost between Melancholy and Drunkenness' 225; 7.2. .Poetry, Biography, Reality 235; 8 The Poems of Trakl's 'Cocaine Period'; 8.1 .A Delirious Seascape 241; 8.2. .On the Road to Black Decay 251; 9 Trakl's Poetics of Intoxication; 9.1 .Aspects of an Intoxicated Style 259; 9.2 .Wine, Poppy, Dark Poisons: Trakl's Poetic Intoxicants 276; 10 Black Snow: the Shadow of a White Drug; 10.1. Performing Derangement 291; 10.2. Listening in the Snow 302; Summary of Findings 315; Acknowledgements 321; Bibliography; Works by Benn, Rheiner and Trakl 323

  19. Hitler's war poets
    literature and politics in the Third Reich
    Published: 2009
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521876896; 0521876893; 9780521145633
    RVK Categories: GM 1565 ; NQ 2280 ; NQ 2270
    Edition: 1. paperback ed.
    Subjects: German poetry / 20th century / History and criticism; National socialism and literature; German poetry / Themes, motives; World War, 1914-1918 / Influence; Heroes in literature; Nationalism in literature; Antisemitism in literature
    Scope: XIII, 284 S., Ill.
    Notes:

    Literaturverz. S. 266 - 276