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  1. Graphic women
    life narrative and contemporary comics
    Published: 2010
    Publisher:  Columbia University Press, New York, NY

    "Some of the most acclaimed books of the twenty-first century are autobiographical comics by women. Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 141770
    Unlimited inter-library loan, copies and loan
    Hochschule für Bildende Künste Braunschweig, Bibliothek
    K 6.142 Chu 1
    Unlimited inter-library loan, copies and loan
    Zentrale Hochschulbibliothek Flensburg
    AP 88856 C564
    Unlimited inter-library loan, copies and loan
    Zentrale Hochschulbibliothek Flensburg
    AP 88856 C564+2
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2011 B 2783
    Unlimited inter-library loan, copies and loan
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    A 46401
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    EC 7120 106
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    HH 7T/Gen/Ch 1
    No inter-library loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    8/11993
    No inter-library loan
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    EV/810/2255
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Hildesheim
    20 : 51102
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Kiel, Zentralbibliothek
    VII F 1038/90
    No inter-library loan
    Universitätsbibliothek Osnabrück
    EIH C 2513-516 7
    Unlimited inter-library loan, copies and loan

     

    "Some of the most acclaimed books of the twenty-first century are autobiographical comics by women. Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe Gloeckner places teenage sexuality at the center of her work, while Lynda Barry uses collage and the empty spaces between frames to capture the process of memory. Marjane Satrapi's Persepolis experiments with visual witness to frame her personal and historical narrative, and Alison Bechdel's Fun Home meticulously incorporates family documents by hand to re-present the author's past. These five cartoonists move the art of autobiography and graphic storytelling in new directions, particularly through the depiction of sex, gender, and lived experience. Hillary L. Chute explores their verbal and visual techniques, which have transformed autobiographical narrative and contemporary comics. Through the interplay of words and images, and the counterpoint of presence and absence, they express difficult, even traumatic stories while engaging with the workings of memory. Intertwining aesthetics and politics, these women both rewrite and redesign the parameters of acceptable discourse"--Publisher description

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0231150628; 0231150636; 9780231150620; 9780231150637
    RVK Categories: LH 71410 ; EC 7120 ; AP 88798
    Series: Gender and culture series
    Subjects: Comic books, strips, etc; Women in literature; Women cartoonists; Women in art
    Other subjects: Kominsky-Crumb, Aline (1948-); Gloeckner, Phoebe; Barry, Lynda (1956-): One hundred demons; Satrapi, Marjane (1969-); Bechdel, Alison (1960-): Fun home
    Scope: XIII, 297 Seiten, [13] Blatt, Illustrationen
    Notes:

    Literaturverzeichnis: Seite [261] - 279

    Introduction: Women, comics, and the risk of representationScratching the surface: 'ugly' excess in Aline Kominsky-Crumb -- 'For all the girls when they have grown': Phoebe Gloeckner's ambivalent images -- Materializing memory: Lynda Barry's One hundred demons -- Graphic narrative as witness: Marjane Satrapi and the texture of retracing -- Animating an archive: repetition and regeneration in Alison Bechdel's Fun home.

  2. Die (räumlichen) kreativen Lebens- und Arbeitsbereiche in Alison Bechdels „Fun Home“
    Published: 2016
    Publisher:  GRIN Verlag, München

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783668364660
    Other identifier:
    9783668364660
    Edition: 1. Auflage
    Subjects: Homosexualität
    Other subjects: Bechdel, Alison (1960-): Fun home; (Produktform)Paperback / softback; (BISAC Subject Heading)LIT004170: LITERARY CRITICISM / European / German; Comic;Raumdarstellung;Graphic Novel;Alison Bechdel;Fun Home; (VLB-WN)1563: Deutsche Sprachwissenschaft, Deutschsprachige Literaturwissenschaft
    Scope: Online-Ressource, 24 Seiten
    Notes:

    Vom Verlag als Druckwerk on demand und/oder als E-Book angeboten

  3. Graphic women
    life narrative and contemporary comics
    Published: 2010
    Publisher:  Columbia University Press, New York [u.a.]

    "Some of the most acclaimed books of the twenty-first century are autobiographical comics by women. Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 141770
    Unlimited inter-library loan, copies and loan
    Hochschule für Bildende Künste Braunschweig, Bibliothek
    K 6.142 Chu 1
    Unlimited inter-library loan, copies and loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    Zentrale Hochschulbibliothek Flensburg
    AP 88856 C564
    Unlimited inter-library loan, copies and loan
    Zentrale Hochschulbibliothek Flensburg
    AP 88856 C564+2
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2011 B 2783
    Unlimited inter-library loan, copies and loan
    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    A 46401
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    EC 7120 106
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    HH 7T/Gen/Ch 1
    No inter-library loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    8/11993
    No inter-library loan
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    EV/810/2255
    Unlimited inter-library loan, copies and loan
    Anglistisches Seminar der Universität, Bibliothek
    D KM 16
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Hildesheim
    20 : 51102
    Unlimited inter-library loan, copies and loan
    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
    Kks 0606
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Kiel, Zentralbibliothek
    VII F 1038/90
    No inter-library loan
    Universitätsbibliothek Leipzig
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Mannheim
    500 EC 7120 C564 G766
    No inter-library loan
    Brechtbau-Bibliothek
    HA 758.154
    Unlimited inter-library loan, copies and loan

     

    "Some of the most acclaimed books of the twenty-first century are autobiographical comics by women. Aline Kominsky-Crumb is a pioneer of the autobiographical form, showing women's everyday lives, especially through the lens of the body. Phoebe Gloeckner places teenage sexuality at the center of her work, while Lynda Barry uses collage and the empty spaces between frames to capture the process of memory. Marjane Satrapi's Persepolis experiments with visual witness to frame her personal and historical narrative, and Alison Bechdel's Fun Home meticulously incorporates family documents by hand to re-present the author's past. These five cartoonists move the art of autobiography and graphic storytelling in new directions, particularly through the depiction of sex, gender, and lived experience. Hillary L. Chute explores their verbal and visual techniques, which have transformed autobiographical narrative and contemporary comics. Through the interplay of words and images, and the counterpoint of presence and absence, they express difficult, even traumatic stories while engaging with the workings of memory. Intertwining aesthetics and politics, these women both rewrite and redesign the parameters of acceptable discourse"--Publisher description

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0231150628; 0231150636; 9780231150620; 9780231150637
    RVK Categories: AP 88798 ; LH 71410 ; EC 7120 ; AP 15420
    Series: Gender and culture series
    Subjects: Comic books, strips, etc; Women in literature; Women cartoonists; Women in art
    Other subjects: Kominsky-Crumb, Aline (1948-); Gloeckner, Phoebe; Barry, Lynda (1956-): One hundred demons; Satrapi, Marjane (1969-); Bechdel, Alison (1960-): Fun home; Array; Women in literature; Women cartoonists; Women in art
    Scope: XIII, 297 Seiten, [13] Blatt, Illustrationen
    Notes:

    Literaturverzeichnis: Seite [261] - 279

    Introduction: Women, comics, and the risk of representationScratching the surface: 'ugly' excess in Aline Kominsky-Crumb -- 'For all the girls when they have grown': Phoebe Gloeckner's ambivalent images -- Materializing memory: Lynda Barry's One hundred demons -- Graphic narrative as witness: Marjane Satrapi and the texture of retracing -- Animating an archive: repetition and regeneration in Alison Bechdel's Fun home.