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  1. Ay vida, no me mereces!
    Carlos Fuentes, Rosario Castellanos, Juan Rulfo, la literatura de la onda
    Author: Poniatowska, Elena
    Published: 1985
    Publisher:  J. Mortiz, México, D.F.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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  2. Carlos Fuentes, Mexico and modernity
    Author: Van Delden, Maarten
    Published: ©1998
    Publisher:  Vanderbilt University Press, [Nashville, Tenn.]

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0585253498; 082651295X; 9780585253497; 9780826512956
    Edition: 1st ed
    Subjects: Mexique dans la littérature; Literature; Literatur; Roman; Kulturelle Identität <Motiv>
    Other subjects: Fuentes, Carlos / Critique et interprétation; Fuentes, Carlos; Fuentes, Carlos; Fuentes, Carlos (1928-2012)
    Scope: 1 Online-Ressource (ix, 262 pages)
    Notes:

    Includes bibliographical references (pages 205-249) and index

    In Carlos Fuentes, Mexico, and Modernity, Maarten van Delden argues that there is a fundamental paradox at the heart of Fuentes's vision of Mexico and in his role as novelist and critic in putting forth that vision. This paradox hinges on the tension between national identity and modernity. A significant internal stake out two different positions for himself, as experimental novelist and as politically engaged and responsible intellectual

    Drawing from his fiction, literary essays, and political Journalism, van Delden places these tensions in Fuentes's work in relation to the larger debates about modernity and postmodernity in Latin America. He concludes that Fuentes is fundamentally a modernist writer, in spite of the fact that he occasionally gravitates toward the postmodernist position in literature and politics

    Introduction : Carlos Fuentes in the 1950s -- Myth, contingency, and revolution -- Between identity and alternativity -- Making it new -- Utopia and the state -- The nation as unimaginable community -- The real nation and the legal nation -- Conclusion : Carlos Fuentes in the 1990s