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  1. Affektpoetiken des New Hollywood : Suspense, Paranoia und Melancholie
    Author: Lehmann, Hauke
    Published: 2016
    Publisher:  De Gruyter, Berlin/Boston

    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex... more

     

    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings.

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110488739; 9783110480115; 9783110488760
    Other identifier:
    Subjects: Film, TV & radio; Films, cinema; Media studies
    Other subjects: Film history/ in the USA; affect; temporality
    Scope: 1 electronic resource (374 p.)
  2. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Author: Lehmann, Hauke
    Published: 2016
    Publisher:  De Gruyter, Berlin/Boston ; OAPEN FOUNDATION, The Hague

    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex... more

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    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110488739; 9783110480115; 9783110488760
    DDC Categories: 150; 791
    Subjects: Film; Spannung; Paranoia <Motiv>; Melancholie <Motiv>; Rezeption; Zuschauer; Gefühl; Ästhetik; Film, TV & radio; Films, cinema; Media studies
    Other subjects: Film history/ in the USA; affect; temporality
    Scope: 1 Online-Ressource (374 p.)
  3. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Author: Lehmann, Hauke
    Published: [2017]
    Publisher:  De Gruyter, Berlin ; Boston

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    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Dissertation
    ISBN: 9783110480115; 3110480115
    Other identifier:
    9783110480115
    RVK Categories: AP 59783
    DDC Categories: 770
    Series: Cinepoetics ; Band 2
    Subjects: Ästhetik; Gefühl; Paranoia <Motiv>; Spannung; Zuschauer; Rezeption; Film; Melancholie <Motiv>
    Other subjects: Film history/ in the USA; affect; temporality
    Scope: VII, 374 Seiten, Illustrationen, 23 cm x 15.5 cm
    Notes:

    Erscheint auch als De Gruyter Open Access

    Dissertation, Freie Universität Berlin, 2013
  4. Affektpoetiken des New Hollywood. Suspense, Paranoia und Melancholie
    Author: Lehmann, Hauke
    Published: 2017
    Publisher:  Philipps-Universität Marburg, Marburg

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  5. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Author: Lehmann, Hauke
    Published: [2017]
    Publisher:  De Gruyter, Berlin

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    Content information
  6. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Author: Lehmann, Hauke
    Published: 2017
    Publisher:  De Gruyter, Berlin

    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex... more

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    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings. Woran bindet sich die Emotion des Zuschauers im Kino? Ausgehend von dieser Frage entwirft das Buch einen originellen Blick auf eine kritische Periode US-amerikanischer Filmgeschichte. In der detaillierten Analyse einzelner Filme entsteht das Bild eines ko

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110480115; 9783110488739; 9783110488760
    Other identifier:
    RVK Categories: AP 59783
    Series: Cinepoetics ; Band 2
    Subjects: Motion picture audiences; Motion pictures; Motion pictures; Affekt.; Filmgeschichte/US-amerikanisch.; Zeitlichkeit.; PERFORMING ARTS / Film & Video / History & Criticism
    Other subjects: Film history/ in the USA; affect; temporality
    Scope: 1 Online-Ressource (383 Seiten)
    Notes:

    Erscheint als De Gruyter Open Access

    Dissertation, Freie Universität Berlin, 2013

    Frontmatter -- -- Inhalt -- -- Danksagung -- -- 1. Die Aufspaltung des Zuschauers -- -- 2. Suspense: Formen filmischen Denkens -- -- 3. Paranoia: Formen der Mediatisierung -- -- 4. Melancholie: Formen des Geschichtsempfindens -- -- 5. Die Entstehung eines Stils: Zur Theorie und Poetik der Figur -- -- 6. Schluss -- -- Abbildungsverzeichnis -- -- Literaturverzeichnis -- -- Namenregister -- -- Filmregister -- -- Sachregister -- -- Farbabbildungen
  7. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Author: Lehmann, Hauke
    Published: 2016
    Publisher:  De Gruyter, Berlin/Boston

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  8. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Author: Lehmann, Hauke
    Published: [2017]
    Publisher:  De Gruyter, Berlin ; Boston

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    Export to reference management software   RIS file
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    Content information
    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783110480115; 3110480115
    Other identifier:
    9783110480115
    RVK Categories: AP 59783
    DDC Categories: 770
    Series: Cinepoetics ; Band 2
    Subjects: Ästhetik; Gefühl; Paranoia <Motiv>; Spannung; Zuschauer; Rezeption; Film; Melancholie <Motiv>
    Other subjects: Film history/ in the USA; affect; temporality
    Scope: VII, 374 Seiten, Illustrationen, 23 cm x 15.5 cm
    Notes:

    Erscheint auch als De Gruyter Open Access

    Dissertation, Freie Universität Berlin, 2013
  9. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Author: Lehmann, Hauke
    Published: 2017
    Publisher:  De Gruyter, Berlin

    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex... more

    Access:
    Verlag (Array)
    Aggregator (lizenzpflichtig)

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    How do spectators become emotionally involved in cinema? Starting from this question, the book suggests an original view about a critical period in United States film history. In a detailed analysis of individual films, an image emerges of a complex interplay between three affective modes – suspense, paranoia, and melancholy – which draw the spectators to reflect in unique ways about contradictions in their own feelings. Woran bindet sich die Emotion des Zuschauers im Kino? Ausgehend von dieser Frage entwirft das Buch einen originellen Blick auf eine kritische Periode US-amerikanischer Filmgeschichte. In der detaillierten Analyse einzelner Filme entsteht das Bild eines ko

     
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    Content information
    Cover (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110480115; 9783110488739; 9783110488760
    Other identifier:
    RVK Categories: AP 59783
    Series: Cinepoetics ; Band 2
    Subjects: Motion picture audiences; Motion pictures; Motion pictures; Affekt.; Filmgeschichte/US-amerikanisch.; Zeitlichkeit.; PERFORMING ARTS / Film & Video / History & Criticism
    Other subjects: Film history/ in the USA; affect; temporality
    Scope: 1 Online-Ressource (383 Seiten)
    Notes:

    Erscheint als De Gruyter Open Access

    Dissertation, Freie Universität Berlin, 2013

    Frontmatter -- -- Inhalt -- -- Danksagung -- -- 1. Die Aufspaltung des Zuschauers -- -- 2. Suspense: Formen filmischen Denkens -- -- 3. Paranoia: Formen der Mediatisierung -- -- 4. Melancholie: Formen des Geschichtsempfindens -- -- 5. Die Entstehung eines Stils: Zur Theorie und Poetik der Figur -- -- 6. Schluss -- -- Abbildungsverzeichnis -- -- Literaturverzeichnis -- -- Namenregister -- -- Filmregister -- -- Sachregister -- -- Farbabbildungen
  10. Affektpoetiken des New Hollywood
    Suspense, Paranoia und Melancholie
    Author: Lehmann, Hauke
    Published: [2017]
    Publisher:  De Gruyter, Berlin

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783110480115; 3110480115
    Other identifier:
    9783110480115
    DDC Categories: 791; 150
    Series: Cinepoetics ; Band 2
    Subjects: USA; Film; Spannung; Paranoia <Motiv>; Melancholie <Motiv>; Rezeption; Zuschauer; Gefühl; Ästhetik;
    Other subjects: Film history/ in the USA; affect; temporality
    Scope: VII, 374 Seiten, Illustrationen, 24 cm
    Notes:

    Dissertation, ,