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  1. The tenth muse
    writing about cinema in the modernist period
    Author: Marcus, Laura
    Published: 2007
    Publisher:  Oxford University Press, Oxford

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek Amberg
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    Bibliotheksverbund Bayern (BVB)

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191528088
    RVK Categories: AP 47600
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Filmästhetik; Moderne : Literatur; Filmkritik; Film / Literatur / Geschichte 20. Jh; Literatur / Film / Geschichte 20. Jh; Filmkritik / Geschichte 20. Jh; Film; Ästhetik; Filmkritik; Literatur; Film criticism / History / 1895-1950; Film and literature; Film criticism; Modernism (Literature); Motion pictures and literature; Geschichte; Film criticism; Motion pictures and literature; Modernism (Literature); Literatur; Filmkritik; Filmästhetik
    Scope: 1 Online-Ressource (xvi, 562 Seiten), Illustrationen
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [520]-543) and index

    The things that move : early film and literature -- The shadow on the screen : Virginia Woolf and the cinema -- 'A new form of true beauty' : aesthetics and early film criticism -- 'The cinema mind' : film criticism and film culture in 1920s Britain -- The moment of Close up -- Coda : the coming of sound

    "The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement."--BOOK JACKET.
  2. The tenth muse
    writing about cinema in the modernist period
    Author: Marcus, Laura
    Published: 2007
    Publisher:  Oxford University Press, Oxford

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199230273; 0199230277
    Subjects: Film criticism; Motion pictures and literature; Modernism (Literature); Filmkritik; Filmästhetik; Literatur
    Scope: xv, 562 p.
    Notes:

    Includes bibliographical references (p. [520]-543) and index
  3. The tenth muse
    writing about cinema in the modernist period
    Author: Marcus, Laura
    Published: 2007
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

    Location:
    Universitätsbibliothek der LMU München
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    Bibliotheksverbund Bayern (BVB)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191615412; 9780191528088; 9781281341600
    RVK Categories: AP 47600
    Subjects: Film criticism; Motion pictures and literature; Modernism (Literature); Filmästhetik; Filmkritik; Literatur
    Scope: 1 Online-Ressource (XV, 562 S.), Ill.
    Notes:

    MyiLibrary e-book project
  4. Bertolt Brecht: Cahiers du cinéma
    and contemporary film theory
    Author: Lellis, George
    Published: 1982
    Publisher:  UMI Research Pr., Ann Arbor, Mich.

    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 0835713008
    RVK Categories: GM 2660
    Series: Studies in cinema ; 13.
    Subjects: Critique cinématographique - France; Wissen; Ästhetik; Film criticism; Dramentheorie
    Other subjects: Brecht, Bertolt <1898-1956> - Criticism and interpretation; Brecht, Bertolt <1898-1956> - Esthétique; Brecht, Bertolt <1898-1956> - Et les arts du spectacle; Brecht, Bertolt <1898-1956>; Brecht, Bertolt <1898-1956>; Brecht, Bertolt (1898-1956)
    Scope: VIII, 197 S.
    Notes:

    Zugl.: Austin, Texas, Univ. of Texas, Diss., 1976
  5. Encounters of the filmic kind
    guidebook to film theories
    Author: Cristian, Réka M.; Dragon, Zoltán
    Published: 2008
    Publisher:  JATEPress, Szeged

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789634828587
    Series: Array ; Array
    Subjects: Film criticism; Motion pictures
    Scope: XIV, 149 S.
  6. Bertolt Brecht: Cahiers du cinéma
    and contemporary film theory
    Author: Lellis, George
    Published: 1982
    Publisher:  UMI Research Pr., Ann Arbor, Mich.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    ISBN: 0835713008
    RVK Categories: GM 2660
    Series: Studies in cinema ; 13.
    Subjects: Critique cinématographique - France; Wissen; Ästhetik; Film criticism; Dramentheorie
    Other subjects: Brecht, Bertolt <1898-1956> - Criticism and interpretation; Brecht, Bertolt <1898-1956> - Esthétique; Brecht, Bertolt <1898-1956> - Et les arts du spectacle; Brecht, Bertolt <1898-1956>; Brecht, Bertolt <1898-1956>; Brecht, Bertolt (1898-1956)
    Scope: VIII, 197 S.
    Notes:

    Zugl.: Austin, Texas, Univ. of Texas, Diss., 1976
  7. Representing the eighteenth century in film and television, 2000-2015
    Author: Gevirtz, Karen Bloom
    Published: [2017]
    Publisher:  Palgrave Macmillan, Cham, Switzerland

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783319562667; 9783319562674
    RVK Categories: HK 1031
    Series: Palgrave pivot
    Subjects: Eighteenth century in motion pictures; Motion pictures and history; Television and history; Film criticism; Television criticism
    Scope: xi, 134 Seiten, Illustrationen
    Notes:

    Enthält Literaturangaben
  8. Reelpolitik II
    political ideologies in '50s and '60s films
    Author: Kelley, Beverly Merrill
    Published: 2004
    Publisher:  Rowman & Littlefield, Lanham, Md. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 074253040X; 0742530418
    RVK Categories: AP 59783
    Subjects: Motion pictures; Film criticism
    Scope: vii, 331 S., Ill., 24cm
    Notes:

    Filmography. - Includes bibliographical references and index. - Formerly CIP

    Filmogr. u. Literaturverz. S. 299 - 310
  9. The tenth muse
    writing about cinema in the modernist period
    Author: Marcus, Laura
    Published: 2007
    Publisher:  Oxford University Press, Oxford

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191528088
    RVK Categories: AP 47600
    Subjects: PERFORMING ARTS / Film & Video / History & Criticism; Filmästhetik; Moderne : Literatur; Filmkritik; Film / Literatur / Geschichte 20. Jh; Literatur / Film / Geschichte 20. Jh; Filmkritik / Geschichte 20. Jh; Film; Ästhetik; Filmkritik; Literatur; Film criticism / History / 1895-1950; Film and literature; Film criticism; Modernism (Literature); Motion pictures and literature; Geschichte; Film criticism; Motion pictures and literature; Modernism (Literature); Literatur; Filmkritik; Filmästhetik
    Scope: 1 Online-Ressource (xvi, 562 Seiten), Illustrationen
    Notes:

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [520]-543) and index

    The things that move : early film and literature -- The shadow on the screen : Virginia Woolf and the cinema -- 'A new form of true beauty' : aesthetics and early film criticism -- 'The cinema mind' : film criticism and film culture in 1920s Britain -- The moment of Close up -- Coda : the coming of sound

    "The Tenth Muse explores writings on the cinema in the first decades of the twentieth century. Laura Marcus examines the impact of cinema on early twentieth-century literary and, more broadly, aesthetic and cultural consciousness, by bringing together the study of the terms and strategies of early writings about film with literary engagement with cinema in the same period. She gives a new understanding of the ways in which early writers about film - reviewers, critics, theorists - developed aesthetic categories to define and accommodate what was called 'the seventh art' or 'the tenth muse' and found discursive strategies adequate to the representation of the new art and technology of cinema, with its unprecedented powers of movement."--BOOK JACKET.
  10. My Fair Ladies
    Female Robots, Androids, and Other Artificial Eves
    Author: Wosk, Julie
    Published: [2015]; © 2015
    Publisher:  Rutgers University Press, New Brunswick, NJ

    The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    The fantasy of a male creator constructing his perfect woman dates back to the Greek myth of Pygmalion and Galatea. Yet as technology has advanced over the past century, the figure of the lifelike manmade woman has become nearly ubiquitous, popping up in everything from Bride of Frankenstein to Weird Science to The Stepford Wives. Now Julie Wosk takes us on a fascinating tour through this bevy of artificial women, revealing the array of cultural fantasies and fears they embody. My Fair Ladies considers how female automatons have been represented as objects of desire in fiction and how "living dolls" have been manufactured as real-world fetish objects. But it also examines the many works in which the "perfect" woman turns out to be artificial—a robot or doll—and thus becomes a source of uncanny horror. Finally, Wosk introduces us to a variety of female artists, writers, and filmmakers—from Cindy Sherman to Shelley Jackson to Zoe Kazan—who have cleverly crafted their own images of simulated women. Anything but dry, My Fair Ladies draws upon Wosk’s own experiences as a young female Playboy copywriter and as a child of the "feminine mystique" era to show how images of the artificial woman have loomed large over real women’s lives. Lavishly illustrated with film stills, artwork, and vintage advertisements, this book offers a fresh look at familiar myths about gender, technology, and artistic creation

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813563398
    Other identifier:
    Subjects: PERFORMING ARTS / General; Androids in art; Anthropomorphism in art; Film criticism; Human body and technology; Mass media; Motion pictures; Technology and women; Women in art; Künstlicher Mensch; Film; Frau <Motiv>; Literatur
    Scope: 1 online resource, 60 black and white and 12 colo
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  11. Film and the natural environment
    elements and atmospheres
    Author: O'Brien, Adam
    Published: [2018]; © 2018
    Publisher:  Wallflower Press, London ; New York ; Columbia University Press

    Environmental themes are present in cinema more than ever before. But the relationship between film and the natural world is a long and complex one, not reducible to issues such as climate change and pollution. This volume demonstrates how an... more

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    Environmental themes are present in cinema more than ever before. But the relationship between film and the natural world is a long and complex one, not reducible to issues such as climate change and pollution. This volume demonstrates how an awareness of natural features and dynamics can enhance our understanding of three key film-studies topics – narrative, genre, and national cinema. It does so by drawing on examples from a broad historical and geographical spectrum, including Sunrise, A River Called Titas, and Profound Desires of the Gods. The first introductory text on a topic which has long been overlooked in the discipline, Film and the Natural Environment argues that the nonhuman world can be understood not just as a theme but as a creative resource available to all filmmakers. It invites readers to consider some of the particular strengths and weaknesses of cinema as communicator of environmental phenomena, and collates ideas and passages from a range of critics and theorists who have contributed to our understanding of moving images and the natural world

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231851107
    Other identifier:
    RVK Categories: AP 50300
    Series: Short cuts
    Subjects: Film criticism; Nature in motion pictures; Umwelt <Motiv>; Film
    Scope: 1 Online-Ressource (vii, 119 Seiten), Illustrationen
  12. The sense of film narration
    Author: Garwood, Ian
    Published: c 2013
    Publisher:  Edinburgh Univ. Press, Edinburgh

    Garwood provides a comprehensive account of existing work on film narration and offers an overview of the sensuous aspects of cinematic storytelling, as demonstrated through a broad selection of films. The films used as case studies in the book are... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 899070
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    Staats- und Universitätsbibliothek Bremen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    AP 45200 G244
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    AP 50800 GAR
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    Garwood provides a comprehensive account of existing work on film narration and offers an overview of the sensuous aspects of cinematic storytelling, as demonstrated through a broad selection of films. The films used as case studies in the book are particularly 'multi-layered', in that they all make extensive use of materials with sensuously contrasting visual and/or aural properties, such as "The Wizard of Oz" (images that are a mixture of colour and monochrome) and the Bob Dylan biopic "I'm Not There" (multiple performers portraying the same character)

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 074864072X; 9781474402781; 9780748640720
    RVK Categories: AP 50800
    Series: Edinburgh studies in film
    Subjects: Dialogue in motion pictures; Film criticism
    Scope: [VIII], 192 S., [8] Bl., Ill.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke
  13. Writing about movies
    Author: Gocsik, Karen M.; Barsam, Richard Meran; Monahan, Dave
    Published: [2016]; ©2016
    Publisher:  Norton, New York ; London

    Location:
    Universitätsbibliothek Koblenz
    Signature:
    KU/S 2013 3694(4)
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780393265231
    Edition: fourth edition
    Other subjects: Film criticism; Academic writing
    Scope: XII, 268 Seiten, Illustrationen
  14. Writing about movies
    Author: Gocsik, Karen M.; Barsam, Richard Meran; Monahan, Dave
    Published: 2013
    Publisher:  Norton, New York, NY [u.a.]

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
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    teav870.g576
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    Universitäts- und Landesbibliothek Düsseldorf
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    teav30
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    Universitätsbibliothek Koblenz
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    KU/S 2013 3694(3)
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780393921656; 0393921654
    Edition: 3. ed.
    Other subjects: Film criticism; Academic writing
    Scope: XII, 256 S., Ill.
  15. Kristeva in America
    Re-Imagining the Exceptional
    Author: Bové, Carol Mastrangelo
    Published: 2020
    Publisher:  Springer International Publishing AG, Cham ; ProQuest, Ann Arbor, Michigan

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783030599126
    Series: Pivotal Studies in the Global American Literary Imagination Ser.
    Subjects: Kristeva, Julia,-1941-; Kristeva, Julia,-1941--Influence; Film criticism
    Scope: 1 Online-Ressource (126 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  16. Travels in Greeneland
    the cinema of Graham Greene
    Author: Falk, Quentin
    Published: 1984
    Publisher:  Quartet Books, London u.a.

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0704324253
    RVK Categories: HM 2895
    Edition: 1. publ.
    Subjects: English fiction; Film criticism; Film; Roman; Verfilmung
    Other subjects: Greene, Graham <1904-1991>; Greene, Graham <1904-1991>; Greene, Graham (1904-1991)
    Scope: X, 229 S., Ill.
  17. Einführung in die Filmanalyse
    Author: Faulstich, Werner
    Published: 1980
    Publisher:  Narr, Tübingen

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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Hochschule für Fernsehen und Film, Bibliothek
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    Hochschule für Philosophie, Bibliothek
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    Stadtarchiv München & Historischer Verein von Oberbayern, Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 387808921X
    RVK Categories: AP 43450 ; AP 45000 ; EC 7970 ; EC 7990
    Edition: 3., vollst. neu bearb. und erheblich erw. Aufl.
    Series: Literaturwissenschaft im Grundstudium ; 1
    Subjects: Film criticism; Film; Filmanalyse
    Scope: 191 S., graph. Darst.
  18. Filmanalyse
    Grundlagen, Methoden, Didaktik
    Published: 1980
    Publisher:  Oldenbourg, München

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule München, Bibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3486172913
    RVK Categories: AP 45000 ; AP 45100 ; EC 7970
    Edition: 1. Aufl.
    Series: Analysen zur deutschen Sprache und Literatur
    Subjects: Film criticism; Filmanalyse
    Scope: 180 S., Ill.
  19. Die Gegenwart der Geschichte
    ein Versuch über Film und zeitgenössische Literatur
    Author: Rother, Rainer
    Published: 1990
    Publisher:  Metzler, Stuttgart

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    Universitätsbibliothek Augsburg
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

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    Universitätsbibliothek Würzburg
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  20. Godard, Kritiker
    Ausgewählte Kritiken und Aufsätze über Film ; 1950 - 1970
    Author: Godard, Jean-Luc
    Published: 1971
    Publisher:  Hanser, München

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 344611498X
    RVK Categories: AP 51150 ; AP 57900 ; EC 7970
    Series: Reihe Hanser ; 83
    Subjects: Film; Film criticism; Motion pictures; Film
    Other subjects: Godard, Jean-Luc (1930-2022)
    Scope: 204 S.
  21. Filmanalyse interdisziplinär
    Beiträge zu einem Symposium an der Hochschule für Bildende Künste Braunschweig
    Published: 1991
    Publisher:  Vandenhoeck und Ruprecht, Göttingen

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek der LMU München
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    Universität der Bundeswehr München, Universitätsbibliothek
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    Universitätsbibliothek Regensburg
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3525210167
    RVK Categories: AP 45000 ; AP 45100 ; EC 7950 ; EC 7970
    Edition: 2. Aufl.
    Series: Zeitschrift für Literaturwissenschaft und Linguistik : Beiheft ; 15
    Subjects: Film; Film criticism; Motion picture plays; Motion pictures; Filmanalyse
    Scope: 188 S., Ill., graph. Darst., Noten
    Notes:

    Literaturangaben
  22. L' estremista moderato
    la letteratura, il cinema, la politica
    Author: Pannunzio, Mario
    Published: 1993
    Publisher:  Marsilio, Venezia

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: De Michelis, Cesare (Publisher)
    Language: Italian
    Media type: Book
    ISBN: 8831757733
    Edition: 1. ed.
    Series: Saggi
    Subjects: Criticism; Film criticism; Politics and culture; Politik; Italienisch; Theater; Literatur; Film
    Scope: XXXII, 414 Seiten, 22 cm
  23. Cómo se comenta un texto fílmico
    Author: Carmona, Ramón
    Published: 1991
    Publisher:  Cátedra, Madrid

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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: Spanish
    Media type: Book
    ISBN: 8437609631
    RVK Categories: AP 45000 ; EC 7950
    Series: Signo e imagen ; 21
    Subjects: Películas cinematográficas - Argumentos, tramas, etc. - Textos - Análisis; CRITICA DE CINE; Film criticism; Filmkritik; Filmtheorie
    Scope: 323 S., Ill.
  24. The body's perilous pleasures
    dangerous desires and contemporary culture
    Published: 1999
    Publisher:  Edinburgh Univ. Press, Edinburgh

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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Passau
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    Content information
  25. What is film theory?
    an introduction to contemporary debates
    Published: c2010
    Publisher:  Open University Press, Maidenhead, England

    "What is Film Theory? outlines the discipline's key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues... more

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    Hochschule Offenburg, University of Applied Sciences, Bibliothek Campus Offenburg
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    "What is Film Theory? outlines the discipline's key theoretical concepts, perspectives, and traditions, and critically examines the assertions posited by exemplary film theorists and philosophers of film. A step-by-step approach to these issues guides the reader through the central topics of film theory. Beginning with a discussion of structuralism and semiotics, and moving through debates on psychoanalysis, feminism, Screen theory, and cultural studies, the authors then examine the perspectives of 'post-theory', cognitivism, and historical poetics, as well as recent developments such as audience research and the 'cinema of attractions'. Analysis of the major theories is supported with detailed and wide-ranging case studies of particular films, including Singin' in the Rain, The Searchers, Tout va bien, Jaws, Do the Right Thing, Brokeback Mountain, and Sweeney Todd: The Demon Barber of Fleet Street. These case studies are accompanied by a series of illustrative film and production stills."--P. [4] of cover

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780335240388; 0335240380
    RVK Categories: AP 45100
    Subjects: Motion pictures; Motion pictures; Motion pictures; Film criticism; Feminist film criticism; Semiotics and the arts; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Motion pictures; Semiotics and the arts; Feminist film criticism; Film criticism; DRAMA ; Anthologies (multiple authors); Feminist film criticism; Film criticism; Motion pictures ; Aesthetics; Motion pictures ; Appreciation; Motion pictures ; Philosophy; Semiotics and the arts; Filmtheorie; Filmteori; Motion pictures; Motion pictures; Einführung
    Scope: Online Ressource
    Notes:

    Includes bibliographical references (p. [194]-204) and index. - Description based on print version record

    Structuralism and semiotics: the foundations of contemporary film theoryApparatus theory: Jean-Louis Baudry and Christian Metz -- Screen theory: Colin MacCabe and Stephen Heath -- Feminism and film: visual pleasure and identificatory practices -- CInemas of the other: postcolonialism, race and queer theory -- Philosophers and film: Gilles Deleuze and Stanley Cavell -- Film as art: historical poetics and neoformalism -- The cognitive turn: narrative comprehension and character identification -- Recent developments: phenomenology, attractions and audiences.