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  1. Romantic literature and the colonised world
    lessons from indigenous translations
    Published: [2018]
    Publisher:  Palgrave Macmillan, Cham

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  2. Jane Austen, early and late
    Published: [2021]; © 2021
    Publisher:  Princeton University Press, Princeton

    A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between the writer’s “early” and “late” periodsJane Austen’s six novels, published toward the end of her short... more

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    Universität Potsdam, Universitätsbibliothek
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    A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between the writer’s “early” and “late” periodsJane Austen’s six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen’s first biographer described them as “childish effusions.” Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot.Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen’s regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen’s work, Johnston asks whether it makes sense to speak of an early and a late Austen at all.Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691229812
    Other identifier:
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Criticism, interpretation, etc
    Other subjects: Austen, Jane (1775-1817); Austen, Jane - 1775-1817; Austen, Jane - 1775-1817 - Criticism and interpretation; Amendment; Anna Maria Porter; Anne Elliot; Author; Book; Bree (Middle-earth); Cassandra Austen; Catholic Church; Charlotte Lennox; Claire Tomalin; Clarissa; Claudia L. Johnson; Correction (novel); Debut novel; Diary; E. M. Forster; Early Period; Edition (book); Elinor Dashwood; Eliza de Feuillide; Elizabeth Bennet; Elizabeth Bishop; Emma (novel); Emma Woodhouse; Emmeline; Epigraph (literature); Epistle; Essay; Evelina; Fairy tale; Fanny Hill; Fanny Price; Felicia Hemans; Fiction; Fictional universe; First Story; Frances Burney; G. K. Chesterton; Hannah More; Hester Thrale; Historical romance; Inception; Intention; J. M. Barrie; Jane Austen; Janet Todd; John Cleland; Jude the Obscure; Juvenilia; Lady Susan; Life and Letters; Literary genre; Literary modernism; Mansfield Park; Manuscript; Margaret Tudor; Maria Edgeworth; Marianne Dashwood; Marriage plot; Martha Lloyd; Mary Brunton; Mary Crawford (Mansfield Park); Mary Musgrove; Mary Russell Mitford; Mary Wollstonecraft; Memoir; Middle age; Miss Bates; Mrs; N. (novella); North America; Northanger Abbey; Novel; Novelist; Parody; Persuasion (novel); Poetry; Point of Origin (novel); Prediction; Preface; Publication; Regency novel; Routledge; Samuel Taylor Coleridge; Sanditon; Sense and Sensibility; Sentimental novel; Sequel; Sir Francis Drake (TV series); Susan Gubar; The Beautifull Cassandra; The Female Quixote; The History of England (Austen); The History of England (Hume); The Light of Day (Graham Swift novel); The Years; Waverley Novels; William Hone; Writer; Writing
    Scope: 1 Online-Ressource (xiv, 271 Seiten), Illustrationen (31 schwarz/weiße Illustrationen)
  3. In common things
    commerce, culture, and ecology in British romantic literature
    Published: [2022]; © 2022
    Publisher:  University of Toronto Press, Toronto

    The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed... more

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Thüringer Universitäts- und Landesbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Herzog August Bibliothek Wolfenbüttel
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    The hardness of stone, the pliancy of wood, the fluidity of palm oil, the crystalline nature of salt, and the vegetable qualities of moss – each describes a way of being in and understanding the world. These substances are both natural objects hailed in Romantic literature and global commodities within a system of extraction and exchange that has driven climate change, representing the paradox of the modern relation to materiality. In Common Things examines these five common substances – stone, wood, oil, salt, and moss – in the literature of Romantic period authors, excavating their cultural, ecological, and commodity histories. The book argues that the substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Matthew Rowney draws together processes, beings, and things, both from the Romantic period and from our current ecological moment, to re-invoke a lost heritage of cultural relations with common substances. Enabling a fresh reading of Romantic literature, In Common Things prompts a reevaluation of the simple, the everyday, and the common, in light of their contributions to our contemporary sense of ourselves and our societies "In Common Things explores the implacable agency of five common substances--stone, wood, oil, salt, and moss--in the life and literature of the Romantic period. It argues that these substances and their histories have shaped cultural consciousness, and that Romantic era texts formally encode this shaping. Substance is both the natural object of Romantic literature and the commodity that has driven global climate change, and represents the paradox of the modern relation to materiality. In Common Things excavates the cultural, ecological and commodity histories of these substances, demonstrating qualities they share "in common" with literary form. What this book hopes to prompt in its readers is a reevaluation of the simple, the everyday, and the common in light of its contribution to our contemporary sense of ourselves and our societies."--

     

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  4. Jane Austen, early and late
    Published: [2021]; © 2021
    Publisher:  Princeton University Press, Princeton

    A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between the writer’s “early” and “late” periodsJane Austen’s six novels, published toward the end of her short... more

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    Technische Universität Hamburg, Universitätsbibliothek
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    A reexamination of Austen’s unpublished writings that uncovers their continuity with her celebrated novels—and that challenges distinctions between the writer’s “early” and “late” periodsJane Austen’s six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen’s first biographer described them as “childish effusions.” Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot.Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen’s regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen’s work, Johnston asks whether it makes sense to speak of an early and a late Austen at all.Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691229812
    Other identifier:
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Criticism, interpretation, etc
    Other subjects: Austen, Jane (1775-1817); Austen, Jane - 1775-1817; Austen, Jane - 1775-1817 - Criticism and interpretation; Amendment; Anna Maria Porter; Anne Elliot; Author; Book; Bree (Middle-earth); Cassandra Austen; Catholic Church; Charlotte Lennox; Claire Tomalin; Clarissa; Claudia L. Johnson; Correction (novel); Debut novel; Diary; E. M. Forster; Early Period; Edition (book); Elinor Dashwood; Eliza de Feuillide; Elizabeth Bennet; Elizabeth Bishop; Emma (novel); Emma Woodhouse; Emmeline; Epigraph (literature); Epistle; Essay; Evelina; Fairy tale; Fanny Hill; Fanny Price; Felicia Hemans; Fiction; Fictional universe; First Story; Frances Burney; G. K. Chesterton; Hannah More; Hester Thrale; Historical romance; Inception; Intention; J. M. Barrie; Jane Austen; Janet Todd; John Cleland; Jude the Obscure; Juvenilia; Lady Susan; Life and Letters; Literary genre; Literary modernism; Mansfield Park; Manuscript; Margaret Tudor; Maria Edgeworth; Marianne Dashwood; Marriage plot; Martha Lloyd; Mary Brunton; Mary Crawford (Mansfield Park); Mary Musgrove; Mary Russell Mitford; Mary Wollstonecraft; Memoir; Middle age; Miss Bates; Mrs; N. (novella); North America; Northanger Abbey; Novel; Novelist; Parody; Persuasion (novel); Poetry; Point of Origin (novel); Prediction; Preface; Publication; Regency novel; Routledge; Samuel Taylor Coleridge; Sanditon; Sense and Sensibility; Sentimental novel; Sequel; Sir Francis Drake (TV series); Susan Gubar; The Beautifull Cassandra; The Female Quixote; The History of England (Austen); The History of England (Hume); The Light of Day (Graham Swift novel); The Years; Waverley Novels; William Hone; Writer; Writing
    Scope: 1 Online-Ressource (xiv, 271 Seiten), Illustrationen (31 schwarz/weiße Illustrationen)
  5. Jane Austen, early and late
    Published: [2021]; ©2021
    Publisher:  Princeton University Press, Princeton

    A reexamination of Austen's unpublished writings that uncovers their continuity with her celebrated novels--and that challenges distinctions between the writer's "early" and "late" periodsJane Austen's six novels, published toward the end of her... more

    Access:
    Verlag (lizenzpflichtig)
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    No inter-library loan

     

    A reexamination of Austen's unpublished writings that uncovers their continuity with her celebrated novels--and that challenges distinctions between the writer's "early" and "late" periodsJane Austen's six novels, published toward the end of her short life, represent a body of work that is as brilliant as it is compact. Her earlier writings have routinely been dismissed as mere juvenilia, or stepping stones to mature proficiency and greatness. Austen's first biographer described them as "childish effusions." Was he right to do so? Can the novels be definitively separated from the unpublished works? In Jane Austen, Early and Late, Freya Johnston argues that they cannot.Examining the three manuscript volumes in which Austen collected her earliest writings, Johnston finds that Austen's regard and affection for them are revealed by her continuing to revisit and revise them throughout her adult life. The teenage works share the milieu and the humour of the novels, while revealing more clearly the sources and influences upon which Austen drew. Johnston upends the conventional narrative according to which Austen discarded the satire and fantasy of her first writings in favour of the irony and realism of the novels. By demonstrating a stylistic and thematic continuity across the full range of Austen's work, Johnston asks whether it makes sense to speak of an early and a late Austen at all.Jane Austen, Early and Late offers a new picture of the author in all her complexity and ambiguity, and shows us that it is not necessarily true that early work yields to later, better things

     

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0691229813; 9780691229812
    Subjects: LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Criticism, interpretation, etc
    Other subjects: Austen, Jane (1775-1817); Austen, Jane - 1775-1817; Amendment; Anna Maria Porter; Anne Elliot; Author; Book; Bree (Middle-earth); Cassandra Austen; Catholic Church; Charlotte Lennox; Claire Tomalin; Clarissa; Claudia L. Johnson; Correction (novel); Debut novel; Diary; E. M. Forster; Early Period; Edition (book); Elinor Dashwood; Eliza de Feuillide; Elizabeth Bennet; Elizabeth Bishop; Emma (novel); Emma Woodhouse; Emmeline; Epigraph (literature); Epistle; Essay; Evelina; Fairy tale; Fanny Hill; Fanny Price; Felicia Hemans; Fiction; Fictional universe; First Story; Frances Burney; G. K. Chesterton; Hannah More; Hester Thrale; Historical romance; Inception; Intention; J. M. Barrie; Jane Austen; Janet Todd; John Cleland; Jude the Obscure; Juvenilia; Lady Susan; Life and Letters; Literary genre; Literary modernism; Mansfield Park; Manuscript; Margaret Tudor; Maria Edgeworth; Marianne Dashwood; Marriage plot; Martha Lloyd; Mary Brunton; Mary Crawford (Mansfield Park); Mary Musgrove; Mary Russell Mitford; Mary Wollstonecraft; Memoir; Middle age; Miss Bates; Mrs; N. (novella); North America; Northanger Abbey; Novel; Novelist; Parody; Persuasion (novel); Poetry; Point of Origin (novel); Prediction; Preface; Publication; Regency novel; Routledge; Samuel Taylor Coleridge; Sanditon; Sense and Sensibility; Sentimental novel; Sequel; Sir Francis Drake (TV series); Susan Gubar; The Beautifull Cassandra; The Female Quixote; The History of England (Austen); The History of England (Hume); The Light of Day (Graham Swift novel); The Years; Waverley Novels; William Hone; Writer; Writing
    Scope: 1 Online-Ressource (xiv, 271 pages), illustrations
    Notes:

    Includes bibliographical references and index

    Developing -- Effusions of Fancy -- Reading and Repeating -- Dying with Laughter -- Histories -- The Village and the Universe -- Appendix. A Note on Marginalia.

  6. What the Victorians made of romanticism
    material artifacts, cultural practices, and reception history
    Author: Mole, Tom
    Published: 2017
    Publisher:  Princeton University Press, Princeton

    This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott,... more

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    This insightful and elegantly written book examines how the popular media of the Victorian era sustained and transformed the reputations of Romantic writers. Tom Mole provides a new reception history of Lord Byron, Felicia Hemans, Sir Walter Scott, Percy Bysshe Shelley, and William Wordsworth--one that moves beyond the punctual historicism of much recent criticism and the narrow horizons of previous reception histories. He attends instead to the material artifacts and cultural practices that remediated Romantic writers and their works amid shifting understandings of history, memory, and media. Mole scrutinizes Victorian efforts to canonize and commodify Romantic writers in a changed media ecology. He shows how illustrated books renovated Romantic writing, how preachers incorporated irreligious Romantics into their sermons, how new statues and memorials integrated Romantic writers into an emerging national pantheon, and how anthologies mediated their works to new generations. This ambitious study investigates a wide range of material objects Victorians made in response to Romantic writing--such as photographs, postcards, books, and collectibles--that in turn remade the public's understanding of Romantic writers

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400887897; 1400887895
    Subjects: English literature; Romanticism; Littérature anglaise - 19e siècle - Histoire et critique; Romantisme - Grande-Bretagne - 19e siècle; LITERARY CRITICISM - European - English, Irish, Scottish, Welsh; English literature; Romanticism; Criticism, interpretation, etc
    Other subjects: Algernon Charles Swinburne; Anecdote; Anthology; Atheism; Author; Benjamin Disraeli; Biography; Book design; Calton Hill; Cambridge University Press; Charles Dickens; Childe Harold's Pilgrimage; Christianity; Clergy; Edition (book); Embellishment; English literature; English poetry; Engraving; Felicia Hemans; First appearance; Franco Moretti; Frank Kermode; George Eliot; God; Guide to the Lakes; Handbook; Harriet Beecher Stowe; Hebrew Melodies; Henry Chorley; Illustration; Illustrator; Jerome McGann; John Ruskin; Lecture; Literary criticism; Literature; Long poem; Lord Byron; Mary Shelley; Matthew Arnold; Modernity; Narrative; National Library of Scotland; New Generation (Malayalam film movement); New Historicism; New media; Newspaper; Novel; Paratext; Percy Bysshe Shelley; Photography; Poet; Poetry; Poets' Corner; Postcard; Preface; Princes Street Gardens; Princeton University Press; Print culture; Printing; Printmaking; Prometheus Unbound (Aeschylus); Prose; Publication; Publishing; Queen Mab; Religion; Reprint; Romantic poetry; Romanticism; Scott Monument; Scott's (restaurant); Secularization; Sensibility; Sermon; She Walks in Beauty; Special collections; Stanza; Stephen Greenblatt; Subjectivity; Supporter; T. S. Eliot; The Anthologist; The Aspern Papers; The Destruction of Sennacherib; The Giaour; The Lay of the Last Minstrel; The Other Hand; The Pencil of Nature; Theology; Troilus and Criseyde; Victorian era; Wai Chee Dimock; Walter Benjamin; William Michael Rossetti; William Shakespeare; William Wordsworth; Writer; Writing
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

    The web of reception. Romantic writers in the Victorian media ecology -- Reception traditions and punctual historicism -- Minding the generation gap -- Illustrations. Illustration as renovation -- Renovating romantic poetry: retrofitted illustrations -- Turning the page: illustrated frontmatter -- Sermons. A religious reception tradition -- Converting Shelley -- Spurgeon, Byron, and the contingencies of mediation -- Statues. -- Secular pantheons for the reformed: Byron in Cambridge -- The distributed pantheon: Scott in Edinburgh -- The networked Pantheon: Byron in London -- Anthologies. Scattered odes in shattered books: quantifying Victorian anthologies -- Romantic short poems in Victorian anthologies -- Romantic long poems in Victorian anthologies -- Coda: Ozymandias at the Olympics; or, she walks in Brixton.