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  1. Deadpan
    the aesthetics of Black inexpression
    Author: Post, Tina
    Published: 2023
    Publisher:  New York University Press, New York

    The Aesthetics of Black Inexpression is an examination of the aesthetic assertions that inhere in gestures of expressionlessness, inscrutability, and emotional withholding in African American cultural production"-- ; "Deadpan Explores... more

    Englisches Seminar der Universität, Bibliothek
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    The Aesthetics of Black Inexpression is an examination of the aesthetic assertions that inhere in gestures of expressionlessness, inscrutability, and emotional withholding in African American cultural production"-- ; "Deadpan Explores expressionlessness, inscrutability, and emotional withholding in Black cultural productionArguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan-a vaudeville term meaning "dead face"-across literature, theater, visual and performance art, and the performance of self in everyday life.Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness's deadpan aesthetic within and beyond black embodiments, including Young Jean Lee's The Shipment and Branden Jacobs-Jenkins's Neighbors, as well as Buster Keaton's signature character and Steve McQueen's restitution of the former's legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781479811205; 9781479811212
    Series: Minoritarian aesthetics
    Subjects: Facial expression; Body language; Aesthetics; Black people
    Other subjects: ART060000; Black & Asian studies; Ethnische Gruppen und multikulturelle Studien; Performance art; Performancekunst; SOC056000; SOC070000; Array; Social & cultural history; Sozial- und Kulturgeschichte
    Scope: pages cm
    Notes:

    Includes bibliographical references and index

    Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern

    2301

    Introduction: some type of way -- Subjectivity and self-specimenization -- Minimalism and the aesthetics of Black threat -- The opacity gradient -- Excess and absence (or, The Negro Believes) -- Buster Keaton's Black deadpan -- Coda : Steve McQueen takes it back.

  2. Die Sprache des menschlichen Antlitzes im frühen Griechentum
    Published: 1961
    Publisher:  De Gruyter, Berlin

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    RVK Categories: CD 1850 ; FE 3789 ; LG 1600
    Subjects: Antlitz; Gesicht; Eye in literature; Facial expression; Greek literature; Griechisch; Bedeutung; Auge; Literatur
    Scope: 66 S.
  3. Histoire du visage
    exprimer et taire ses émotions ; XVIe - début XIXe siècle
    Published: 1988
    Publisher:  Ed. Rivages, Paris [u.a.]

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  4. Esthetic dentistry
    Published: 1989
    Publisher:  Saunders, Philadelphia u.a.

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: YP 1600
    Series: The dental clinics of North America ; 33,2
    Subjects: Dental Restoration, Permanent; Esthetics, Dental; Facial Expression; Facial expression; Orthodontic Appliances; Orthodontic appliances; Periodontal Diseases; Periodontal disease; Ästhetik; Zahnmedizin
    Scope: XII S., S. 133 - 341, Ill.
  5. Esthetic dentistry
    Published: 1998
    Publisher:  Saunders, Philadelphia [u.a.]

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: YP 1600
    Series: The dental clinics of North America ; 42,4
    Subjects: Cosmetische tandheelkunde; Esthétique dentaire; Esthetics in dentistry; Esthetics, Dental; Facial expression; Orthodontic appliances; Periodontal disease; Periodontal disease; Zahnmedizin; Ästhetik
    Scope: XVI S., S. 567 - 834 S., zahlr. Ill., graph. Darst.
  6. Face and mask
    a double history
    Published: [2017]; © 2017
    Publisher:  Princeton University Press, Princeton ; Oxford

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Hansen, Thomas S.; Hansen, Abby J.
    Language: English
    Media type: Book
    ISBN: 9780691162355
    Subjects: Psychologie; Face in art; Face; Masks; Facial expression; Facial expression in art; Face; Masks; Maske; Mensch <Motiv>; Bildnis; Mimik <Motiv>; Gesicht <Motiv>; Gesicht; Künste; Kultur; Kunst
    Scope: 270 Seiten, Illustrationen
    Notes:

    "First published in Germany under the title Faces: Eine Geschichte des Gesichts.". - Includes bibliographical references and index

  7. Srodki akcërskaj plastyčnaj vyraznasci ŭ amatarskim tėatry Belarusi druhoj palovy XX-pačatku XXI st.
    Published: 2018
    Publisher:  "Belaruskaja navuka", Minsk

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Belarusian
    Media type: Book
    ISBN: 9789850822765
    Subjects: Belarus. Byelorussian S.S.R. White Russia; Drama; Dramatic representation. The theater; Literature (General); Amateur theater; Theater; Acting; Facial expression; Theater; Drama; Literatur
    Scope: 158 Seiten, Illustrationen, 21 cm
  8. Faceworld
    the face in the twenty-first century
    Published: 2020
    Publisher:  Polity, Cambridge ; Medford, MY

    "We have long accepted the face as the most natural and self-evident thing, as if the face were the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has... more

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "We have long accepted the face as the most natural and self-evident thing, as if the face were the public manifestation of our inner being. Nothing could be further from the truth. Rather than a window opening onto our inner nature, the face has always been a technical artefact-a construction that owes as much to artificiality as to our genetic inheritance. From the origins of humanity to the triumph of the selfie, Marion Zilio charts the history of the technical, economic, political, legal, and artistic fabrication of the face. Her account of this history culminates in a radical new interrogation of what is too often denounced as our contemporary narcissism. In fact, argues Zilio, the "narcissism" of the selfie may well reconnect us to the deepest sources of the human manufacture of faces-a reconnection that would also be a chance for us to come to terms with the non-human part of ourselves"--

     

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    Source: Union catalogues
    Contributor: Mackay, Robin
    Language: English
    Media type: Book
    ISBN: 9781509537266; 9781509537259
    Subjects: Wahrnehmung; Bildnis; Gesicht <Motiv>; Ästhetik; Gesicht; Selbstbild
    Other subjects: Face / Social aspects; Face perception; Facial expression
    Scope: vii, 164 Seiten
  9. Deadpan
    the aesthetics of black inexpression
    Author: Post, Tina
    Published: [2022]; © 2022
    Publisher:  New York University Press, New York

    The Aesthetics of Black Inexpression is an examination of the aesthetic assertions that inhere in gestures of expressionlessness, inscrutability, and emotional withholding in African American cultural production"-- "Deadpan Explores... more

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    The Aesthetics of Black Inexpression is an examination of the aesthetic assertions that inhere in gestures of expressionlessness, inscrutability, and emotional withholding in African American cultural production"-- "Deadpan Explores expressionlessness, inscrutability, and emotional withholding in Black cultural productionArguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan-a vaudeville term meaning "dead face"-across literature, theater, visual and performance art, and the performance of self in everyday life.Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness's deadpan aesthetic within and beyond black embodiments, including Young Jean Lee's The Shipment and Branden Jacobs-Jenkins's Neighbors, as well as Buster Keaton's signature character and Steve McQueen's restitution of the former's legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility"

     

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  10. When a Gesture Was Expected
    A Selection of Examples from Archaic and Classical Greek Literature
    Published: 2022; ©2022
    Publisher:  Princeton University Press, Princeton, NJ

    A boldly innovative study of nonverbal communication in the poetry and prose of Hellenic antiquityWhen a Gesture Was Expected encourages a deeper appreciation of ancient Greek poetry and prose by showing where a nod of the head or a wave of the hand... more

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    A boldly innovative study of nonverbal communication in the poetry and prose of Hellenic antiquityWhen a Gesture Was Expected encourages a deeper appreciation of ancient Greek poetry and prose by showing where a nod of the head or a wave of the hand can complete meaning in epic poetry and in tragedy, comedy, oratory, and in works of history and philosophy. All these works anticipated performing readers, and, as a result, they included prompts, places where a gesture could complete a sentence or amplify or comment on the written words. In this radical and highly accessible book, Alan Boegehold urges all readers to supplement the traditional avenues of classical philology with an awareness of the uses of nonverbal communication in Hellenic antiquity. This additional resource helps to explain some persistently confusing syntaxes and to make translations more accurate. It also imparts a living breath to these immortal texts.Where part of a work appears to be missing, or the syntax is irregular, or the words seem contradictory or perverse—without evidence of copyists' errors or physical damage—an ancient author may have been assuming that a performing reader would make the necessary clarifying gesture. Boegehold offers analyses of many such instances in selected passages ranging from Homer to Aeschylus to Plato. He also presents a review of sources of information about such gestures in antiquity as well as thirty illustrations, some documenting millennia-long continuities in nonverbal communication

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691252520
    Other identifier:
    Subjects: Body language in literature; Gesture in literature; Gesture; Greek literature; Nonverbal communication in literature; PERFORMING ARTS / Theater / History & Criticism
    Other subjects: Aeschylus; Agathon; Alcman; Allegory; Allusion; Andocides; Antithesis; Aorist; Aphorism; Aposiopesis; Aristophanes; Attempt; Author; Characterization; Concept; Conditional sentence; Consciousness; Consequent; Consideration; Contexts; Critias (dialogue); Critias; Decorum; Demonstrative; Demosthenes; Elaboration; Emblem; Epigram; Eudaimonia; Euripides; Euthyphro; Evocation; Explanation; Exposition (narrative); Facial expression; Fine art; Genre; Gesture; God; Gorgias; Haplography; Heliaia; Hermetica; Herodotus; Humour; Idealism; Illustration; Imagination; Inference; Irony; Laertes; Literal translation; Literature; Modal particle; Monadology; Narrative; Nicias; Nonverbal communication; Ontology; Ostanes; Parmenides; Parody; Philosophy; Phrase; Pindar; Plautus; Priam; Protagoras; Protasis; Publication; Punctuation; Quintilian; Quotation; Religion; Rhapsode; Rhetorical device; Sarpedon; Scholasticism; Scrutiny; Simulacrum; Sophist (dialogue); Sophist; Sophocles; Suggestion; Supplication; Sycophant; Tecmessa; Terence; Teucer; Theory of Forms; Thought; Thucydides; Timon of Phlius; Tiresias; To This Day; Treatise; Usage; Utterance; V; Verisimilitude
    Scope: 1 Online-Ressource (176 p.), 30 b/w illus
  11. Approaching facial difference
    past and present
    Contributor: Cock, Emily (HerausgeberIn); Skinner, Patricia (HerausgeberIn)
    Published: 2018
    Publisher:  Bloomsbury Academic, London ; Bloomsbury Publishing

    "What is a face and how does it relate to personhood? Approaching Facial Difference: Past and Present offers an interdisciplinary exploration of the many ways in which faces have been represented in the past and present, focusing on the issue of... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    "What is a face and how does it relate to personhood? Approaching Facial Difference: Past and Present offers an interdisciplinary exploration of the many ways in which faces have been represented in the past and present, focusing on the issue of facial difference and disfigurement read in the light of shifting ideas of beauty and ugliness. Faces are central to all human social interactions, yet their study has been much overlooked by disability scholars and historians of medicine alike. By examining the main linguistic, visual and material approaches to the face from antiquity to contemporary times, contributors place facial diversity at the heart of our historical and cultural narratives. This cutting-edge collection of essays will be an invaluable resource for humanities scholars working across history, literature and visual culture, as well as modern practitioners in education and psychology."--Bloomsbury Publishing Part 1. Language -- Part 2. Visibility -- Part 3. Materiality

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Cock, Emily (HerausgeberIn); Skinner, Patricia (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350028326; 9781350028319; 9781350028302
    Other identifier:
    Series: Facialities: Interdisciplinary Approaches to the Human Face
    Subjects: Facial expression; Face in art; Face in art; Facial expression; Body image; Face; Face in art; Face in literature
    Scope: 1 Online-Ressource (xi, 250 pages), Illustrationen
    Notes:

    Includes bibliographical references (p. 219-246) and index

  12. Affektbilder
    eine Mediengeschichte der Mimik
    Published: 2004
    Publisher:  Transcript, Bielefeld

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 3899422678
    Other identifier:
    9783899422672
    RVK Categories: AP 14950 ; AP 51700 ; AP 73900 ; AP 95700 ; CS 4500 ; EC 3870 ; ES 172 ; LC 85000 ; YH 4500
    DDC Categories: 300; 150
    Subjects: Body language; Facial expression; Gefühlsausdruck; Mimik; Film; Medien; Fotografie; Drama
    Scope: 292 S., Ill.
    Notes:

    Zugl.: Köln, Univ., Diss., 2003

  13. A brief history of the smile
    Published: 2004
    Publisher:  Basic Books, New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0465087795; 0465087779
    RVK Categories: LH 84120
    Subjects: Glimlach; Psychologische aspecten; Geschichte; Psychologie; Facial expression; Smile; Smile in art; Smile in literature; Lächeln <Motiv>; Kultur; Physiognomie; Literatur; Affekt <Motiv>; Ästhetik; Kunst; Lächeln
    Scope: liii, 226 p., ill.
    Notes:

    Includes bibliographical references (p. 197-216) and index

  14. Die Sprache des menschlichen Antlitzes im frühen Griechentum
    Published: 1961
    Publisher:  De Gruyter, Berlin

    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: German
    Media type: Book
    RVK Categories: CD 1850 ; FE 3789 ; LG 1600
    Subjects: Antlitz; Gesicht; Eye in literature; Facial expression; Greek literature; Bedeutung; Auge; Literatur; Griechisch
    Scope: 66 S.
  15. Approaching facial difference
    past and present
    Contributor: Cock, Emily (HerausgeberIn); Skinner, Patricia (HerausgeberIn)
    Published: 2018
    Publisher:  Bloomsbury Academic, London ; Bloomsbury Publishing

    "What is a face and how does it relate to personhood? Approaching Facial Difference: Past and Present offers an interdisciplinary exploration of the many ways in which faces have been represented in the past and present, focusing on the issue of... more

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    "What is a face and how does it relate to personhood? Approaching Facial Difference: Past and Present offers an interdisciplinary exploration of the many ways in which faces have been represented in the past and present, focusing on the issue of facial difference and disfigurement read in the light of shifting ideas of beauty and ugliness. Faces are central to all human social interactions, yet their study has been much overlooked by disability scholars and historians of medicine alike. By examining the main linguistic, visual and material approaches to the face from antiquity to contemporary times, contributors place facial diversity at the heart of our historical and cultural narratives. This cutting-edge collection of essays will be an invaluable resource for humanities scholars working across history, literature and visual culture, as well as modern practitioners in education and psychology."--Bloomsbury Publishing Part 1. Language -- Part 2. Visibility -- Part 3. Materiality

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Cock, Emily (HerausgeberIn); Skinner, Patricia (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781350028326; 9781350028319; 9781350028302
    Other identifier:
    Series: Facialities: Interdisciplinary Approaches to the Human Face
    Subjects: Facial expression; Face in art; Face in art; Facial expression; Body image; Face; Face in art; Face in literature
    Scope: 1 Online-Ressource (xi, 250 pages), Illustrationen
    Notes:

    Includes bibliographical references (p. 219-246) and index

  16. A brief history of the smile
    Published: c2004
    Publisher:  Basic Books, New York

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0465087779; 0465087795
    RVK Categories: LH 84120
    Subjects: Geschichte; Facial expression; Smiling in art; Smiling in literature; Smiling; Kunst; Lächeln; Kultur; Lächeln <Motiv>; Physiognomie; Ästhetik; Affekt <Motiv>; Literatur
    Scope: 1 Online-Ressource (liii, 226 p.)
    Notes:

    Includes bibliographical references (p. 197-216) and index

  17. Affektbilder
    Eine Mediengeschichte der Mimik
    Published: [2004]; © 2004
    Publisher:  transcript Verlag, Bielefeld

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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839402672
    Other identifier:
    RVK Categories: CS 4500 ; AP 73900 ; AP 14950
    Series: Kultur- und Medientheorie
    Subjects: Bewegung <Motiv>; Body language; Facial expression; Gefühlsausdruck; Medien; Mimik <Motiv>; Mimik; Photographie; Psychologie; Schauspielkunst; Medien; Fotografie; Mimik; Film; Drama; Gefühlsausdruck
    Scope: 1 Online-Ressource (296 Seiten), Illustrationen
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    Kann man am Gesicht ablesen, was Menschen fühlen? Die moderne Psychologie glaubt daran, dass sich Affekte in dem zeigen, was man nicht kontrollieren kann: unbedachte Bewegungen und Nuancen der Mimik. Lesbar wird das expressive Gesicht nun durch Bilder von Affekten, die solche marginalen Körperbewegungen sichtbar machen. Dabei spielen technische Medien eine entscheidende Rolle: An Fotografien lassen sich noch die geringsten mimischen Details studieren, die filmische Großaufnahme exponiert mimische Bewegungen. Die Geschichte der Affektbilder ist gekoppelt an die Diskurse und Medien, die mimische Expressivität als Gegenstand des Wissens erst begründen

  18. Affektbilder
    Eine Mediengeschichte der Mimik
    Published: [2004]
    Publisher:  transcript Verlag, Bielefeld

    Kann man am Gesicht ablesen, was Menschen fühlen? Die moderne Psychologie glaubt daran, dass sich Affekte in dem zeigen, was man nicht kontrollieren kann: unbedachte Bewegungen und Nuancen der Mimik. Lesbar wird das expressive Gesicht nun durch... more

     

    Kann man am Gesicht ablesen, was Menschen fühlen? Die moderne Psychologie glaubt daran, dass sich Affekte in dem zeigen, was man nicht kontrollieren kann: unbedachte Bewegungen und Nuancen der Mimik. Lesbar wird das expressive Gesicht nun durch Bilder von Affekten, die solche marginalen Körperbewegungen sichtbar machen. Dabei spielen technische Medien eine entscheidende Rolle: An Fotografien lassen sich noch die geringsten mimischen Details studieren, die filmische Großaufnahme exponiert mimische Bewegungen. Die Geschichte der Affektbilder ist gekoppelt an die Diskurse und Medien, die mimische Expressivität als Gegenstand des Wissens erst begründen

     

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839402672
    Other identifier:
    Series: Kultur- und Medientheorie
    Subjects: Bewegung <Motiv>; Body language; Communication Science, other; Communications; Facial expression; Gefühlsausdruck; Linguistics, Communication Studies; Medien; Mimik <Motiv>; Mimik; Photographie; Psychologie; Schauspielkunst
    Scope: 1 online resource(296 p.), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed October 7 2015)

  19. Deadpan
    the aesthetics of black inexpression
    Author: Post, Tina
    Published: [2022]; © 2022
    Publisher:  New York University Press, New York

    The Aesthetics of Black Inexpression is an examination of the aesthetic assertions that inhere in gestures of expressionlessness, inscrutability, and emotional withholding in African American cultural production"-- "Deadpan Explores... more

    Freie Universität Berlin, Universitätsbibliothek
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    The Aesthetics of Black Inexpression is an examination of the aesthetic assertions that inhere in gestures of expressionlessness, inscrutability, and emotional withholding in African American cultural production"-- "Deadpan Explores expressionlessness, inscrutability, and emotional withholding in Black cultural productionArguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan tracks instances and meanings of deadpan-a vaudeville term meaning "dead face"-across literature, theater, visual and performance art, and the performance of self in everyday life.Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Beginning with the expressionless faces of mid-twentieth-century documentary photography and proceeding to early twenty-first-century drama, this project examines performances of blackness's deadpan aesthetic within and beyond black embodiments, including Young Jean Lee's The Shipment and Branden Jacobs-Jenkins's Neighbors, as well as Buster Keaton's signature character and Steve McQueen's restitution of the former's legacy within the continuum of Black cultural production. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility"

     

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781479811205; 9781479811212
    Series: Minoritarian aesthetics
    Subjects: Facial expression; Body language; Aesthetics; Black people; Ausdruckspsychologie; Künste; Kunst; Ästhetik; Schwarze
    Other subjects: Black & Asian studies; Ethnische Gruppen und multikulturelle Studien; Performance art; Performancekunst; Social & cultural history; Sozial- und Kulturgeschichte
    Scope: 269 Seiten, Illustrationen
  20. Histoire du visage
    exprimer et taire ses émotions; XVIe-début XIXe siècle
    Published: 1988
    Publisher:  Éd. Rivages, Paris [u.a.]

    Universitätsbibliothek Freiburg
    TM 2019/522
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    90-4711
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    40.239
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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2869301502
    Other identifier:
    9782869301504
    RVK Categories: IE 2836
    Series: Rivages/histoire
    Subjects: Physiognomie; Gefühl; Geschichte 1500-1800; ; Gesicht <Motiv>; Geistesgeschichte 1500-1820; ; Mimik; Gefühl; Geschichte 1500-1850;
    Other subjects: Array; Array
    Scope: 287 S., Ill.
    Notes:

    Includes bibliographical references

  21. Affektbilder
    eine Mediengeschichte der Mimik
    Published: 2004; ©2004.
    Publisher:  transcript Verlag, Bielefeld

    Kann man am Gesicht ablesen, was Menschen fühlen? Die moderne Psychologie glaubt daran, dass sich Affekte in dem zeigen, was man nicht kontrollieren kann: unbedachte Bewegungen und Nuancen der Mimik. Lesbar wird das expressive Gesicht nun durch... more

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    Kann man am Gesicht ablesen, was Menschen fühlen? Die moderne Psychologie glaubt daran, dass sich Affekte in dem zeigen, was man nicht kontrollieren kann: unbedachte Bewegungen und Nuancen der Mimik. Lesbar wird das expressive Gesicht nun durch Bilder von Affekten, die solche marginalen Körperbewegungen sichtbar machen. Dabei spielen technische Medien eine entscheidende Rolle: An Fotografien lassen sich noch die geringsten mimischen Details studieren, die filmische Großaufnahme exponiert mimische Bewegungen. Die Geschichte der Affektbilder ist gekoppelt an die Diskurse und Medien, die mimische Expressivität als Gegenstand des Wissens erst begründen.

     

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839402672
    Other identifier:
    RVK Categories: CS 4500 ; AP 73900 ; AP 14950
    Series: Kultur- und Medientheorie
    Subjects: Body language; Facial expression; Bewegung <Motiv>.; Body language.; Facial expression.; Mimik <Motiv>.; Photographie.; Psychologie.; Schauspielkunst.; Gefühlsausdruck.; Medien.; Mimik.; SOCIAL SCIENCE / Media Studies
    Scope: 1 Online-Ressource (292 Seiten)
    Notes:

    Description based upon print version of record

    Dissertation, Universität zu Köln, 2003

    Frontmatter -- Inhalt -- Vorwort: Sichtbarkeit und Medialität der mimischen Zeichen am Menschen -- 1. Diskurse und Medien des Ausdrucks -- 2. Der Schauspieler als Paradigma der Ausdruckstheorie -- 3. (Un-)Sichtbarkeit des Affekts -- 4. Fotografische Aufzeichnung von Mimik -- 5. Psychologie der Ausdrucksbewegung -- 6. Ausdrucksbewegung und kinematographisches Bewegungsbild -- 7. Mimische Expressivität im ›stummen‹ Film -- Nachwort: Mimik in der »facialen Gesellschaft« -- Literatur- und Abbildungsverzeichnis -- Backmatter.

  22. MPEG-4 facial animation
    the standard, implementation and applications
    Contributor: Pandzic, Igor S. (Hrsg.)
    Published: 2002
    Publisher:  Wiley, Chichester [u.a.]

    Technische Universität Chemnitz, Universitätsbibliothek
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    08.4786 8.
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    T 03 B 7474
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    ELT ZN 6055 P189
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    ZN 6055 P189
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    Max-Planck-Haus, Bibliothek
    G 215
    No loan of volumes, only paper copies will be sent
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    Content information
    Source: Union catalogues
    Contributor: Pandzic, Igor S. (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0470844655
    Other identifier:
    9780470844656
    Subjects: MPEG (Video coding standard); Computer animation; Face perception; Facial expression; Digital video
    Scope: XXVIII, 299 S, Ill., graph. Darst, 25 cm
    Notes:

    Includes bibliographical references and index

  23. Invention of hysteria
    Charcot and the photographic iconography of the Salpêtrière
    Published: 2003
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Institute for Cultural Inquiry- Kulturlabor, Bibliothek
    TR708 D5313 2003
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    616.8 D5565ih
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    FT - 166 +1
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    Ec-1554-80
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    PSY 055 : D34
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    BF173 .D5313 2003
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    Content information
    Source: Union catalogues
    Contributor: Charcot, Jean Martin (Ill.); Didi-Huberman, Georges
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0262042150
    Other identifier:
    9780262042154
    2002029382
    RVK Categories: AP 95700 ; CU 4000 ; XB 5600 ; AP 95440
    Subjects: Hysteria; Mental illness; Facial expression
    Scope: xii, 373 p., ill., 26 cm
    Notes:

    Includes bibliographical references and index

  24. Face and mask
    a double history
    Published: [2017]; © 2017
    Publisher:  Princeton University Press, Princeton ; Oxford

    This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam... more

    Fachhochschule Bielefeld, Hochschulbibliothek
    KBL Belt
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    This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks--hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, "Face and Mask" takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.

     

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    Source: Union catalogues
    Contributor: Hansen, Thomas S. (Übersetzer); Hansen, Abby J. (Übersetzer)
    Language: English
    Media type: Book
    ISBN: 9780691162355; 0691162352
    Other identifier:
    9780691162355
    Subjects: Bildnis; Künste; Kunst; Mimik; Gesicht; Gesicht <Motiv>; Maske
    Other subjects: Face in art; Face; Masks; Facial expression; Facial expression in art; Face / Psychological aspects; Masks / Psychological aspects
    Scope: 270 Seiten, Illustrationen, 25 cm
    Notes:

    "First published in Germany under the title Faces: Eine Geschichte des Gesichts". - Includes bibliographical references and indexes

  25. An annotated catalogue of the illustrations of human and animal expression from the collection of Charles Darwin
    an early case of the use of photography in scientific research
    Published: c 1998
    Publisher:  Edwin Mellen Press, Lewiston, N.Y

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0773484671
    Subjects: Darwin, Charles; Illustration; Mimik <Motiv>; Fotografie;
    Other subjects: Darwin, Charles (1809-1882); Emotions; Expression; Facial expression; Array
    Scope: xi, 132 p, ill, 24 cm
    Notes:

    Includes bibliographical references (p. 119-125) and index