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Displaying results 1 to 25 of 91.

  1. A Language of Song : Journeys in the Musical World of the African Diaspora
    Author: duCille, Ann; Charters, Samuel
    Published: 2009
    Publisher:  Duke University Press

    In A Language of Song, Samuel Charters—one of the pioneering collectors of African American music—writes of a trip to West Africa where he found “a gathering of cultures and a continuing history that lay behind the flood of musical expression [he]... more

     

    In A Language of Song, Samuel Charters—one of the pioneering collectors of African American music—writes of a trip to West Africa where he found “a gathering of cultures and a continuing history that lay behind the flood of musical expression [he] encountered everywhere . . . from Brazil to Cuba, to Trinidad, to New Orleans, to the Bahamas, to dance halls of west Louisiana and the great churches of Harlem.” In this book, Charters takes readers along to those and other places, including Jamaica and the Georgia Sea Islands, as he recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean.

    Each of the book’s fourteen chapters is a vivid rendering of a particular location that Charters visited. While music is always his focus, the book is filled with details about individuals, history, landscape, and culture. In first-person narratives, Charters relates voyages including a trip to the St. Louis home of the legendary ragtime composer Scott Joplin and the journey to West Africa, where he met a man who performed an hours-long song about the Europeans’ first colonial conquests in Gambia. Throughout the book, Charters traces the persistence of African musical culture despite slavery, as well as the influence of slaves’ songs on subsequent musical forms. In evocative prose, he relates a lifetime of travel and research, listening to brass bands in New Orleans; investigating the emergence of reggae, ska, and rock-steady music in Jamaica’s dancehalls; and exploring the history of Afro-Cuban music through the life of the jazz musician Bebo Valdés. A Language of Song is a unique expedition led by one of music’s most observant and well-traveled explorers.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Theory of music & musicology; Light orchestral & big band music
    Other subjects: Music; Ethnomusicology; Music; Genres & Styles; Blues
  2. Sounds of the Underground : A Cultural, Political and Aesthetic Mapping of Underground and Fringe Music
    Author: Graham, Stephen
    Published: 2016
    Publisher:  University of Michigan Press

    In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of... more

     

    In basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams.

     

    The term “underground music” as it’s being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that’s noisy and exploratory in sound and that’s largely independent from both the market and from traditional high art institutions. It sometimes exists at the fringes of these commercial and cultural institutions, as for example with experimental metal or improv, but for the most part it’s removed from the mainstream, “underground,” as we see with noise artists such as Werewolf Jerusalem or Ramleh, obscure black metal artists such as Lord Foul, and improvisers such as Maggie Nicols. In response to a lack of previous scholarly discussion, Graham provides a cultural, political, and aesthetic mapping of this broad territory. By outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism. The book explores these various ideas of separation and captures, through interviews and analysis, a critical account of both the music and the political and cultural economy of the scene.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Theory of music & musicology
    Other subjects: Music; Ethnomusicology
  3. Music of a Thousand Years : A New History of Persian Musical Traditions
    Author: Lucas, Ann E.
    Published: 2019
    Publisher:  University of California Press, Oakland

    "Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to... more

     

    "Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran’s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region’s political history.

    “Ann E. Lucas very effectively combines historical analysis, ethnomusicology, and musicology to provide a broad, holistic explanation for complex, nuanced processes of change. Well written and highly original in its approach, this is a major contribution to the field.” KAMRAN SCOT AGHAIE, Associate Professor of Iranian History, University of Texas

    “Music of a Thousand Years presents an innovative narrative of Persian music history and also provides important new perspectives on how to analyze the meaning of music and culture in historical perspective.” MOHSEN MOHAMMADI, Lecturer in Ethnomusicology, University of California, Los Angeles

    “Lucas turns the standard history of Persian music on its head, proving it is not a story of the survival of an ancient tradition, but rather the story of the invention of tradition. Revisionist in the best sense of the word.” JAMES L. GELVIN, author of The Modern Middle East: A History

    ANN E. LUCAS is Assistant Professor of ethnomusicology in the Department of Music at Boston College, where she also teaches in the Islamic Civilizations and Societies Program. She is recognized for her work on music historiography of the Middle East."

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520300804
    Other identifier:
    Subjects: Theory of music & musicology
    Other subjects: Ethnomusicology; Middle Eastern Studies
    Scope: 1 electronic resource (288 p.)
  4. Ethnomusicology Matters : Influencing Social and Political Realities (Edition 1)
    Contributor: Kölbl, Marko (Publisher); Saglam, Hande (Publisher); Hemetek, Ursula (Publisher)
    Published: 2019
    Publisher:  Böhlau

    This book gathers international voices from the field of ethnomusicology discussing the socio-political relevance of the discipline. The articles draw from contemporary discourses that take into account the role of music and dance in shaping social... more

     

    This book gathers international voices from the field of ethnomusicology discussing the socio-political relevance of the discipline. The articles draw from contemporary discourses that take into account the role of music and dance in shaping social and political realities. An important field connected to political relevance is heritage, either in connection with the UNESCO or with archives. Ontologies of indigenous groups and their relevance in knowledge production is discussed in ethnomusicology nowadays as well as the possibilities of decolonising the discipline. Two articles from ethno-choreology explore dance from the gender perspective and in the post-socialist political structures. Different approaches from applied ethnomusicology deal with social justice, participatory dialogical practice, and the socio-political relevance of performance. Forced migration is seen as comprehensive topic for future ethnomusicology. The contents of the book mirror influential discourses of ethnomusicology today that will definitely shape the future development of the discipline.

     
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    Source: OAPEN
    Contributor: Kölbl, Marko (Publisher); Saglam, Hande (Publisher); Hemetek, Ursula (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783205232872
    Other identifier:
    Subjects: Theory of music & musicology
    Other subjects: Music; Ethnomusicology
  5. The Jazz Republic : Music, Race, and American Culture in Weimar Germany
    Author: Wipplinger, Jonathan O.
    Published: 2017
    Publisher:  University of Michigan Press

    The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race... more

     

    The Jazz Republic examines jazz music and the jazz artists who shaped Germany’s exposure to this African American art form from 1919 through 1933. Jonathan O. Wipplinger explores the history of jazz in Germany as well as the roles that music, race (especially Blackness), and America played in German culture and follows the debate over jazz through the fourteen years of Germany’s first democracy. He explores visiting jazz musicians including the African American Sam Wooding and the white American Paul Whiteman and how their performances were received by German critics and artists. The Jazz Republic also engages with the meaning of jazz in debates over changing gender norms and jazz’s status between paradigms of high and low culture.  By looking at German translations of Langston Hughes’s poetry, as well as Theodor W. Adorno’s controversial rejection of jazz in light of racial persecution, Wipplinger examines how jazz came to be part of German cultural production more broadly in both the US and Germany, in the early 1930s.

     

    Using a wide array of sources from newspapers, modernist and popular journals, as well as items from the music press, this work intervenes in the debate over the German encounter with jazz by arguing that the music was no mere “symbol” of Weimar’s modernism and modernity. Rather than reflecting intra-German and/or European debates, it suggests that jazz and its practitioners, African American, white American, Afro-European, German and otherwise, shaped Weimar culture in a central way.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Theory of music & musicology; Humanities
    Other subjects: Music; Ethnomusicology; History
  6. Brought to Life by the Voice : Playback Singing and Cultural Politics in South India
    Author: Weidman, Amanda
    Published: 2021
    Publisher:  University of California Press

    To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the... more

     

    To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.

     
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  7. Brought to Life by the Voice : Playback Singing and Cultural Politics in South India
    Author: Weidman, Amanda
    Published: 2021
    Publisher:  University of California Press, Oakland

    To produce the song sequences that are central to Indian popular cinema, singers’ voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the... more

     

    To produce the song sequences that are central to Indian popular cinema, singers’ voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman’s historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India. “This book is a major contribution to South Asian Studies, sound and music studies, anthropology, and film and media studies, offering original research and new theoretical insights to each of these disciplines. There is no other scholarly work that approaches voice and technology in a way that is both as theoretically wide-ranging and as locally specific.” NEEPA MAJUMDAR, author of Wanted Cultured Ladies Only! Female Stardom and Cinema in India, 1930s–1950s “Brought to Life by the Voice provides a detailed and highly convincing exploration of the varying links between the singing voice and the body in the Tamil film industry since the mid-twentieth century. The historical and ethnographic analysis the book presents is meticulous and excellent.” PATRICK EISENLOHR, author of Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520976399; 9780520377066
    Other identifier:
    Subjects: Anthropology; Black & Asian studies; Social & cultural anthropology, ethnography
    Other subjects: Anthropology; Asian Studies; Ethnomusicology
    Scope: 1 electronic resource (272 p.)
  8. Theorizing sound writing
    Contributor: Kapchan, Deborah A. (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Wesleyan University Press, Middletown, CT

    An eclectic and experimental exploration of sound from the vantage point of writing The splash of Icarus : theorizing sound writing/Writing sound theory more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    2019/897
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    An eclectic and experimental exploration of sound from the vantage point of writing The splash of Icarus : theorizing sound writing/Writing sound theory

     
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    Source: Union catalogues
    Contributor: Kapchan, Deborah A. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780819576644; 9780819576651
    Series: Music/culture
    Subjects: Musicology; Ethnomusicology; Sound (Philosophy); Ethnomusicology; Musicology; Sound (Philosophy)
    Scope: viii, 319 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturangaben
  9. Theorizing sound writing
    Contributor: Kapchan, Deborah A. (Herausgeber)
    Published: [2017]
    Publisher:  Wesleyan University Press, Middletown, Connecticut

    Location:
    Universität Bonn, Institut für Sprach-, Medien- und Musikwissenschaft, Bibliothek für Medien- und Musikwissenschaft
    Signature:
    LC 87000 K17
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    Content information
    Source: Union catalogues
    Contributor: Kapchan, Deborah A. (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780819576644; 9780819576651
    Series: Music/culture
    Subjects: Musicology; Ethnomusicology; Sound (Philosophy); Musikethnologie; Theoriebildung; Klang; Sound Studies; Schriftlichkeit
    Scope: viii, 319 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  10. Performing arts and gender in postcolonial western Uganda
    Author: Cimardi, Linda
    Published: 2023
    Publisher:  University of Rochester Press, Rochester ; Cambridge University Press, Cambridge, UK

    Focusing on 'runyege', the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda. more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Focusing on 'runyege', the main traditional performance genre of the Banyoro and Batooro people, this book explores the entanglement of traditional music, dance, and theater with gender and postcolonialism in Western Uganda.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781805430643
    Series: Eastman/Rochester studies in ethnomusicology
    Subjects: Darstellende Kunst; Geschlechterrolle; Postkolonialismus; Ethnomusicology; Performing arts; Gender identity in music; Gender identity in dance
    Scope: 1 Online-Ressource (xxiii, 277 pages)
  11. Performing arts and gender in postcolonial western Uganda
    Author: Cimardi, Linda
    Published: [2023]; © 2023
    Publisher:  University of Rochester Press, Rochester

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.443.23
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781648250323; 1648250327
    Series: Eastman/Rochester studies in ethnomusicology ; vol. 14
    Subjects: Darstellende Kunst; Geschlechterrolle; Postkolonialismus; Ethnomusicology; Performing arts; Gender identity in music; Gender identity in dance
    Scope: xxiii, 277 Seiten, Illustrationen, Notenbeispiele, 23 cm
    Notes:

    Literaturverzeichnis: Seite 251-268
  12. A feminist ethnomusicology
    writings on gender and music
    Author: Koskoff, Ellen
    Published: 2014
    Publisher:  University of Illinois Press, Urbana

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780252096402; 0252096401
    RVK Categories: LR 56610
    Series: New perspectives on gender in music
    UPCC book collections on Project MUSE
    Subjects: Geschlechterforschung; Musikethnologie; Feminismus; Sex role in music; Feminism and music; Ethnomusicology
    Scope: 1 Online-Ressource
  13. Musikethnographien im 21. Jahrhundert
    Contributor: Alge, Barbara (Herausgeber)
    Published: 2021
    Publisher:  Rombach Wissenschaft, Baden-Baden

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    Source: Union catalogues
    Contributor: Alge, Barbara (Herausgeber)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783968218175; 3968218175
    Other identifier:
    9783968218175
    Edition: 1. Auflage
    Series: Rombach Wissenschaft : [...], Musikethnologie im 21. Jahrhundert ; Band 1
    Subjects: Musikethnologie; Forschungsmethode; Feldforschung
    Other subjects: (Produktform)Paperback / softback; Parafiktion; Retrodiktion; Musikaufnahme; Ethik; Nationalsozialismus; Erinnerung; Feldforschung; Feedbackmethoden; Forschungsdatenmanagement; Erfahrung; Kulturanthropologie; Wissensproduktion; Performance Ethnography; Postkolonialismus; Wissensakquisition; Ethnomusicology; Fieldwork; Ethnography; (Produktrabattgruppe)N3: N3-Rabatt; (VLB-WN)1590: Hardcover, Softcover / Musik; (BISAC Subject Heading)MUS000000
    Scope: 296 Seiten, Illustrationen, 23 cm, 464 g
  14. Musikethnographien im 21. Jahrhundert
    Contributor: Alge, Barbara (HerausgeberIn)
    Published: 2021
    Publisher:  Rombach Wissenschaft, Baden-Baden

    Der Band Musikethnographien im 21. Jahrhundert versammelt zehn Beiträge von MusikethnologInnen aus dem deutschsprachigen Raum, die aktuelle methodische Paradigmen wie multisituierte Feldforschung, Reflexivität, Dialogizität, Feedback,... more

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    Der Band Musikethnographien im 21. Jahrhundert versammelt zehn Beiträge von MusikethnologInnen aus dem deutschsprachigen Raum, die aktuelle methodische Paradigmen wie multisituierte Feldforschung, Reflexivität, Dialogizität, Feedback, Autoethnographie, Aktivismus und Intervention durch Performance Ethnography und kollaboratives Arbeiten sowie Fragen nach Repatriierung, dem ethischen Umgang mit Forschungsdaten und der Rolle digitaler sozialer Medien diskutieren. Neben Theorien und methodischen Überlegungen spielen auch Fragen nach der Zeitlichkeit von ethnographischem Material sowie ethnographisches Arbeiten mit Vergangenheit und Erinnerung eine Rolle. Angewandt werden die Überlegungen auf den Gegenstand Musik und Sound. Mit Beiträgen von Barbara Alge, Stefanie Alisch, Linda Cimardi, Cornelia Gruber, Matthias Lewy, Julio Mendívil, Stefanie Kiwi Menrath, Monika Schoop, Helena Simonett und Britta Sweers. The volume Musikethnographien im 21. Jahrhundert brings together ten contributions by ethnomusicologists from the German-speaking world, who discuss current paradigms of fieldwork such as multi-situated fieldwork, reflexivity, dialogicity, feedback, auto-ethnography, activism and intervention through performance ethnography and collaborative research, as well as questions of repatriation, ethical handling of research data and the role of digital social media. In addition to theories and methodological reflections, the volume also includes reflections on the temporality of ethnographic material as well as ethnographical fieldwork on memory and the past. These reflections are applied to the subject of music and sound. With contributions by Barbara Alge, Stefanie Alisch, Linda Cimardi, Cornelia Gruber, Matthias Lewy, Julio Mendívil, Stefanie Kiwi Menrath, Monika Schoop, Helena Simonett and Britta Sweers.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Alge, Barbara (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783968218182
    Other identifier:
    RVK Categories: LC 16000 ; LS 12100 ; LC 87000
    Edition: 1. Auflage
    Series: Array ; Band 1
    Musikethnologie im 21. Jahrhundert | Ethnomusicology in the 21st Century ; Band 1
    Subjects: Erinnerung; Ethik; Erfahrung; Kulturanthropologie; Nationalsozialismus; Postkolonialismus; Wissensproduktion; Feldforschung; ethnography; Parafiktion; Retrodiktion; Musikaufnahme; Feedbackmethoden; Forschungsdatenmanagement; Performance Ethnography; Wissensakquisition; Ethnomusicology; Fieldwork
    Scope: 1 Online-Ressource (296 Seiten)
  15. Musik als kommunikative Handlung
    musikalische Hermeneutik versus kognitive Anthropologie ; Entwurf einer dramatologischen Musikanthropologie
    Author: Brandl, Rudolf Maria
    Published: 2006
    Publisher:  Cuvillier, Göttingen

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3865378862
    RVK Categories: LR 56600 ; LR 56500
    Edition: 1. Aufl.
    Series: Orbis musicarum ; 60
    Subjects: Dramatic music; Ethnomusicology; Music and anthropology; Music
    Scope: 133 S., graph. Darst., 21 cm
    Notes:

    Literaturverz. S. 126 - 133
  16. Theorizing sound writing
    Contributor: Kapchan, Deborah A. (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Wesleyan University Press, Middletown, CT

    An eclectic and experimental exploration of sound from the vantage point of writing The splash of Icarus : theorizing sound writing/Writing sound theory more

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    An eclectic and experimental exploration of sound from the vantage point of writing The splash of Icarus : theorizing sound writing/Writing sound theory

     
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    Source: Union catalogues
    Contributor: Kapchan, Deborah A. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780819576644; 9780819576651
    Series: Music/culture
    Subjects: Musicology; Ethnomusicology; Sound (Philosophy); Ethnomusicology; Musicology; Sound (Philosophy)
    Scope: viii, 319 Seiten, Illustrationen, 23 cm
    Notes:

    Literaturangaben
  17. Music in the world of ideas
    Contributor: Geyer, Helen (Publisher); Jabłoński, Maciej (Publisher); Stęszewski, Jan (Publisher); Bristiger, Michał
    Published: 2001; © 2001
    Publisher:  Ars Nova, Poznań

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Contributor: Geyer, Helen (Publisher); Jabłoński, Maciej (Publisher); Stęszewski, Jan (Publisher); Bristiger, Michał
    Language: English; German; Italian; French
    Media type: Book
    ISBN: 8387433284
    RVK Categories: LP 15000 ; LP 16000 ; LR 57710
    Subjects: Muziekgeschiedenis (wetenschap); Musik; Ethnomusicology; Interdisciplinary approach to knowledge; Music; Musicology; Musik; Polnisch; Rezeption; Literatur
    Other subjects: Bristiger, Michał
    Scope: 555 Seiten, Illustrationen, Notenbeispiele
  18. Chants kabyles de la guerre d'indépendance
    Algérie 1954 - 1962 ; étude d'ethnomusicologie ; textes kabyles, traduction française et notations musicales
    Author: Mahfoufi, Mehenna
    Published: 2002
    Publisher:  Séguier, Paris

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    ISBN: 2840493098
    Series: Les colonnes d'Hercule
    Subjects: Geschichte; Musik; Ethnomusicology; Kabyles; Songs, Kabyle; Songs, Kabyle; Lied; Algerienkrieg <Motiv>; Kabylisch
    Scope: 314 S., Ill., Notenbeisp.
  19. Theorizing sound writing
    Published: [2017]
    Publisher:  Wesleyan University Press, Middletown, Connecticut

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780819576644; 9780819576651
    Series: Music/culture
    Subjects: Musicology; Ethnomusicology; Sound (Philosophy); Schriftlichkeit; Theoriebildung; Sound Studies; Klang; Musikethnologie
    Scope: viii, 319 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  20. Music scenes and migrations
    space and transnationalism in Brazil, Portugal and the Atlantic
    Contributor: Treece, David (Publisher)
    Published: 2020
    Publisher:  Anthem Press, London

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Treece, David (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781785273841
    RVK Categories: LS 19000
    Series: Anthem Brazilian studies
    Subjects: Interkulturalität; Postkolonialismus; Migration; Musik
    Other subjects: Music and transnationalism; Ethnomusicology; Music and race; Postcolonialism and music; Music / Portuguese-speaking countries; Musicians / Portuguese-speaking countries; Music; Portuguese-speaking countries; Criticism, interpretation, etc
    Scope: vi, 241 Seiten, Illustrationen, Portraits
  21. (un)Common sounds
    songs of peace and reconciliation among Muslims and Christians
    Published: 2014
    Publisher:  Cascade Books, Eugene, Or.

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781625644886
    Series: Art for faith's sake series
    Subjects: Ethnomusicology; Religions / Relations; Peace / Songs and music; Ethnomusicology; Peace; Religions / Relations; Araber; Religion; Friede <Motiv>; Musik; Versöhnung <Motiv>
    Scope: xviii, 330 p., ill., 23 cm
    Notes:

    Includes glossaries of Arabic terms and of Indonesian terms

    Includes bibliographical references and indexes
  22. A feminist ethnomusicology
    writings on music and gender
    Author: Koskoff, Ellen
    Published: 2014
    Publisher:  Univ. of Illinois Press, Urbana, Ill. [u.a.]

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780252038495; 9780252080074; 9780252096402
    RVK Categories: LR 56610
    Series: New perspectives on gender in music
    Subjects: Ethnomusicology; Feminism and music; Sex role in music; Geschlechterforschung; Musikethnologie; Feminismus
    Scope: XVI, 237 S.
    Notes:

    Includes bibliographical references and index
  23. ANOTHER SONG FOR EUROPE
    music, taste, and values in the eurovision song contest
    Author: Raykoff, Ivan
    Published: 2020
    Publisher:  ROUTLEDGE, [S.l.]

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over50 languages and a wide range of musical styles since it began in 1956, Eurovision features the... more

     

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1,500 songs in over50 languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favorites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal. Chapters discuss the iconic fanfare that introduces the broadcast, the supposed formulas for composing successful contest entries, how composers balance aspects of sameness and difference in their songs, and the tension between national genres of European popular music and musical trends beyond the nation's borders, especially the American influences on a show that is supposed to celebrate an idealized pan-European identity. The book also explores how audiences interact with the contest through musicking experiences that bring people together to celebrate its sounds and spectacles. What can seem like a silly song-and-dance show offers valuable insights into the bonds between popular music and cosmopolitan values for its many followers around the world. From dance parties to flashmobs, parodies to plagiarisms, and orchestras to artificial intelligence, Another Song for Europe will be of particular interest to Eurovision fans, critics, and scholars of popular music, popular culture, ethnomusicology, and European studies

     
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    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000245646; 1000245640; 9780429281532; 0429281536; 9781000245653; 1000245659; 9781000245660; 1000245667
    RVK Categories: LR 57230 ; LR 57720
    Subjects: Music / Philosophy and aesthetics; Ethnomusicology; Ästhetik; Musikalischer Stil; Popmusik
    Scope: 1 Online Ressource
  24. Another song for Europe
    music, taste, and values in the Eurovision Song Contest
    Author: Raykoff, Ivan
    Published: 2021
    Publisher:  Routledge, London ; New York

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1500 songs in over fifty languages and a wide range of musical styles since it began in 1956, Eurovision features... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    The Eurovision Song Contest is famous for its camp spectacles and political intrigues, but what about its actual music? With more than 1500 songs in over fifty languages and a wide range of musical styles since it began in 1956, Eurovision features the most musically and linguistically diverse song repertoire in history. Listening closely to its classic fan favourites but also to songs that scored low because they were too different or too far ahead of their time, this book delves into the musical tastes and cultural values the contest engages through its international reach and popular appeal

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780367242787
    RVK Categories: LR 57230 ; LR 57720
    Series: Ashgate popular and folk music series
    Subjects: Ästhetik; Popmusik; Musikalischer Stil
    Other subjects: Eurovision Song Contest / History; Music / Philosophy and aesthetics; Ethnomusicology; Eurovision Song Contest; Ethnomusicology; Music / Philosophy and aesthetics; History
    Scope: viii, 192 Seiten, Illustrationen, Notenbeispiele
  25. On voice
    Contributor: Bernhart, Walter (Publisher); Kramer, Lawrence (Publisher); Sousa Correa, Delia da (Publisher)
    Published: 2014; © 2014
    Publisher:  Rodopi, Amsterdam, Netherlands

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Bernhart, Walter (Publisher); Kramer, Lawrence (Publisher); Sousa Correa, Delia da (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042038219; 9789401210683
    Series: Word and Music Studies ; 13
    Subjects: Musik; Psychologie; Ethnomusicology; Music; Music; Musical perception; Musicology; Stimme <Motiv>; Musik; Literatur; Stimme
    Scope: 1 online resource (241 pages)
    Notes:

    Description based on online resource; title from PDF title page (ebrary, viewed May 23, 2014)