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Displaying results 1 to 25 of 408.

  1. Sweet & savage
    the world through the Mondo film lens
    Author: Goodall, Mark
    Published: 2018
    Publisher:  Headpress, London

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    Source: Union catalogues
    Contributor: Dyson, Jeremy
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781909394506
    Edition: Revised and updated edition
    Subjects: Dokumentarfilm; Horrorfilm; Schrecken <Motiv>; Documentary films; Exploitation films; Sensationalism in motion pictures
    Scope: 243 Seiten, Illustrationen
  2. Dokumentarfilm als Medium der Erinnerungspolitik in Spanien
    Author: Pumb, Johanna
    Published: [2019]
    Publisher:  Peter Lang, Berlin

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783631800249
    RVK Categories: AP 59800
    DDC Categories: 791; 940
    Series: Studien zu den romanischen Literaturen und Kulturen ; Band 6
    Subjects: <<La>> vieja memoria; Erinnerung <Motiv>; Kollektives Gedächtnis <Motiv>; Spanischer Bürgerkrieg <Motiv>;
    Other subjects: ART / Film & Video; HISTORY / General; Theatre studies; Documentary films; History; Media studies; Spain; Romance, Italic & Rhaeto-Romanic languages; Demokratie; Diktatur; Dokumentarfilm; Erinnerungspolitik; Gedächtnis; Geschichte; Jaime Camino; Johanna; Krieg; Medien; Medium; Multiperspektivität
    Scope: 308 Seiten, 22 cm, 471 g
    Notes:

    Dissertation, Universität der Künste Berlin, 2018
  3. Trauma cinema
    documenting incest and the Holocaust
    Author: Walker, Janet
    Published: 2005
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520241746; 0520241754
    RVK Categories: AP 50300
    Subjects: Documentary films; Documentary videos; Holocaust, Jewish (1939-1945), in motion pictures; Incest in motion pictures; Psychic trauma in motion pictures; Memory
    Scope: XXII, 251 S., Ill., 23cm
    Notes:

    Literaturverz. u. Video/Filmogr. S. 223 - 240
  4. The First Sail: J. Hillis Miller
    Author: Kujundžić, Dragan
    Published: 2015
    Publisher:  Open Humanities Press

    The film-book The First Sail: J. Hillis Miller is based on the documentary film of the same name made in 2010. The political, academic and environmental contexts surrounding this film since its release prove with more and more urgency the need to... more

     

    The film-book The First Sail: J. Hillis Miller is based on the documentary film of the same name made in 2010. The political, academic and environmental contexts surrounding this film since its release prove with more and more urgency the need to read and listen to J. Hillis Miller, and would require revisiting everything that has been said and seen. Together with the film transcript and an interview with Miller conducted by Taryn Devereux, the essays in this volume have been gathered from several international events devoted to Miller's works. With essays by Henry Sussman, Sarah Dillon, Charlie Gere, Nicholas Royle, Éamonn Dunne and Michael O’Rourke, Dragan Kujundžić, Julian Wolfreys and J. Hillis Miller, The First Sail in itself thus forms a vast network of references, operating as an installation and network of emerging projects.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Documentary films
    Other subjects: j. hillis miller; documentary film; film transcript; the first sail; interview; Deconstruction; Essay; Jacques Derrida
    Scope: 1 electronic resource (224 p.)
  5. Beyond observation : A history of authorship in ethnographic film
    Author: Henley, Paul
    Published: 2020
    Publisher:  Manchester University Press, Manchester

    This book analyses the authoring of ethnographic films between 1895 and 2015. It is based on the general argument that the ethnographicness of a film should not be gauged according to whether it is about an exotic culture, but rather by the degree to... more

     

    This book analyses the authoring of ethnographic films between 1895 and 2015. It is based on the general argument that the ethnographicness of a film should not be gauged according to whether it is about an exotic culture, but rather by the degree to which it conforms to the norms of ethnographic practice more generally. On these grounds, it considers films made in a broad range of styles, on a wide range of topics and in many different parts of the world. For the period before the Second World War, it discusses films made within reportage, travel and melodrama genres as well as more conventionally ethnographic films. In the postwar period, it examines the work of film-makers such as John Marshall, Asen Balikci, Ian Dunlop and Timothy Asch and considers the modes of authorship developed by Jean Rouch, Robert Gardner and Colin Young. It also discusses films authored by indigenous subjects using video technology from the 1970s, and the ethnographic films that flourished on British television until the 1990s. In the final part, it examines the recent work of David and Judith MacDougall, the Harvard Sensory Ethnography Lab, and various films authored in a participatory manner as possible models for the future.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781526147295
    Other identifier:
    Subjects: Anthropology; Social & cultural anthropology, ethnography; Documentary films
    Other subjects: ethnographic film; authorship; observational cinema; indigenous media; television; sensory media
    Scope: 1 electronic resource (568 p.)
  6. Telling migrant stories
    Latin American diaspora in documentary film
    Contributor: Loustaunau, Esteban E. (Publisher); Shaw, Lauren (Publisher)
    Published: 2018; © 2018
    Publisher:  University of Florida Press, Gainesville

    This book is a collection of edited theoretical essays on the power of contemporary documentary film to voice the social agency of Latin American immigrants to the United States and Europe, and to reveal some of the global systemic conditions that... more

     

    This book is a collection of edited theoretical essays on the power of contemporary documentary film to voice the social agency of Latin American immigrants to the United States and Europe, and to reveal some of the global systemic conditions that generate mass migrations and lead to the dehumanization of undocumented immigrants. Linking the function of documentary to represent immigrants as performing agents whose voices generally are not heard publicly, this volume also features interviews with prominent documentarians whose films and videos respond to conditions of migration from a variety of perspectives

     
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    Source: Union catalogues
    Contributor: Loustaunau, Esteban E. (Publisher); Shaw, Lauren (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781683400233
    Series: Reframing media, technology, and culture in Latin/o America
    Subjects: Foreign workers, Latin American; Foreign workers, Latin American; Illegal aliens; Documentary films
    Scope: 339 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  7. Appetites and anxieties
    food, film, and the politics of representation
    Author: Baron, Cynthia; Carson, Diane; Bernard, Mark
    Published: 2014
    Publisher:  Wayne State Univ. Press, Detroit, Mich.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780814334317
    Series: Contemporary approaches to film and television series
    Subjects: Food in motion pictures; Motion pictures; Documentary films
    Scope: VIII, 334 S.
    Notes:

    Literaturverz. S. [305] - 319
  8. Films of fact
    a history of science in documentary films and television ; written to mark the centenary of Paul Rotha, documentarist, 1907- 1984
    Author: Boon, Tim
    Published: 2008
    Publisher:  Wallflower Press, London [u.a.]

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    Source: Union catalogues
    Contributor: Rotha, Paul
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1905674384; 1905674376; 9781905674374; 9781905674381
    RVK Categories: AP 49400 ; AP 36280
    Edition: 1. publ.
    Series: Nonfictions
    Subjects: Documentary films; Science films
    Other subjects: Rotha 1907-
    Scope: X, 312 S., Ill., 24 cm
    Notes:

    Literaturverz. S. 269 - 296
  9. Documentary testimonies
    global archives of suffering
    Contributor: Sarkar, Bhaskar (Publisher)
    Published: 2010
    Publisher:  Routledge, New York, NY [u.a.]

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    Source: Union catalogues
    Contributor: Sarkar, Bhaskar (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415996631; 0415996635; 9780415996648; 0415996643; 9780203883419; 0203883411
    RVK Categories: AP 49400
    Edition: 1. publ.
    Series: AFI film readers
    Subjects: Documentary films; Documentary films
    Scope: VIII, 281 S., Ill.
    Notes:

    Literaturangaben
  10. Filming and performing renaissance history
    Contributor: Burnett, Mark Thornton (Publisher)
    Published: 2011
    Publisher:  Palgrave Macmillan, Basingstoke

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    Source: Union catalogues
    Contributor: Burnett, Mark Thornton (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230273436; 0230273432
    RVK Categories: AP 52600 ; AP 14350
    Edition: 1. publ.
    Subjects: Renaissance in motion pictures; Historical films; Documentary films; Renaissance on television; Renaissance in literature
    Scope: XIII, 212 S., Ill., 23 cm
    Notes:

    Literaturangaben
  11. Labour in a Single Shot : Critical Perspectives on Antje Ehmann and Harun Farocki’s Global Video Project
    Contributor: Grundmann, Roy (Publisher); Schwartz, Peter (Publisher); Williams, Gregory (Publisher)
    Published: 2022
    Publisher:  Amsterdam University Press, Amsterdam

    This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global... more

     

    This collection of essays offers a critical assessment of Labour in a Single Shot, a groundbreaking documentary video workshop. From 2011 to 2014, curator Antje Ehmann and film- and videomaker Harun Farocki produced an art project of truly global proportions. They travelled to fifteen cities around the world to conduct workshops inspired by cinema history’s first film, Workers Leaving the Lumière Factory, shot in 1895 by the Lumière brothers in France. While the workshop videos are in colour and the camera was not required to remain static, Ehmann and Farocki’s students were tasked with honouring the original Lumière film’s basic parameters of theme and style. The fascinating result is a collection of more than 550 short videos that have appeared in international exhibitions and on an open-access website, offering the widest possible audience the opportunity to ponder contemporary labour in multiple contexts around the world.

     
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    Source: OAPEN
    Contributor: Grundmann, Roy (Publisher); Schwartz, Peter (Publisher); Williams, Gregory (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789463722421
    Other identifier:
    Subjects: Electronic, holographic & video art; Film theory & criticism; Documentary films; Media studies
    Other subjects: Video, documentary, labour, global, art
    Scope: 1 electronic resource (428 p.)
  12. Hier und Anderswo : Palästina-Israel im essayistischen Film (1960-2010)
    Author: Grabher, Peter
    Published: 2020
    Publisher:  Schüren Verlag

    Die raum-zeitliche Konfiguration „Israel-Palästina“ ist das hochmediatisierte und affektiv aufgeladene Wahrnehmungsobjekt par excellence. Immer wieder stellt sich das „Nahostproblem“ auf der Ebene von kinematographischen und massenmedialen Bildern... more

     

    Die raum-zeitliche Konfiguration „Israel-Palästina“ ist das hochmediatisierte und affektiv aufgeladene Wahrnehmungsobjekt par excellence. Immer wieder stellt sich das „Nahostproblem“ auf der Ebene von kinematographischen und massenmedialen Bildern und Tönen. Peter Grabhers Studie untersucht, wie sich die audiovisuelle Repräsentationen Palästina-Israels und die visuellen Kulturen seit 1960 verändert haben und wie darauf die Essayfilme von Filmautor*innen der Avantgarde reagieren. Welche transgressiven Strategien entwickelte das zwischen Dokument und Fiktion changierende essayistische Kino? Was vermögen diese in Richtung einer Transfiguration der Wahrnehmung des Chronotopos „Palästina-Israel“? Grabher untersucht einen exemplarischen Korpus von Essayfilmen, die am Blick arbeiten und ihn verändern. Im ersten Teil der Untersuchung arbeitet er Fragestellungen und filmanalytische Methoden aus und referiert die Entfaltung der seit dem frühen Kino virulenten Idee eines "denkenden Bildes". Ausgehend von Eisenstein, Astruc und Richter wird die Poetik des filmischen Essayismus bis hin zur aktuellen Diskussion dargestellt. Die Analyse von vier filmischen „Kraftfeldern“ bildet schließlich den Kern der Arbeit. In dichten Beschreibungen wird gezeigt, wie französische (Chris Marker, Jean-Luc Godard/Anne-Marie Miéville), israelische (Ariella Azoulay/Udi Aloni) und palästinensische Filmautor*innen (Ula Tabari/Elia Suleiman) in ihren Filmen auf dominante Repräsentationen und kollektive Narrative eingehen und diese ästhetisch überschreiten. Die Analyse setzt 1960 ein, dem Jahr der Verhaftung Adolf Eichmanns, die jüngsten Filmbeispiele gehören der „Post-9/11-Welt“ an. Produktionsgenealogie, Poetik und Rezeption von emblematischen Filmen wie Chris Markers „Beschreibung eines Kampfes“ (1960) und des titelgebenden Hier und anderswo (1976) von Jean-Luc Godard und Anne-Marie Miéville werden erstmals umfassend dargestellt. Mit Ariella Azoulays The Angel of History (2000) und Udi Alonis Mechilot (2006) werden zwei radikale Werke des aktuellen israelischen Kinos analysiert; mit Ula Tabaris Jinga48 und Elia Suleimans The Time That Remains (2009) zwei Schlüsselwerke des aktuellen palästinensischen Kinos. Im Kontext der medialen Repräsentation des israelisch-palästinensischen Problems, in dem Bilder Mittel und Schauplatz des Krieges sind, die als affektauslösende Objektivitätsbehauptungen die Wahrnehmung kapern, kommt diesen Beispielen einer essayistischen Ästhetik eine radikale politische Bedeutung zu.

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783741001345; 9783741003370
    Other identifier:
    Subjects: Documentary films
    Other subjects: Nonbooks, PBS / Medien, Kommunikation/Medienwissenschaft; Film, Kino; Nahostproblem; Elia Suleiman; Jean-Luc Godard; Chris Marker; Fernsehen, TV; Israel; Palästina
    Scope: 1 electronic resource (426 p.)
  13. Hier und Anderswo. Palästina-Israel im essayistischen Film (1960-2010)
    Author: Grabher, Peter
    Published: 202012
    Publisher:  Verlag der Österreichischen Akademie der Wissenschaften

    Peter Grabher questions how French, Israeli and Palestinian filmmakers between 1960 and 2010 have dealt with the Middle East conflict and with audiovisual representations concerning Israel-Palestine. He examines the transgressive strategies of essay... more

     

    Peter Grabher questions how French, Israeli and Palestinian filmmakers between 1960 and 2010 have dealt with the Middle East conflict and with audiovisual representations concerning Israel-Palestine. He examines the transgressive strategies of essay films by Chris Marker, Jean-Luc Godard/Anne-Marie Miéville, Ariella Azoulay, Udi Aloni, Ula Tabari und Elia Suleiman and provides a detailed analysis of their historical and aesthetic context. Peter Grabher untersucht, wie französische, israelische und palästinensische Filmautor*innen zwischen 1960 und 2010 auf den Nahostkonflikt und die audiovisuelle Repräsentation Israel-Palästinas reagierten. In detaillierten Filmanalysen beschreibt er die transgressiven Strategien von Essayfilmen von Chris Marker, Jean-Luc Godard/Anne-Marie Miéville, Ariella Azoulay, Udi Aloni, Ula Tabari und Elia Suleiman, sowie deren historischen und ästhetischen Kontext.

     
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  14. Documentary Making for Digital Humanists
    Author: Reid, Darren; Sanders, Brett
    Published: 2021
    Publisher:  Open Book Publishers

    "This fluent and comprehensive field guide responds to increased interest, across the humanities, in the ways in which digital technologies can disrupt and open up new research and pedagogical avenues. It is designed to help scholars and students... more

     

    "This fluent and comprehensive field guide responds to increased interest, across the humanities, in the ways in which digital technologies can disrupt and open up new research and pedagogical avenues. It is designed to help scholars and students engage with their subjects using an audio-visual grammar, and to allow readers to efficiently gain the technical and theoretical skills necessary to create and disseminate their own trans-media projects.

     

    Documentary Making for Digital Humanists sets out the fundamentals of filmmaking, explores academic discourse on digital documentaries and online distribution, and considers the place of this discourse in the evolving academic landscape. The book walks its readers through the intellectual and practical processes of creating digital media and documentary projects. It is further equipped with video elements, supplementing specific chapters and providing brief and accessible introductions to the key components of the filmmaking process.

     

    This will be a valuable resource to humanist scholars and students seeking to embrace new media production and the digital landscape, and to those researchers interested in using means beyond the written word to disseminate their work. It constitutes a welcome contribution to the burgeoning field of digital humanities, as the first practical guide of its kind designed to facilitate humanist interactions with digital filmmaking, and to empower scholars and students alike to create and distribute new media audio-visual artefacts."

     
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  15. <<Der>> geteilte Himmel
    Arbeit, Alltag und Geschichte im ost- und westdeutschen Film
    Contributor: Zimmermann, Peter (Publisher)
    Published: 2000
    Publisher:  UVK-Medien, Konstanz

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    Source: Union catalogues
    Contributor: Zimmermann, Peter (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3896692798
    RVK Categories: LC 95015 ; AP 44910 ; AP 59510 ; AP 49400 ; AP 44918 ; LC 95000 ; MS 7960 ; MS 1204 ; MS 1206
    Series: Close up ; 13
    Subjects: Array; Working class in motion pictures
    Scope: 454 S., Ill., 21 cm
    Notes:

    Literaturverz. S. 427 - 433
  16. British social realism
    from documentary to Brit grit
    Author: Lay, Samantha
    Published: 2002
    Publisher:  Wallflower, London [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1903364418; 9781903364413
    RVK Categories: AP 59730
    Edition: 1. publ.
    Subjects: Documentary films; Motion pictures; Social realism
    Scope: 134 S., Ill.
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke (2009)

    Literaturverz. S. 131 - 134
  17. Filme über sich selbst
    Strategien der Selbstreflexion im dokumentarischen Film
    Author: Meyer, F.T.
    Published: [2005]; © 2005
    Publisher:  transcript Verlag, Bielefeld

    Access:

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839403594
    Other identifier:
    RVK Categories: AP 49400
    Series: Film
    Subjects: Documentary films; Dokumentarfilm; Öffentliche Darbietungen, Film, Rundfunk; Selbstreflexion <Motiv>; Self in motion pictures; Documentary films; Dokumentarfilm; Selbstreflexion <Motiv>
    Scope: 1 online resource (224 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :
  18. Crafting Truth
    Documentary Form and Meaning
    Author: Spence, Louise; Navarro, Vinicius
    Published: [2010]; © 2011
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Documentaries such as Zana Briski and Ross Kauffman's Born into Brothels, Michael Moore's Fahrenheit 9/11, Jeffrey Blitz's Spellbound, along with March of the Penguins and An Inconvenient Truth have achieved critical as well as popular success.... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Documentaries such as Zana Briski and Ross Kauffman's Born into Brothels, Michael Moore's Fahrenheit 9/11, Jeffrey Blitz's Spellbound, along with March of the Penguins and An Inconvenient Truth have achieved critical as well as popular success. Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a nanve concept of "truth" and "reality"-for them, documentaries are information sources. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of truth and reality? What aesthetic means are used to build these illusions? A documentary's sounds and images are always the product of selection and choice, and often underscore points the filmmaker wishes to make. Crafting Truth illuminates the ways these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of these choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction film

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813552323
    Other identifier:
    Subjects: PERFORMING ARTS / General; Documentary films; Documentary films; Dokumentarfilm; Realitätsbezug; Ästhetik
    Scope: 1 online resource, 51 illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Sep 2019)
  19. Michael Moore and the rhetoric of documentary
    Published: [2015]
    Publisher:  Southern Illinois Univ. Press, Carbondale

    Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The... more

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a tea 803.8 moom/645
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Michael Moore and the rhetoric of documentary: art, argument, affect 1 / Thomas W. Benson and Brian J. Snee -- Laughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda -- The big one that got away / Christine Harold -- The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine / Brian L. Ott and Susan A. Sci -- The conversion of Lila Lipscomb in Fahrenheit 9/11 / Thomas Rosteck and Thomas S. Frentz -- The phenomenal text of Michael Moore's Sicko / Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg -- The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising / Davis W. Houck and Joseph Delbert Davenport -- "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story / Kendall R. Phillips

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780809334070; 0809334070
    RVK Categories: AP 49400 ; AP 51400
    Subjects: Documentary films; Motion pictures
    Other subjects: Moore, Michael (1954 April 23-)
    Scope: VI, 232 S, Ill.
    Notes:

    Includes bibliographical references and index

    Thomas W. Benson and Brian J. SneeLaughing through our tears: rhetorical tensions in Roger & me / Jennifer L. Borda: Michael Moore and the rhetoric of documentary: art, argument, affect 1

    Christine Harold: The big one that got away

    Brian L. Ott and Susan A. Sci: The many moods of Michael Moore: aesthetics and affect in Bowling for Columbine

    Thomas Rosteck and Thomas S. Frentz: The conversion of Lila Lipscomb in Fahrenheit 9/11

    Edward Schiappa, Daniel Ladislau Horvath, and Peter B. Gregg: The phenomenal text of Michael Moore's Sicko

    Davis W. Houck and Joseph Delbert Davenport: The ghosts of Michael Moore's future-Past: or, the many failures of Slacker uprising

    Kendall R. Phillips.: "I'm sorry to see it go": nostalgic rhetoric in Michael Moore's Capitalism: a love story
  20. Outsider films on India 1950-1990
    Author: Jhaveri, Shanay
    Published: c2009
    Publisher:  Shoestring, Mumbai

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    AP 50300 S775 J5
    Inter-library loan:
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9788190472012
    RVK Categories: AP 50300
    Subjects: Motion pictures; Documentary films
    Scope: 264 p., ill. (some col.), 19 cm
    Notes:

    Includes index

    Formerly CIP Uk
  21. Documentary and disability
    Contributor: Brylla, Catalin (HerausgeberIn); Hughes, Helen (HerausgeberIn)
    Published: [2017]
    Publisher:  Palgrave Macmillan, London

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 22411
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Staatsbibliothek zu Berlin
    Contributor: Brylla, Catalin (HerausgeberIn); Hughes, Helen (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 113759893X; 9781137598936
    RVK Categories: LH 65020 ; MS 6270
    Subjects: Documentary films; Disabilities in motion pictures
    Scope: xiv, 299 Seiten, Illustrationen, cm
  22. Judenstaat
    Author: Zelitch, Simone
    Published: 2016; ©2016
    Publisher:  Tor, New York

    On April 4, 1948, the sovereign state of Judenstaat was created in the territory of Saxony bordering Germany, Poland, and Czechoslovakia. Forty years later, Jewish historian Judit Klemmer is making a documentary film outlining the direction that... more

    Location:
    Zentralarchiv zur Erforschung der Geschichte der Juden in Deutschland, Bibliothek
    Signature:
    830.91 ZELITCH
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    On April 4, 1948, the sovereign state of Judenstaat was created in the territory of Saxony bordering Germany, Poland, and Czechoslovakia. Forty years later, Jewish historian Judit Klemmer is making a documentary film outlining the direction that Judenstaat has taken as a country on the world stage, from the Nazi atrocities of World War II to their liberation by Soviet troops. She is haunted by memories of her dead husband, who was shot by a sniper as he conducted for the National Symphony. Still grieving, she is confronted by a mysterious flesh-and-blood ghost from her past who leaves her controversial footage on one of Judenstaat's founding fathers--and a note: "They lied about the murder." Judit's research into the footage, as well as what really happened to her husband, embroils her in controversy and conspiracy, collective memory and national amnesia, and answers far more horrific than she imagined

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780765382962; 0765382962
    Edition: First edition
    Subjects: Widows; Historians; Documentary films; Murder; World War, 1939-1945
    Scope: 320 pages, map, 25 cm
    Notes:

    "A Tom Doherty Associates Book."
  23. Hier und Anderswo. Palästina-Israel im essayistischen Film (1960-2010)
    Author: Grabher, Peter
    Published: 202012
    Publisher:  Verlag der Österreichischen Akademie der Wissenschaften

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  24. Narrating the Global Financial Crisis
    Urban Imaginaries and the Politics of Myth
    Author: Meissner, Miriam
    Published: 2017
    Publisher:  Springer International Publishing, Cham ; Imprint: Palgrave Macmillan

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783319454115
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    Series: Palgrave Studies in Globalization, Culture and Society
    Subjects: Culture; Communication; Documentary films; Photography; Finance; Fiction; Journalism; Literatur; Finanzkrise <Motiv>
    Scope: 1 Online-Ressource (XII, 252 p. 29 illus. in color)
  25. Filme über sich selbst
    Strategien der Selbstreflexion im dokumentarischen Film
    Author: Meyer, F.T.
    Published: [2005]; © 2005
    Publisher:  transcript, Bielefeld

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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839403594
    Other identifier:
    Series: Film
    Subjects: Documentary films; Dokumentarfilm; Selbstreflexion <Motiv>
    Scope: 1 Online-Resource (222 Seiten), Illustrationen
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    Dissertation, Universität Siegen,