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  1. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: EC 5410 ; HG 431 ; HG 620
    Series: Lettre
    Subjects: Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General; Aversion in literature; Drama; Ekel; Drama; Theater; Ästhetik
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Dissertation, Technische Universität Braunschweig, 2017
  2. Dramatic Disgust
    Aesthetic Theory and Practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; ©2020
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: HG 620 ; HG 431 ; EC 5410
    DDC Categories: 792; 800
    Series: Lettre
    Subjects: Ästhetik; Ekel; Drama; Theater; Aversion in literature; Drama; Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (204 Seiten)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020)
  3. Medienkonkurrenzen um 2000
    Affekte, Finanzkrisen und Geschlechtermythen in Roman, Film und Theater
    Author: Urbani, Nadja
    Published: 2015
    Publisher:  transcript Verlag

    Was haben Charlotte Roches Romane mit Elfriede Jelineks Werk oder mit Hermann Nitschs Orgien-Mysterien-Theater gemeinsam? Können Finanzkrisenromane gesellschaftspolitisch etwas leisten, was ein Film wie »Wall Street« nicht kann? Was hat die... more

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    Was haben Charlotte Roches Romane mit Elfriede Jelineks Werk oder mit Hermann Nitschs Orgien-Mysterien-Theater gemeinsam? Können Finanzkrisenromane gesellschaftspolitisch etwas leisten, was ein Film wie »Wall Street« nicht kann? Was hat die Filmheldin Lara Croft gegen Kleists Bühnen-Penthesilea und gegen ihre amazonischen Schwestern im Roman aufzubieten?Nadja Urbani beschäftigt sich mit der Frage, wie sich die traditionellen Künste Roman, Film und Theater in der heutigen Medienlandschaft gegeneinander behaupten können. Anhand dreier Dimensionen - des Ekelaffekts, der Finanzkrise und der Amazonenfiguren - präsentiert sie eine Medienkonkurrenzanalyse der »ernsten« und »unterhaltenden« Kunst. Dabei wird deutlich: Die Blätter des Romans, die Bilder des Films und die Bretter des Theaters bringen ein jeweils unterschiedliches und zugleich intermediales Kunsterleben hervor - ekelhaft, krisengeschüttelt und sagenhaft zugleich Media competition today: How can novel, film, and theater hold their ground in modern media landscapes? What differences and interferences characterize them?

     
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  4. Medienkonkurrenzen um 2000
    Affekte, Finanzkrisen und Geschlechtermythen in Roman, Film und Theater
    Author: Urbani, Nadja
    Published: 2015
    Publisher:  Transcript, Bielefeld

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  5. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]
    Publisher:  transcript, Bielefeld

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  6. Dramatic Disgust
    Aesthetic Theory and Practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: 2020
    Publisher:  transcript Verlag, Bielefeld

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  7. Medienkonkurrenzen um 2000
    Affekte, Finanzkrisen und Geschlechtermythen in Roman, Film und Theater
    Author: Urbani, Nadja
    Published: 2015
    Publisher:  transcript Verlag, Bielefeld

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  8. Medienkonkurrenzen um 2000
    Affekte, Finanzkrisen und Geschlechtermythen in Roman, Film und Theater
    Author: Urbani, Nadja
    Published: [2015]; ©2015
    Publisher:  transcript-Verlag, Bielefeld

    Media competition today: How can novel, film, and theater hold their ground in modern media landscapes? What differences and interferences characterize them? Was haben Charlotte Roches Romane mit Elfriede Jelineks Werk oder mit Hermann Nitschs... more

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    Media competition today: How can novel, film, and theater hold their ground in modern media landscapes? What differences and interferences characterize them? Was haben Charlotte Roches Romane mit Elfriede Jelineks Werk oder mit Hermann Nitschs Orgien-Mysterien-Theater gemeinsam? Können Finanzkrisenromane gesellschaftspolitisch etwas leisten, was ein Film wie »Wall Street« nicht kann? Was hat die Filmheldin Lara Croft gegen Kleists Bühnen-Penthesilea und gegen ihre amazonischen Schwestern im Roman aufzubieten?Nadja Urbani beschäftigt sich mit der Frage, wie sich die traditionellen Künste Roman, Film und Theater in der heutigen Medienlandschaft gegeneinander behaupten können. Anhand dreier Dimensionen - des Ekelaffekts, der Finanzkrise und der Amazonenfiguren - präsentiert sie eine Medienkonkurrenzanalyse der »ernsten« und »unterhaltenden« Kunst. Dabei wird deutlich: Die Blätter des Romans, die Bilder des Films und die Bretter des Theaters bringen ein jeweils unterschiedliches und zugleich intermediales Kunsterleben hervor - ekelhaft, krisengeschüttelt und sagenhaft zugleich

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839430477
    Other identifier:
    RVK Categories: AP 13500
    Edition: 1. Aufl
    Series: Edition Medienwissenschaft ; 21
    Other subjects: Affect; Affekt; Allgemeine Literaturwissenschaft; Amazonen; Amazons; Disgust; Economic Crisis; Ekel; Film; General Literature Studies; Literatur; Literature; Media Aesthetics; Media Studies; Media; Medien; Medienwissenschaft; Medienästhetik; Myth; Mythos; Novel; Presence; Präsenz; Roman; Theater; Theaterwissenschaft; Theatre Studies; Theatre; Wirtschaftskrise; Roman; Film; Theater; Intermedialität; SOCIAL SCIENCE / Media Studies
    Scope: 1 online resource
  9. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human

     
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    Volltext (URL des Erstveröffentlichers)
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    Volltext (lizenzpflichtig)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: EC 5410 ; HG 431 ; HG 620
    Series: Lettre
    Subjects: Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General; Aversion in literature; Drama; Ekel; Drama; Theater; Ästhetik
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Dissertation, Technische Universität Braunschweig, 2017
  10. Medienkonkurrenzen um 2000
    Affekte, Finanzkrisen und Geschlechtermythen in Roman, Film und Theater
    Author: Urbani, Nadja
    Published: [2015]; ©2015
    Publisher:  transcript Verlag, Bielefeld

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839430477
    Other identifier:
    Edition: 1. Aufl
    Series: Edition Medienwissenschaft ; 21
    Subjects: Affekt; Allgemeine Literaturwissenschaft; Amazonen; Ekel; Film; Literatur; Medien; Medienwissenschaft; Medienästhetik; Mythos; Präsenz; Roman; Theater; Theaterwissenschaft; Wirtschaftskrise; SOCIAL SCIENCE / Media Studies
    Other subjects: Affect; Amazons; Disgust; Economic Crisis; Film; General Literature Studies; Literature; Media Aesthetics; Media Studies; Media; Myth; Novel; Presence; Theatre Studies; Theatre
    Scope: 1 online resource (528 p.)
  11. Paul Laurence Dunbar
    the life and times of a caged bird
    Author: Jarrett, Gene Andrew
    Published: [2022]; © 2022
    Publisher:  Princeton University Press, Princeton

    On the 150th anniversary of his birth, a definitive new biography of a pivotal figure in American literary historyA major poet, Paul Laurence Dunbar (1872–1906) was one of the first African American writers to garner international recognition in the... more

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    On the 150th anniversary of his birth, a definitive new biography of a pivotal figure in American literary historyA major poet, Paul Laurence Dunbar (1872–1906) was one of the first African American writers to garner international recognition in the wake of emancipation. In this definitive biography, the first full-scale life of Dunbar in half a century, Gene Andrew Jarrett offers a revelatory account of a writer whose Gilded Age celebrity as the “poet laureate of his race” hid the private struggles of a man who, in the words of his famous poem, felt like a “caged bird” that sings.Jarrett tells the fascinating story of how Dunbar, born during Reconstruction to formerly enslaved parents, excelled against all odds to become an accomplished and versatile artist. A prolific and successful poet, novelist, essayist, playwright, and Broadway librettist, he was also a friend of such luminaries as Frederick Douglass and Orville and Wilbur Wright. But while audiences across the United States and Europe flocked to enjoy his literary readings, Dunbar privately bemoaned shouldering the burden of race and catering to minstrel stereotypes to earn fame and money. Inspired by his parents’ survival of slavery, but also agitated by a turbulent public marriage, beholden to influential benefactors, and helpless against his widely reported bouts of tuberculosis and alcoholism, he came to regard his racial notoriety as a curse as well as a blessing before dying at the age of only thirty-three.Beautifully written, meticulously researched, and generously illustrated, this biography presents the richest, most detailed, and most nuanced portrait yet of Dunbar and his work, transforming how we understand the astonishing life and times of a central figure in American literary history

     
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  12. Medienkonkurrenzen um 2000
    Affekte, Finanzkrisen und Geschlechtermythen in Roman, Film und Theater
    Author: Urbani, Nadja
    Published: 2015
    Publisher:  transcript Verlag, Bielefeld

    Was haben Charlotte Roches Romane mit Elfriede Jelineks Werk oder mit Hermann Nitschs Orgien-Mysterien-Theater gemeinsam? Können Finanzkrisenromane gesellschaftspolitisch etwas leisten, was ein Film wie »Wall Street« nicht kann? Was hat die... more

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    Was haben Charlotte Roches Romane mit Elfriede Jelineks Werk oder mit Hermann Nitschs Orgien-Mysterien-Theater gemeinsam? Können Finanzkrisenromane gesellschaftspolitisch etwas leisten, was ein Film wie »Wall Street« nicht kann? Was hat die Filmheldin Lara Croft gegen Kleists Bühnen-Penthesilea und gegen ihre amazonischen Schwestern im Roman aufzubieten?Nadja Urbani beschäftigt sich mit der Frage, wie sich die traditionellen Künste Roman, Film und Theater in der heutigen Medienlandschaft gegeneinander behaupten können. Anhand dreier Dimensionen - des Ekelaffekts, der Finanzkrise und der Amazonenfiguren - präsentiert sie eine Medienkonkurrenzanalyse der »ernsten« und »unterhaltenden« Kunst. Dabei wird deutlich: Die Blätter des Romans, die Bilder des Films und die Bretter des Theaters bringen ein jeweils unterschiedliches und zugleich intermediales Kunsterleben hervor - ekelhaft, krisengeschüttelt und sagenhaft zugleich. Was haben Charlotte Roches Romane mit Elfriede Jelineks Werk oder mit Hermann Nitschs Orgien-Mysterien-Theater gemeinsam? Können Finanzkrisenromane gesellschaftspolitisch etwas leisten, was ein Film wie »Wall Street« nicht kann? Was hat die Filmheldin Lara Croft gegen Kleists Bühnen-Penthesilea und gegen ihre amazonischen Schwestern im Roman aufzubieten?Nadja Urbani beschäftigt sich mit der Frage, wie sich die traditionellen Künste Roman, Film und Theater in der heutigen Medienlandschaft gegeneinander behaupten können. Anhand dreier Dimensionen - des Ekelaffekts, der Finanzkrise und der Amazonenfiguren - präsentiert sie eine Medienkonkurrenzanalyse der »ernsten« und »unterhaltenden« Kunst. Dabei wird deutlich: Die Blätter des Romans, die Bilder des Films und die Bretter des Theaters bringen ein jeweils unterschiedliches und zugleich intermediales Kunsterleben hervor - ekelhaft, krisengeschüttelt und sagenhaft zugleich

     
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