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Displaying results 1 to 9 of 9.

  1. Resonanzen des Tragischen : Zwischen Ereignis und Affekt
    Author: Haitzinger, Nicole
    Published: 2015
    Publisher:  Turia und Kant

    This study is dedicated to the notion of the tragic in European dance theatre, the evocation of which takes place in a field of tension constituted by staging techniques as well as by conceptions, procedures and moments of interruption, of... more

     

    This study is dedicated to the notion of the tragic in European dance theatre, the evocation of which takes place in a field of tension constituted by staging techniques as well as by conceptions, procedures and moments of interruption, of suspension, of disturbance and of an indeterminability effected by ec-static corporeality. It is possible to recognise in the event-generating structure and function of the tragic formal principles and an aesthetics of effect coupled to new constellations of the fictional and the choric, absence and presence.

    From the perspective of dance studies, the tragic emerges from the representation by means of the moving and moved body of a gruesome monstrosity at the limits of what is imaginable; but how exactly does the mise-en-scène of the ambivalent, ambiguous and paradoxical through figures and figurations of pathos function to make the tragic appear? Diese Studie widmet sich dem Tragischen im europäischen Tanztheater, dessen Evokation in einem Spannungsfeld von inszenatorischen Techniken, Konzeptionen, Verfahren und Momenten der Unterbrechung, der Aussetzung, der Störung und des Unbestimmbaren durch ek-statische Körperlichkeit erfolgt. An seiner ereignisgenerierenden Struktur und Funktion lassen sich formale und wirkungsästhetische Ordnungen erkennen, die mit neuen Konstellationen von Fiktion und Chorischem, Abwesenheit und Anwesenheit einhergehen. Aus dieser Perspektive geht das Tragische von der Darstellung einer schauderhaften Ungeheuerlichkeit an der Grenze des Vorstellbaren durch den im mehrfachen Sinne bewegten Körper aus; doch wie genau wird Ambivalentes, Doppeldeutiges und Paradoxes über Pathosfiguren und -figurationen in Szene gesetzt, sodass das Tragische erscheinen kann?

     
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    Source: OAPEN
    Language: German
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Dance & other performing arts
    Other subjects: Tragic; Staging; Pathos; Effect; Tanztheater; Figur; chorische Formationen; Tragisch; Inszenierung; Pathos; Affektdarstellungen; Tanztheater; Figur; chorische Formationen; Antike; Ästhetik; Gestik; Jean Georges Noverre; Mimesis
    Scope: 1 electronic resource (370 Seiten p.)
  2. British Dance, Black Routes
    Contributor: Adair, Christy (Publisher); Burt, Ramsay (Publisher)
    Published: 2016

    British Dance, Black Routes is an outstanding collection of writings which re-reads the achievements of Black British dance artists, and places them within a broad historical, cultural and artistic context. Until now discussion of choreography by... more

     

    British Dance, Black Routes is an outstanding collection of writings which re-reads the achievements of Black British dance artists, and places them within a broad historical, cultural and artistic context. Until now discussion of choreography by Black dance practitioners has been dominated by the work of African-American artists, facilitated by the civil rights movement. But the work produced by Black British artists has in part been within the context of Britain’s colonial legacy. Ramsay Burt and Christy Adair bring together an array of leading scholars and practitioners to review the singularity and distinctiveness of the work of British-based dancers who are Black and its relation to the specificity of Black British experiences. From sub-Saharan West African and Caribbean dance forms to jazz and hip-hop, British Dance, Black Routes looks afresh at over five decades of artistic production to provide an unparalleled resource for dance students and scholars.

     
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    Source: OAPEN
    Contributor: Adair, Christy (Publisher); Burt, Ramsay (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781315691268; 9781138913707; 9781138913714
    Other identifier:
    Subjects: Dance & other performing arts; Theatre studies
    Other subjects: african; ballets; caribbean; company; contemporary; dancer; les; london; phoenix; theatre
  3. Performing Citizenship : Bodies, Agencies, Limitations
    Contributor: Hildebrandt, Paula (Publisher); Evert, Kerstin (Publisher); Peters, Sibylle (Publisher); Schaub, Mirjam (Publisher); Wildner, Kathrin (Publisher); Ziemer, Gesa (Publisher)
    Published: 2019
    Publisher:  Springer Nature, Cham

    This open access book discusses how citizenship is performed today, mostly through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies,... more

     

    This open access book discusses how citizenship is performed today, mostly through the optic of the arts, in particular the performing arts, but also from the perspective of a wide range of academic disciplines such as urbanism and media studies, cultural education and postcolonial theory. It is a compendium that includes insights from artistic and activist experimentation. Each chapter investigates a different aspect of citizenship, such as identity and belonging, rights and responsibilities, bodies and materials, agencies and spaces, and limitations and interventions. It rewrites and rethinks the many-layered concept of citizenship by emphasising the performative tensions produced by various uses, occupations, interpretations and framings.

     
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    Source: OAPEN
    Contributor: Hildebrandt, Paula (Publisher); Evert, Kerstin (Publisher); Peters, Sibylle (Publisher); Schaub, Mirjam (Publisher); Wildner, Kathrin (Publisher); Ziemer, Gesa (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 978-3-319-97502-3
    Other identifier:
    Subjects: Theatre studies; Dance & other performing arts
    Other subjects: Culture-Study and teaching; Theater; Performing arts; Theater
    Scope: 1 electronic resource (318 p.)
  4. Butoh America : Butoh Dance in the United States and Mexico from 1970 to the early 2000s
    Author: Calamoneri, Tanya
    Published: 2022
    Publisher:  Taylor & Francis

    Min Tanaka, American butoh artists, Cultural Studies, experimental art, Kazuo Ohno, Shuji Terayama, Theatre more

     

    Min Tanaka, American butoh artists, Cultural Studies, experimental art, Kazuo Ohno, Shuji Terayama, Theatre

     
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  5. Chapter 3 American Anchor Artists and Festivals
    Author: Calamoneri, Tanya
    Published: 2022
    Publisher:  Taylor & Francis

    “American Anchor Artists and Festivals” highlights three key artists: Maureen Fleming, Joan Laage, and Diego Piñón. All have spent numerous years in Japan and worked with the Ohnos, and two have worked with Min Tanaka. Their teaching and performance... more

     

    “American Anchor Artists and Festivals” highlights three key artists: Maureen Fleming, Joan Laage, and Diego Piñón. All have spent numerous years in Japan and worked with the Ohnos, and two have worked with Min Tanaka. Their teaching and performance is the foundation of American butoh. Additionally, Brechin Flournoy launched the San Francisco Butoh Festival launched in 1993, the first major American festival dedicated to butoh, which developed student communities, educated critics and audiences, and cultivated the funding community to support butoh in the Americas.

     
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    Source: OAPEN
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780367137601; 9781032225623
    Other identifier:
    Parent title: Butoh America
    Subjects: Plays, playscripts; Acting techniques; Dance & other performing arts; Theatre studies
    Other subjects: Min Tanaka, American butoh artists, Cultural Studies, experimental art, Kazuo Ohno, Shuji Terayama, Theatre
    Scope: 1 electronic resource (45 p.)
  6. Tanz - Diversität - Inklusion : Jahrbuch TanzForschung 2018
    Contributor: Quinten, Susanne (Publisher); Rosenberg, Christiana (Publisher)
    Published: 2018
    Publisher:  transcript Verlag, Bielefeld

    Diversität, Teilhabe und Inklusion sind in aktuellen Debatten in Bildung, Wissenschaft, Politik und Kultur zentrale Leitbegriffe und Mitgestalter gesellschaftlicher Entwicklungen. Im Tanz spielt Diversität seit langem eine bedeutende Rolle, sei es... more

     

    Diversität, Teilhabe und Inklusion sind in aktuellen Debatten in Bildung, Wissenschaft, Politik und Kultur zentrale Leitbegriffe und Mitgestalter gesellschaftlicher Entwicklungen. Im Tanz spielt Diversität seit langem eine bedeutende Rolle, sei es als tanzkünstlerisches Thema, als Impuls für kreatives Schaffen, im Rahmen tanzpädagogischer Vermittlungsprozesse oder auch in tanztherapeutischen Kontexten. Zudem zeichnet sich Tanz durch sein hohes Teilhabe- und Inklusionspotenzial aus. Dieser Band versammelt grundlegende Positionen zu Diversität und Inklusion im und durch Tanz.; Fundamental positions on diversity and inclusion in and through dance.

     
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    Source: OAPEN; transcript Open Access
    Contributor: Quinten, Susanne (Publisher); Rosenberg, Christiana (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839443309
    Other identifier:
    Subjects: Dance & other performing arts
    Other subjects: Tanz; Diversität; Inklusion; Teilhabe; Kulturelle Bildung; Fähigkeitsgemischter Tanz; Dance; Diversity; Inclusion; Participation; Cultural Education; Mixed-abled Dance
    Scope: 1 electronic resource (242 p.)
  7. Theatre and Its Other
    Abhinavagupta on Dance and Dramatic Acting
    Author: Ganser, Elisa
    Published: 2022
    Publisher:  Brill, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    In Theatre and Its Other, Elisa Ganser revisits a telling debate on the intertwined natures of dance and dramatic acting; preserved in Abhinavagupta’s eleventh-century commentary on the Nāṭyaśāstra, it reflects complex historical shifts in aesthetic... more

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    Location:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    In Theatre and Its Other, Elisa Ganser revisits a telling debate on the intertwined natures of dance and dramatic acting; preserved in Abhinavagupta’s eleventh-century commentary on the Nāṭyaśāstra, it reflects complex historical shifts in aesthetic theory and performance practice. ; Readership: All those interested in the history of Indian dance and theatre and in Abhinavagupta’s aesthetics, including scholars and students of Indology, performance, dance, and theatre studies, as well as performers.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004467057; 9789004449817
    Subjects: Sanskrit; Drama; Literaturtheorie; Dance & other performing arts
    Other subjects: Bharata (2. Jh.): Nāṭyaśāstra; Abhinavagupta (950-1020): Abhinava-bhāratī; The arts; Dance & other performing arts
    Scope: 1 Online-Ressource (428 p.)
  8. Restoring the human context to literary and performance studies
    voices in everything
    Author: Mancing, Howard; William, Jennifer Marston
    Published: [2022]
    Publisher:  Palgrave Macmillan, Cham, Switzerland

    Restoring the Human Context to Literary and Performance Studies argues that much of contemporary literary theory is still predicated, at least implicitly, on outdated linguistic and psychological models such as post-structuralism, psychoanalysis, and... more

    Location:
    Universitätsbibliothek Heidelberg
    Signature:
    2023 A 5298
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Restoring the Human Context to Literary and Performance Studies argues that much of contemporary literary theory is still predicated, at least implicitly, on outdated linguistic and psychological models such as post-structuralism, psychoanalysis, and behaviorism, which significantly contradict current dominant scientific views. By contrast, this monograph promotes an alternative paradigm for literary studies, namely Contextualism, and in so doing highlights the similarities and differences among the sometimes-conflicting contemporary cognitive approaches to literature and performance, arguing not in favor of one over the other but for Contextualism as their common ground

     
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    Content information
    Cover (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783030890803
    Other identifier:
    Series: Cognitive studies in literature and performance
    Subjects: Cognition & cognitive psychology; Dance & other performing arts; Darstellende Künste; Kognitive Psychologie; LITERARY CRITICISM / Semiotics & Theory; Literary theory; Literaturtheorie; PERFORMING ARTS / General; PHILOSOPHY / Mind & Body; PSYCHOLOGY / Cognitive Psychology; Philosophie des Geistes; Philosophy of mind
    Scope: xiv, 400 Seiten
    Notes:

    Chapter 1. Introduction: The Human Contexts of Literary Studies.- Part I: Linguistics and the Legacy of Bakhtin's Philosophy of Language.- Chapter 2. Saussurean Linguistics and Bakhtin's Critique.- Chapter 3. On Theory, Rewriting Saussure, and Chomsky.- Chapter 4. Bakhtin and His Echoes.- Part II: Biology, Language, and the Brain.- Chapter 5. Evolution and Language.- Chapter 6. The Brain.- Chapter 7. Development of the Brain.- Part III: Psychology and the Development of the "Literary Mind".- Chapter 8. The Mind at Work.- Chapter 9. Development of the Mind.- Chapter 10. Theory of Mind (ToM).- Part IV: Context in Science and the Humanities.- Chapter 11. Cognitivism.- Chapter 12. Contextualism.- Chapter 13. Evolutionary Psychology.- Part V: Contextualism-Changing the Paradigm in Literary and Performance Studies for the Twenty-First Century.- Chapter 14. Cognitive Literary Studies.- Chapter 15. Cognitive Approaches to Performance Studies.- Chapter 16: Conclusion: The Bridging Function of Contextualism and the Cognitive Paradigm.
  9. The Shakespearean Death Arts
    Hamlet Among the Tombs
    Contributor: Engel, William E. (HerausgeberIn); Williams, Grant (HerausgeberIn)
    Published: 2023
    Publisher:  Springer Nature Switzerland AG, Cham

    This is the first book to view Shakespeare's plays from the prospect of the premodern death arts, not only the ars moriendi tradition but also the plurality of cultural expressions of memento mori, funeral rituals, commemorative activities, and... more

     

    This is the first book to view Shakespeare's plays from the prospect of the premodern death arts, not only the ars moriendi tradition but also the plurality of cultural expressions of memento mori, funeral rituals, commemorative activities, and rhetorical techniques and strategies fundamental to the performance of the work of dying, death, and the dead. The volume is divided into two sections: first, critically nuanced examinations of Shakespeare's corpus and then, second, of Hamlet exclusively as the ultimate proving ground of the death arts in practice. This book revitalizes discussion around key and enduring themes of mortality by reframing Shakespeare's plays within a newly conceptualized historical category that posits a cultural divide-at once epistemological and phenomenological-between premodernity and the Enlightenment

     
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    Content information
    Cover (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Engel, William E. (HerausgeberIn); Williams, Grant (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783030884925
    Edition: 1st ed. 2022
    Series: Palgrave Shakespeare Studies
    Subjects: Dance & other performing arts; Darstellende Künste; Drama, Theaterstücke, Drehbücher; Geschichte der darstellenden Künste; HISTORY / Social History; LIT024000; LITERARY CRITICISM / Drama; Literary studies: general; Literary studies: plays & playwrights; Literaturwissenschaft, allgemein; PERFORMING ARTS / General; PERFORMING ARTS / Theater / History & Criticism; Social & cultural history; Sozial- und Kulturgeschichte; Theaterwissenschaft; Theatre studies
    Scope: 346 Seiten
    Notes:

    Section I: Staging the Death Arts .- Chapter One: Shakespeare's Ars Moriendi, Andrew D. McCarthy.- Chapter Two: Deciphering the Dead: Speaking for Corpses in Early Modern Drama, Brian Harries.- Chapter Three: 'As thou art, I once was'-Death's Unstable Binary, Eileen Sperry.- Chapter Four: Antony and Cleopatra and the Vicissitudes of Monumentalization, Grant Williams.- Chapter Five: Tombs, Ooze, and Ashes in Pericles, Dorothy Todd.- Chapter Six: Empathetic Reflections on Love, Life, and Death in Othello, Jessica Tooker.- Chapter Seven: Othello's Speaking Corpses and the Performance of Memento Mori, Maggie Vinter:- Section II: Hamlet and the Death Arts.- Chapter Eight: Turnings in the Grave: Riddles, Death, and Burial in Hamlet, Jonathan Baldo.- Chapter Nine: The Theatre of Hamlet's Judgements, Zackariah Long.- Chapter Ten: The Art of Losing: Description in Early Modern Rhetoric, Amanda K. Ruud.- Chapter Eleven: 'Native and indued / Unto that element': Dissolution, Permeability, and the Death of Ophelia, Pamela Royston Macfie.- Chapter Twelve: Artful Death and Women's Suicide: Gertrude and Ophelia, Lina Perkins Wilder.- Chapter Thirteen: Artless Deaths in Hamlet, Isabel Karremann.- Chapter Fourteen: 'He made a good end': Middleness, Ending, and Annihilation in Hamlet, Michael Neill.