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  1. Virtuelle Instrumente im akustischen Cyberspace
    Zur musikalischen Ästhetik des digitalen Zeitalters
    Author: Harenberg, Michael
    Published: 2012
    Publisher:  De Gruyter, Berlin

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839421758
    Other identifier:
    Series: MedienAnalysen ; 14
    Subjects: Musikinstrument; Computermusik; Ästhetik; Cyberspace; Virtualisierung
    Scope: 1 Online-Ressource (264 S.)
    Notes:

    Biographical note: Michael Harenberg (Dr. phil.) lehrt Komposition und Medientheorie an der Hochschule der Künste in Bern. Seine Arbeitsschwerpunkte sind digitale Soundcultures, experimentelle Interfaces und kompositorische Virtualitätsmodelle des Digitalen

    Main description: Musikalische Strukturen sind im Digitalen dem Zwang medialer und interkultureller Anschlussfähigkeit einer informatorischen Mechanik von De- und Re-Konstruktionen unterworfen. Ganz in der Tradition von Automaten und Wunschmaschinen der Musikgeschichte spielen wir heute virtuelle Instrumente in kollaborativen Netzwerken als mediale Dispositive eines akustischen Cyberspace. In dessen Resonanzräumen virtueller Klangsynthesen ist die gewohnte Opposition von Wirklichkeit und Virtualität, von Imagination und Materialität aufgehoben. An der Schnittstelle von Musik- und Medienwissenschaft beschreibt der Band die neu entstehenden Potenziale kompositorischer und klanglicher Ästhetik im digitalen Zeitalter
  2. Virtuelle Instrumente im akustischen Cyberspace
    zur musikalischen Ästhetik des digitalen Zeitalters
    Author: Harenberg, Michael
    Published: [2012]
    Publisher:  transcript, Bielefeld

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839421758
    Other identifier:
    Series: MedienAnalysen ; Band 14
    Subjects: Musikinstrument; Ästhetik; Computermusik; Virtualisierung; Cyberspace
    Scope: 1 Online-Ressource (260 Seiten)
  3. RANDOM
    die Archäologie elektronischer Spielzeugklänge
    Author: Braguinski, Nikita
    Published: [2018]; © 2018
    Publisher:  projektverlag, Bochum ; Freiburg

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    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783897334298; 3897334291
    DDC Categories: 004
    Series: Computerarchäologie ; Band 3
    Subjects: Computermusik; Computerspiel; Zufall; Elektronische Tonerzeugung; Klangerzeugung
    Scope: 321 Seiten, Illustrationen
  4. Retro-Games und Retro-Gaming
    Nostalgie als Phänomen einer performativen Ästhetik von Computer- und Videospielkulturen
    Contributor: Letourneur, Ann-Marie (Hrsg.); Mosel, Michael (Hrsg.); Raupach, Tim (Hrsg.)
    Published: 2015
    Publisher:  Hülsbusch, Glückstadt

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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    17B7752
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    Source: Union catalogues
    Contributor: Letourneur, Ann-Marie (Hrsg.); Mosel, Michael (Hrsg.); Raupach, Tim (Hrsg.)
    Language: German
    Media type: Book
    ISBN: 9783864880780
    DDC Categories: 300
    Series: Game Studies
    Subjects: Computermusik; Faszination; Wiederfinden; Computerspiel; Medienwissenschaft; Videospiel; Kultur; Acht-Bit-Mikroprozessor
    Other subjects: (Produktform)Hardback; (VLB-WN)1744: Hardcover, Softcover / Medien, Kommunikation/Medienwissenschaft
    Scope: 288 S., Ill., graph. Darst.
  5. Retro-Games und Retro-Gaming
    Nostalgie als Phänomen einer performativen Ästhetik von Computer- und Videospielkulturen
    Contributor: Letourneur, Ann-Marie (Herausgeber); Mosel, Michael (Herausgeber); Raupach, Tim (Herausgeber)
    Published: 2016; ©2016
    Publisher:  vwh, Verlag Werner Hülsbusch, Fachverlag für Medientechnik und -wirtschaft, Glückstadt

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    04
    Source: Union catalogues
    Contributor: Letourneur, Ann-Marie (Herausgeber); Mosel, Michael (Herausgeber); Raupach, Tim (Herausgeber)
    Language: German
    Media type: Book
    ISBN: 9783864881053
    Edition: 2. Aufl., Paperback
    Series: Game studies
    Subjects: Wiederfinden; Computerspiel; Faszination; Kultur; Computermusik; Videospiel; Acht-Bit-Mikroprozessor; Medienwissenschaft
    Scope: 288 Seiten, Illustrationen
  6. Virtuelle Instrumente im akustischen Cyberspace
    Zur musikalischen Ästhetik des digitalen Zeitalters
    Author: Harenberg, Michael
    Published: [2014]; ©2012
    Publisher:  transcript-Verlag, Bielefeld

    Musikalische Strukturen sind im Digitalen dem Zwang medialer und interkultureller Anschlussfähigkeit einer informatorischen Mechanik von De- und Re-Konstruktionen unterworfen. Ganz in der Tradition von Automaten und Wunschmaschinen der... more

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    Musikalische Strukturen sind im Digitalen dem Zwang medialer und interkultureller Anschlussfähigkeit einer informatorischen Mechanik von De- und Re-Konstruktionen unterworfen. Ganz in der Tradition von Automaten und Wunschmaschinen der Musikgeschichte spielen wir heute virtuelle Instrumente in kollaborativen Netzwerken als mediale Dispositive eines akustischen Cyberspace. In dessen Resonanzräumen virtueller Klangsynthesen ist die gewohnte Opposition von Wirklichkeit und Virtualität, von Imagination und Materialität aufgehoben.An der Schnittstelle von Musik- und Medienwissenschaft beschreibt der Band die neu entstehenden Potenziale kompositorischer und klanglicher Ästhetik im digitalen Zeitalter

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839421758
    Other identifier:
    RVK Categories: LR 57790
    Edition: 1. Aufl
    Series: MedienAnalysen ; 14
    Other subjects: Aesthetics; Digital Media; Digitale Medien; Internet; Klang; Komposition; Media Art; Medienkunst; Musicology; Musikautomaten; Musikwissenschaft; Physical Modelling; Simulation; Sound; Virtualität; Ästhetik; Cyberspace; Computermusik; Musikinstrument; Ästhetik; Virtualisierung; MUSIC / History & Criticism
    Scope: 1 online resource
  7. Virtuelle Instrumente im akustischen Cyberspace
    zur musikalischen Ästhetik des digitalen Zeitalters
    Author: Harenberg, Michael
    Published: [2012]; © 2012
    Publisher:  transcript, Bielefeld

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    Universitäts- und Landesbibliothek Bonn
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    2013/30
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    Hochschule für Musik Detmold, Bibliothek
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783837621754; 3837621758
    Series: MedienAnalysen ; Band 14
    Subjects: Cyberspace; Computermusik; Ästhetik; Musikinstrument; Virtualisierung
    Scope: 260 Seiten
  8. Computerspiele, Grafik & Musik
    Author: Curran, Susan; Curnow, Ray
    Published: 1984
    Publisher:  Falken-Verlag, Niedernhausen/Ts.

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    Gutenberg-Museum Mainz, Bibliothek
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    Source: Union catalogues
    Contributor: Rudolph, Wolfgang (Übersetzer); Curran, Susan
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3806843058
    RVK Categories: ST 640
    Series: Computer verständlich
    Subjects: Mikrocomputer; Computerspiel; Computergraphik; Computermusik
    Scope: 147 S., Ill., graph. Darst.
  9. The Rubato Composer Music Software
    Component-Based Implementation of a Functorial Concept Architecture
    Author: Milmeister, Gérard
    Published: 2009
    Publisher:  Springer Berlin Heidelberg, Berlin, Heidelberg ; Springer International Publishing AG, Cham

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783642001482; 3642001483
    Other identifier:
    DDC Categories: 004; 780
    Edition: 1st ed. 2009
    Series: Computational Music Science
    Subjects: Rubato <Programm>; Computermusik; Komposition <Musik>; Personal Computer; Mathematics; Digital humanities; Interactive multimedia; Multimedia systems; Algebra, Homological; Music; Computational Science and Engineering; Digital Humanities; Media Design; Category Theory, Homological Algebra; Music
    Scope: 1 Online-Ressource (XX, 301 Seiten), 143 illus.
  10. Soundchip-Musik
    Computer- und Videospielmusik von 1977 - 1994
    Author: Presto, Peter
    Published: 2007
    Publisher:  epOs Music, Osnabrück

    Zahlreiche Klangbeispiele auf der beiliegenden CD-ROM more

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    Zahlreiche Klangbeispiele auf der beiliegenden CD-ROM

     
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783923486946; 3923486944; 9783923486953
    Other identifier:
    9783923486946
    RVK Categories: LR 11370
    DDC Categories: 780
    Series: Beiträge zur Medienästhetik der Musik ; Bd. 9
    Subjects: Computerspiel; Videospiel; Musik; Musik; Computermusik
    Scope: VIII, 141 S., Ill., graph. Darst., Noten, 24 cm
    Notes:

    Zugl.: Lüneburg, Univ., Magisterarbeit, 2005
  11. Kunst & Computer
    Author: Moles, Abraham A.
    Published: 1973
    Publisher:  DuMont Schauberg, Köln

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    Source: Union catalogues
    Contributor: Moles, Abraham A.
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3770106210
    RVK Categories: LH 61040 ; LH 65829 ; LR 57790
    Series: Dumont-Kunst-Taschenbücher ; 1
    Subjects: Computermusik; Ästhetik; Computergraphik; Computerlyrik
    Scope: 287 S.
  12. Virtuelle Instrumente im akustischen Cyberspace
    Zur musikalischen Ästhetik des digitalen Zeitalters
    Author: Harenberg, Michael
    Published: 2014
    Publisher:  transcript Verlag, Bielefeld ; UTB GmbH, Stuttgart

    Musikalische Strukturen sind im Digitalen dem Zwang medialer und interkultureller Anschlussfähigkeit einer informatorischen Mechanik von De- und Re-Konstruktionen unterworfen. Ganz in der Tradition von Automaten und Wunschmaschinen der... more

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    Musikalische Strukturen sind im Digitalen dem Zwang medialer und interkultureller Anschlussfähigkeit einer informatorischen Mechanik von De- und Re-Konstruktionen unterworfen. Ganz in der Tradition von Automaten und Wunschmaschinen der Musikgeschichte spielen wir heute virtuelle Instrumente in kollaborativen Netzwerken als mediale Dispositive eines akustischen Cyberspace. In dessen Resonanzräumen virtueller Klangsynthesen ist die gewohnte Opposition von Wirklichkeit und Virtualität, von Imagination und Materialität aufgehoben. An der Schnittstelle von Musik- und Medienwissenschaft beschreibt der Band die neu entstehenden Potenziale kompositorischer und klanglicher Ästhetik im digitalen Zeitalter.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839421758
    RVK Categories: LR 57790
    DDC Categories: 004; 780
    Edition: 1st ed.
    Series: MedienAnalysen ; 14
    Subjects: Musikinstrument; Virtualisierung; Cyberspace; Computermusik; Ästhetik
    Scope: 1 Online-Ressource (264 p.)
  13. The Oxford handbook of interactive audio
    Contributor: Collins, Karen (Hrsg.)
    Published: 2014
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    LR 57790 col 2014
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    Source: Union catalogues
    Contributor: Collins, Karen (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199797226
    RVK Categories: LR 57790
    Subjects: Interaktive Medien; Soundverarbeitung; Musik; Computerspiel; Computermusik
    Scope: XXV, 594 S., Ill., graph. Darst.
    Notes:

    Literaturangaben
  14. Dynamics of constraints
    essays on notation, editing and performance
    Contributor: Assis, Paulo de; Kanno, Mieko; Parra Cancino, Juan
    Published: 2009
    Publisher:  Orpheus Inst., Gent

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    Universität Marburg, Universitätsbibliothek
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    070 8 2011/03343
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    Source: Union catalogues
    Contributor: Assis, Paulo de; Kanno, Mieko; Parra Cancino, Juan
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9490389021; 9789490389024
    Series: Collected writings of the Orpheus Institute ; 3 : Subseries Orpheus Research Centre in Music
    Subjects: Musikphilologie; Notenschrift; Musikalische Aufführungspraxis; Computermusik
    Scope: 44 S., Ill.
    Notes:

    Literaturangaben
  15. Fundamentals of Music Processing
    Audio, Analysis, Algorithms, Applications
    Author: Müller, Meinard
    Published: 2015
    Publisher:  Springer International Publishing, Cham ; Springer International Publishing AG

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
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  16. Virtuelle Instrumente im akustischen Cyberspace
    zur musikalischen Ästhetik des digitalen Zeitalters
    Author: Harenberg, Michael
    Published: 2012
    Publisher:  Transcript, Bielefeld ; UTB, Stuttgart

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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839421758
    Other identifier:
    9783837621754
    RVK Categories: LR 57790
    DDC Categories: 780; 004
    Series: MedienAnalysen ; 14
    Subjects: Musikinstrument; Virtualisierung; Cyberspace; Computermusik; Ästhetik
    Scope: 1 Online-Ressource (260 Seiten), 23 cm, 417 g
    Notes:

    Literaturverzeichnis Seite [233]-260
  17. Grafik und Sound mit C-64
    tönen u. zeichnen mit Ihrem Commodore 64
    Author: Lorenz, Cölestin
    Published: 1984
    Publisher:  Hofacker, Holzkirchen

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    Bayerische Staatsbibliothek
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    Language: German
    Media type: Book
    ISBN: 3889632041
    Edition: 1. Aufl.
    Subjects: Computergrafik; Computerspiel; Commodore 64; Computermusik
    Scope: 186 S., Ill.
  18. Virtuelle Instrumente im akustischen Cyberspace
    Zur musikalischen Ästhetik des digitalen Zeitalters
    Author: Harenberg, Michael
    Published: 2012
    Publisher:  transcript Verlag

    Musikalische Strukturen sind im Digitalen dem Zwang medialer und interkultureller Anschlussfähigkeit einer informatorischen Mechanik von De- und Re-Konstruktionen unterworfen. Ganz in der Tradition von Automaten und Wunschmaschinen der... more

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    Musikalische Strukturen sind im Digitalen dem Zwang medialer und interkultureller Anschlussfähigkeit einer informatorischen Mechanik von De- und Re-Konstruktionen unterworfen. Ganz in der Tradition von Automaten und Wunschmaschinen der Musikgeschichte spielen wir heute virtuelle Instrumente in kollaborativen Netzwerken als mediale Dispositive eines akustischen Cyberspace. In dessen Resonanzräumen virtueller Klangsynthesen ist die gewohnte Opposition von Wirklichkeit und Virtualität, von Imagination und Materialität aufgehoben.An der Schnittstelle von Musik- und Medienwissenschaft beschreibt der Band die neu entstehenden Potenziale kompositorischer und klanglicher Ästhetik im digitalen Zeitalter

     
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  19. Random
    die Archäologie elektronischer Spielzeugklänge
    Author: Braguinski, Nikita
    Published: [2018]; © 2018
    Publisher:  projektverlag, Bochum ; Freiburg

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783897334298; 3897334291
    RVK Categories: AP 13550 ; AP 14900 ; LR 57798 ; LR 57600 ; SU 500
    DDC Categories: 004
    Series: Computerarchäologie ; Band 3
    Subjects: Computermusik; Klangerzeugung; Computerspiel; Zufall; Elektronische Tonerzeugung
    Other subjects: Computer; Elektronische Klänge; Computerspiele; Musikwissenschaft
    Scope: 321 Seiten, Illustrationen, Notenbeispiele, 1 Portrait [des Verfassers auf der Rückseite des Covers], 21 cm
    Notes:

    Dissertation, Humboldt-Universität zu Berlin,
  20. Performing Bytes
    Musikperformances der Computerspielkultur
    Author: Fritsch, Melanie
    Published: [2018]; © 2018
    Publisher:  Königshausen & Neumann, Würzburg

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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783826065309; 3826065301
    Other identifier:
    9783826065309
    RVK Categories: AP 15963 ; LR 57798
    Series: Thurnauer Schriften zum Musiktheater ; Band 35
    Subjects: Videospielmusik; Computermusik; Performance <Künste>; Computerspiel
    Scope: 384 Seiten, 23.5 cm x 15.5 cm
    Notes:

    Dissertation, Universität Bayreuth, 2018
  21. The Oxford handbook of interactive audio
    Contributor: Collins, Karen (Publisher); Kapralos, Bill (Publisher); Tessler, Holly (Publisher)
    Published: 2014
    Publisher:  Oxford Univ. Press, New York, NY [u.a.]

    What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What does the future hold for interactive musical and sonic experiences? This book answers these questions with newly-commissioned... more

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    Universitätsbibliothek Bayreuth
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    What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What does the future hold for interactive musical and sonic experiences? This book answers these questions with newly-commissioned chapters that explore the full range of interactive audio in games, performance, design, and practice. As audiences are increasingly no longer solely listeners but also active producer-consumers, and as video games and other interactive systems increasingly permeate our daily lives, understanding interactivity and its impact on the audience has never been more important. A collection of newly commissioned chapters on interactivity in music and sound edited by preeminent scholars in the field, this book marks the beginning of a journey into understanding the ways in which we interact with sound, and offers a new set of analytical tools for the growing field of interactive audio. What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What makes interactive audio different from non-interactive audio? Where does interacting with audio fit into our understanding of sound and music? What does the future hold for interactive media when it comes to our musical and sonic experiences? And how do we begin to approach interactive audio from a theoretical perspective? The Oxford Handbook of Interactive Audio answers these questions by exploring the full range of interactive audio in video games, performance, education, environmental design, toys, and artistic practice. Examining these questions from a range of approaches - technological, emotional, psychological, and physical - the book provides a thorough overview of the fascinating experience of interactive sound.

     
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    Source: Union catalogues
    Contributor: Collins, Karen (Publisher); Kapralos, Bill (Publisher); Tessler, Holly (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780199797226
    RVK Categories: LR 57790
    Subjects: Interactive multimedia; Video game music; Computer game music; Musik; Computermusik; Soundverarbeitung; Interaktive Medien; Computerspiel
    Scope: XXV, 594 S., Ill., graph. Darst.
    Notes:

    Machine generated contents note: SECTION 1 INTERACTIVE SOUND IN PRACTICE -- 1.Spatial Reconfiguration in Interactive Video Art / Holly Rogers -- 2.Navigating Sound: Locative and Translocational Approaches to Interactive Audio / Nye Parry -- 3.Defining Sound Toys: Play as Composition / Andrew Dolphin -- 4.Thinking More Dynamically about Using Sound to Enhance Learning from Instructional Technologies / M. J. Bishop -- 5.Acoustic Scenography and Interactive Audio: Sound Design for Built Environments / Jan Paul Herzer -- SECTION 2 VIDEOGAMES AND VIRTUAL WORLDS -- 6.The Unanswered Question of Musical Meaning: A Cross-domain Approach / Tom Langhorst -- 7.How Can Interactive Music Be Used in Virtual Worlds like World of Warcrafft / Jon Inge Lomeland -- 8.Sound and the Videoludic Experience / Guillaume Roux-Girard -- 9.Designing a Game for Music: Integrated Design Approaches for Ludic Music and Interactivity / Dave Raybould --

    Contents note continued: 10.Worlds of Music: Strategies for Creating Music-based Experiences in Videogames / Melanie Fritsch -- SECTION 3 THE PSYCHOLOGY AND EMOTIONAL IMPACT OF INTERACTIVE AUDIO -- 11.Embodied Virtual Acoustic Ecologies of Computer Games / Tom Garner -- 12.A Cognitive Approach to the Emotional Function of Game Sound / Inger Ekman -- 13.The Sound of Being There: Presence and Interactive Audio in Immersive Virtual Reality / Niels C. Nilsson -- 14.Sonic Interactions in Multimodal Environments: An Overview / Stefania Serafin -- 15.Musical Interaction for Health Improvement / Birgitta Cappelen -- 16.Engagement, Immersion and Presence: The role of Audio Interactivity in Location-aware Sound Design / Fionnuala Conway -- SECTION 4 PERFORMANCE AND INTERACTIVE INSTRUMENTS -- 17.Multisensory Musicality in Dance Central / Kiri Miller -- 18.Interactivity and Liveness in Electroacoustic Concert Music / Mike Frengel --

    Contents note continued: 19.Skill in Interactive Digital Music Systems / Michael Gurevich -- 20.Gesture in the Design of Interactive Sound Models / Benjamin Schroeder -- 21.Virtual Musicians and Machine Learning / Nick Collins -- 22.Musical Behavior and Amergence in Technoetic and Media Arts / Norbert Herber -- SECTION 5 TOOLS AND TECHNIQUES -- 23.Flow of Creative Interaction with Digital Music Notations / Alan F. Blackwell -- 24.Blurring Boundaries: Trends and Implications in Audio Production Software Developments / David Bessell -- 25.Delivering Interactive Experiences through the Emotional Adaptation of Automatically Composed Music / Michael Katchabaw -- 26.A Review of Interactive Sound in Computer Games: Can Sound Affect the Motoric Behavior of a Player? / Stefania Serafin -- 27.Interactive Spectral Processing of Musical Audio / Victor Lazzarini -- SECTION 6 THE PRACTITIONER'S POINT OF VIEW --

    Contents note continued: 28.Let's Mix it Up: Interviews Exploring the Practical and Technical Challenges of Interactive Mixing in Games / Helen Mitchell -- 29.Our Interactive Audio Future / Damian Kastbauer -- 30.For the Love of Chiptune / Leonard J. Paul -- 31.Procedural Audio Theory and Practice / Andy Farnell -- 32.Live Electronic Preparation: Interactive Timbral Practice / Rafal Zapala -- 33.New Tools for Interactive Audio, and What Good they Do / Tim van Geelen
  22. Mathematical and computational modeling of tonality
    theory and applications
    Author: Chew, Elaine
    Published: 2014
    Publisher:  Springer, Boston, MA

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    Universitätsbibliothek Erlangen-Nürnberg, Technisch-naturwissenschaftliche Zweigbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781461494751
    Series: International series in operations research & management science ; 204
    Subjects: Informatik; Management; Mathematik; Musik; Wirtschaft; Economics; Computer science / Mathematics; Music; Operations research; Consciousness; Economics/Management Science; Spirale <Motiv>; Computermusik; Tonalität; Mathematik
    Scope: XIV, 305 S., zahlr. Ill. u. graph. Darst.
  23. Mathematical and computational modeling of tonality
    theory and applications
    Author: Chew, Elaine
    Published: 2014
    Publisher:  Springer, Boston, MA

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    Technische Hochschule Augsburg
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    Source: Union catalogues
    Language: English
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    ISBN: 9781461494751
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    Series: International series in operations research & management science ; 204
    Subjects: Informatik; Management; Mathematik; Musik; Wirtschaft; Economics; Computer science / Mathematics; Music; Operations research; Consciousness; Economics/Management Science; Tonalität; Spirale <Motiv>; Computermusik; Mathematik
    Scope: 1 Online-Ressource (XIV, 305 S.), zahlr. Ill. u. graph. Darst.
  24. The Oxford handbook of interactive audio
    Contributor: Collins, Karen (Publisher); Kapralos, Bill (Publisher); Tessler, Holly (Publisher)
    Published: 2017
    Publisher:  Oxford Univ. Press, New York, NY [u.a.]

    What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What does the future hold for interactive musical and sonic experiences? This book answers these questions with newly-commissioned... more

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    Hochschulbibliothek Ansbach
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    What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What does the future hold for interactive musical and sonic experiences? This book answers these questions with newly-commissioned chapters that explore the full range of interactive audio in games, performance, design, and practice. As audiences are increasingly no longer solely listeners but also active producer-consumers, and as video games and other interactive systems increasingly permeate our daily lives, understanding interactivity and its impact on the audience has never been more important. A collection of newly commissioned chapters on interactivity in music and sound edited by preeminent scholars in the field, this book marks the beginning of a journey into understanding the ways in which we interact with sound, and offers a new set of analytical tools for the growing field of interactive audio. What does it mean to interact with sound? How does interactivity alter our experience as creators and listeners? What makes interactive audio different from non-interactive audio? Where does interacting with audio fit into our understanding of sound and music? What does the future hold for interactive media when it comes to our musical and sonic experiences? And how do we begin to approach interactive audio from a theoretical perspective? The Oxford Handbook of Interactive Audio answers these questions by exploring the full range of interactive audio in video games, performance, education, environmental design, toys, and artistic practice. Examining these questions from a range of approaches - technological, emotional, psychological, and physical - the book provides a thorough overview of the fascinating experience of interactive sound.

     
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    Source: Union catalogues
    Contributor: Collins, Karen (Publisher); Kapralos, Bill (Publisher); Tessler, Holly (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780190651053
    RVK Categories: LR 57790
    Subjects: Interactive multimedia; Video game music; Computer game music; Computermusik; Musik; Computerspiel; Interaktive Medien; Soundverarbeitung
    Scope: XXV, 594 Seiten, Ill., graph. Darst.
  25. Virtuelle Instrumente im akustischen Cyberspace
    zur musikalischen Ästhetik des digitalen Zeitalters
    Author: Harenberg, Michael
    Published: 2012; © 2012
    Publisher:  Transcript, Bielefeld

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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783837621754
    RVK Categories: LR 57790
    Series: MedienAnalysen ; 14
    Subjects: Cyberspace; Virtualisierung; Computermusik; Musikinstrument; Ästhetik
    Scope: 260 Seiten