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Displaying results 1 to 13 of 13.

  1. Alvin Langdon Coburn
    Photographie zwischen Piktorialismus und Moderne
    Author: Hauswald, Cathrin
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Evangelische Hochschule Nürnberg, Bibliothek
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    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
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    Technische Hochschulbibliothek Rosenheim
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    Hochschule für angewandte Wissenschaften Würzburg-Schweinfurt, Abteilungsbibliothek Schweinfurt
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    Technische Hochschule Würzburg-Schweinfurt Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839441930
    Other identifier:
    RVK Categories: AP 94850 ; AP 99030 ; AP 99083
    DDC Categories: 700
    Series: Image ; Band 128
    Subjects: Fotografie; Ästhetik
    Other subjects: Coburn, Alvin Langdon (1882-1966); Abstraktion; Moderne; Piktorialismus; Kunst; Kunstgeschichte des 19. Jahrhunderts; Kunstgeschichte des 20. Jahrhunderts; Kunstwissenschaft; Photography; Abstraction; Modernity; Art; Art History of the 19th Century; Art History of the 20th Century; Fine Arts
    Scope: 1 Online-Ressource (316 Seiten), Illustrationen
    Notes:

    Dissertation, Universität Konstanz, 2017
  2. The vorticists
    rebel artists in London and New York, 1914-1918 ; [... on the occasion of the Exhibition The Vorticists, ... The Nasher Museum of Art at Duke University, Durham, North Carolina 30 September 2010 - 2 January 2011, Peggy Guggenheim Collection, Venice 29 January - 15 May 2011, Tate Britain, London 14 June - 4 September 2011]
    Published: 2010
    Publisher:  Tate Publ., London

    The first exhibition in Italy dedicated to Vorticism, Britain's contribution to the visual avant-gardes that flourished in Europe at the beginning of the 20th century. Its distinctive figurative abstraction was a London-based Anglo-American response... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The first exhibition in Italy dedicated to Vorticism, Britain's contribution to the visual avant-gardes that flourished in Europe at the beginning of the 20th century. Its distinctive figurative abstraction was a London-based Anglo-American response to Cubism and Futurism. Led by poet Ezra Pound and by artist and writer Wyndham Lewis Vorticism flared up between 1913 and 1918

     
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  3. Pictures and texts
    Henry James, A. L. Coburn, and new ways of seeing in literary culture
    Author: Bogardus, Ralph F.
    Published: 1984
    Publisher:  UMI Research Pr., Ann Arbor, Mich.

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 0835714713
    RVK Categories: HT 5855
    Series: Studies in photography ; 2
    Subjects: Geschichte; Ästhetik; Illustration of books; Photography; American fiction; Frontispiece; Literature and photography; Roman; Illustration; Fotografie
    Other subjects: Coburn, Alvin Langdon; James, Henry (1843-1916); James, Henry (1843-1916); Coburn, Alvin Langdon (1882-1966); James, Henry (1843-1916); Coburn, Alvin Langdon (1882-1966)
    Scope: XV, 249 S., Ill.
    Notes:

    Teilw. zugl.: Diss., Univ. of Mexico, 1974
  4. Alvin Langdon Coburn
    Photographie zwischen Piktorialismus und Moderne
    Author: Hauswald, Cathrin
    Published: [2018]; © 2018
    Publisher:  transcript-Verlag, Bielefeld

    Alvin Langdon Coburn ist der erste Künstler, der 1916 von »abstrakter Photographie« schreibt und sie auch ästhetisch umsetzt. Und das, obwohl er selbst der piktorialistischen Strömung, der stimmungsvollen Kunstphotographie, angehört. Anhand von... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Evangelische Hochschule Nürnberg, Bibliothek
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    Universitätsbibliothek Passau
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    Technische Hochschulbibliothek Rosenheim
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    Hochschule für angewandte Wissenschaften Würzburg-Schweinfurt, Abteilungsbibliothek Schweinfurt
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    Technische Hochschule Würzburg-Schweinfurt Bibliothek
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    Alvin Langdon Coburn ist der erste Künstler, der 1916 von »abstrakter Photographie« schreibt und sie auch ästhetisch umsetzt. Und das, obwohl er selbst der piktorialistischen Strömung, der stimmungsvollen Kunstphotographie, angehört. Anhand von Coburns Wirken als zentrale Figur des epistemisch-ästhetischen Umbruchs in der Zeit der Jahrhundertwende verdeutlicht Cathrin Hauswald eindrucksvoll die Entwicklung der Photographie vom 19. Jahrhundert in die Moderne. Sie zeigt: Während Coburn die Beben des technologischen und photographischen Fortschritts aufzeichnet und gleichsam gestaltet, inszeniert sich der Kunstphotograph selbst als ambivalentes und geradezu antimodernes Element seines photographischen Schaffens, dessen Ziel stets die eigene Nobilitierung bleibt

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839441930
    Other identifier:
    RVK Categories: AP 94850 ; AP 99030 ; AP 99083
    DDC Categories: 700
    Series: Image ; 128
    Subjects: Abstraction; Abstraktion; Art History of the 19th Century; Art History of the 20th Century; Art; Fine Arts; Kunst; Kunstgeschichte des 19. Jahrhunderts; Kunstgeschichte des 20. Jahrhunderts; Kunstwissenschaft; Moderne; Modernity; Piktorialismus; Fotografie; Ästhetik
    Other subjects: Coburn, Alvin Langdon (1882-1966)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)

    Dissertation, Universität Konstanz, 2017
  5. Alvin Langdon Coburn
    Photographie zwischen Piktorialismus und Moderne
    Author: Hauswald, Cathrin
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

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    Hochschulbibliothek Ansbach
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Münchner Stadtmuseum, Zentrale Bibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    ISBN: 9783837641936; 3837641937
    Other identifier:
    9783837641936
    RVK Categories: AP 94850 ; AP 99030 ; AP 99083
    DDC Categories: 700
    Series: Image ; Band 128
    Subjects: Ästhetik; Fotografie
    Other subjects: Coburn, Alvin Langdon (1882-1966); Abstraktion; Moderne; Piktorialismus; Kunst; Kunstgeschichte des 19. Jahrhunderts; Kunstgeschichte des 20. Jahrhunderts; Kunstwissenschaft; Photography; Abstraction; Modernity; Art; Art History of the 19th Century; Art History of the 20th Century; Fine Arts
    Scope: 316 Seiten, 70 Illustrationen
    Notes:

    Dissertation, Universität Konstanz, 2017
  6. Alvin Langdon Coburn
    Photographie zwischen Piktorialismus und Moderne
    Author: Hauswald, Cathrin
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

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    Alice Salomon Hochschule Berlin, Bibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839441930
    Other identifier:
    RVK Categories: AP 94850 ; AP 99030 ; AP 99083
    DDC Categories: 700
    Series: Image ; Band 128
    Subjects: Ästhetik; Fotografie
    Other subjects: Coburn, Alvin Langdon (1882-1966); Abstraktion; Moderne; Piktorialismus; Kunst; Kunstgeschichte des 19. Jahrhunderts; Kunstgeschichte des 20. Jahrhunderts; Kunstwissenschaft; Photography; Abstraction; Modernity; Art; Art History of the 19th Century; Art History of the 20th Century; Fine Arts
    Scope: 1 Online-Ressource (316 Seiten), Illustrationen
    Notes:

    Dissertation, Universität Konstanz, 2017
  7. Pictures and texts
    Henry James, A. L. Coburn, and new ways of seeing in literary culture
    Author: Bogardus, Ralph F.
    Published: 1984
    Publisher:  UMI Research Pr., Ann Arbor, Mich.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    ISBN: 0835714713
    RVK Categories: HT 5855
    Series: Studies in photography ; 2
    Subjects: Geschichte; Ästhetik; Illustration of books; Photography; American fiction; Frontispiece; Literature and photography; Roman; Illustration; Fotografie
    Other subjects: Coburn, Alvin Langdon; James, Henry (1843-1916); James, Henry (1843-1916); Coburn, Alvin Langdon (1882-1966); James, Henry (1843-1916); Coburn, Alvin Langdon (1882-1966)
    Scope: XV, 249 S., Ill.
    Notes:

    Teilw. zugl.: Diss., Univ. of Mexico, 1974
  8. Alvin Langdon Coburn
    Photographie zwischen Piktorialismus und Moderne
    Author: Hauswald, Cathrin
    Published: [2018]; © 2018
    Publisher:  transcript, Bielefeld

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: German
    Media type: Dissertation
    ISBN: 9783837641936; 3837641937
    Other identifier:
    9783837641936
    RVK Categories: AP 94850 ; AP 99030 ; AP 99083
    DDC Categories: 700
    Series: Image ; Band 128
    Subjects: Ästhetik; Fotografie
    Other subjects: Coburn, Alvin Langdon (1882-1966); Abstraktion; Moderne; Piktorialismus; Kunst; Kunstgeschichte des 19. Jahrhunderts; Kunstgeschichte des 20. Jahrhunderts; Kunstwissenschaft; Photography; Abstraction; Modernity; Art; Art History of the 19th Century; Art History of the 20th Century; Fine Arts
    Scope: 316 Seiten, 70 Illustrationen
    Notes:

    Dissertation, Universität Konstanz, 2017
  9. The vorticists
    manifesto for a modern world ; [... on the occasion of the Exhibition The Vorticists ... The Nasher Museum of Art at Duke University, Durham, North Carolina 30 September 2010 - 2 January 2011, Peggy Guggenheim Collection, Venice 29 January - 15 May 2011, Tate Britain, London 14 June - 4 September 2011]
    Contributor: Antliff, Mark (Hrsg.)
    Published: 2010
    Publisher:  Tate Publ., London

    The first exhibition in Italy dedicated to Vorticism, Britain's contribution to the visual avant-gardes that flourished in Europe at the beginning of the 20th century. Its distinctive figurative abstraction was a London-based Anglo-American response... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    The first exhibition in Italy dedicated to Vorticism, Britain's contribution to the visual avant-gardes that flourished in Europe at the beginning of the 20th century. Its distinctive figurative abstraction was a London-based Anglo-American response to Cubism and Futurism. Led by poet Ezra Pound and by artist and writer Wyndham Lewis Vorticism flared up between 1913 and 1918

     
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  10. Alvin Langdon Coburn
    Photographie zwischen Piktorialismus und Moderne
    Author: Hauswald, Cathrin
    Published: [2018]; © 2018
    Publisher:  transcript-Verlag, Bielefeld

    Alvin Langdon Coburn ist der erste Künstler, der 1916 von »abstrakter Photographie« schreibt und sie auch ästhetisch umsetzt. Und das, obwohl er selbst der piktorialistischen Strömung, der stimmungsvollen Kunstphotographie, angehört. Anhand von... more

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    Alice Salomon Hochschule Berlin, Bibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Universität Potsdam, Universitätsbibliothek
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    Alvin Langdon Coburn ist der erste Künstler, der 1916 von »abstrakter Photographie« schreibt und sie auch ästhetisch umsetzt. Und das, obwohl er selbst der piktorialistischen Strömung, der stimmungsvollen Kunstphotographie, angehört. Anhand von Coburns Wirken als zentrale Figur des epistemisch-ästhetischen Umbruchs in der Zeit der Jahrhundertwende verdeutlicht Cathrin Hauswald eindrucksvoll die Entwicklung der Photographie vom 19. Jahrhundert in die Moderne. Sie zeigt: Während Coburn die Beben des technologischen und photographischen Fortschritts aufzeichnet und gleichsam gestaltet, inszeniert sich der Kunstphotograph selbst als ambivalentes und geradezu antimodernes Element seines photographischen Schaffens, dessen Ziel stets die eigene Nobilitierung bleibt

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783839441930
    Other identifier:
    RVK Categories: AP 94850 ; AP 99030 ; AP 99083
    DDC Categories: 700
    Series: Image ; 128
    Subjects: Abstraction; Abstraktion; Art History of the 19th Century; Art History of the 20th Century; Art; Fine Arts; Kunst; Kunstgeschichte des 19. Jahrhunderts; Kunstgeschichte des 20. Jahrhunderts; Kunstwissenschaft; Moderne; Modernity; Piktorialismus; Fotografie; Ästhetik
    Other subjects: Coburn, Alvin Langdon (1882-1966)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jul 2018)

    Dissertation, Universität Konstanz, 2017
  11. The vorticists
    manifesto for a modern world ; [... on the occasion of the Exhibition The Vorticists ... The Nasher Museum of Art at Duke University, Durham, North Carolina 30 September 2010 - 2 January 2011, Peggy Guggenheim Collection, Venice 29 January - 15 May 2011, Tate Britain, London 14 June - 4 September 2011]
    Contributor: Antliff, Mark (Hrsg.)
    Published: 2010
    Publisher:  Tate Publ., London

    The first exhibition in Italy dedicated to Vorticism, Britain's contribution to the visual avant-gardes that flourished in Europe at the beginning of the 20th century. Its distinctive figurative abstraction was a London-based Anglo-American response... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2012:2935:
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Neue Nationalgalerie, Bibliothek
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    Kat. Ausst. Durham 2010
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    KGS-En 3,80
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    Universitätsbibliothek Heidelberg
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    2011 D 639
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    Staatliche Kunsthalle Karlsruhe, Bibliothek
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    A: Durha, 2010/01
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    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
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    C Dur4 2000
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    E 40/Eng-1
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    Städtische Kunsthalle, Kunstwissenschaftliche Bibliothek
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    Rml 21 Vort
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    Staatsgalerie Stuttgart, Bibliothek
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    X Durham 2010/11
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    The first exhibition in Italy dedicated to Vorticism, Britain's contribution to the visual avant-gardes that flourished in Europe at the beginning of the 20th century. Its distinctive figurative abstraction was a London-based Anglo-American response to Cubism and Futurism. Led by poet Ezra Pound and by artist and writer Wyndham Lewis Vorticism flared up between 1913 and 1918

     
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  12. The vorticists
    rebel artists in London and New York, 1914-1918 ; [... on the occasion of the Exhibition The Vorticists, ... The Nasher Museum of Art at Duke University, Durham, North Carolina 30 September 2010 - 2 January 2011, Peggy Guggenheim Collection, Venice 29 January - 15 May 2011, Tate Britain, London 14 June - 4 September 2011]
    Published: 2010
    Publisher:  Tate Publ., London

    The first exhibition in Italy dedicated to Vorticism, Britain's contribution to the visual avant-gardes that flourished in Europe at the beginning of the 20th century. Its distinctive figurative abstraction was a London-based Anglo-American response... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 158986
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    Unlimited inter-library loan, copies and loan

     

    The first exhibition in Italy dedicated to Vorticism, Britain's contribution to the visual avant-gardes that flourished in Europe at the beginning of the 20th century. Its distinctive figurative abstraction was a London-based Anglo-American response to Cubism and Futurism. Led by poet Ezra Pound and by artist and writer Wyndham Lewis Vorticism flared up between 1913 and 1918

     
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  13. Pictures and texts
    Henry James, A. L. Coburn, and new ways of seeing in literary culture
    Author: Bogardus, Ralph F.
    Published: c1984
    Publisher:  UMI Research Pr, Ann Arbor, Mich

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    R NuO
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    R NuO
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    AA M XIII 469
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0835714713
    Series: Studies in photography ; 2
    Subjects: Illustration of books; Photography; American fiction; Frontispiece; Literature and photography
    Other subjects: James, Henry; James, Henry; Coburn, Alvin Langdon
    Scope: XV, 249 S, Ill, 24 cm
    Notes:

    Revision of thesis--University of Mexico, 1974

    Bibliography: p. [239]-246

    Includes index