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The artist and the state, 1777 - 1855
the politics of universal history in British and French painting -
How do we look
the body, the divine, and the question of civilisation -
Exiled in modernity
Delacroix, civilization, and barbarism -
Brutal aesthetics
Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg -
Exiled in modernity
Delacroix, civilization, and barbarism -
Civilisation and nineteenth-century art
a European concept in global context -
<<The>> artist and the state, 1777 - 1855
the politics of universal history in British and French painting -
The artist and the state, 1777 - 1855
the politics of universal history in British and French painting -
Brutal aesthetics
Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg -
Brutal aesthetics
Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg -
How do we look
the body, the divine, and the question of civilisation -
Civilisation and nineteenth-century art
a European concept in global context -
Exiled in modernity
Delacroix, civilization, and barbarism -
Brutal aesthetics
Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg -
The artist and the state, 1777 - 1855
the politics of universal history in British & French painting -
Subjects barbarian, monstrous, and wild
encounters in the arts and contemporary politics -
Civilisation and nineteenth-century art
a European concept in a global context -
Exiled in modernity
Delacroix, civilization, and barbarism -
<<The>> artist and the state, 1777 - 1855
the politics of universal history in British and French painting -
Exiled in modernity
Delacroix, civilization, and barbarism -
The artist and the state, 1777 - 1855
the politics of universal history in British & French painting -
Civilisation and nineteenth-century art
a European concept in a global context -
Exiled in modernity
Delacroix, civilization, and barbarism -
Brutal aesthetics
Dubuffet, Bataille, Jorn, Paolozzi, Oldenburg -
Subjects barbarian, monstrous, and wild
encounters in the arts and contemporary politics