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  1. European civil war films
    memory, conflict, and nostalgia
    Published: 2016
    Publisher:  Routledge, New York ; London

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    FILM16/68
    Loan of volumes, no copies
    Universitäts- und Landesbibliothek Münster
    3K 62225
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138654167; 9780415523202
    Series: Routledge advances in film studies ; 18
    Subjects: Civil war in motion pictures; Collective memory; Historical films; Film; Bürgerkrieg <Motiv>
    Scope: 196 Seiten
  2. The American Civil War on film and TV
    blue and gray in black and white and color
    Contributor: Brode, Douglas (Publisher)
    Published: [2017]
    Publisher:  Lexington Books, Lanham ; Boulder ; New York ; London

    Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith's Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith's Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation, as well as serving as historical education for a century of Americans. The American Civil War on Film and TV: Blue and Gray in Black and White and Color bring together nineteen essays by a diverse array of scholars across the disciplines to explore these issues. The essays included here span a wide range of films, from the silent era to the present day, including Buster Keaton's The General (1926), Red Badge of Courage (1951), Glory (1989), Gettysburg (1993), and Cold Mountain (2003), as well as television mini-series The Blue and The Gray (1982) and John Jakes' acclaimed North and South trilogy (1985-86). As an accessible volume to dedicated to a critical conversation about the Civil War on film, The American Civil War on Film and TV will appeal to not only to scholars of film, military history, American history, and cultural history, but to fans of war films and period films, as well

     

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  3. European civil war films
    memory, conflict, and nostalgia
    Published: 2016
    Publisher:  Routledge, New York

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Unlimited inter-library loan, copies and loan
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138654167; 9780415523202
    Series: Routledge advances in film studies ; 18
    Subjects: Civil war in motion pictures; Collective memory; Historical films
    Scope: 196 Seiten
  4. European Civil War Films
    Memory, Conflict, and Nostalgia
    Published: 2012; ©2012
    Publisher:  Routledge, London

    This book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    No inter-library loan
    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
    eBook ProQuest
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
    eBook ProQuest
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    No inter-library loan
    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
    ProQuest
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
    E-Books ProQuest Academic
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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
    E-Book Proquest
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
    eBook ProQuest
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    EBS ProQuest
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    This book examines the ways in which late twentieth-century European cinema deals with the neglected subject of civil war. Exploring a range of films about the Spanish, Irish, former Yugoslavia, and Greek civil wars, this comparative and interdisciplinary study engages with contemporary debates in cultural memory and investigates the ways in which cinematic postmemory is problematic. Many of the films present an idealized past that glosses over the reality of these civil wars, at times producing a nostalgic discourse of loss and longing. Other films engage with the past in a melancholic fashion. These cinematic discourses articulate contemporary concerns, especially the loss of ideology and a utopian political horizon in the aftermath of the collapse of the Soviet bloc in 1989, a date that marks a significant break in European history and an accompanying paradigm shift in European cultural memory. Filmmakers examined include Trueba, Cuerda, Loach, Jordan, Kusturica, Dragojević, and Angelopoulos. Front Cover -- European Civil War Films -- Copyright Page -- Contents -- 1 Introduction -- 2 Collective and Cultural Memory and their Limitations: Postmemory and Cinematic Modes of Representations -- 3 The Spanish Civil War: Cinematic Postmemoriesm of the 'Last Great Cause' -- 4 Cinematic Representations of the Irish Civil War: Michael Collins and the Wind That Shakes The Barley -- 5 Cinematic Representations of the Former Yugoslavian Civil War: Underground and No Man's Land -- 6 Representation of the Greek Civil War in Theo Angelopoulos's: The Travelling PlayersThe Uses of Intertextuality -- 7 Conclusion -- Appendix I -- Notes -- Filmography -- Bibliography -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781136250651
    RVK Categories: AP 50300
    Edition: 1st ed.
    Series: Routledge Advances in Film Studies
    Subjects: Civil war in motion pictures; Collective memory; Historical films; Civil war in motion pictures; Collective memory ; Europe; Historical films ; Europe ; History and criticism; Electronic books
    Scope: 1 online resource (207 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Introduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War: Michael Collins and The wind that shakes the barley -- Cinematic representations of the former Yugoslavian civil war: Underground and No man's land -- Representation of the Greek Civil War in Theo Angelopoulos's The travelling players: the uses of intertextuality.

  5. The American Civil War on film and TV
    blue and gray in black and white and color
    Contributor: Brode, Douglas (Publisher)
    Published: [2017]
    Publisher:  Lexington Books, Lanham ; Boulder ; New York ; London

    Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith's Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan

     

    Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith's Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation, as well as serving as historical education for a century of Americans. The American Civil War on Film and TV: Blue and Gray in Black and White and Color bring together nineteen essays by a diverse array of scholars across the disciplines to explore these issues. The essays included here span a wide range of films, from the silent era to the present day, including Buster Keaton's The General (1926), Red Badge of Courage (1951), Glory (1989), Gettysburg (1993), and Cold Mountain (2003), as well as television mini-series The Blue and The Gray (1982) and John Jakes' acclaimed North and South trilogy (1985-86). As an accessible volume to dedicated to a critical conversation about the Civil War on film, The American Civil War on Film and TV will appeal to not only to scholars of film, military history, American history, and cultural history, but to fans of war films and period films, as well

     

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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Contributor: Brode, Douglas (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781498566889
    RVK Categories: AP 50300
    Subjects: Film; Sezessionskrieg <1861-1865, Motiv>; Fernsehsendung
    Other subjects: American Civil War (1861-1865); Civil war in motion pictures; United States / History / Civil War, 1861-1865; Civil war in motion pictures; United States; 1861-1865; History
    Scope: xxi, 271 Seiten
  6. European civil war films
    memory, conflict, and nostalgia
    Published: 2013
    Publisher:  Routledge, New York, NY [u.a.]

    Introduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War:... more

    Universitätsbibliothek Freiburg
    GE 2012/5219
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Mannheim
    500 AP 50300 K92 K86
    No inter-library loan
    Universitätsbibliothek Rostock
    NQ 1068 K86
    Unlimited inter-library loan, copies and loan

     

    Introduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War: Michael Collins and The wind that shakes the barley -- Cinematic representations of the former Yugoslavian civil war: Underground and No man's land -- Representation of the Greek Civil War in Theo Angelopoulos's The travelling players: the uses of intertextuality

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415523202; 0415523206
    RVK Categories: AP 50300 ; NQ 1068
    Edition: 1. publ.
    Series: Routledge advances in film studies ; 18
    Subjects: Civil war in motion pictures; Collective memory; Historical films
    Other subjects: Civil war in motion pictures; Array; Array
    Scope: 196 S., 24 cm
    Notes:

    Literaturverz. S. [175] - 183

    Includes bibliographical references (p. [175]-183), filmography (p. [173]-174) and index

    Introduction -- Collective and cultural memory and their limitations: postmemory and cinematic modes of representations -- The Spanish Civil War: cinematic postmemories of the "last great cause" -- Cinematic representations of the Irish Civil War: Michael Collins and The wind that shakes the barley -- Cinematic representations of the former Yugoslavian civil war: Underground and No man's land -- Representation of the Greek Civil War in Theo Angelopoulos's The travelling players: the uses of intertextuality.

  7. The American Civil War on film and TV
    blue and gray in black and white and color
    Contributor: Brode, Douglas (HerausgeberIn); Brode, Shea T. (HerausgeberIn); Miller, Cynthia J. (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Lexington Books, Lanham

    Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith's Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 25081
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Bremen
    03.d.5385
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Freiburg
    GE 2019/6438
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2019 A 11477
    Unlimited inter-library loan, copies and loan
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Unlimited inter-library loan, copies and loan

     

    Whether on the big screen or small, films featuring the American Civil War are among the most classic and controversial in motion picture history. From D. W. Griffith's Birth of a Nation (1915) to Free State of Jones (2016), the war has provided the setting, ideologies, and character archetypes for cinematic narratives of morality, race, gender, and nation, as well as serving as historical education for a century of Americans. The American Civil War on Film and TV: Blue and Gray in Black and White and Color bring together nineteen essays by a diverse array of scholars across the disciplines to explore these issues. The essays included here span a wide range of films, from the silent era to the present day, including Buster Keaton's The General (1926), Red Badge of Courage (1951), Glory (1989), Gettysburg (1993), and Cold Mountain (2003), as well as television mini-series The Blue and The Gray (1982) and John Jakes' acclaimed North and South trilogy (1985-86). As an accessible volume to dedicated to a critical conversation about the Civil War on film, The American Civil War on Film and TV will appeal to not only to scholars of film, military history, American history, and cultural history, but to fans of war films and period films, as well

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Brode, Douglas (HerausgeberIn); Brode, Shea T. (HerausgeberIn); Miller, Cynthia J. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781498566902; 1498566901; 9781498566889; 149856688X
    RVK Categories: AP 50300
    Subjects: War films; War television programs; Civil war in motion pictures; Civil war in motion pictures; American Civil War (1861-1865); United States; History; 1861-1865
    Scope: xxi, 271 Seiten