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Displaying results 1 to 5 of 5.

  1. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Author: Hartley, Lucy
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia ; New Delhi, India ; Singapore

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be... more

    Location:
    Universitätsbibliothek der RPTU in Landau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
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  2. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Author: Hartley, Lucy
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and... more

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and perils of self-interest: calculating the passions in Walter Pater's essays; 4. Figuring the individual in the collective: the 'art-politics' of Edward Poynter and William Morris; 5. The humanist interest old and new: John Addington Symonds and the nature of liberty "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
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  3. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Author: Hartley, Lucy
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia ; New Delhi, India ; Singapore

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be... more

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
    Export to reference management software   RIS file
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    Content information
  4. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Author: Hartley, Lucy
    Published: 2019
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY, USA ; Port Melbourne, VIC, Australia ; New Delhi, India ; Singapore

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be... more

    Location:
    Universitätsbibliothek der RPTU in Landau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
    Export to reference management software   RIS file
      BibTeX file
  5. Democratising beauty in nineteenth-century Britain
    art and the politics of public life
    Author: Hartley, Lucy
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Machine generated contents note: 1. 'Of universal or national interest': Charles Eastlake, the Fine Arts Commission, and the Reform of Taste; 2. Reconstituting publics for art: John Ruskin and the Appeal to Enlightened Interest; 3. The pleasures and perils of self-interest: calculating the passions in Walter Pater's essays; 4. Figuring the individual in the collective: the 'art-politics' of Edward Poynter and William Morris; 5. The humanist interest old and new: John Addington Symonds and the nature of liberty "Could the self-interested pursuit of beauty actually help to establish the moral and political norms that enable democratic society to flourish? In this book, Lucy Hartley identifies a new language for speaking about beauty, which begins to be articulated from the 1830s in a climate of political reform and becomes linked to emerging ideals of equality, liberty, and individuality. Examining British art and art writing by Charles Lock Eastlake, John Ruskin, Walter Pater, Edward Poynter, William Morris, and John Addington Symonds, Hartley traces a debate about what it means to be interested in beauty and whether this preoccupation is necessary to public political life. Drawing together political history, art history, and theories of society, and supplemented by numerous illustrations, Democratising Beauty in Nineteenth-Century Britain offers a fresh interdisciplinary understanding of the relation of art to its publics"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781107184084
    Other identifier:
    9781107184084
    RVK Categories: HL 1139
    Series: Cambridge studies in nineteenth-century literature and culture ; 106
    Subjects: Geschichte; Kunst; Öffentlichkeit; Ästhetik; Literatur; Kunstgeschichtsschreibung; Demokratisierung; Kunst
    Other subjects: Art / Historiography; Historiography / History / 19th century / Great Britain; Art and society / History / 19th century / Great Britain; Civil society / History / 19th century / Great Britain; LITERARY CRITICISM / European / English, Irish, Scottish, Welsh; Art and society; Art / Historiography; Civil society; Historiography; Intellectual life; Great Britain / Intellectual life / 19th century / Great Britain
    Scope: xii, 296 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index