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  1. Transpacific Attachments
    Sex Work, Media Networks, and Affective Histories of Chineseness
    Author: Wong, Lily
    Published: [2019]; © 2018
    Publisher:  Columbia University Press, New York, NY

    The figure of the Chinese sex worker-who provokes both disdain and desire-has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Universität Potsdam, Universitätsbibliothek
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    Gemeinsamer Bibliotheksverbund (GBV)

     

    The figure of the Chinese sex worker-who provokes both disdain and desire-has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their tales clarify the boundaries of citizenship, nationalism, and internationalism. In Transpacific Attachments, Lily Wong studies the mobility and mobilization of the sex worker figure through transpacific media networks, illuminating the intersectional politics of racial, sexual, and class structures.Transpacific Attachments examines shifting depictions of Chinese sex workers in popular media-from literature to film to new media-that have circulated within the United States, China, and Sinophone communities from the early twentieth century to the present. Wong explores Asian American writers' articulation of transnational belonging; early Hollywood's depiction of Chinese women as parasitic prostitutes and Chinese cinema's reframing the figure as a call for reform; Cold War-era use of prostitute and courtesan metaphors to question nationalist narratives and heteronormativity; and images of immigrant brides against the backdrop of neoliberalism and the flows of transnational capital. She focuses on the transpacific networks that reconfigure Chineseness, complicating a diasporic framework of cultural authenticity. While imaginations of a global community have long been mobilized through romantic, erotic, and gendered representations, Wong stresses the significant role sex work plays in the constant restructuring of social relations. "Chineseness," the figure of the sex worker shows, is an affective product as much as an ethnic or cultural signifier

     
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    Volltext (URL des Erstveröffentlichers)
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231544887
    Other identifier:
    Series: Global Chinese Culture
    Subjects: Chinese in literature; Chinese in motion pictures; Prostitutes in literature; Prostitutes in motion pictures; Prostituierte <Motiv>; Medien; Chinesin <Motiv>; Gruppenidentität
    Scope: 1 online resource, 30 b&w photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  2. The yellow peril
    Dr. Fu Manchu & the rise of Chinaphobia
    Author: Frayling, Christopher
    Published: 2014
    Publisher:  Thames & Hudson, London

    A hundred years ago, a character made his first appearance in the world of literature who was to enter the bloodstream of 20th-century popular culture: the evil genius called Dr Fu Manchu, described at the beginning of the first story in which he... more

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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    PB/700/739
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Bu 6343
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    A hundred years ago, a character made his first appearance in the world of literature who was to enter the bloodstream of 20th-century popular culture: the evil genius called Dr Fu Manchu, described at the beginning of the first story in which he appeared as the yellow peril incarnate in one man. Why did the idea that the Chinese were a threat to Western civilization develop at precisely the time when that country was in chaos, divided against itself, victim of successive famines and utterly incapable of being a peril to anyone even if it had wanted to be? Here, Sir Christopher Frayling assembles an astonishing diversity of evidence to show how deeply ingrained Chinaphobia became in the West so acutely relevant again in the new era of Chinese superpower. Along the way he talks to Edward Said, to the last Governor of Hong Kong, to Sax Rohmer's widow, to movie stars and a host of others; he journeys through the opium dens of the 19th century with Charles Dickens; takes us to the heart of popular culture in the music hall, pulp literature and the mass-market press; and shows how film amplifies our assumptions, demonstrating throughout how we neglect the history of popular culture at our own peril if we want to understand our deepest desires and fears The setting of the sun -- Sax and the single Chinaman -- Charles Dickens and Princess Puffer -- At the sign of the swinging cymbal -- 'A little amusement ...' -- 'The yellow peril incarnate in one man' -- 'The world shall hear from me again'

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780500252079
    RVK Categories: MS 3530 ; MS 7750
    Subjects: Chinese in motion pictures; Chinese in art; National characteristics, Chinese; Fu Manchu, Doctor (Fictitious character); Chinese in literature
    Other subjects: Rohmer, Sax (1883-1959)
    Scope: 360 S., Ill., 24 cm
  3. Memory, fluid identity, and the politics of remembering
    the representations of the Chinese Cultural Revolution in English-speaking countries = the representations of the Chinese Cultural Revolution in English-speaking countries
    Author: Li, Li
    Published: [2016]
    Publisher:  Brill, Leiden

    "The Chinese Cultural Revolution is the single most important internal social event in contemporary Chinese history. The plethora of historical, literary, and artistic representations inspired by this event are critical to our understanding of the... more

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2017 A 3629
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    "The Chinese Cultural Revolution is the single most important internal social event in contemporary Chinese history. The plethora of historical, literary, and artistic representations inspired by this event are critical to our understanding of the diversified, often contested, interpretations of contemporary China. Li Li's critical examination of autobiographic, filmic and fictional presentations in Memory, Fluid Identity, and the Politics of Remembering : The Representations of the Chinese Cultural Revolution in English-speaking Countries demonstrates that 'memory works' not only reflect memories of those who lived through that period, but memories about their past, and, more importantly, about their identity remapping and artistic negotiation in a cross-cultural environment"--Provided by publisher Introduction: Mnemonic practices and the products of historical trauma -- Ideologies, textualization, and consumption of Chinese Red Guard memoirs -- Alternative remembrances of the Cultural Revolution in Spider eaters and Six chapters of life at a cadre school -- The politics and pleasures of visualizing the sent-down youth in the global film market -- "Mirrors without memories" : history, remembering, and documentary truth -- In search of subjectivity : memory and inner narrative in Gao Xingjian's One man's Bible -- Sex, murder, and bodily transgression : the Cultural Revolution in translational mass literature -- Coda: The future of remembering the past

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004323544
    Series: Ideas, history, and modern China ; volume 15
    Subjects: Chinese in literature; Chinese in motion pictures; American literature; Motion pictures; American literature; Chinese; Chinese in literature; Chinese in motion pictures; HISTORY; Memory; Memory; Motion pictures; China; China; English-speaking countries
    Scope: x, 210 Seiten, 25 cm
    Notes:

    Includes bibliographical references (pages 189-201) and index
  4. The Chinese diaspora on American screens
    race, sex, and cinema
    Author: Marchetti, Gina
    Published: 2012
    Publisher:  Temple Univ. Press, Philadelphia, Pa.

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signature:
    40A8284
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781592135189; 9781592135202
    Subjects: Chinese in motion pictures; Race in motion pictures; Sex role in motion pictures; Motion pictures
    Other subjects: USA; Chinesen; Filmwirtschaft; Film; Chinesen <Motiv>; Ethnische Identität <Motiv>; Geschlechtsidentität <Motiv>; Geschlechterrolle <Motiv>; Geschichte 1995-2012
    Scope: XII, 242 S., Ill.
    Notes:

    Includes bibliographical references and index
  5. Transpacific Attachments
    Sex Work, Media Networks, and Affective Histories of Chineseness
    Author: Wong, Lily
    Published: [2019]; © 2018
    Publisher:  Columbia University Press, New York, NY

    The figure of the Chinese sex worker-who provokes both disdain and desire-has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    The figure of the Chinese sex worker-who provokes both disdain and desire-has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their tales clarify the boundaries of citizenship, nationalism, and internationalism. In Transpacific Attachments, Lily Wong studies the mobility and mobilization of the sex worker figure through transpacific media networks, illuminating the intersectional politics of racial, sexual, and class structures.Transpacific Attachments examines shifting depictions of Chinese sex workers in popular media-from literature to film to new media-that have circulated within the United States, China, and Sinophone communities from the early twentieth century to the present. Wong explores Asian American writers' articulation of transnational belonging; early Hollywood's depiction of Chinese women as parasitic prostitutes and Chinese cinema's reframing the figure as a call for reform; Cold War-era use of prostitute and courtesan metaphors to question nationalist narratives and heteronormativity; and images of immigrant brides against the backdrop of neoliberalism and the flows of transnational capital. She focuses on the transpacific networks that reconfigure Chineseness, complicating a diasporic framework of cultural authenticity. While imaginations of a global community have long been mobilized through romantic, erotic, and gendered representations, Wong stresses the significant role sex work plays in the constant restructuring of social relations. "Chineseness," the figure of the sex worker shows, is an affective product as much as an ethnic or cultural signifier

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231544887
    Other identifier:
    Series: Global Chinese Culture
    Subjects: Chinese in literature; Chinese in motion pictures; Prostitutes in literature; Prostitutes in motion pictures; Prostituierte <Motiv>; Medien; Chinesin <Motiv>; Gruppenidentität
    Scope: 1 online resource, 30 b&w photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jan 2019)
  6. Off-white
    yellowface and chinglish by Anglo-American culture
    Author: Ma, Sheng-mei
    Published: 2020
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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  7. The Cinematic representation of the Chinese American family
    Author: Han, Qilong
    Published: 2016
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Subjects: Chinese in motion pictures; Familie <Motiv>; Film; Chinesen <Motiv>
    Scope: viii, 284 Seiten
  8. Beyond sinology
    Chinese writing and the scripts of culture
    Author: Bachner, Andrea
    Published: 2014
    Publisher:  Columbia Univ. Press, New York, NY

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780231164528
    Series: Global Chinese culture
    Subjects: Chinese language / Writing / History; Chinese characters / History; Inscriptions, Chinese / History and criticism; Chinese in literature; Chinese in motion pictures; Mass media and language / China; Chinese in art; Art; Chinese; Chinese characters; Chinese language / Writing; Inscriptions, Chinese; Literature; Mass media and language; Motion pictures; Film; Geschichte; Kunst; Literatur; Chinesische Schrift; Kulturelle Identität
    Scope: xii, 282 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index

    Introduction: Script politics -- Corpographies: Death and the sinograph -- National calligraphies -- Iconographies: Poetics of visuality -- On (not) writing Chinese -- Sonographies: Muteness envy -- Sinographic glossolalia -- Allographies: Crypto-Chinese -- Graphic parasites -- Technographies: Radical design -- Under e(rasure) -- Conclusion: Beyond sinology
  9. Transpacific attachments
    sex work, media networks, and affective histories of chineseness
    Author: Wong, Lily
    Published: [2018]
    Publisher:  Columbia University Press, New York

    "Transpacific Attachments identifies the formation of a collective sense of Chinese identity through representations of the prostitute figure in popular media circulated among the U.S., China, and Sinophone communities from the early twentieth... more

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    "Transpacific Attachments identifies the formation of a collective sense of Chinese identity through representations of the prostitute figure in popular media circulated among the U.S., China, and Sinophone communities from the early twentieth century to the present day. Often portrayed as a "desired other," the Chinese prostitute figure has become a trope for both Asian American sexuality and Asian modernity. The book discusses, for instance, how early Hollywood's depiction of Chinese women as parasitic prostitutes, mobilized in part by the Page Act of 1875, reflect discourses of biological threat that justified the persecution of Chinese immigrants and the United States' expansion abroad. Distributed across the Pacific, this popular narrative which places Chinese prostitutes as stand-ins for a "diseased Chinese race" provoked the rise of a Chinese National Cinema that reframed the prostitute figure into a symbol for reform in the 1930s. The Chinese prostitute figure not only serves as the discursive surface on which Hollywood and the Chinese film industry negotiate competing ideologies, but she functions also as a medium through which affective intensities are motivated into collective action. By historicizing the ways the Chinese prostitute figure is remade through transpacific media networks...from literature to film to new media...Lily Wong shows how the figure both reflects and rallies feelings that form collective identities, such as "Chineseness," that are often overlooked under national, ethnic, linguistic-centered scopes"...

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780231183383
    Series: Global Chinese culture
    Subjects: Prostitutes in motion pictures; Prostitutes in literature; Chinese in motion pictures; Chinese in literature; National characteristics, Chinese; Chinesin <Motiv>; Prostituierte <Motiv>; Medien; Gruppenidentität
    Scope: xiv, 229 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  10. Memory, fluid identity, and the politics of remembering
    the representations of the Chinese cultural revolution in English speaking countries
    Author: Li, Li
    Published: [2016]
    Publisher:  Brill, Leiden ; Boston

    Location:
    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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  11. The Chinese diaspora on American screens
    race, sex, and cinema
    Author: Marchetti, Gina
    Published: 2012
    Publisher:  Temple Univ. Press, Philadelphia, Pa.

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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  12. China and the Chinese in popular film
    from Fu Manchu to Charlie Chan
    Author: Richards, Jeffrey
    Published: 2017
    Publisher:  I.B.Tauris, London, [England] ; New York

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786720641
    RVK Categories: AP 50300 ; AP 59484
    Series: Cinema and Society Series
    Subjects: Chinese in motion pictures; Motion pictures; Chinabild; Film; China <Motiv>
    Scope: 1 online resource (192 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (Ebrary, viewed January 10, 2017)
  13. Memory, fluid identity, and the politics of remembering
    the representations of the Chinese Cultural Revolution in English-speaking countries
    Author: Li, Li
    Published: 2016
    Publisher:  Brill, Leiden, Netherlands ; Boston, [Massachusetts]

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004323551
    RVK Categories: AP 50300
    Series: Ideas, History, and Modern China ; Volume 15
    Subjects: Chinese; Memory; Memory; Chinese in literature; Chinese in motion pictures; Kulturrevolution <China, Motiv>; Film; Englisch; Literatur
    Scope: 1 Online-Ressource (220 pages)
    Notes:

    Description based on print version record
  14. China and the Chinese in Popular Film
    From Fu Manchu to Charlie Chan
    Author: Richards, Jeffrey
    Published: 2017
    Publisher:  I. B. Tauris & Company, London ; ProQuest, Ann Arbor, Michigan

    Location:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781786720641
    RVK Categories: AP 59484
    Edition: 1st ed.
    Series: Cinema and Society Ser.
    Subjects: Film; Chinabild; China <Motiv>; Chinese in motion pictures
    Scope: 1 Online-Ressource (259 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  15. The Chinese diaspora on American screens
    race, sex, and cinema
    Author: Marchetti, Gina
    Published: 2012
    Publisher:  Temple Univ. Press, Philadelphia, Pa.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781592135189; 9781592135202
    RVK Categories: AP 59484
    Subjects: Film; Geschichte; Chinese in motion pictures; Race in motion pictures; Sex role in motion pictures; Motion pictures; Ethnische Identität <Motiv>; Geschlechtsidentität <Motiv>; Film; Geschlechterrolle <Motiv>; Chinesen; Filmwirtschaft; Chinesen <Motiv>
    Scope: XII, 242 S., Ill.
    Notes:

    Includes bibliographical references and index
  16. Off-white
    yellowface and Chinglish by Anglo-American culture
    Author: Ma, Sheng-mei
    Published: 2020
    Publisher:  Bloomsbury Academic, New York ; London ; Oxford ; New Delhi ; Sydney

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  17. Memory, fluid identity, and the politics of remembering
    the representations of the Chinese Cultural Revolution in English-speaking countries = the representations of the Chinese Cultural Revolution in English-speaking countries
    Author: Li, Li
    Published: [2016]
    Publisher:  Brill, Leiden

    "The Chinese Cultural Revolution is the single most important internal social event in contemporary Chinese history. The plethora of historical, literary, and artistic representations inspired by this event are critical to our understanding of the... more

    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2017 A 3629
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    3: d57 l1
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    Location:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
    Signature:
    DS778.7.L511545 2016
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    Asien-Orient-Institut, Abteilung für Koreanistik und Abteilung für Sinologie, Bibliothek
    Signature:
    Ig 5.8.2.42
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    No loan of volumes, only paper copies will be sent

     

    "The Chinese Cultural Revolution is the single most important internal social event in contemporary Chinese history. The plethora of historical, literary, and artistic representations inspired by this event are critical to our understanding of the diversified, often contested, interpretations of contemporary China. Li Li's critical examination of autobiographic, filmic and fictional presentations in Memory, Fluid Identity, and the Politics of Remembering : The Representations of the Chinese Cultural Revolution in English-speaking Countries demonstrates that 'memory works' not only reflect memories of those who lived through that period, but memories about their past, and, more importantly, about their identity remapping and artistic negotiation in a cross-cultural environment"--Provided by publisher Introduction: Mnemonic practices and the products of historical trauma -- Ideologies, textualization, and consumption of Chinese Red Guard memoirs -- Alternative remembrances of the Cultural Revolution in Spider eaters and Six chapters of life at a cadre school -- The politics and pleasures of visualizing the sent-down youth in the global film market -- "Mirrors without memories" : history, remembering, and documentary truth -- In search of subjectivity : memory and inner narrative in Gao Xingjian's One man's Bible -- Sex, murder, and bodily transgression : the Cultural Revolution in translational mass literature -- Coda: The future of remembering the past

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004323544; 9004323546
    RVK Categories: MH 50086 ; NK 3400
    Series: Ideas, history, and modern China ; volume 15
    Subjects: Chinese in literature; Chinese in motion pictures; American literature; Motion pictures; Chinese; Memory; Memory; Chinese in literature; Chinese in motion pictures; American literature; Motion pictures; HISTORY / Asia / China; American literature; Chinese; Chinese in literature; Chinese in motion pictures; HISTORY; Memory; Memory; Motion pictures; China; China; English-speaking countries
    Scope: x, 210 Seiten, 25 cm
    Notes:

    Includes bibliographical references (pages 189-201) and index
  18. Transpacific attachments
    sex work, media networks, and affective histories of Chineseness
    Author: Wong, Lily
    Published: 2019
    Publisher:  Columbia University Press, New York

    The figure of the Chinese sex worker-who provokes both disdain and desire-has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their... more

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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zentrale Hochschulbibliothek Flensburg
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Universitätsbibliothek Greifswald
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    The figure of the Chinese sex worker-who provokes both disdain and desire-has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their tales clarify the boundaries of citizenship, nationalism, and internationalism. In Transpacific Attachments, Lily Wong studies the mobility and mobilization of the sex worker figure through transpacific media networks, illuminating the intersectional politics of racial, sexual, and class structures.Transpacific Attachments examines shifting depictions of Chinese sex workers in popular media-from literature to film to new media-that have circulated within the United States, China, and Sinophone communities from the early twentieth century to the present. Wong explores Asian American writers' articulation of transnational belonging; early Hollywood's depiction of Chinese women as parasitic prostitutes and Chinese cinema's reframing the figure as a call for reform; Cold War-era use of prostitute and courtesan metaphors to question nationalist narratives and heteronormativity; and images of immigrant brides against the backdrop of neoliberalism and the flows of transnational capital. She focuses on the transpacific networks that reconfigure Chineseness, complicating a diasporic framework of cultural authenticity. While imaginations of a global community have long been mobilized through romantic, erotic, and gendered representations, Wong stresses the significant role sex work plays in the constant restructuring of social relations. "Chineseness," the figure of the sex worker shows, is an affective product as much as an ethnic or cultural signifier.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231544887
    Other identifier:
    Series: Global Chinese culture
    Subjects: Prostitutes in literature; Chinese in motion pictures; Chinese in literature; Prostitutes in motion pictures; National characteristics, Chinese; Chinese in literature.; Chinese in motion pictures.; Prostitutes in literature.; Prostitutes in motion pictures.; LITERARY CRITICISM / Asian / Chinese
    Scope: 1 Online-Ressource (xiv, 229 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  19. Hollywood Chinese
    the Chinese in American feature films
    Author: Dong, Arthur
    Published: [2019]
    Publisher:  Angel City Press, [Los Angeles]

    "Hollywood Chinese presents a lavish, highly illustrated look at Asian Americans in Hollywood films, beginnign with some of the earliest movies shot in America's Chinatowns, followed by a deep dive into Chinese representation - and misrepresentation... more

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    "Hollywood Chinese presents a lavish, highly illustrated look at Asian Americans in Hollywood films, beginnign with some of the earliest movies shot in America's Chinatowns, followed by a deep dive into Chinese representation - and misrepresentation - in Hollywood's Golden Era, and ending with the remarkable Chinese and Chinese American actors, directors, and screenwriters remaking the contempoarary cinematic landscape." -- Back cover

     
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    Source: Union catalogues
    Contributor: Haberkamp, Randy (VerfasserIn eines Vorworts); Yang, Janet (VerfasserIn eines Nachworts)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781626400610; 162640061X
    Subjects: Chinese in motion pictures; Asian Americans in motion pictures; Asian Americans in the motion picture industry; Stereotypes (Social psychology) in motion pictures; Motion pictures; Asian Americans in motion pictures; Asian Americans in the motion picture industry; Chinese in motion pictures; Motion pictures; Stereotypes (Social psychology) in motion pictures; United States; History
    Scope: 304 Seiten, 31 cm
    Notes:

    "An illustrated companion and expansion of Arthur Dong's documentary film, Hollywood Chinese (DeepFocus Productions, 2007)" --Title page verso

    Includes bibliographical references (pages 298-299) and index
  20. Memory, Fluid Identity, and the Politics of Remembering
    The Representations of the Chinese Cultural Revolution in English-speaking Countries
    Author: Li, Li
    Published: 2016
    Publisher:  BRILL, Leiden

    Intro -- Contents -- Acknowledgments -- Introduction: Mnemonic Practices and the Products of Historical Trauma -- Changing Concepts of Memory: Setting the Analytical Parameters -- Contested Memories of the Cultural Revolution: A Historica... more

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    Intro -- Contents -- Acknowledgments -- Introduction: Mnemonic Practices and the Products of Historical Trauma -- Changing Concepts of Memory: Setting the Analytical Parameters -- Contested Memories of the Cultural Revolution: A Historica lPerspective -- Working with Memory: A Survey of Existing Representations -- Thesis and Chapter Overview -- Chapter 1 Ideologies, Textualization, and Consumption of Chinese Red Guard Memoirs -- The Autobiographical Act and the Narrated Identity -- The Problematic Creation of Trueness -- Ambivalence in Narrating Authorial Morality -- Manufacturing Red Guard Memoirs in the English-language Book Market -- Chapter 2 Alternative Remembrances of the Cultural Revolution in Spider Eaters and Six Chapters of Life at a Cadre School -- Multiple Voices, Split Personality, and Unreliable Memory in Spider Eaters -- Remembering Between the Extreme and the Everyday in Six Chapters of Life at a Cadre School -- Chapter 3 The Politics and Pleasures of Visualizing the Sent-down Youth in the Global Film Market -- Illusion, Symbolism, and the Problem of "Translation" in King of the Children -- Body, Perverse Spectator, and the Making of Victimhood in Xiu Xiu: The Sent-Down Girl -- Ethnographic Gaze, Adolescent Fantasy, and the Paradox of Modernity in Balzac and the Little Chinese Seamstress -- Chapter 4 "Mirrors without Memories": History, Remembering, and Documentary Truth -- Though I Was Gone: How Should an Atrocity Be Documented? -- Morning Sun: Performing History -- Chapter 5 In Search of Subjectivity: Memory and Inner Narrative in Gao Xingjian's One Man's Bible -- Personal Memory, Self-imposed Exile, and Individual Voices -- Shifting Pronouns, Split Self, and Mobile Subjectivity -- Corporeal Memory, Intimacy, and Private Space.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004323551
    Series: Ideas, history, and modern China ; 15
    Subjects: China ; History ; Cultural Revolution, 1966-1976 ; Influence; Electronic books; Memory ; Political aspects ; English-speaking countries; Chinese in literature; Chinese in motion pictures; Chinese ; English-speaking countries ; Ethnic identity; Memory ; Social aspects ; English-speaking countries
    Scope: 1 online resource (220 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  21. Chinese identities on screen
    Author: Mühlhahn, Klaus; Haselberg, Clemens von
    Published: 2012
    Publisher:  Lit, Berlin

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    Universitätsbibliothek Freiburg
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    GE 2018/67
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    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
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    AP95.C6 B47
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783643902702; 3643902700
    Other identifier:
    9783643902702
    Series: Array ; no. 40
    Subjects: Motion pictures; Chinese in motion pictures; National characteristics, Chinese; Cultural identity; Films; Cinema; Television
    Scope: 158 S., Ill.
  22. The yellow peril
    Dr. Fu Manchu & the rise of Chinaphobia
    Author: Frayling, Christopher
    Published: 2014
    Publisher:  Thames & Hudson, London

    A hundred years ago, a character made his first appearance in the world of literature who was to enter the bloodstream of 20th-century popular culture: the evil genius called Dr Fu Manchu, described at the beginning of the first story in which he... more

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    A hundred years ago, a character made his first appearance in the world of literature who was to enter the bloodstream of 20th-century popular culture: the evil genius called Dr Fu Manchu, described at the beginning of the first story in which he appeared as the yellow peril incarnate in one man. Why did the idea that the Chinese were a threat to Western civilization develop at precisely the time when that country was in chaos, divided against itself, victim of successive famines and utterly incapable of being a peril to anyone even if it had wanted to be? Here, Sir Christopher Frayling assembles an astonishing diversity of evidence to show how deeply ingrained Chinaphobia became in the West so acutely relevant again in the new era of Chinese superpower. Along the way he talks to Edward Said, to the last Governor of Hong Kong, to Sax Rohmer's widow, to movie stars and a host of others; he journeys through the opium dens of the 19th century with Charles Dickens; takes us to the heart of popular culture in the music hall, pulp literature and the mass-market press; and shows how film amplifies our assumptions, demonstrating throughout how we neglect the history of popular culture at our own peril if we want to understand our deepest desires and fears The setting of the sun -- Sax and the single Chinaman -- Charles Dickens and Princess Puffer -- At the sign of the swinging cymbal -- 'A little amusement ...' -- 'The yellow peril incarnate in one man' -- 'The world shall hear from me again'

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780500252079
    RVK Categories: MS 3530 ; MS 7750
    Subjects: Chinese in motion pictures; Chinese in art; National characteristics, Chinese; Fu Manchu, Doctor (Fictitious character); Chinese in literature
    Other subjects: Rohmer, Sax (1883-1959)
    Scope: 360 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index
  23. Transpacific attachments
    sex work, media networks, and affective histories of Chineseness
    Author: Wong, Lily
    Published: [2018]; © 2018
    Publisher:  Columbia University Press, New York

    "Transpacific Attachments identifies the formation of a collective sense of Chinese identity through representations of the prostitute figure in popular media circulated among the U.S., China, and Sinophone communities from the early twentieth... more

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    "Transpacific Attachments identifies the formation of a collective sense of Chinese identity through representations of the prostitute figure in popular media circulated among the U.S., China, and Sinophone communities from the early twentieth century to the present day. Often portrayed as a "desired other," the Chinese prostitute figure has become a trope for both Asian American sexuality and Asian modernity. The book discusses, for instance, how early Hollywood's depiction of Chinese women as parasitic prostitutes, mobilized in part by the Page Act of 1875, reflect discourses of biological threat that justified the persecution of Chinese immigrants and the United States' expansion abroad. Distributed across the Pacific, this popular narrative which places Chinese prostitutes as stand-ins for a "diseased Chinese race" provoked the rise of a Chinese National Cinema that reframed the prostitute figure into a symbol for reform in the 1930s. The Chinese prostitute figure not only serves as the discursive surface on which Hollywood and the Chinese film industry negotiate competing ideologies, but she functions also as a medium through which affective intensities are motivated into collective action. By historicizing the ways the Chinese prostitute figure is remade through transpacific media networks--from literature to film to new media--Lily Wong shows how the figure both reflects and rallies feelings that form collective identities, such as "Chineseness," that are often overlooked under national, ethnic, linguistic-centered scopes"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231183383
    Series: Global Chinese culture
    Subjects: Prostitutes in motion pictures; Prostitutes in literature; Chinese in motion pictures; Chinese in literature; National characteristics, Chinese
    Scope: xiv, 229 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 199-215

    Introduction: sex work, media networks, and transpacific histories of affect -- Part I: Pacific crossings in the early twentieth-century -- Desiring across the Pacific: transnational contact in early Twentieth century Asian/American literature -- Over my dead body: melodramatic crossings of Anna May Wong and Ruan Lingyu -- Part II: Sinophonic liaisons during the Cold War -- Erotic liaisons: Sinophonic queering of the Shaw Brothers' Chinese dream -- Offense to the ear: hearing the sinophonic in Wang Zhenhe's Rose, Rose, I love you -- Part III: Dwelling desires and the neoliberal order -- Dwelling: affective labor and reordered kinships in The fourth portrait and Seeking Asian female -- Coda: what dwells
  24. Transpacific attachments
    sex work, media networks, and affective histories of Chineseness
    Author: Wong, Lily
    Published: 2019
    Publisher:  Columbia University Press, New York

    The figure of the Chinese sex worker-who provokes both disdain and desire-has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their... more

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    The figure of the Chinese sex worker-who provokes both disdain and desire-has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their tales clarify the boundaries of citizenship, nationalism, and internationalism. In Transpacific Attachments, Lily Wong studies the mobility and mobilization of the sex worker figure through transpacific media networks, illuminating the intersectional politics of racial, sexual, and class structures.Transpacific Attachments examines shifting depictions of Chinese sex workers in popular media-from literature to film to new media-that have circulated within the United States, China, and Sinophone communities from the early twentieth century to the present. Wong explores Asian American writers' articulation of transnational belonging; early Hollywood's depiction of Chinese women as parasitic prostitutes and Chinese cinema's reframing the figure as a call for reform; Cold War-era use of prostitute and courtesan metaphors to question nationalist narratives and heteronormativity; and images of immigrant brides against the backdrop of neoliberalism and the flows of transnational capital. She focuses on the transpacific networks that reconfigure Chineseness, complicating a diasporic framework of cultural authenticity. While imaginations of a global community have long been mobilized through romantic, erotic, and gendered representations, Wong stresses the significant role sex work plays in the constant restructuring of social relations. "Chineseness," the figure of the sex worker shows, is an affective product as much as an ethnic or cultural signifier.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231544887
    Other identifier:
    Series: Global Chinese culture
    Subjects: Prostitutes in literature; Chinese in motion pictures; Chinese in literature; Prostitutes in motion pictures; National characteristics, Chinese; Chinese in literature.; Chinese in motion pictures.; Prostitutes in literature.; Prostitutes in motion pictures.; LITERARY CRITICISM / Asian / Chinese
    Scope: 1 Online-Ressource (xiv, 229 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  25. The Chinese diaspora on American screens
    race, sex, and cinema
    Author: Marchetti, Gina
    Published: 2012
    Publisher:  Temple Univ. Press, Philadelphia, Pa.

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 855882
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    a tea 876.6/651
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2015 A 3102
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781592135189; 9781592135202
    RVK Categories: AP 59484
    Subjects: Chinese in motion pictures; Race in motion pictures; Sex role in motion pictures; Motion pictures; USA; Chinesen; Filmwirtschaft; Film; Chinesen; Ethnische Identität; Geschlechtsidentität; Geschlechterrolle; Geschichte 1995-2012; Chinesen <Motiv>; USA; Film; Chinesen; Ethnische Identität <Motiv>; Film; USA
    Scope: XII, 242 S., Ill.
    Notes:

    Includes bibliographical references (p. [227]-238) and index

    Introduction: race, sex, and the Chinese diaspora in American film -- In the black Pacific. Jackie Chan's black connections -- Interview: Jeff Yang -- Interracial romance in action: Romeo must die -- Black in the Chinese diaspora: double-consciousness in Yvonne Welbon's Remembering Wei Yi-Fang, remembering myself -- Interview: Yvonne Welbon -- Sexuality, gender and generation in diaspora. Queering the patriarchy: The wedding banquet, Toc storee, and Dirty laundry -- Interview: Richard Fung -- Guests at the wedding banquet: The Joy Luck Club, Double happiness, Siao Yu and Shopping for fangs -- Interview: Wayne Wang -- In pursuit of video hapa-ness: Banana split and Kip Fulbeck's Boyhood among ghosts -- Interview: Kip Fulbeck -- Conclusion: screening the Chinese diaspora in the new millennium.