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Displaying results 1 to 25 of 31.

  1. Blameth nat me
    A study of imagery in Chaucer's fabliaux
    Author: Richardson, Janette
    Published: 1970
    Publisher:  Mouton, The Hague

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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  2. Chaucer's drama of style
    poetic variety and contrast in the Canterbury Tales
    Author: Benson, Carl David
    Published: 1986
    Publisher:  Univ. of North Carolina Press, Chapel Hill [u.a.]

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  3. Chaucerian play
    comedy and control in the Canterbury tales
    Author: Kendrick, Laura
    Published: 1988
    Publisher:  Univ. of California Press, Berkeley u.a.

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  4. The literary imagination
    studies in Dante, Chaucer, and Shakespeare
    Author: Traversi, Derek
    Published: 1982
    Publisher:  Univ. of Delaware Pr. u.a., Newark u.a.

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  5. Chaucerian belief
    the poetics of reverence and delight
    Author: Hill, John Michael
    Published: 1991
    Publisher:  Yale Univ. Press, New Haven u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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  6. Chaucer's Dante
    allegory and epic theater in The Canterbury tales
    Author: Neuse, Richard
    Published: 1991
    Publisher:  Univ. of California Press, Berkeley, Calif. u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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  7. The age of Saturn
    literature and history in the Canterbury tales
    Author: Brown, Peter; Butcher, Andrew
    Published: 1991
    Publisher:  Blackwell, Oxford [u.a.]

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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  8. Chaucer and his English contemporaries
    prologue and tale in The Canterbury tales
    Author: Davenport, William A.
    Published: 1998
    Publisher:  St. Martin's Press, New York, N.Y.

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    Universitätsbibliothek Regensburg
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  9. Blameth nat me
    A study of imagery in Chaucer's fabliaux
    Author: Richardson, Janette
    Published: 1970
    Publisher:  Mouton, The Hague

    Location:
    Universitätsbibliothek der LMU München
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  10. The Canterbury tales
    Author: Cooper, Helen
    Published: 1989
    Publisher:  Clarendon Press, Oxford

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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  11. Blameth nat me
    a study of imagery in Chaucer's fabliaux
    Author: Richardson, Janette
    Published: 1970
    Publisher:  Mouton, The Hague [u.a.]

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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  12. The comic tales of Chaucer
    Author: Craik, Thomas Wallace
    Published: 1964
    Publisher:  Methuen, London

    Location:
    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: HH 5083
    Subjects: Chaucer, Geoffrey;
    Other subjects: Chaucer, Geoffrey <ca 1340-1400> / Canterbury tales; Chaucer, Geoffrey <d. 1400>: Canterbury tales; Chaucer, Geoffrey (1343-1400): The Canterbury tales
    Scope: XV,156 S.
  13. Geoffrey Chaucer
    building the fragments of the "Canterbury tales"
    Author: Mandel, Jerome
    Published: 1992
    Publisher:  Fairleigh Dickinson Univ. Press [u.a.], Rutherford [u.a.]

    As he examines the seven multitale fragments of the Canterbury Tales, Jerome Mandel reveals Chaucer's working concepts of artistic arrangement. Each chapter focuses upon the principles underlying Chaucer's construction of the fragments and shows how... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    As he examines the seven multitale fragments of the Canterbury Tales, Jerome Mandel reveals Chaucer's working concepts of artistic arrangement. Each chapter focuses upon the principles underlying Chaucer's construction of the fragments and shows how carefully Chaucer integrated all the parts into an artistic whole. In building the fragments, Chaucer adhered to principles of order that he invented, defined for himself, or discovered among the writers that he read. Chaucer never finished the Canterbury Tales. Knowing which stories he had at hand and realizing which stories he had yet to write, he began the process of arranging the tales sometime between 1387 and his death in 1400. He designed the order in which he wanted some of the tales to be read, wrote prologues and links, and manipulated the structure, themes, and characters of those tales he designated for each individual fragment The same artistic techniques of contrast, cross-referencing, and leitmotif which unify the individual tales, he used to unify the multitale fragments and to ensure the coherence of the whole project. Even when they do not share the same tone, point of view, narrator, or genre, the tales within each fragment belong together because they share the same themes and types of characters and, perhaps most indicative of Chaucer's ideas of order, they share the same structure. These parallels, which pervade every fragment of the Canterbury Tales, insist that certain tales, and no others, be joined to form a coherent aesthetic unit. Therefore, each fragment, regardless of its intended position in a overall scheme which Chaucer never completed, is a coherent work of art. By examining the methods Chaucer used to link the tales into clearly defined and coherent fragments, Professor Mandel shows how Chaucer designed and built the tales to fit together with mutual coherence In the process, his book enlarges our awareness of Chaucer's creative richness by uncovering all manner of previously unnoticed excellences in one of the more neglected areas of Chaucer's art in the Canterbury Tales. This book is full of pleasant surprises. Not only do we discover the principles that governed Chaucer's choices but we discover that the tales Chaucer linked, especially in the two-tale fragments, are more like each other than they are like any other tale in the collection. Learned and original, the book provides exciting insights into the way Chaucer constructed the individual fragments of the Canterbury Tales and thus improves our understanding of the craft that Chaucer found "so long to lerne.

     
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  14. The literary imignation
    studies in Dante, Chaucer, and Shakespeare
    Author: Traversi, Derek
    Published: 1982
    Publisher:  Univ. of Delaware Pr. u.a., Newark u.a.

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  15. The idea of the Canterbury tales
    Author: Howard, Donald Roy
    Published: 1976
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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  16. The comic tales of Chaucer
    Author: Craik, Thomas Wallace
    Published: 1964
    Publisher:  Methuen, London

    Location:
    Universitätsbibliothek Augsburg
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    Location:
    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: HH 5082 ; HH 5083
    Edition: Repr.
    Subjects: Chaucer, Geoffrey;
    Other subjects: Chaucer, Geoffrey <ca 1340-1400> / Canterbury tales; Chaucer, Geoffrey <d. 1400>: Canterbury tales; Chaucer, Geoffrey (1343-1400): The Canterbury tales
    Scope: XV, 156 S.
  17. The Canterbury tales
    a reading
    Author: Traversi, Derek
    Published: 1983
    Publisher:  Bodley Head, London u.a.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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  18. Dante, Chaucer, and the currency of the word
    money, images, and reference in late medieval poetry
    Author: Shoaf, R. A.
    Published: 1983
    Publisher:  Pilgrim Books, Norman, Okla.

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Passau
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  19. Chaucer's Dante
    allegory and epic theater in The Canterbury tales
    Author: Neuse, Richard
    Published: 1991
    Publisher:  Univ. of California Press, Berkeley [u.a.]

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
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  20. Chaucerian play
    comedy and control in the Canterbury tales
    Author: Kendrick, Laura
    Published: 1988
    Publisher:  Univ. of California Press, Berkeley u.a.

    Location:
    Universitätsbibliothek Bamberg
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  21. Approaches to teaching Chaucer's Canterbury tales
    Published: 1980
    Publisher:  Modern Language Assoc. of America, New York, NY

    Location:
    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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  22. The literary imagination
    studies in Dante, Chaucer, and Shakespeare
    Author: Traversi, Derek
    Published: 1982
    Publisher:  Univ. of Delaware Pr. u.a., Newark u.a.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan
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  23. Chaucer's drama of style
    poetic variety and contrast in the Canterbury Tales
    Author: Benson, Carl David
    Published: 1986
    Publisher:  Univ. of North Carolina Press, Chapel Hill [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TU Berlin, Universitätsbibliothek
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  24. Geoffrey Chaucer
    building the fragments of the "Canterbury tales"
    Author: Mandel, Jerome
    Published: 1992
    Publisher:  Fairleigh Dickinson Univ. Press [u.a.], Rutherford [u.a.]

    As he examines the seven multitale fragments of the Canterbury Tales, Jerome Mandel reveals Chaucer's working concepts of artistic arrangement. Each chapter focuses upon the principles underlying Chaucer's construction of the fragments and shows how... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    As he examines the seven multitale fragments of the Canterbury Tales, Jerome Mandel reveals Chaucer's working concepts of artistic arrangement. Each chapter focuses upon the principles underlying Chaucer's construction of the fragments and shows how carefully Chaucer integrated all the parts into an artistic whole. In building the fragments, Chaucer adhered to principles of order that he invented, defined for himself, or discovered among the writers that he read. Chaucer never finished the Canterbury Tales. Knowing which stories he had at hand and realizing which stories he had yet to write, he began the process of arranging the tales sometime between 1387 and his death in 1400. He designed the order in which he wanted some of the tales to be read, wrote prologues and links, and manipulated the structure, themes, and characters of those tales he designated for each individual fragment The same artistic techniques of contrast, cross-referencing, and leitmotif which unify the individual tales, he used to unify the multitale fragments and to ensure the coherence of the whole project. Even when they do not share the same tone, point of view, narrator, or genre, the tales within each fragment belong together because they share the same themes and types of characters and, perhaps most indicative of Chaucer's ideas of order, they share the same structure. These parallels, which pervade every fragment of the Canterbury Tales, insist that certain tales, and no others, be joined to form a coherent aesthetic unit. Therefore, each fragment, regardless of its intended position in a overall scheme which Chaucer never completed, is a coherent work of art. By examining the methods Chaucer used to link the tales into clearly defined and coherent fragments, Professor Mandel shows how Chaucer designed and built the tales to fit together with mutual coherence In the process, his book enlarges our awareness of Chaucer's creative richness by uncovering all manner of previously unnoticed excellences in one of the more neglected areas of Chaucer's art in the Canterbury Tales. This book is full of pleasant surprises. Not only do we discover the principles that governed Chaucer's choices but we discover that the tales Chaucer linked, especially in the two-tale fragments, are more like each other than they are like any other tale in the collection. Learned and original, the book provides exciting insights into the way Chaucer constructed the individual fragments of the Canterbury Tales and thus improves our understanding of the craft that Chaucer found "so long to lerne.

     
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  25. The idea of the Canterbury tales
    Author: Howard, Donald Roy
    Published: 1976
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file