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  1. The theatre of Shelley
    Published: 2010
    Publisher:  Open Book Publishers, Cambridge

    "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his 'closet dramas' as performable pieces of theatre. With... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his 'closet dramas' as performable pieces of theatre. With chapters on each of Shelley's dramatic works, the book provides a thorough discussion of the poet's stagecraft, and analyses performances of his plays from the Georgian period to today. In addition, Mulhallen offers details of the productions Shelley saw in England and Italy, many not identified before, as well as a vivid account of the actors and personalities that constituted the theatrical scene of his time. Her research reveals Shelley as an extraordinarily talented playwright, whose fascination with contemporary theatrical theory and practice seriously challenges the notion that he was a reluctant dramatist"--Page 4 of cover The Theatrical Context -- the Georgian Theatre in England --Shelley's Theatregoing, Playreading and Criticism --Practical Technique -- The Cenci --Turning History into Art -- Charles the First --Ideal Drama -- Prometheus Unbound --Drama for a Purpose -- Hellas & Fragments of an Unfinished Drama --Satirical Comedy -- Swellfoot the Tyrant --Appendices --List of Performances Seenby Shelley --The Programme of Songs with the Performance of Douglas.

     

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  2. The theatre of Shelley
    Published: 2010
    Publisher:  Open Book Publishers, Cambridge

    "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his "closet dramas" as performable pieces of theatre. With... more

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    "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his "closet dramas" as performable pieces of theatre. With chapters on each of Shelley's dramatic works, the book provides a thorough discussion of the poet's stagecraft, and analyses performances of his plays from the Georgian period to today. In addition, Mulhallen offers details of the productions Shelley saw in England and Italy, many not identified before, as well as a vivid account of the actors and personalities that constituted the theatrical scene of his time. Her research reveals Shelley as an extraordinarily talented playwright, whose fascination with contemporary theatrical theory and practice seriously challenges the notion that he was a reluctant dramatist. Prof. Stephen Behrendt (Nebraska) has described the book as "wonderfully convincing" and "something wholly new in Shelley studies", while Prof. Tim Webb (Bristol) describes Mulhallen as having a "more precisely developed sense of the theatrical possibilities of Shelley's work than almost anybody who has written about Shelley". The Theatre of Shelley is essential reading for anyone interested in Romanticism, nineteenth-century culture and the history of theatre."--Publisher's website

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1906924325; 9781906924324
    Subjects: English drama; English drama; Literary studies: c 1800 to c 1900; Literary studies: general; Literary studies: plays and playwrights; Literature and literary studies; Literature: history and criticism; LITERARY CRITICISM ; Gothic & Romance; Criticism and interpretation; English drama; Drama; Aufführung; Criticism, interpretation, etc; Drama; Drama
    Other subjects: Shelley, Percy Bysshe 1792-1822; Shelley, Percy Bysshe 1792-1822; Shelley, Percy Bysshe 1792-1822; Shelley, Percy Bysshe 1792-1822; Shelley, Percy Bysshe 1792-1822; Shelley, Percy Bysshe 1792-1822; Shelley, Percy Bysshe (1792-1822); Shelley, Percy Bysshe (1792-1822): Cenci; Shelley, Percy Bysshe (1792-1822): Charles the First; Shelley, Percy Bysshe (1792-1822): Prometheus unbound; Shelley, Percy Bysshe (1792-1822): Hellas; Shelley, Percy Bysshe (1792-1822): Swellfoot the Tyrant; Shelley, Percy Bysshe 1792-1822; Shelley, Percy Bysshe; Shelley, Percy Bysshe; Shelley, Percy Bysshe (1792-1822); Shelley, Percy Bysshe ; Oeuvres ; Théâtre ; Critique et interprétation
    Scope: Online Ressource (xvi, 289 pages), illustrations
    Notes:

    Based on the author's thesis (Ph. D., Anglia Ruskin University). - "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his "closet dramas" as performable pieces of theatre"--Publisher's Web site. - Includes bibliographical references (pages 259-274) and index. - Print version record

  3. The theatre of Shelley
    Published: 2010
    Publisher:  Open Book Publishers, Cambridge [England]

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1906924309; 9781906924324
    RVK Categories: HL 4385
    Subjects: English drama; Aufführung; Drama; Theater
    Other subjects: Shelley, Percy Bysshe (1792-1822); Shelley, Percy Bysshe (1792-1822): Cenci; Shelley, Percy Bysshe (1792-1822): Charles the First; Shelley, Percy Bysshe (1792-1822): Prometheus unbound; Shelley, Percy Bysshe (1792-1822): Hellas; Shelley, Percy Bysshe (1792-1822): Swellfoot the Tyrant; Shelley, Percy Bysshe (1792-1822)
    Scope: xvi, 289 p.
    Notes:

    Based on the author's thesis (Ph.D., Anglia Ruskin University). - "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his "closet dramas" as performable pieces of theatre"-Publisher's website

    Includes bibliographical references (p. [259]-274) and index

  4. The theatre of Shelley
    Published: 2010
    Publisher:  Open Book Publishers, Cambridge

    "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his 'closet dramas' as performable pieces of theatre. With... more

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    "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his 'closet dramas' as performable pieces of theatre. With chapters on each of Shelley's dramatic works, the book provides a thorough discussion of the poet's stagecraft, and analyses performances of his plays from the Georgian period to today. In addition, Mulhallen offers details of the productions Shelley saw in England and Italy, many not identified before, as well as a vivid account of the actors and personalities that constituted the theatrical scene of his time. Her research reveals Shelley as an extraordinarily talented playwright, whose fascination with contemporary theatrical theory and practice seriously challenges the notion that he was a reluctant dramatist"--Page 4 of cover The Theatrical Context -- the Georgian Theatre in England --Shelley's Theatregoing, Playreading and Criticism --Practical Technique -- The Cenci --Turning History into Art -- Charles the First --Ideal Drama -- Prometheus Unbound --Drama for a Purpose -- Hellas & Fragments of an Unfinished Drama --Satirical Comedy -- Swellfoot the Tyrant --Appendices --List of Performances Seenby Shelley --The Programme of Songs with the Performance of Douglas.

     

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  5. The theatre of Shelley
    Published: 2010
    Publisher:  Open Book Publishers, Cambridge

    "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his "closet dramas" as performable pieces of theatre. With... more

    Access:
    Resolving-System (kostenfrei)
    Verlag (kostenfrei)
    Aggregator (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his "closet dramas" as performable pieces of theatre. With chapters on each of Shelley's dramatic works, the book provides a thorough discussion of the poet's stagecraft, and analyses performances of his plays from the Georgian period to today. In addition, Mulhallen offers details of the productions Shelley saw in England and Italy, many not identified before, as well as a vivid account of the actors and personalities that constituted the theatrical scene of his time. Her research reveals Shelley as an extraordinarily talented playwright, whose fascination with contemporary theatrical theory and practice seriously challenges the notion that he was a reluctant dramatist. Prof. Stephen Behrendt (Nebraska) has described the book as "wonderfully convincing" and "something wholly new in Shelley studies", while Prof. Tim Webb (Bristol) describes Mulhallen as having a "more precisely developed sense of the theatrical possibilities of Shelley's work than almost anybody who has written about Shelley". The Theatre of Shelley is essential reading for anyone interested in Romanticism, nineteenth-century culture and the history of theatre."--Publisher's website Introduction -- 1. The Theatrical Context: The Georgian Theatre in England -- 2. Shelley's Theatregoing, Playreading and Criticism -- 3. Practical Technique: The Cenci -- 4. Turning History into Art: Charles the First -- 5. Ideal Drama: Prometheus Unbound -- 6. Drama for a Purpose: Hellas & Fragments of an Unfinished Drama -- 7. Satirical Comedy: Swellfoot the Tyrant -- Conclusion -- Appendix I: List of Performances Seen by Shelley -- Appendix II: The Programme of Songs with the Performance of Douglas -- Select Bibliography -- Index

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781906924324
    Other identifier:
    RVK Categories: HL 4385
    Subjects: English drama
    Other subjects: Shelley, Percy Bysshe (1792-1822): Swellfoot the Tyrant; Shelley, Percy Bysshe (1792-1822): Prometheus unbound; Shelley, Percy Bysshe (1792-1822): Cenci; Shelley, Percy Bysshe (1792-1822): Charles the First; Shelley, Percy Bysshe (1792-1822); Shelley, Percy Bysshe (1792-1822): Hellas
    Scope: Online-Ressource (xvi, 289 Seiten), Illustrationen
    Notes:

    Available through Open Book Publishers

    Based on the author's thesis (Ph.D., Anglia Ruskin University)

    Includes bibliographical references (p.[259]-274) and index

    Open access resource providing free access

    Introduction -- 1. The Theatrical Context: The Georgian Theatre in England -- 2. Shelley's Theatregoing, Playreading and Criticism -- 3. Practical Technique: The Cenci -- 4. Turning History into Art: Charles the First -- 5. Ideal Drama: Prometheus Unbound -- 6. Drama for a Purpose: Hellas & Fragments of an Unfinished Drama -- 7. Satirical Comedy: Swellfoot the Tyrant -- Conclusion -- Appendix I: List of Performances Seen by Shelley -- Appendix II: The Programme of Songs with the Performance of Douglas -- Select Bibliography -- Index

  6. The theatre of Shelley
    Published: 2010
    Publisher:  Open Book Publishers, Cambridge

    "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his "closet dramas" as performable pieces of theatre. With... more

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    "This is the first full-length study of Shelley's plays in performance. It offers a rich, meticulously researched history of Shelley's role as a playwright and dramatist and a reassessment of his "closet dramas" as performable pieces of theatre. With chapters on each of Shelley's dramatic works, the book provides a thorough discussion of the poet's stagecraft, and analyses performances of his plays from the Georgian period to today. In addition, Mulhallen offers details of the productions Shelley saw in England and Italy, many not identified before, as well as a vivid account of the actors and personalities that constituted the theatrical scene of his time. Her research reveals Shelley as an extraordinarily talented playwright, whose fascination with contemporary theatrical theory and practice seriously challenges the notion that he was a reluctant dramatist. Prof. Stephen Behrendt (Nebraska) has described the book as "wonderfully convincing" and "something wholly new in Shelley studies", while Prof. Tim Webb (Bristol) describes Mulhallen as having a "more precisely developed sense of the theatrical possibilities of Shelley's work than almost anybody who has written about Shelley". The Theatre of Shelley is essential reading for anyone interested in Romanticism, nineteenth-century culture and the history of theatre."--Publisher's website Introduction -- 1. The Theatrical Context: The Georgian Theatre in England -- 2. Shelley's Theatregoing, Playreading and Criticism -- 3. Practical Technique: The Cenci -- 4. Turning History into Art: Charles the First -- 5. Ideal Drama: Prometheus Unbound -- 6. Drama for a Purpose: Hellas & Fragments of an Unfinished Drama -- 7. Satirical Comedy: Swellfoot the Tyrant -- Conclusion -- Appendix I: List of Performances Seen by Shelley -- Appendix II: The Programme of Songs with the Performance of Douglas -- Select Bibliography -- Index

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781906924324
    Other identifier:
    Subjects: English drama
    Other subjects: Shelley, Percy Bysshe (1792-1822): Swellfoot the Tyrant; Shelley, Percy Bysshe (1792-1822): Prometheus unbound; Shelley, Percy Bysshe (1792-1822): Cenci; Shelley, Percy Bysshe (1792-1822): Charles the First; Shelley, Percy Bysshe (1792-1822); Shelley, Percy Bysshe (1792-1822): Hellas
    Scope: Online-Ressource (xvi, 289 Seiten), Illustrationen
    Notes:

    Available through Open Book Publishers

    Based on the author's thesis (Ph.D., Anglia Ruskin University)

    Includes bibliographical references (p.[259]-274) and index

    Open access resource providing free access

    Introduction -- 1. The Theatrical Context: The Georgian Theatre in England -- 2. Shelley's Theatregoing, Playreading and Criticism -- 3. Practical Technique: The Cenci -- 4. Turning History into Art: Charles the First -- 5. Ideal Drama: Prometheus Unbound -- 6. Drama for a Purpose: Hellas & Fragments of an Unfinished Drama -- 7. Satirical Comedy: Swellfoot the Tyrant -- Conclusion -- Appendix I: List of Performances Seen by Shelley -- Appendix II: The Programme of Songs with the Performance of Douglas -- Select Bibliography -- Index

  7. The theatre of Shelley
    Published: 2010; ©2010
    Publisher:  Open Book Publishers, Cambridge

    Intro -- Contents -- Introduction -- 1. The Theatrical Context - the Georgian Theatre in England -- 2. Shelley's Theatregoing, Playreading and Criticism -- 3. Practical Technique - The Cenci -- 4. Turning History into Art - Charles the First -- 5.... more

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    Intro -- Contents -- Introduction -- 1. The Theatrical Context - the Georgian Theatre in England -- 2. Shelley's Theatregoing, Playreading and Criticism -- 3. Practical Technique - The Cenci -- 4. Turning History into Art - Charles the First -- 5. Ideal Drama - Prometheus Unbound -- 6. Drama for a Purpose - Hellas & Fragments of an Unfinished Drama -- 7. Satirical Comedy - Swellfoot the Tyrant -- Appendix I. List of Performances Seenby Shelley -- Appendix II. The Programme of Songs with the Performance of Douglas -- Select Bibliography -- Index.

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781906924324
    RVK Categories: HL 4385
    Subjects: English drama; Shelley, Percy Bysshe, -- 1792-1822 -- Dramatic works -- Criticism and interpretation; Shelley, Percy Bysshe, -- 1792-1822. -- Cenci; Shelley, Percy Bysshe, -- 1792-1822. -- Charles the First; Shelley, Percy Bysshe, -- 1792-1822. -- Prometheus unbound; Shelley, Percy Bysshe, -- 1792-1822. -- Hellas; Shelley, Percy Bysshe, -- 1792-1822. -- Swellfoot the Tyrant; English drama -- 19th century -- History and criticism; English drama ; 19th century ; History and criticism; Shelley, Percy Bysshe ; 1792-1822 ; Dramatic works ; Criticism and interpretation; Shelley, Percy Bysshe ; 1792-1822 ; Cenci; Shelley, Percy Bysshe ; 1792-1822 ; Charles the First; Shelley, Percy Bysshe ; 1792-1822 ; Hellas; Shelley, Percy Bysshe ; 1792-1822 ; Prometheus unbound; Shelley, Percy Bysshe ; 1792-1822 ; Swellfoot the Tyrant; Electronic books
    Other subjects: Shelley, Percy Bysshe (1792-1822): Prometheus unbound; Shelley, Percy Bysshe (1792-1822): Hellas; Shelley, Percy Bysshe (1792-1822): Swellfoot the Tyrant; Shelley, Percy Bysshe (1792-1822): Cenci; Shelley, Percy Bysshe (1792-1822): Charles the First; Shelley, Percy Bysshe (1792-1822)
    Scope: 1 online resource (310 pages)
    Notes:

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    The Theatrical Context - the Georgian Theatre in EnglandShelley's Theatregoing, Playreading and CriticismPractical Technique - The CenciTurning History into Art - Charles the FirstIdeal Drama - Prometheus UnboundDrama for a Purpose - Hellas & Fragments of an Unfinished DramaSatirical Comedy - Swellfoot the TyrantAppendicesList of Performances Seenby ShelleyThe Programme of Songs with the Performance of Douglas.