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Displaying results 1 to 9 of 9.

  1. The Black Arts Movement
    literary nationalism in the 1960s and 1970s
    Author: Smethurst, James Edward
    Published: 2005
    Publisher:  University of North Carolina Press, Chapel Hill

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Universitätsbibliothek Würzburg
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  2. The Black Arts Movement
    literary nationalism in the 1960s and 1970s
    Author: Smethurst, James Edward
    Published: 2005
    Publisher:  Univ. of North Carolina Press, Chapel Hill [u.a.]

    Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this... more

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.

     
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  3. "After Mecca"
    women poets and the Black Arts Movement
    Author: Clarke, Cheryl
    Published: 2005
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Location:
    Universitätsbibliothek Augsburg
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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  4. <<The>> Black Arts Movement
    literary nationalism in the 1960s and 1970s
    Author: Smethurst, James Edward
    Published: 2005
    Publisher:  Univ. of North Carolina Press, Chapel Hill [u.a.]

    Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this... more

     

    Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.

     
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  5. The Black Arts Enterprise and the Production of African American Poetry
    Author: Rambsy, Howard
    Published: 2011
    Publisher:  University of Michigan Press, Ann Arbor

    The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which the Black Arts Movement’s poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti,... more

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Evangelische Hochschule Freiburg, Hochschulbibliothek
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Universitätsbibliothek Leipzig
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    Universitätsbibliothek Osnabrück
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    The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which the Black Arts Movement’s poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, Carolyn Rodgers, and others) operated and of the small presses and literary anthologies that first published the movement’s authors. The book also describes the role of the Black Arts Movement in reintroducing readers to poets such as Langston Hughes, Robert Hayden, Margaret Walker, and Phillis Wheatley. Focusing on the material production of Black Arts poetry, the book combines genetic criticism with cultural history to shed new light on the period, its publishing culture, and the writing and editing practices of its participants. Howard Rambsy II demonstrates how significant circulation and format of black poetic texts—not simply their content—were to the formation of an artistic movement. The book goes on to examine other significant influences on the formation of Black Arts discourse, including such factors as an emerging nationalist ideology and figures such as John Coltrane and Malcolm X. Devoted chiefly to the period from 1965-1976.

     
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  6. Start a riot!
    civil unrest in Black Arts Movement drama, fiction, and poetry
    Author: Abdul-Ghani, Casarae Lavada
    Published: 2022
    Publisher:  University Press of Mississippi, Jackson

    "While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts... more

    Location:
    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    "While the legacy of Black urban rebellions during the turbulent 1960s continues to permeate throughout US histories and discourses, scholars seldom explore within scholarship examining Black Cultural Production, artist-writers of the Black Arts Movement (BAM) that addressed civil unrest, specifically riots, in their artistic writings. Start a Riot! Civil Unrest in Black Arts Movement Drama, Fiction, and Poetry analyzes riot iconography and its usefulness as a political strategy of protestation. Through a mixed-methods approach of literary close-reading, historical, and sociological analysis, Casarae Lavada Abdul-Ghani considers how BAM artist-writers like Amiri Baraka (LeRoi Jones), Ben Caldwell, Gwendolyn Brooks, Sonia Sanchez, and Henry Dumas challenge misconceptions regarding Black protest through experimental explorations in their writings. Representations of riots became more pronounced in the 1960s as pivotal leaders shaping Black consciousness, such as Malcolm X and Martin Luther King Jr., were assassinated. BAM artist-writers sought to override the public's interpretation in their literary expose̹s that a riot's disjointed and disorderly methods led to more chaos than reparative justice. Start a Riot! uncovers how BAM artist-writers expose anti-Black racism and, by extension, the United States' inability to compromise with Black America on matters related to citizenship rights, housing (in)security, economic inequality, and education-tenets emphasized during the Black Power Movement. Abdul-Ghani argues that BAM artist-writers did not merely write literature that reflected a spirit of protest; in many cases, they understood their texts, themselves, as acts of protest"--

     
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  7. The Black arts enterprise and the production of African American poetry
    Author: Rambsy, Howard
    Published: [2011]; ©2011
    Publisher:  University of Michigan Press, Ann Arbor

    Devoted chiefly to the period from 1965-1976 The outpouring of creative expression known as the Black Arts Movement of the 1960s and 1970s spawned a burgeoning number of black-owned cultural outlets, including publishing houses, performance spaces,... more

    Location:
    Universitätsbibliothek Regensburg
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    Devoted chiefly to the period from 1965-1976 The outpouring of creative expression known as the Black Arts Movement of the 1960s and 1970s spawned a burgeoning number of black-owned cultural outlets, including publishing houses, performance spaces, and galleries. Central to the movement were its poets, who in concert with editors, visual artists, critics, and fellow writers published a wide range of black verse and advanced new theories and critical approaches for understanding African American literary art. The Black Arts Enterprise and the Production of African American Poetry offers a close examination of the literary culture in which BAM's poets (including Amiri Baraka, Nikki Giovanni, Sonia Sanchez, Larry Neal, Haki Madhubuti, Carolyn Rodgers, and others) operated and of the small presses and literary anthologies that first published the movement's authors

     
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    Content information
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0472035681; 0472120050; 047290101X; 1299877508; 9780472035687; 9780472120055; 9780472901012; 9781299877504
    Other identifier:
    10.3998/mpub.1798608
    RVK Categories: HU 1728 ; HU 1769
    Subjects: Black Arts (Mouvement artistique); Noirs américains dans la littérature; Noirs américains; Poésie américaine; Poésie; African Americans in literature; African Americans; American Literature; American poetry; Black Arts movement; English; Languages & Literatures; LITERARY CRITICISM; LITERARY CRITICISM; Poetry; African Americans in literature; African Americans; American poetry; Black Arts movement; Poetry; Black arts movement; Schwarze; Literarisches Leben; Literaturproduktion; Literatur
    Other subjects: Literature; 1900-1999; United States; Electronic books; Electronic books; Criticism, interpretation, etc; History
    Scope: 1 Online-Ressource (viii, 188 Seiten), illustrations
    Notes:

    Introduction : "a group of groovy Black people" -- Getting poets on the same page : the roles of periodicals -- Platforms for Black verse : the roles of anthologies -- Understanding the production of Black arts texts -- All aboard the Malcolm-Coltrane express -- The poets, critics, and theorists are one -- The revolution will not be anthologized -- List of anthologies containing African American poetry, 1967-75
  8. "After Mecca"
    women poets and the Black Arts Movement
    Author: Clarke, Cheryl
    Published: 2005
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  9. The Black Arts Movement
    literary nationalism in the 1960s and 1970s
    Author: Smethurst, James Edward
    Published: 2005
    Publisher:  Univ. of North Carolina Press, Chapel Hill [u.a.]

    Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    Emerging from a matrix of Old Left, black nationalist, and bohemian ideologies and institutions, African American artists and intellectuals in the 1960s coalesced to form the Black Arts Movement, the cultural wing of the Black Power Movement. In this comprehensive analysis, James Smethurst examines the formation of the Black Arts Movement and demonstrates how it deeply influenced the production and reception of literature and art in the United States through its negotiations of the ideological climate of the Cold War, decolonization, and the civil rights movement. Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.

     
    Export to reference management software   RIS file
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