Strange exalted death! : disinterring Beckett and death / Mark Nixon -- Writing myself into the ground : textual existence and death in Beckett / Shane Weller -- Orgy of false being life in common : Beckett and the politics of death / Sean Lawlor --...
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Universitätsbibliothek der Eberhard Karls Universität
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Strange exalted death! : disinterring Beckett and death / Mark Nixon -- Writing myself into the ground : textual existence and death in Beckett / Shane Weller -- Orgy of false being life in common : Beckett and the politics of death / Sean Lawlor -- O death where is thy sting? : finding words for the big ideas / Elizabeth Barry -- Beckett, Augustine, and the rhetoric of dying / David Addyman -- Inane space and lively place in Beckett's forties fiction / Erik Tonning -- Beckett's unholy dying : from Malone dies to The unnamable / Peter Fifield -- Beckett's amnesiacs, neuropsychology and temporal moribundity / Julie Campbell -- A voice comes to one in the dark--imagine : radio, the listener and the dark comedy of All that fall / Paul Stewart -- Sterile reproduction : Beckett's death of the species and fictional regeneration / Steven Matthews
Departing from a refreshing look at the ideas of Antonin Artaud, this book provides a thorough analysis of how both Sarah Kane and Samuel Beckett are indebted to his legacy. In juxtaposing these playwrights, De Vos minutely points out how both in...
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Universitätsbibliothek der Eberhard Karls Universität
Inter-library loan:
No inter-library loan
Departing from a refreshing look at the ideas of Antonin Artaud, this book provides a thorough analysis of how both Sarah Kane and Samuel Beckett are indebted to his legacy. In juxtaposing these playwrights, De Vos minutely points out how both in their own way struggle with coming to terms with Artaud. A key concept in Lacanian psychoanalytic theories, desire lies at the root of the Theatre of Cruelty; Kane and Beckett prove that desire and cruelty are inextricably linked to one another, but that they appear in radically different disguises. Relying on Kane and Beckett, this book not only shed