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  1. Word against word
    Shakespearean utterance
    Author: Siemon, James R.
    Published: 2002
    Publisher:  Univ. of Massachusetts Press, Amherst [u.a.]

    "Word against Word offers a new approach to Shakespearean drama - in particular Shakespeare's Richard II - through an extended engagement with the Bakhtinian concept of art as a form of social utterance. The book is the first to explore this central... more

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek Passau
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    "Word against Word offers a new approach to Shakespearean drama - in particular Shakespeare's Richard II - through an extended engagement with the Bakhtinian concept of art as a form of social utterance. The book is the first to explore this central Bakhtinian conception and its associated notions of social accent, dialogism, and heteroglossia in the context of drama and of Shakespeare studies." "James R. Siemon begins by examining the variety of accents, discourses, and behaviors that competed for the social space of early modern England. He surveys Shakespeare and his contemporaries, including dramatists, poets, and other writers, in order to document early modern attitudes toward the implications of sociolinguistic behavior in a heteroglot environment. While ranging broadly, the book takes Richard II as an exemplary instance of Bakhtinian utterance, showing the play to be, despite its apparent thematic and formal unities, an arena marked by struggles among competing groups and orientations, with their socially defined languages and assumptions. The figure of Shakespeare's King Richard emerges as a revealing example of a form of subjectivity constructed amid the demands of conflicting voices."--BOOK JACKET.

     
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  2. Word against word
    Shakespearean utterance
    Author: Siemon, James R.
    Published: 2002
    Publisher:  Univ. of Massachusetts Press, Amherst [u.a.]

    "Word against Word offers a new approach to Shakespearean drama - in particular Shakespeare's Richard II - through an extended engagement with the Bakhtinian concept of art as a form of social utterance. The book is the first to explore this central... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "Word against Word offers a new approach to Shakespearean drama - in particular Shakespeare's Richard II - through an extended engagement with the Bakhtinian concept of art as a form of social utterance. The book is the first to explore this central Bakhtinian conception and its associated notions of social accent, dialogism, and heteroglossia in the context of drama and of Shakespeare studies." "James R. Siemon begins by examining the variety of accents, discourses, and behaviors that competed for the social space of early modern England. He surveys Shakespeare and his contemporaries, including dramatists, poets, and other writers, in order to document early modern attitudes toward the implications of sociolinguistic behavior in a heteroglot environment. While ranging broadly, the book takes Richard II as an exemplary instance of Bakhtinian utterance, showing the play to be, despite its apparent thematic and formal unities, an arena marked by struggles among competing groups and orientations, with their socially defined languages and assumptions. The figure of Shakespeare's King Richard emerges as a revealing example of a form of subjectivity constructed amid the demands of conflicting voices."--BOOK JACKET.

     
    Export to reference management software   RIS file
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