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  1. Minnesang
    Eine Einführung
    Published: 2019
    Publisher:  J.B. Metzler, Part of Springer Nature - Springer-Verlag GmbH, Stuttgart ; J.B. Metzler

  2. Romeo and Juliet and its afterlife
    Published: 1996
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521570476
    RVK Categories: HI 3570
    Edition: 1. publ.
    Series: Shakespeare survey ; 49
    Subjects: Aufführung
    Other subjects: Shakespeare, William <1564-1616>: Romeo and Juliet; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): Romeo and Juliet
    Scope: IX, 350 S., Ill.
  3. 'Jedermann' am Münchener Hof- und Nationaltheater
    Published: [1912]
    Publisher:  Delphin-Verl., München

    Archiv der Akademie der Künste, Bibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    RVK Categories: GM 3775
    Series: Beiträge z. Theatergeschichte
    Subjects: Aufführung; Aufführung
    Other subjects: Hofmannsthal, Hugo ((von)) / Jedermann; Hofmannsthal, Hugo von (1874-1929): Jedermann
    Scope: 20 S. 8"
  4. Bauernhof-Musik im Kindergarten
    musikalische Erlebnisse auf dem Bauernhof mit Liedern, Klanggeschichten und Gestenspiel
    Published: [2020]
    Publisher:  Schuh, Gärtringen

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    Source: Union catalogues
    Contributor: Schuh, Karin; Katefidis, Sissi
    Language: German
    Media type: Book
    ISBN: 9783931862893; 3931862895
    Other identifier:
    9783931862893
    DDC Categories: 782.4
    Series: Hören - Singen - Bewegen - Klingen ; 11
    Subjects: Kindergarten; Kinderlied; Bewegungsspiel; Bauernhof <Motiv>; Landwirtschaft <Motiv>;
    Other subjects: Tanz; Kinderlieder; Kita; Biologisch; Tiere; Bauernhof; Bewegen; Aufführung; Pädagogik; Kindergarten; Singen; Basteln; Ernte; Natur; Musikalische Früherziehung; Landwirtschaft; Musik; Elementare Musikerziehung
    Scope: 39 Seiten, 25 Illustrationen, 29.7 cm x 21 cm, 210 g
  5. Treue zum Stil : Die aufgeführte Gesellschaft
    Published: 2004
    Publisher:  transcript Verlag, Bielefeld

    Im Auftauchen neuer Spiele und Bewegungsweisen in städtischen Räumen zeigen sich gesellschaftliche Veränderungsprozesse. In neuen Sportarten wie Triathlon und Inlinehockey entstehen Welten, in denen alte Grenzen zerfließen, bewährte Haltungen... more

     

    Im Auftauchen neuer Spiele und Bewegungsweisen in städtischen Räumen zeigen sich gesellschaftliche Veränderungsprozesse. In neuen Sportarten wie Triathlon und Inlinehockey entstehen Welten, in denen alte Grenzen zerfließen, bewährte Haltungen aufgegeben und institutionalisierte Ordnungen umgearbeitet werden. Hier bilden sich Gemeinschaften aus, in denen Zugehörigkeit immer wieder aufs Neue über das Vorführen von Bewegungen, Geräten, Kleidung und Musik hergestellt wird. Diese Gemeinschaften orientieren sich an den Merkmalen eines gemeinsamen Stils. Nicht die Leistung, nicht der Dienst an der Mannschaft bildet das Credo der neuen Spiele, sondern die Treue zum Stil. Die Autoren entwickeln am Beispiel neuer urbaner Lebensstile und performativer Praktiken eine Theorie des Wandels von Gesellschaft im Medium von Spiel, Körper und Bewegung.

     

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    Source: OAPEN; transcript Open Access
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839402054; 9783899422054
    Other identifier:
    Subjects: Cultural studies
    Other subjects: Sport; Spiel; Lebensstil; Aufführung; Neue Stadtkultur; Körper; Gesellschaft; Sportwissenschaft; Soziologie; Lifestyle; Body; Society; Sport Science; Sociology
    Scope: 1 electronic resource (148 p.)
  6. Die Dramen der Fürstlichen Bibliothek Corvey
    1805 - 1832
    Published: 2000
    Publisher:  Fink, München

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    Hessisches BibliotheksInformationsSystem hebis
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    Source: Digi20
    Contributor: Oellers, Norbert
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3770534042
    Other identifier:
    RVK Categories: GB 1656 ; GB 1675
    DDC Categories: 010; 830
    Series: Corvey-Studien ; 6
    Subjects: Deutsch; Drama; Katalog; Aufführung
    Scope: 558 S.
    Notes:

    Online-Ausg.:

  7. Griechische Bühnenaltertümer
    Published: 1963
    Publisher:  Vandenhoeck & Ruprecht,, Göttingen

    Hessisches BibliotheksInformationsSystem hebis
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    Source: Digi20
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    Series: Studienhefte zur Altertumswissenschaft
    Subjects: Theater; Aufführung; Quelle; Bühne; Altertümer
    Scope: 83 S. :, Ill.
    Notes:

    Online-Ausg.:

  8. Performance Art nach 1945
    Aktionstheater und Intermedia
    Published: 2001
    Publisher:  Fink, München

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    Source: Digi20
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3770534522
    Other identifier:
    RVK Categories: LH 65827 ; LH 65830
    Series: Das Problempotential der Nachkriegsavantgarden ; 3
    Subjects: Performance <Künste>; Theater; Aufführung; Aktionskunst; Happening; Mixed media; Avantgarde; Geschichte; Body Art
    Scope: 543 S. : Ill.
    Notes:

    Online-Ausg.:

  9. Isaak Babel' auf der sowjetischen Bühne
    Published: 1983
    Publisher:  Sagner, München

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    Source: Digi20
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 3876902584
    Other identifier:
    RVK Categories: KK 3315
    DDC Categories: 491.8
    Series: Slavistische Beiträge ; 168
    Subjects: Aufführung; Theater
    Other subjects: Babelʹ, Isaak Ė. (1894-1940)
    Scope: IX, 255 S., Ill.
    Notes:

    Online-Ausg.:

    Zugl.: München, Univ., Diss., 1982/83

    Zugl.: München, Univ., Diss., 1983

  10. Interpretationsfragen
    Probleme der kirchenmusikalischen Aufführungspraxis von Johann Walter bis Max Reger (1524 - 1916)
    Published: 1982
    Publisher:  Vandenhoeck & Ruprecht, Göttingen

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    Source: Digi20
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 3525571747
    Other identifier:
    RVK Categories: LR 13000 ; BS 4835 ; LR 33000
    DDC Categories: 230; 780
    Edition: 1. Aufl.
    Subjects: Kirchenmusik; Musikalische Aufführungspraxis; Interpretation; Aufführung
    Scope: 283 S. : Notenbeisp.
    Notes:

    Online-Ausg.:

  11. Spheres of Action
    Speech and Performance in Romantic Culture
    Published: [2016]; © 2009
    Publisher:  University of Toronto Press, Toronto

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442689183
    Other identifier:
    Subjects: English literature; English literature; Language and languages in literature; Romanticism; Aufführung; Romantik; Englisch; Rhetorik; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)

    :

  12. Die Wiedergeburt der griechischen Tragödie auf der Bühne des 19. Jahrhunderts
    Bühnenfassungen mit Schauspielmusik
    Published: 2005
    Publisher:  Max Niemeyer Verlag, Tübingen

    Der Potsdamer Aufführung der sophokleischen »Antigone« von 1841 kommt die historische Bedeutung einer Wiedergeburt der griechischen Tragödie auf dem deutschen Theater zu. Ludwig Tieck (1773-1853) und Felix Mendelssohn Bartholdy (1809-1847)... more

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    Der Potsdamer Aufführung der sophokleischen »Antigone« von 1841 kommt die historische Bedeutung einer Wiedergeburt der griechischen Tragödie auf dem deutschen Theater zu. Ludwig Tieck (1773-1853) und Felix Mendelssohn Bartholdy (1809-1847) beschritten in Textfassung, Schauspielmusik und Bühnenarchitektur Wege, die die Theaterentwicklung der Folgezeit in einigen Bereichen grundlegend verändern sollten. Der immense Erfolg und die Aufmerksamkeit, die dieses Ereignis im In- und Ausland auf sich zog, sicherten der griechischen Tragödie bis heute einen festen Platz im Repertoire deutschsprachiger Bühnen The Potsdam performance of Sophocles' »Antigone« in 1841 was an event of historic significance tantamount to a renaissance of Greek tragedy in the German theatre. In terms of the performing version used, the incidental music, and the stage architecture, Ludwig Tieck (1773-1853) and Felix Mendelssohn Bartholdy (1809-1847) explored avenues that were to radically change the development of theatre in a number of essential ways. The immense success of this performance and the attention it attracted at home and abroad assured Greek tragedy a lasting place in the repertory of German-speaking theatres, which it has maintained to this day

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110945058; 9783111862507
    Other identifier:
    RVK Categories: LQ 80505 ; LT 57715 ; EC 7539 ; EC 1900 ; AP 71000 ; FE 4451
    Series: Theatron ; Band 44
    Subjects: Muziektheater; Tragedies; Geschichte; Greek drama (Tragedy); Greek drama (Tragedy); Greek drama; Theater; Griechisch; Aufführung; Tragödie
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (IX, 366 Seiten), Illustrationen, Notenbeispiele
    Notes:

    Dissertation, Universität München, 2003

  13. Metastasio im Deutschland der Aufklärung
    Bericht über das Symposion Potsdam 2002
    Published: 2002
    Publisher:  De Gruyter, Berlin

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783484175280; 9783110927146; 9783111797526
    RVK Categories: IU 9655 ; LP 40200
    Series: Wolfenbütteler Studien zur Aufklärung ; 28
    Subjects: Hofdichter; Aufklärung; Literatur; Oper; Rezeption; Musik; Aufführung; Komponist
    Other subjects: Metastasio, Pietro (1698-1782)
    Scope: 1 Online-Ressource (XI, 251 S.)
    Notes:

    Main description: Die Rolle des Dichters Pietro Metastasio (1698--1782) ist im 18. Jahrhundert wesentlich musikhistorisch bestimmt. Als einer der wichtigsten Librettisten hat er die musikalische Produktion, insbesondere für die Bühne, maßgeblich geprägt. Unabhängig von den vielfältigen Untersuchungen zu seinen Libretti ist seine Bedeutung in jenem Bereich bisher weitgehend unerforscht, der äußerlich relativ weit entfernt ist vom höfischen dramma per musica, also in den bürgerlichen Aufklärungszentren Nord- und Mitteldeutschlands. In dem interdisziplinären Sammelband wird diese Bedeutung erstmals ausführlich untersucht, mit Implikationen für die Rezeptions- und Institutionsgeschichte, die Musik- und Literaturgeschichte sowie für die ästhetische Kultur des 18. Jahrhunderts

    Main description: The role of Pietro Metastasio (1698-1782) in the 18th century has hitherto been largely defined in terms of its significance for the history of music. As one of the foremost libretto-writers he centrally influenced the course taken by contemporary musical production, notably for the stage. Aside from the plentiful scholarly literature on his libretti, little research has been done on his importance in an area that, outwardly at least, appears to have little to do with the courtly dramma per musica: the bourgeois strongholds of Enlightenment thinking in Northern and Central Germany. This interdisciplinary volume is a first attempt at a detailed study of his significance in this respect, with implications for the history of reception and institutions, music and literature, and the aesthetic culture of the 18th century

  14. Shakespeare and the Actors
    The Stage Business in His Plays (1660–1905)
    Published: [1944]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674366091; 9780674365193
    Other identifier:
    Subjects: Englische Literatur; Aufführung; Drama; Schauspieler; Aufführung; Drama; Theater; Schauspieler
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xxv,442p.)
    Notes:

    11 schw.-w. Abb., 1 frontispiece

  15. Shakespearian Players and Performances
    Published: [1953]
    Publisher:  Harvard University Press, Cambridge, Mass.

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780674366114; 9780674365216
    Other identifier:
    Subjects: Actors / Great Britain / Biography; Actors / United States / Biography; Englische Literatur; Aufführung; Drama; Schauspieler; Aufführung; Drama; Schauspieler
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (viii,222p.)
    Notes:

    11 schw.-w. Abb., 1 Frontispiz

  16. Perspektiven der Edition musikdramatischer Texte
    Contributor: Betzwieser, Thomas (Publisher); Dubowy, Norbert (Publisher); Münzmay, Andreas (Publisher)
    Published: [2017]; © 2017
    Publisher:  De Gruyter, Berlin ;Boston

    Die Edition musiktheatraler Texte gehört zweifellos zu den schwierigeren Aufgaben im Bereich des musikalischen Editionswesens. Dass heute immer noch Grundsatzfragen verhandelt werden, ist ein deutliches Indiz für ein fortbestehendes... more

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    Die Edition musiktheatraler Texte gehört zweifellos zu den schwierigeren Aufgaben im Bereich des musikalischen Editionswesens. Dass heute immer noch Grundsatzfragen verhandelt werden, ist ein deutliches Indiz für ein fortbestehendes Forschungsdesiderat, das bereits in den 1980er Jahren von der neuen Disziplin der "Librettologia" formuliert wurde und die das Bewusstsein für diese Textsorte geschärft hat. Vor diesem Hintergrund versuchte das interdisziplinäre Symposium (2012), dessen Bericht hier vorliegt, eine Art Bestandsaufnahme der verschiedenen methodologischen Ansätze in Literatur- und Musikwissenschaft, aber auch angesichts nationaler Prägungen des editorischen Umgangs mit musiktheatralen Texten. Entsprechend breit ist das Spektrum der behandelten Operntexte vom 17. bis ins 20. Jahrhundert. Besonderes Augenmerk liegt einerseits auf dem Ineinandergreifen von Dialog, Gesang, Tanz und Bühne, andererseits auf dem Nebeneinander editorischer Darstellungsmedien von der konventionellen Buchform über hybride bis hin zu rein digitalen Präsentationsformen. Insofern ist das Buch sowohl für traditionell operierende Editionsphilologen wie auch für Vertreter der Digital Humanities von Interesse

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Betzwieser, Thomas (Publisher); Dubowy, Norbert (Publisher); Münzmay, Andreas (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783110549812
    Other identifier:
    Series: editio / Beihefte ; 43
    Subjects: Aufführung; Edition; Libretto; Oper; Oper; Edition; Libretto
    Scope: 1 online resource (293pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 08. Jan 2018)

  17. Shakespeare and the Second World War
    Memory, Culture, Identity
    Published: [2017]; © 2012
    Publisher:  University of Toronto Press, Toronto

    Shakespeare’s works occupy a prismatic and complex position in world culture: they straddle both the high and the low, the national and the foreign, literature and theatre. The Second World War presents a fascinating case study of this phenomenon:... more

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    Shakespeare’s works occupy a prismatic and complex position in world culture: they straddle both the high and the low, the national and the foreign, literature and theatre. The Second World War presents a fascinating case study of this phenomenon: most, if not all, of its combatants have laid claim to Shakespeare and have called upon his work to convey their society’s self-image.In wartime, such claims frequently brought to the fore a crisis of cultural identity and of competing ownership of this ‘universal’ author. Despite this, the role of Shakespeare during the Second World War has not yet been examined or documented in any depth. Shakespeare and the Second World War provides the first sustained international, collaborative incursion into this terrain. The essays demonstrate how the wide variety of ways in which Shakespeare has been recycled, reviewed, and reinterpreted from 1939–1945 are both illuminated by and continue to illuminate the War today

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442698376
    Other identifier:
    Subjects: DISCOUNT-B.; Weltkrieg <1939-1945>; Aufführung; Drama
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 13. Sep 2017)

  18. The Spatiality of Emotion in Early Modern China
    From Dreamscapes to Theatricality
    Published: [2018]; © 2018
    Publisher:  Columbia University Press, New York, NY

    Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam... more

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    Emotion takes place. Rather than an interior state of mind in response to the outside world, emotion per se is spatial, at turns embedding us from without, transporting us somewhere else, or putting us ahead of ourselves. In this book, Ling Hon Lam gives a deeply original account of the history of emotions in Chinese literature and culture centered on the idea of emotion as space, which the Chinese call "emotion-realm" (qingjing).Lam traces how the emotion-realm underwent significant transformations from the dreamscape to theatricality in sixteenth- to eighteenth-century China. Whereas medieval dreamscapes delivered the subject into one illusory mood after another, early modern theatricality turned the dreamer into a spectator who is no longer falling through endless oneiric layers but pausing in front of the dream. Through the lens of this genealogy of emotion-realms, Lam remaps the Chinese histories of morals, theater, and knowledge production, which converge at the emergence of sympathy, redefined as the dissonance among the dimensions of the emotion-realm pertaining to theatricality.The book challenges the conventional reading of Chinese literature as premised on interior subjectivity, examines historical changes in the spatial logic of performance through media and theater archaeologies, and ultimately uncovers the different trajectories that brought China and the West to the convergence point of theatricality marked by self-deception and mutual misreading. A major rethinking of key terms in Chinese culture from a comparative perspective, The Spatiality of Emotion in Early Modern China develops a new critical vocabulary to conceptualize history and existence

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231547581
    Other identifier:
    Subjects: Chinese drama; Emotions in literature; Space perception in literature; Aufführung; Chinesisch; Gefühl <Motiv>; Drama; Raum <Motiv>; Literatur
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 24. Sep 2018)

  19. Seneca's Troades
    A Literary Introduction with Text, Translation and Commentary
    Published: [2019]; © 2019
    Publisher:  Princeton University Press, Princeton, NJ

    Elaine Fantham provides here a fresh Latin text of Seneca's Traodes and an English version, with an extensive introduction and critical commentary--the first separate treatment of the play in English since Kingery's 1908 edition. Arguing that the... more

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    Elaine Fantham provides here a fresh Latin text of Seneca's Traodes and an English version, with an extensive introduction and critical commentary--the first separate treatment of the play in English since Kingery's 1908 edition. Arguing that the Troades was not intended for stage production, the author also discusses the atmosphere of Rome at the time the play was written, when both political and poetic life were felt to be in decline. Although Seneca's plays reflect his experience of tyranny, corruption, and compromise, they are enriched by his contract with the nobler world of poetry. Demonstrating how Seneca loved and imitated the Augustan poets, Professor Fantham reveals the originality that is part of his imitation.Professor Fantham discusses not only the particular characteristics of Seneca's generation but the interplay of his moral and poetic concerns in relationship to his subject--the Trojan captivity.By analyzing his reactions to accounts of this theme in Homer, Euripides, and Augustan epic, she explains his methods and motives in composition.Comparison of the play with Seneca's other works and with other drama exposes some inconsistency, formulaic writing, and excess of ingenuity. It also reveals the influence of epic in loosening his dramtic form and makes apparent his immense vitality.Elaine Fantham is Professor of Classics at the University of Toronto and author of Comparative Studies in the Republican Latin Imagery (Toronto).Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691197715
    Other identifier:
    Series: Princeton Legacy Library ; 5387
    Subjects: DRAMA / Ancient & Classical; Latin drama (Tragedy); Trojan War; Trojan War; Aufführung
    Other subjects: Seneca, Lucius Annaeus Philosophus (-65): Tragoediae; Seneca, Lucius Annaeus Philosophus (-65): Troades
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Mai 2019)

  20. Der "Bestrafte Brudermord"
    Shakespeares "Hamlet" auf der Wanderbühne des 17. Jahrhunderts
    Published: [1958]; [2018]; © 1958
    Publisher:  Cram, de Gruyter, Berlin ; Boston ; De Gruyter Mouton

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783111326207
    Other identifier:
    Edition: Reprint 2018
    Series: Britannica et Americana ; 3
    Subjects: Aufführung; Deutsch; Shakespeare, William / Hamlet; Textgeschichte; Übersetzung; Wanderbühne; Deutsch; Aufführung; Wanderbühne; Übersetzung
    Other subjects: Shakespeare, William (1564-1616): Hamlet
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)

  21. Collaborations with the Past
    Reshaping Shakespeare across Time and Media
    Published: [2018]; © 2012
    Publisher:  Cornell University Press, Ithaca, NY

    "Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    "Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and surroundings; we are left to supplement the traces. In recovering that past, the present takes on greater clarity and contrast. But the proof must be in the telling. A writer lifts a pen. Enter the multiple forces—political and economic, psychological, formal, and technical—that serendipitously transform imagination into memory. Let the collaborative play begin."—from the IntroductionFocusing on key writers, actors, theater directors, and filmmakers who have kept Shakespeare at the center of their endeavors over the past two hundred years, Collaborations with the Past illuminates not only the playwright's work but also the choices and responsibilities involved in re-creating culture, and the ingenuity and peril of the artistic process. By concentrating on rich yet problematic instances of Shakespeare's reanimation in such quintessentially modern forms as the novel and film, from Sir Walter Scott's Kenilworth to Kenneth Branagh's Henry V, Diana E. Henderson sketches a complex history of the pleasures and difficulties that ensue when Shakespeare and modern artists collaborate.Working with texts across the entire range of Shakespeare's career, Henderson demonstrates—through detailed analyses of novels including Jane Eyre and Mrs. Dalloway as well as filmed, televised, and staged performances—that art (even in the newest media) cannot avoid collaborating with the past. Only by studying that collaborative process can we comprehend Shakespeare and Anglo-American culture

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501727283
    Other identifier:
    Subjects: LITERARY CRITICISM / Shakespeare; Geschichte; Roman; Rezeption; Aufführung; Englisch; Drama; Verfilmung
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616): King Henry the Fifth
    Scope: 1 online resource, 7 halftones
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019)

  22. Race and Performance after Repetition
    Contributor: Colbert, Soyica Diggs (Publisher); Jones Jr., Douglas A. (Publisher); Vogel, Shane (Publisher)
    Published: [2020]; © 2020
    Publisher:  Duke University Press, Durham

    The contributors to Race and Performance after Repetition explore how theater and performance studies account for the complex relationship between race and time. Pointing out that repetition has been the primary point of reference for understanding... more

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    The contributors to Race and Performance after Repetition explore how theater and performance studies account for the complex relationship between race and time. Pointing out that repetition has been the primary point of reference for understanding both the complex temporality of theater and the historical persistence of race, they identify and pursue critical alternatives to the conceptualization, organization, measurement, and politics of race in performance. The contributors examine theater, performance art, music, sports, dance, photography, and other forms of performance in topics that range from the movement of boxer Joe Louis and George C. Wolfe's 2016 reimagining of the 1921 all-black musical comedy Shuffle Along to the relationship between dance, mourning, and black adolescence in Flying Lotus's music video "Never Catch Me." Proposing a spectrum of coexisting racial temporalities that are not tethered to repetition, this collection reconsiders central theories in performance studies in order to find new understandings of race.Contributors. Joshua Chambers-Letson, Soyica Diggs Colbert, Nicholas Fesette, Patricia Herrera, Jasmine Elizabeth Johnson, Douglas A. Jones Jr., Mario LaMothe, Jisha Menon, Tavia Nyong'o, Tina Post, Elizabeth W. Son, Shane Vogel, Catherine M. Young, Katherine Zien

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Colbert, Soyica Diggs (Publisher); Jones Jr., Douglas A. (Publisher); Vogel, Shane (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478009313
    Other identifier:
    Subjects: PERFORMING ARTS / Theater / History & Criticism; Arts and society; Performing arts; Performing arts; Politics and culture; Racism and the arts; Racism in popular culture; Theater and society; Time; Rassismus; Wiederholung; Aufführung; Zeitlichkeit; Theater
    Scope: 1 Online-Ressource (ix, 333 Seiten), Illustrationen
  23. Magnificence in the seventeenth century
    performing splendour in Catholic and Protestant contexts
    Contributor: Versteegen, Gijs (Herausgeber); Bussels, Stijn (Herausgeber); Melion, Walter S. (Herausgeber)
    Published: [2021]; © 2021
    Publisher:  Brill, Leiden ; Boston

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Europa-Universität Viadrina, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Contributor: Versteegen, Gijs (Herausgeber); Bussels, Stijn (Herausgeber); Melion, Walter S. (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004436800
    RVK Categories: LH 65720 ; LH 65760
    Series: Intersections ; volume 72
    Subjects: Philosophie; Aristokratie; Gesellschaft; Kunst; Architektur; Pracht <Motiv>; Aufführung
    Scope: 1 Online-Ressource (XXIII, 374 Seiten), Illustrationen
    Notes:

    Aus der Danksagung: The contributions in this volume were first delivered in a conference held in Madrid between 7 and 9 March 2019

  24. Lektüren des Zeitgenössischen Zirkus
    ein Modell zur text-kontext-orientierten Aufführungsanalyse
    Published: [2020]; © 2020
    Publisher:  De Gruyter, Berlin ; Boston

    Im Jahr 1996 prophezeit die Pariser Zeitung Libération nach dem Besuch der Performance Le Cri du Chaméléon eine dritte Ära des Zirkus: den Zeitgenössischen Zirkus. Die Prognose wird Realität: Nicht nur in Frankreich, sondern auch international gilt... more

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    Universität Potsdam, Universitätsbibliothek
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    Im Jahr 1996 prophezeit die Pariser Zeitung Libération nach dem Besuch der Performance Le Cri du Chaméléon eine dritte Ära des Zirkus: den Zeitgenössischen Zirkus. Die Prognose wird Realität: Nicht nur in Frankreich, sondern auch international gilt das Stück des Regisseurs Joseph Nadj als Startpunkt eines neuen Genres, das aktuell in den Fokus verschiedener wissenschaftlicher Disziplinen gerät. – Ein Modell zur kohärenten Aufführungsanalyse der Darbietungen steht jedoch bis heute nicht zur Verfügung.Diesem Desiderat trägt "Lektüren des Zeitgenössischen Zirkus" Rechnung und entwickelt erstmals in Rückgriff auf die Lektüretheorien der Literatur-, Theater- und Tanzwissenschaft eine Methodik zur Analyse von zeitgenössischen Zirkusdarbietungen. Darüber hinaus dokumentiert und interpretiert der Band das Genre durch eine methodisch dichte, d.h. kontextualisierende Beschreibung des Gegenstandes – der Aufführung – dezidiert in seinem historisch-kulturellen Kontext und liefert damit im Sinne Lessings eine rezeptionsästhetische Dramaturgie des Zeitgenössischen Zirkus, die trotz der Diversität der Aufführungen generalisierbare Merkmale, das grundlegende Verfahren und die Bau- und Wirkungsweise der Stücke offenlegt This volume adapts a semiotic text-context model for the analysis of the contemporary circus, a topic that has gone largely unexplored. It is the first study to document and interpret the genre based on theories of textual scholarship

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Online
    ISBN: 9783110661798; 9783110662023
    Other identifier:
    Series: spectrum Literaturwissenschaft ; Band 69
    Subjects: Circus; Dramaturgie; Kultursemiotik; Zirkus; cultural semiotics; dramaturgy; LITERARY CRITICISM / Drama; Analyse; Aufführung; Zirkus; Theorie
    Scope: 1 Online Ressource (IX, 246 Seiten), Illustrationen
    Notes:

    Dissertation, Westfälische Wilhelms-Universität Münster,

  25. Transoceanic Animals as Spectacle in Early Modern Spain
    Published: [2020]; © 2020
    Publisher:  Amsterdam University Press, Amsterdam

    Animal spectacles are vital to a holistic appreciation of Spanish culture. In Transoceanic Animals as Spectacle in Early Modern Spain, Beusterien christens five previously unnamed animals, each of whom was a protagonist in a spectacle: Abada, the... more

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    Animal spectacles are vital to a holistic appreciation of Spanish culture. In Transoceanic Animals as Spectacle in Early Modern Spain, Beusterien christens five previously unnamed animals, each of whom was a protagonist in a spectacle: Abada, the rhinoceros; Hawa'i, the elephant; Fuleco, the armadillo; Jarama, the bull; and Maghreb, the lion. In presenting and analyzing their stories, Beusterien enriches our understanding of the role of animals in the development of commercial theater in Spain and the modern bullfight. He also contributes to growing scholarly conversations on the importance of Spain in the history of science by examining how animal spectacles had profound repercussions on the emergence of the modern zoo and natural history museum. Combining scholarly content analysis and pedagogical sagacity, the book has a broad appeal for scholars of the early modern Spanish empire, animal studies scholars, and secondary and post-secondary instructors looking for engaging exercises and information for their Spanish language, culture, and history students

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048552252
    Other identifier:
    Series: Connected Histories in the Early Modern World
    Subjects: History; HISTORY / Europe / Spain & Portugal; Animals and civilization; Animals in the performing arts; Human-animal relationships in the performing arts; Tiere <Motiv>; Aufführung; Rolle; Tiere; Theater
    Scope: 1 online resource (256 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)