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  1. Beauty and sublimity
    a cognitive aesthetics of literature and the arts
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

    Recent decades have witnessed an explosion in neuroscientific and related research treating aesthetic response. This book integrates this research with insights from philosophical aesthetics to propose new answers to longstanding questions about... more

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    Recent decades have witnessed an explosion in neuroscientific and related research treating aesthetic response. This book integrates this research with insights from philosophical aesthetics to propose new answers to longstanding questions about beauty and sublimity. Hogan begins by distinguishing what we respond to as beautiful from what we count socially as beautiful. He goes on to examine the former in terms of information processing (specifically, prototype approximation and non-habitual pattern recognition) and emotional involvement (especially of the endogenous reward and attachment systems). In the course of the book, Hogan examines such issues as how universal principles of aesthetic response may be reconciled with individual idiosyncrasy, how it is possible to argue rationally over aesthetic response, and what role personal beauty and sublimity might play in the definition of art. To treat these issues, the book considers works by Woolf, Wharton, Shakespeare, Arthur Miller, Beethoven, Matisse, and Kiran Rao, among others

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316335604; 9781107115118; 9781107535497
    Other identifier:
    RVK Categories: EC 1840
    Subjects: Literatur; Philosophie; Ästhetik; Aesthetics; Literature / Aesthetics; Arts / Philosophy; Schönheit; Kunst; Literatur; Ästhetik
    Scope: 1 online resource (ix, 286 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Feb 2016)

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  2. Ausweitung der Kunstzone
    Interart Studies - Neue Perspektiven der Kunstwissenschaften
    Published: [2015]; ©2010
    Publisher:  transcript-Verlag, Bielefeld

    Als Christoph Schlingensief in seiner Aktion »Bitte liebt Österreich« (2000) Asylbewerber vor der Wiener Staatsoper in »Big Brother«-Container pferchte und die Passanten im Stil einschlägiger Reality-Shows über deren Abschiebung »voten« ließ, war das... more

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    Als Christoph Schlingensief in seiner Aktion »Bitte liebt Österreich« (2000) Asylbewerber vor der Wiener Staatsoper in »Big Brother«-Container pferchte und die Passanten im Stil einschlägiger Reality-Shows über deren Abschiebung »voten« ließ, war das Gros der Passanten zunächst nicht in der Lage, zwischen künstlerischer Performance, TV-Trash und Realität zu unterscheiden.Doch nicht nur die Grenzen von Kunst und Leben sind in Bewegung, auch diejenigen zwischen den Einzelkünsten selbst verflüchtigen sich, sodass die kunstwissenschaftlichen Einzeldisziplinen den Arbeiten kaum mehr gerecht werden.Die Interart Studies spüren an Beispielen aus Film, Theater, bildender Kunst, Musik, in Ästhetik und Medientheorie Phänomene der Überschreitung auf, um zu erproben, wie diese mit neuen Mitteln methodisch und theoretisch adäquat zu fassen sind

     

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  3. Images, improvisations, sound, and silence from 1000 to 1800 - degree zero
    Contributor: Hellemans, Babette (Publisher); Nelson, Alissa Jones (Publisher)
    Published: [2018]; © 2018
    Publisher:  Amsterdam University Press, Amsterdam

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Contributor: Hellemans, Babette (Publisher); Nelson, Alissa Jones (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789462980051
    Series: Knowledge communities ; 6
    Subjects: Ästhetik; Künste; Schaffensprozess; Kreativität
    Other subjects: Arts / Philosophy
    Scope: 251 Seiten, Illustrationen
  4. Aesthetics beyond the arts
    new and recent essays
    Published: 2016
    Publisher:  Routledge, London ; New York

    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138255487
    RVK Categories: CC 6900
    Edition: First issued in paperback
    Subjects: Aesthetics; Arts / Philosophy; Philosophie; Ästhetik; Umwelt; Kunst; Natur; Ästhetik
    Scope: ix, 222 Seiten, 24 cm
  5. Work and object
    explorations in the metaphysics of art
    Published: 2012
    Publisher:  Oxford University Press, Oxford [u.a.]

    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780199655496; 9780199577460
    RVK Categories: CC 6900
    Edition: First published in paperback
    Subjects: Arts / Philosophy; Aesthetics; Philosophie; Ästhetik; Kunst; Metaphysik; Ästhetik; Ontologie
    Scope: xiii, 248 Seiten, 23 cm
    Notes:

    Includes bibliographical references and index

  6. Georg Simmel
    essays on art and aesthetics
    Published: [2020]
    Publisher:  The University of Chicago Press, Chicago ; London

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Contributor: Harrington, Austin (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780226620930; 9780226621098
    Subjects: Aesthetics; Arts / Philosophy; Art / Philosophy; Aesthetics; Art / Philosophy; Arts / Philosophy; Künste; Ästhetik
    Other subjects: Simmel, Georg (1858-1918)
    Scope: 388 Seiten
  7. The Figino, or, On the purpose of painting
    art theory in the late Renaissance
    Published: c2001
    Publisher:  University of Toronto Press, Toronto, Ont.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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  8. Explanation and value in the arts
    Contributor: Kemal, Salim (Publisher); Gaskell, Ivan (Publisher)
    Published: 1993
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Kemal, Salim (Publisher); Gaskell, Ivan (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511659492
    Other identifier:
    RVK Categories: CC 6900 ; CC 8200 ; LH 60000 ; LH 61050
    Series: Cambridge Studies in Philosophy and the Arts
    Subjects: Philosophie; Ästhetik; Aesthetics; Values; Arts / Philosophy; Kunstwissenschaft; Ästhetik; Künste; Erklärung; Kunst; Interesse; Ästhetischer Wert
    Scope: 1 Online-Ressource (IX, 245 S.)
    Notes:

    Title from publishers bibliographic system (viewed on 18 Feb 2013)

    Erscheinungsjahr des E-Books: 2010

  9. Theory rules
    art as theory, theory and art
    Published: ©1996
    Publisher:  YYZ Books, Toronto, Ont.

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1442664649; 9781442664647
    Subjects: Critique d'art / Congrès; Arts / Philosophie / Congrès; ART / Performance; ART / Reference; ART / Criticism & Theory; Art criticism; Arts / Philosophy; Philosophie; Art criticism; Arts; Ästhetik; Kunst; Neue Medien
    Scope: 1 Online-Ressource (320 pages)
    Notes:

    Papers presented at a conference, Art as theory / theory and art, held at the University of Ottawa, Nov. 29-30, Dec. 1, 1991

    Includes bibliographical references

  10. Beyond aesthetics
    philosophical essays
    Published: 2001
    Publisher:  Cambridge University Press, Cambridge, UK

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0511012578; 0511030770; 0511605978; 0521781345; 0521786568; 9780511012570; 9780511030772; 9780511605970; 9780521781343; 9780521786560
    Subjects: Esthetica; Art / Philosophie; Arts / Philosophie; Esthétique; PHILOSOPHY / Aesthetics; Esthetica; Art / Philosophie; Arts / Philosophie; Esthétique; Art; Ästhetik; Aesthetics; Art / Philosophy; Arts / Philosophy; Kunst; Philosophie; Ästhetik; Art; Arts; Aesthetics; Kunstkritik; Ästhetik
    Scope: 1 Online-Ressource (xiv, 450 pages)
    Notes:

    Includes bibliographical references (pages 395-442) and index

    Foreword - Peter Kivy -- - pt. I. - Beyond Aesthetics - Art and Interaction - Beauty and the Genealogy of Art Theory - Four Concepts of Aesthetic Experience -- - pt. II. - Art, History, and Narrative - Art, Practice, and Narrative - Identifying Art - Historical Narratives and the Philosophy of Art - On the Narrative Connection - Interpretation, History, and Narrative -- - pt. III. - Interpretation and Intention - Art, Intention, and Conversation - Anglo-American Aesthetics and Contemporary Criticism: Intention and the Hermeneutics of Suspicion - The Intentional Fallacy: Defending Myself - Interpretation and Intention: The Debate between Hypothetical and Actual Intentionalism -- - pt. IV. - Art, Emotion, and Morality - Art, Narrative, and Emotion - Horror and Humor

    "Beyond Aesthetics brings together philosophical essays addressing art and related issues by one of the foremost philosophers of art at work today. Countering conventional aesthetic theories - those maintaining that authorial intention, art history, morality, and emotional responses are irrelevant to the experience of art - Noel Carroll argues for a more pluralistic and commonsensical view in which all of these factors can play a legitimate role in our encounter with artworks. Throughout, the book combines philosophical theorizing with illustrative examples including works of high culture and the avant-garde, as well as works of popular culture, jokes, horror novels, and suspense films."--Jacket

  11. Network aesthetics
    Published: [2016]
    Publisher:  The University of Chicago Press, Chicago and London

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226346489; 9780226346519
    RVK Categories: AP 13550
    Subjects: Philosophie; Ästhetik; Arts / Philosophy; Aesthetics; Cognitive science; Philosophie; Film; Soziales Netzwerk; Fernsehen; Computerspiel; Literatur; Netzwerk; Ästhetik; Kunst
    Scope: xiii, 314 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

    Maximal aesthetics: network novels. Emergent aesthetics : network films. Realist aesthetics : televisual networks. Participatory aesthetics : network games. Improvisational aesthetics : alternate reality games. Coda : after networks (comes ambivalence)

  12. Art and thought
    Published: 2003
    Publisher:  Blackwell Publishing, Malden, MA

    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780470777336; 0470777338; 9780470774199
    Other identifier:
    RVK Categories: CC 6900
    Series: New interventions in art history ; 1
    Subjects: History; Arts / Histoire; Arts / Philosophie; ART / General; Arts; Arts / Philosophy; Esthetica; Kunst; Geschichte; Philosophie; Ästhetik; Arts / History; Arts / Philosophy; Philosophie; Kunst; Ästhetik
    Scope: 1 Online-Ressource (x, 224 Seiten), Illustrationen
    Notes:

    Includes bibliographical references (pages 209-215) and index

    Art and Thought is a collection of newly commissioned essays that explores the relationship between the discipline of art history and important movements in the history of western thought. Brings together newly commissioned essays that explore the relationship between the discipline of art history and movements in the history of western thought. Considers the impact of the writings of key thinkers, including Aristotle, Kant, and Heidegger, on the way in which objects are perceived and understood and histories of art are constructed, deconstructed, and reconfigured according to varying sets of ph

  13. The "I" and the "eye"
    the verbal and the visual in post-renaissance Western aesthetics
    Published: 2011
    Publisher:  Cambridge Scholars, Newcastle upon Tyne

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443829242; 1443830844; 9781443829243; 9781443830843
    Subjects: Kunst; Sprache; Visuelle Wahrnehmung; Ästhetik; PHILOSOPHY / Aesthetics; Aesthetics; Arts / Philosophy; Philosophie; Ästhetik; Aesthetics; Arts; Ästhetik; Visuelle Wahrnehmung; Kunst; Sprache
    Scope: 1 Online-Ressource (xxxii, 276 p.)
    Notes:

    Includes bibliographical references (p. [254]-268) and index

  14. Summers of discontent
    the purpose of the arts today
    Published: 2014
    Publisher:  Wilmington Square Books, London

    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781908524409; 1908524405
    Other identifier:
    9781908524409
    RVK Categories: CC 6900
    Edition: 1. publ.
    Subjects: Philosophie; Arts / Philosophy; Ästhetik; Kunst
    Scope: 190 S., 20 cm
  15. The Theory of the Arts
    Published: [1982]
    Publisher:  Princeton University Press, Princeton, N.J.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400857012
    Other identifier:
    Subjects: Künste, Bildende Kunst allgemein; Arts / Philosophy; Aesthetics; ART / General; Philosophie; Ästhetik; Ästhetik
    Scope: 1 Online-Ressource (726p.)
    Notes:

    In a systematic overview of classical and modern contributions to aesthetics, Professor Sparshott argues that all four lines of theory, and no others, are necessary to coherent thinking about art.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905

  16. Hegel on the modern arts
    Published: 2010
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "Debates over the 'end of art' have tended to obscure Hegel's work on the arts themselves. Benjamin Rutter opens this study with a defence of art's indispensability to Hegel's conception of modernity; he then seeks to reorient discussion toward the... more

    Universitätsbibliothek Bamberg
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    "Debates over the 'end of art' have tended to obscure Hegel's work on the arts themselves. Benjamin Rutter opens this study with a defence of art's indispensability to Hegel's conception of modernity; he then seeks to reorient discussion toward the distinctive values of painting, poetry, and the novel. Working carefully through Hegel's four lecture series on aesthetics, he identifies the expressive possibilities particular to each medium. Thus, Dutch genre scenes animate the everyday with an appearance of vitality; metaphor frees language from prose; and Goethe's lyrics revive the banal routines of love with imagination and wit. Rutter's important study reconstructs Hegel's view not only of modern art but of modern life and will appeal to philosophers, literary theorists, and art historians alike"--

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780511760440
    Other identifier:
    RVK Categories: CG 4077
    Edition: 1. publ.
    Series: Modern European philosophy
    Subjects: Aesthetics; Art / Philosophy; Arts / Philosophy; Kunst; Philosophie; Ästhetik; Ästhetik; Kunst
    Other subjects: Hegel, Georg Ludwig Friedrich / 1807-1831; Hegel, Georg Wilhelm Friedrich (1770-1831)
    Scope: 1 Online-Ressource (XIII, 282 S.)
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: Introduction; 1. The problem of a modern art; 2. Painting life; 3. The values of virtuosity; 4. The lyric; 5. Modern literature; Bibliography

  17. Essays on art and aesthetics
    Published: [2020]; © 2020
    Publisher:  The University of Chicago Press, Chicago ; London

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Contributor: Harrington, Austin (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226621128
    Other identifier:
    Subjects: ART / General / bisacsh; Aesthetics; Art / Philosophy; Arts / Philosophy; Künste; Ästhetik
    Other subjects: Simmel, Georg (1858-1918)
    Scope: 1 Online-Ressource (388 Seiten)
  18. Philosophy of religion and art
    Contributor: Trickett, Gregory E. (Publisher); Gilhooly, John R. (Publisher)
    Published: 2021
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Bayerische Staatsbibliothek
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    Contributor: Trickett, Gregory E. (Publisher); Gilhooly, John R. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781527566286; 1527566285
    Subjects: Poetik; Religionsphilosophie
    Other subjects: Arts and religion; Religion / Philosophy; Arts / Philosophy; Arts and religion; Arts / Philosophy; Religion / Philosophy
    Scope: xiii, 168 Seiten, 21 cm
  19. Passaggi
    passioni, persone, poesia
    Published: [2020]
    Publisher:  Mimesis, Milano

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788857571447
    Series: Eterotopie ; n. 694
    Subjects: Aesthetics; Arts / Philosophy; Arts, Modern; Ästhetik
    Scope: 151 pages, 21 cm
    Notes:

    Includes bibliographical references and index

  20. Images, improvisations, sound, and silence from 1000 to 1800 - degree zero
    Contributor: Hellemans, Babette (Publisher); Nelson, Alissa Jones (Publisher)
    Published: 2020
    Publisher:  Amsterdam University Press, Amsterdam

    The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays,... more

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    The act of drawing a line or uttering a word is often seen as integral to the process of making art. This is especially obvious in music and the visual arts, but applies to literature, performance, and other arts as well. These collected essays, written by scholars from diverse fields, take a historical view of the richness of creation out of nothing (creatio ex nihilo) in order to draw out debates, sometimes implicit and sometimes formally stated, about the production and reproduction of cultural meaning in a period of great change and novelty, between the beginnings of the medieval intellectual tradition and the imprint of the Enlightenment. The authors pose the following questions: Do tradition and creativity conflict with one another, or are they complementary? What are the tensions between composition and live performance? What is the role of the audience in perceiving the object of art? Are such objects fixed or flexible? What about the status of the event? Is the event part of creation, in the sense that it disturbs the still waters of historical continuity? These and other questions build on the foundation of Roland Barthes' concept of Degree Zero, offering new insights into what it means to create

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Hellemans, Babette (Publisher); Nelson, Alissa Jones (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789048529186
    Other identifier:
    Series: Knowledge communities (Amsterdam, Netherlands)
    6
    Subjects: Arts / Philosophy; Arts, Medieval; Arts, Modern; Sound in art; Sound in literature; Silence in literature; Ästhetik; Künste; Schaffensprozess; Kreativität
    Scope: 1 Online-Ressource (251 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 14 Dec 2020)

    Ouverture : degree zero between past and future / Babette Hellemans -- Images. The two bodies of the Virgin : on the festival of Cirio de Nazaré / Jean-Claude Schmitt -- The three ages of man and the materialization of an allegory : inquiries on an object at the threshold of modernity / Andrea von Hülsen-Esch -- Lapsus figurae : remarks on iconographic error / Pierre-Olivier Dittmar -- Improvisations. Drawing a line and questioning art / Nicola Suthor -- Fall and rise again / Irit Ruth Kleiman -- Improvisations as a chief pillar of the poetic art in Persian literary tradition / Asghar Seyed-Gohrab -- Sound. Intending the listener / Rokus de Groot -- The sovereign ear : Handel's Water music and aural historiography / Sander van Maas -- Where sound and meaning part : language and performance in early Hebrew poetry / Irene Zwiep -- Silence. Writing about silence and the secret in the twelfth century : monastic variations on a Biblical theme / Cédric Giraud -- An arrangement of silence : shaping monastic identity in Anselm of Canterbury's letter collections / Theo B. Lap -- Dimidia hora : liminal silence in Bernard of Clairvaux, Anselm of Canterbury, and Barack Obama / Burcht Pranger

  21. Philosophy by other means
    the arts in philosophy and philosophy in the arts
    Published: 2021
    Publisher:  The University of Chicago Press, Chicago ; London

    "The relationship between philosophy and aesthetic criticism has occupied Robert Pippin throughout his illustrious career. Whether discussing film, literature, or modern and contemporary art, Pippin's claim is that we cannot understand aesthetic... more

    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan

     

    "The relationship between philosophy and aesthetic criticism has occupied Robert Pippin throughout his illustrious career. Whether discussing film, literature, or modern and contemporary art, Pippin's claim is that we cannot understand aesthetic objects unless we reckon with the fact that some distinct philosophical issue is integral to their meaning. In his latest offering, Philosophy by Other Means, we are treated to a collection of essays that builds on this larger project, offering profound ruminations on philosophical issues in aesthetics along with revelatory readings of Henry James, Marcel Proust, and J. M. Coetzee"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226770772; 9780226770802
    RVK Categories: CC 6900
    Subjects: Literatur; Ästhetik; Kunst; Philosophie
    Other subjects: Aesthetics; Arts / Philosophy; Literature / Philosophy; Aesthetics; Arts / Philosophy; Literature / Philosophy
    Scope: 275 Seiten
    Notes:

    Part I: The arts in philosophy. Philosophical criticism -- Kant and the problem of tragedy -- The status of literature in Hegel's Phenomenology of spirit : on the lives of concepts -- The absence of aesthetics in Hegel's aesthetics -- Hegel on painting -- Authenticity in painting : remarks on Michael Fried's art history -- Photography as art : Fried and intention -- Adorno, aesthetic negativity, and the problem of idealism -- Part II. Philosophy in the arts. On Maisie's knowing her own mind -- Subjectivity : a Proustian problem -- The shadow of love : the role of jealousy in Proust's À la recherche du temps perdu -- The paradoxes of power in the early novels of J.M. Coetzee -- Philosophical fiction? On J.M. Coetzee's Elizabeth Costello

  22. In principio era l'immagine
    appunti di filosofia dell'arte
    Author: Emo, Andrea
    Published: aprile 2019
    Publisher:  Bompiani, Milano - Italia

    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Donà, Massimo (Publisher); Gasparotti, Romano (Publisher); Toffolo, Raffaella (Publisher)
    Language: Italian
    Media type: Book
    ISBN: 9788830100497
    Edition: Prima edizione
    Series: Tascabili Bompiani ; 617
    Subjects: Arts / Philosophy; Aesthetics; Art; Ästhetik
    Scope: 540 pages, 20 cm
    Notes:

    Includes bibliographical references

  23. Aberrant nuptials
    Deleuze and artistic research 2
    Contributor: Assis, Paulo de (Publisher); Giudici, Paolo (Publisher)
    Published: [2019]
    Publisher:  Leuven University Press, Leuven

    Aberrant Nuptials' explores the diversity and richness of the interactions between artistic research and Deleuze studies. 'Aberrant nuptials' is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by... more

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    Aberrant Nuptials' explores the diversity and richness of the interactions between artistic research and Deleuze studies. 'Aberrant nuptials' is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book - architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers - map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by established Deleuze scholars who have been working on interferences between art and philosophy, and by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, this volume reflects the current relevance of artistic research and Deleuze studies for the arts.

     

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    Content information
    Source: Union catalogues
    Contributor: Assis, Paulo de (Publisher); Giudici, Paolo (Publisher)
    Language: English
    Media type: Conference proceedings
    ISBN: 9789462702028
    Corporations / Congresses: International Conference on Deleuze and Artistic Research, 2. (2017, Gent)
    Series: Orpheus Institute series
    Deleuze and artistic research ; 2
    Subjects: Künste; Ästhetik
    Other subjects: Deleuze, Gilles (1925-1995); Deleuze, Gilles,-1925-1995-Congresses; Arts / Research; Arts / Philosophy; Deleuze, Gilles / 1925-1995 / Influence; Deleuze, Gilles / 1925-1995; Arts / Philosophy; Arts / Research; Influence (Literary, artistic, etc.)
    Scope: 478 Seiten, Illustrationen, Notenbeispiele
    Notes:

    Introduction: "Aberrant Nuptials: Deleuze and Artistic Research 2" brings together a collection of essays originating from the second international conference on Deleuze and Artistic Research (DARE), held at the Orpheus Institute, Ghent, 20-22 November 2017 (Seite 9)

  24. Filosofía del arte
    el arte pensado
    Published: 2017
    Publisher:  Herder, México

    El autor detalla sus desarrollos con respecto a cuestiones de estética y el papel que ejercen en su pensamiento el arte, la belleza y los objetos que habitualmente caen en aquel campo de estudio.En la primera parte de esta obra, hace una aproximación... more

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    El autor detalla sus desarrollos con respecto a cuestiones de estética y el papel que ejercen en su pensamiento el arte, la belleza y los objetos que habitualmente caen en aquel campo de estudio.En la primera parte de esta obra, hace una aproximación a algunos de los teóricos fundamentales que han configurado la disciplina estética, aquellos personajes que son de importancia fundamental en las tradiciones continental y anglosajona. En la segunda parte se desarrollan algunas de las cuestiones fundamentales de filosofía del arte que se debaten actualmente

     

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  25. Fandom as methodology
    a sourcebook for artists and writers
    Contributor: Grant, Catherine (Publisher); Love, Kate Random (Publisher)
    Published: [2019]
    Publisher:  Goldsmiths Press, London

    Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of ?fandom... more

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    Fandom as Methodology examines fandom as a set of practices for approaching and writing about art. The collection includes experimental texts, autobiography, fiction, and new academic perspectives on fandom in and as art. Key to the idea of ?fandom as methodology? is a focus on the potential for fandom in art to create oppositional spaces, communities, and practices, particularly from queer perspectives, but also through transnational, feminist and artist-of-color fandoms. The book provides a range of examples of artists and writers working in this vein, as well as academic essays that explore the ways in which fandom can be theorized as a methodology for art practice and art history. Fandom as Methodology proposes that many artists and art writers already draw on affective strategies found in fandom. With the current focus in many areas of art history, art writing, and performance studies around affective engagement with artworks and imaginative potentials, fandom is a key methodology that has yet to be explored. Interwoven into the academic essays are lavishly designed artist pages in which artists offer an introduction to their use of fandom as methodology

     

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    Source: Union catalogues
    Contributor: Grant, Catherine (Publisher); Love, Kate Random (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781912685134; 1912685132
    RVK Categories: CC 6900
    Subjects: Fan; Ästhetik
    Other subjects: Aesthetics / Social aspects; Arts / Philosophy; Arts in literature; Fans (Persons); Arts in literature; Arts ; Philosophy; Fans (Persons)
    Scope: xii, 268 Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references and index