Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Narrow Search
Search narrowed by
Last searches

Results for *

Displaying results 1 to 25 of 2067.

  1. Montage und Collage
    Literatur, bildende Künste, Film, Fotografie, Musik, Theater bis 1933
    Author: Möbius, Hanno
    Published: 2000
    Publisher:  Fink, München

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatliches Institut für Musikforschung - Preußischer Kulturbesitz, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3770535243
    RVK Categories: EC 5184 ; EC 5185 ; EC 5189 ; AP 56700 ; AP 74700 ; CC 6700 ; EC 3800 ; LH 65820
    Subjects: Montage; Assemblage (Art); Collage; Arts, Modern
    Scope: 498 S, Ill, 23 cm
  2. Feminist art and the maternal
    Author: Liss, Andrea
    Published: 2009
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780816646227; 9780816646234
    Subjects: Motherhood in art; Feminism and art; Women artists; Arts, Modern
    Scope: XXI, 176 S.
    Notes:

    Literaturverz. S. 163 - 169
  3. Avant-gardes du XXe siècle
    arts & littérature, 1905 - 1930 ; expressionisme, cubisme, futurisme, imagisme, vorticisme, métaphysique, acméisme, rayonnisme, Dada, surréalisme, alogisme, suprématisme, ultraïsme, stridentisme, imaginisme, constructivisme, indigénisme, anthropophagisme, muralisme ...
    Author: Fauchereau, Serge
    Published: 2010
    Publisher:  Flammarion, [Paris]

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782081225527; 2081225522
    RVK Categories: LH 65820
    Subjects: History of Arts and Literature / Avant-Garde / Early 20th Century; Avant-garde (Aesthetics); Arts, Modern
    Scope: 587 S., zahlr. Ill.
  4. <<The>> iconography of landscape
    essays on the symbolic representation, design and use of past environments
    Contributor: Cosgrove, Denis E. (Publisher)
    Published: 1988
    Publisher:  Cambridge Univ. Press, Cambridge, Mass. [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Cosgrove, Denis E. (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521324378
    RVK Categories: RB 10023 ; LH 70460 ; RB 10844
    Edition: 1. publ.
    Series: Cambridge studies in historical geography ; 9
    Subjects: Landscapes in art; Nature (Aesthetics); Arts, Modern; Arts and society
    Scope: IX, 318 S., Ill., Kt.
  5. Terror and the arts
    artistic, literary, and political interpretations of violence from Dostoyevksy to Abu Ghraib
    Contributor: Hyvärinen, Matti (Publisher)
    Published: 2008
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Hyvärinen, Matti (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0230606717; 9780230606715
    Edition: 1. ed., 1. publ.
    Subjects: Terror in art; Arts, Modern
    Scope: XIII, 353 S., Ill., 22cm
    Notes:

    Literaturangaben
  6. Self/image
    technology, representation, and the contemporary subject
    Author: Jones, Amelia
    Published: 2006
    Publisher:  Routledge, London [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415345219; 0415345227; 9780415345217; 9780415345224
    Edition: 1. publ.
    Subjects: Self-perception in art; Subjectivity in art; Technology and the arts; Arts, Modern; Aesthetics, Modern
    Scope: XXII, 258 S., zahlr. Ill., 24 cm
    Notes:

    Literaturangaben
  7. Performing the body - performing the text
    Contributor: Jones, Amelia (Publisher)
    Published: 1999
    Publisher:  Routledge, London [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Jones, Amelia (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415190592; 0415190606
    RVK Categories: LH 64900 ; LI 65830 ; LH 61060 ; LH 61020
    Edition: 1. publ.
    Subjects: Performance art; Body art; Array
    Scope: XII, 306 S., Ill.
  8. <<Les>> figures de la guerre
    représentations et sensibilités, 1839 - 1996
    Author: Puiseux, Hélène
    Published: 1997
    Publisher:  Gallimard, Paris

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 2070738264
    Series: <<Le>> temps des images
    Subjects: War in art; Array; Array
    Scope: 270 S., Ill.
    Notes:

    Literaturverz. u. Filmogr. S. [253 - 258]
  9. Ich bin mein Auto
    die maschinalen Ebenbilder des Menschen ; [anläßlich der Ausstellung "Ich bin mein Auto - die maschinalen Ebenbilder des Menschen" vom 30. Juni - 29. August 2001 in der Staatlichen Kunsthalle Baden-Baden]
    Contributor: Bilstein, Johannes (Publisher)
    Published: 2001
    Publisher:  König, Köln

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Bilstein, Johannes (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3883754978
    RVK Categories: LH 40440 ; LH 84123 ; LH 84958
    Subjects: Array; Array
    Scope: 204 S., Ill.
  10. Modern art and the grotesque
    Contributor: Connelly, Frances S. (Publisher)
    Published: 2003
    Publisher:  Cambridge Univ. Press, Cambridge

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Connelly, Frances S. (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780521818841; 0521818842; 9780521115766
    RVK Categories: LH 65020 ; LH 65800 ; LH 84123 ; LH 84995
    Edition: 1. publ.
    Subjects: Grotesque in art; Arts, Modern; Arts, Modern
    Scope: XV, 316 S., Ill., 26 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke (2009)

    Literaturangaben
  11. <<Der>> verweigerte Friede
    der Verlust der Friedensbildlichkeit in der Moderne
    Contributor: Kater, Thomas (Publisher)
    Published: 2003
    Publisher:  Donat-Verl., Bremen

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Kater, Thomas (Publisher)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3934836348
    RVK Categories: NN 1400
    Subjects: Peace in art; Arts, Modern
    Scope: 394 S., Ill., graph. Darst., 21 cm
  12. Esthetics of the Moment
    Literature and Art in the French Enlightenment
    Author: Kavanagh, Thomas M.
    Published: [2011]; © 1996
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    The literature and art of the French Enlightenment is everywhere marked by an intense awareness of the moment. The parallel projects of living in, representing, and learning from the moment run through the Enlightenment's endeavors as tokens of an ambition and a heritage imposing its only and ultimately impossible cohesion. In this illuminating study, Thomas M. Kavanagh argues that Enlightenment culture and its tensions, contradictions, and achievements flow from a subversive attention to the present as present, freed from the weight of past and future.Examining a wide sweep of literary and artistic culture, Kavanagh argues against the traditional view of the Age of Reason as one of coherent, recognizable ideology expressed in a structured narrative form. In literature, he analyzes the moment at work in the inebriating lightness of Marivaux's repartee; the new-found freedom of Lahontan's and Rousseau's ideals of a consciousness limited to the present; Diderot's championing of Epicurean epistemology; Graffigny's portrayal of abrupt cultural displacement; and Casanova's penchant for chance's redefining moment. The moment in art theory and practice is explored in such forms as de Piles's defense of color; Du Bos's foregrounding of perception; Watteau's indulgence in a corporeal present; Chardin's dismantling of mimesis; and Boucher's and Fragonard's thematics of desire

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812202441
    Other identifier:
    Series: Critical Authors and Issues
    Subjects: Fine Arts; Arts, French; Arts, Modern; Ut pictura poesis (Aesthetics); Aufklärung; Text; Französisch; Augenblick; Bild; Ästhetik; Literatur; Ut pictura poesis; Kunst
    Scope: 1 online resource, 51 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Mar. 21, 2016)
  13. Körper in Bewegung
    Modelle und Impulse der italienischen Avantgarde
    Contributor: Erstic, Marijana (Publisher); Hülk, Walburga (Publisher); Schuhen, Gregor (Publisher)
    Published: [2009]; © 2009
    Publisher:  transcript Verlag, Bielefeld

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Erstic, Marijana (Publisher); Hülk, Walburga (Publisher); Schuhen, Gregor (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839410998
    Other identifier:
    Series: Kultur- und Medientheorie
    Subjects: Arts, Modern; Avant-garde (Aesthetics); Avantgarde; Avant-garde; Beweging (activiteit); Bewegung (Motiv); Futurism (Art); Künste, Bildende Kunst allgemein; Künste; Movement, Aesthetics of; Arts; Arts; Arts, Modern; Avant-garde (Aesthetics); Futurism (Art); Movement, Aesthetics of; Körper; Künste; Avantgarde; Bewegung <Motiv>; Bewegung; Kunst
    Scope: 1 online resource (360 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :
  14. Weißes Rauschen
    1. Ästhetik-Festival der Universität Bielefeld. Eine Dokumentation
    Contributor: Piehler, Heike (Publisher)
    Published: [2006]; © 2006
    Publisher:  transcript Verlag, Bielefeld

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Piehler, Heike (Publisher)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839404621
    Other identifier:
    Series: Kultur- und Medientheorie
    Subjects: Aesthetics; Arts, Modern; Philosophie; Ästhetik; Aesthetics; Arts, Modern
    Scope: 1 online resource (110 pages), illustrations
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed September 10 2015)

    :
  15. Perennial Decay
    On the Aesthetics and Politics of Decadance
    Published: [2015]; © 1998
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    When Oscar Wilde was convicted of gross indecency in 1895, a reporter for the National Observer wrote that there was "not a man or a woman in the English-speaking world possessed of the treasure of a wholesome mind who is not under a deep debt of... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    When Oscar Wilde was convicted of gross indecency in 1895, a reporter for the National Observer wrote that there was "not a man or a woman in the English-speaking world possessed of the treasure of a wholesome mind who is not under a deep debt of gratitude to the marquis of Queensberry for destroying the high Priest of the Decadents." But reports of the death of decadence were greatly exaggerated, and today, more than one hundred years after the famous trial and at the beginning of a new millennium, the phenomenon of decadence continues to be a significant cultural force.Indeed, "decadence" in the nineteenth century, and in our own period, has been a concept whose analysis yields a broad set of associations. In Perennial Decay, Emily Apter, Charles Bernheimer, Sylvia Molloy, Michael Riffaterre, Barbara Spackman, Marc Weiner, and others extend the critical field of decadence beyond the traditional themes of morbidity, the cult of artificiality, exoticism, and sexual nonconformism. They approach the question of decadence afresh, reevaluating the continuing importance of late nineteenth-century decadence for contemporary literary and cultural studies

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812292480
    Other identifier:
    Series: New Cultural Studies
    Subjects: Literary Studies; Literature in Diverse Languages; Other Nations and Languages; Arts, Modern; Arts, Modern; Decadence (Literary movement); Decadence in art; Dekadenz; Kunst; Dekadenzliteratur; Ästhetik
    Scope: 1 online resource, 15 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
  16. The Topography of Modernity
    Karl Philipp Moritz and the space of autonomy
    Author: Schreiber, Elliott
    Published: [2012]; © 2012
    Publisher:  Cornell University Press, Ithaca, N.Y.

    Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785-90) and for... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Karl Philipp Moritz (d. 1793) was one of the most innovative writers of the late Enlightenment in Germany. A novelist, travel writer, editor, and teacher he is probably best known today for his autobiographical novel Anton Reiser (1785-90) and for his treatises on aesthetics, foremost among them Über die bildende Nachahmung des Schönen (On the Formative Imitation of the Beautiful), published in 1788. In this treatise, Moritz develops the concept of aesthetic autonomy, which became widely known after Goethe included a lengthy excerpt of it in his own Italian Journey (1816-17). It was one of the foundational texts of Weimar classicism, and it became pivotal for the development of early Romanticism.In The Topography of Modernity, Elliott Schreiber gives Moritz the credit he deserves as an important thinker beyond his contributions to aesthetic theory. Indeed, he sees Moritz as an incisive early observer and theorist of modernity. Considering a wide range of Moritz's work including his novels, his writings on mythology, prosody, and pedagogy, and his political philosophy and psychology, Schreiber shows how Moritz's thinking developed in response to the intellectual climate of the Enlightenment and paved the way for later social theorists to conceive of modern society as differentiated into multiple, competing value spheres

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780801466014
    Other identifier:
    Series: Signale: Modern German Letters, Cultures, and Thought
    Subjects: Philosophie; Aesthetics, Modern; Arts, Modern; German literature; Ästhetik
    Other subjects: Moritz, Karl Philipp (1756-1793)
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
  17. Refiguring the Real
    :Picture and Modernity in Word and Image, 1400-1700
    Author: Braider, Christopher
    Published: [2015]
    Publisher:  Princeton University Press, Princeton, N.J.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400872756
    Other identifier:
    Subjects: Arts, Medieval; Arts, Modern; Künste, Bildende Kunst allgemein; Ut pictura poesis (Aesthetics); Literatur; Ut pictura poesis; Malerei; Kunstbetrachtung; Allegorie; Kunst
    Scope: 1 Online-Ressource (336p.)
    Notes:

    In a major analysis of pictorial forms from the late Middle Ages to the Enlightenment, Christopher Braider argues that the painted image provides a metaphor and model for all other modes of expression in Western culture—particularly literature, philosophy, religion, and science. Because critics have conventionally explained visual images in terms of verbal texts (Scripture, heroic poetry, and myth), they have undervalued the impact of the pictorial naturalism practiced by painters from the fifteenth century onward and the fundamentally new conception of reality it conveys. By reinterpreting modern Western experience in light of northern "descriptive art," the author enriches our understanding of how both painted and written cultural texts shape our perceptions of the world at large. Throughout Braider draws on works by such painters as van der Weyden, Bruegel the Elder, Steen, Vermeer, Rembrandt, and Poussin, and addresses such topics as the Incarnation of the Word in Christ, the elegiac foundations of Enlightenment aesthetics, and the rivalry between northern and southern art. His goal is not only to reexamine important aesthetic issues but also to offer a new perspective on the general intellectual and cultural history of the modern West.Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  18. Modern/Postmodern
    A Study in Twentieth-Century Arts and Ideas
    Author: Gaggi, Silvio
    Published: [2015]; © 1989
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    Silvio Gaggi's survey of the vast terrain of twentieth century arts and ideas is unique not only for its scope but also for the clarity and cohesiveness it brings to wide-ranging, seemingly disparate works. By identifying underlying epistemological,... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Silvio Gaggi's survey of the vast terrain of twentieth century arts and ideas is unique not only for its scope but also for the clarity and cohesiveness it brings to wide-ranging, seemingly disparate works. By identifying underlying epistemological, aesthetic, and ethical issues. Gaggi draws connections among such modern and postmodern masterpieces as Pirandello's and Brecht's theater, Fowles's and Barth's fiction, Warhol's paintings, Godard's and Bergman's films, and Derrida's literary theory.Modern/Postmodern begins with a discussion of the profound skepticism—about traditional beliefs and about our ability to know the self—that lies at the heart of both modernism and postmodernism. Gaggi identifies the modernist response to this doubt as the rejection of mimesis in favor of a purely formalistic or expressionistic art. The postmodern response, on the other hand, is above all to create art that is self-referential (concerned with art itself, the history of art, or its processes). Drawing from the work of Piranadello and Brecht, paradigms that can be applies to many different art works, Gaggi emphasizes how these works from diverse media relate to one another and what their relationships are to the contemporary artistic and philosophical climate. He concentrates on the works themselves, but examines theory as a parallel manifestation of the same obsessions that inform recent literature and art.Gaggi asks, finally, if self-referential art can also be politically and ethically engaged with the reality outside it. He concludes that the postmodern obsession with language, narrativity, and artifice is not necessarily a decadent indulgence but is, at its best, an honest inquiry into the problems, questions, and paradoxes of language.Modern/Postmodern is a lively approach to postmodern art that will interest all students and scholars of contemporary art and literature

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781512802276
    Other identifier:
    Series: Penn Studies in Contemporary American Fiction
    Subjects: Comparative Literary Studies; Literary Studies; Literature in Diverse Languages; Arts, Modern; Postmodernism; Künste; Postmoderne; Kunstbetrachtung; Kunst; Literatur
    Scope: 1 online resource, 14 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher’s Web site, viewed Jan. 06, 2016)
  19. Infowhelm
    environmental art and literature in an age of data
    Author: Houser, Heather
    Published: [2020]; © 2020
    Publisher:  Columbia University Press, New York

    How do artists and writers engage with environmental knowledge in the face of overwhelming information about catastrophe? What kinds of knowledge do the arts produce when addressing climate change, extinction, and other environmental emergencies?... more

    Access:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    How do artists and writers engage with environmental knowledge in the face of overwhelming information about catastrophe? What kinds of knowledge do the arts produce when addressing climate change, extinction, and other environmental emergencies? What happens to scientific data when it becomes art? In Infowhelm, Heather Houser explores the ways contemporary art manages environmental knowledge in an age of climate crisis and information overload.Houser argues that the infowhelm—a state of abundant yet contested scientific information—is an unexpectedly resonant resource for environmental artists seeking to go beyond communicating stories about crises. Infowhelm analyzes how artists transform the techniques of the sciences into aesthetic material, repurposing data on everything from butterfly migration to oil spills and experimenting with data collection, classification, and remote sensing. Houser traces how artists ranging from novelist Barbara Kingsolver to digital memorialist Maya Lin rework knowledge traditions native to the sciences, entangling data with embodiment, quantification with speculation, precision with ambiguity, and observation with feeling. Their works provide new ways of understanding environmental change while also questioning traditional distinctions between types of knowledge. Bridging the environmental humanities, digital media studies, and science and technology studies, this timely book reveals the importance of artistic medium and form to understanding environmental issues and challenges our assumptions about how people arrive at and respond to environmental knowledge

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780231547208
    Other identifier:
    RVK Categories: EC 1879
    Subjects: LITERARY CRITICISM / Semiotics & Theory; Arts, Modern; Environmentalism in art; Environmentalism in literature; Global environmental change; Information behavior; Science and the arts; Klimaänderung; Umwelt <Motiv>; Kunst; Informationsüberlastung; Literatur
    Scope: 1 Online-Ressource (viii, 324 Seiten), Illustrationen
  20. Gewalt und Geschlecht
    Bilder, Literatur und Diskurse im 20. Jahrhundert
    Published: 2002
    Publisher:  Böhlau, Köln [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2006:1060:
    Inter-library loan:
    No inter-library loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 479723
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Braunschweig
    Signature:
    F 29/14
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a kun 092.9/100
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    EC 5410 G396 E33
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Greifswald
    Signature:
    640/EC 5184 E33
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    E-12 15/103
    Inter-library loan:
    No inter-library loan
    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2018 A 26860
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    EBm 14.2002
    Inter-library loan:
    No inter-library loan
    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    hil 009.6/26 TUM
    Inter-library loan:
    No inter-library loan
    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    8/10729
    Inter-library loan:
    No inter-library loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    2008/2671
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Musik, Theater und Medien Hannover, Bibliothek
    Signature:
    Gen 01 f.1
    Inter-library loan:
    No inter-library loan

    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    CR/260/208
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    PD 400 241
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    ALW:LA:7334:Ehr::2002
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Ay 9194
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    A O-XIV/4
    Inter-library loan:
    No inter-library loan

    Location:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    Signature:
    03-15103
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    soz 687 CN 0976
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    soz JP 1005
    Inter-library loan:
    No inter-library loan

    Location:
    Landesbibliothek Oldenburg
    Signature:
    03-0237
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Osnabrück
    Signature:
    BOU 5045-908 3
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Signature:
    MS 3010 EHR
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Rostock
    Signature:
    2003 A 198
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3412068020; 9783412068028
    RVK Categories: MS 3000
    Series: Array ; 23
    Subjects: Arts, Modern; Sex in art; Sex in literature; Power (Philosophy) in art; Power (Philosophy) in literature
    Scope: 220 S., [8] Bl., Ill.
    Notes:

    Literaturverz. S. [213] - 216
  21. Dada and Surrealism
    Author: Hopkins, David
    Published: 2004
    Publisher:  Oxford University Press, Oxford

    Location:
    University of Europe for Applied Sciences GmbH, Campus Berlin, Bibliothek
    Signature:
    KU - 219
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2008 A 13992
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0192802542; 9780192802545
    RVK Categories: GM 1612
    Series: A very short introduction ; v. 105
    Subjects: Dadaism; Surrealism; Arts, Modern
    Scope: 183 p., ill, 18cm.
    Notes:

    Includes bibliographical references and index
  22. Estetica e politica
    scritti critici 1920 - 1940
    Author: Soffici, Ardengo
    Published: 1994
    Publisher:  Solfanelli, Chieti

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:1999:1276
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A/311996
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 8874976046
    Edition: 1. ed
    Series: Il calamo & la ferula ; 19
    Subjects: Ästhetik;
    Other subjects: Array; Art and state
    Scope: 383 S
    Notes:

    Includes bibliographical references (p. 369-372) and index
  23. Les grandes figures du surréalisme international
    Author: Virmaux, Alain; Virmaux, Odette
    Published: 1994
    Publisher:  Bordas, Paris

    Location:
    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    Bibliothek der Pädagogischen Hochschule Erfurt
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    ZA 85169:37
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Osnabrück
    Signature:
    5510-775 4
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Signature:
    IH 1663 VIR
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    Series: Les compacts ; 37
    Other subjects: Array; Array; Array
    Scope: 256 p, ill, 20 cm
    Notes:

    Includes bibliographical references (p. 250-251) and index
  24. The Edinburgh companion to Samuel Beckett and the arts
    Contributor: Gontarski, Stanley E. (HerausgeberIn)
    Published: [2014]
    Publisher:  Edinburgh University Press, Edinburgh

    "The 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 161792
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    h ang 669 bec 6/418
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signature:
    IH 15721 G641 E2
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    2014 B 1576
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    2017/20190
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "The 35 new and original chapters in this Companion capture the continued vitality of Beckett studies in drama, music and the visual arts and establish rich and varied cultural contexts for Beckett's work world-wide. As well as considering topics such as Beckett and science, historiography, geocriticism and philosophy, the volume focuses on the post-centenary impetus within Beckett studies, emphasising a return to primary sources amid letters, drafts, and other documents. Major Beckett critics such as Steven Connor, David Lloyd, Andrew Gibson, John Pilling, Jean-Michel Rabaté, and Mark Nixon, as well as emerging researchers, present the latest critical thinking in 9 key areas: Art & Aesthetics; Fictions; European Context; Irish Context; Film, Radio & Television; Language/Writing; Philosophies; Theatre & Performance; Global Beckett. Edited by eminent Beckett scholar S. E. Gontarski, the Companion draws on the most vital, ground-breaking research to outline the nature of Beckett studies for the next generation"--Publisher

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Contributor: Gontarski, Stanley E. (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780748675685
    RVK Categories: IH 15721
    Subjects: Arts, Modern
    Other subjects: Beckett, Samuel (1906-1989)
    Scope: vii, 504 Seiten, 8 Seiten, Illustrationen, 25 cm
    Notes:

    S.E. Gontarski: Introduction :towards a minoritarian criticism :the questions we ask

    C.J. Ackerley: 'Deux Besoins' :Samuel Beckett and the aesthetic dilemma

    David Lloyd: 'Siege laid again' :Arikha's gaze, Beckett's painted stage

    Ulrike Maude: Convulsive aesthetics :Beckett, Chaplin and Charcot

    Sam Slote: Pain degree zero

    Paul Stewart: Sexual indifference in the Three novels

    Andrew V. McFeaters: A neuropolitics of subjectivity in Samuel Beckett's Three novels

    Tomasz Wiśnieswki: Evening, night and other shades of dark :Beckett's short prose

    Andrew Gibson: French Beckett and French literary politics 1945-52

    John Pilling: Beckett/Sade :texts for nothing

    Jean-Michel Rabaté: Beckett's Masson :from abstraction to non-relation

    Anthony Uhlmann: Beckett, Duthuit and ongoing dialogue

    Laura Salisbury: Gloria SMH and Beckett's linguistic encryptions

    Peter Fifield: 'I am writing a manifesto because I have nothing to say' (Soupault) :Samuel Beckett and the interwar avant-garde

    Sief Houppermans: Beckett and contemporary French literature

    Anthony Roche: The 'Irish' translation of Samuel Beckett's En attendant Godot

    Emilie Morin: Odds, ends, beginnings :Samuel Beckett and theatre cultures in 1930s Dublin

    Seán Kennedy: 'Bid us sigh on from day to day' :Beckett and the Irish big house

    Graley Herren: A womb with a view :Film as regression fantasy

    Everett C. Frost: 'The sound is enough' :Beckett's radio plays

    Steven Connor: 'Was that a point?'Beckett's punctuation

    Mark Nixon: Beckett's unpublished canon

    Dirk Van Hulle: Textual scars :Beckett, genetic criticism and textual scholarship

    Adam Piette: Beckett's Ill seen ill said :reading the subject, subject to reading

    Matthew Feldman: Beckett and philosophy

    S.E. Gontarski: 'Ruse a by' :Watt, the rupture of the everyday and transcendental empiricism

    Erik Tonning: Beckett, modernism and Christianity

    David Tucker: 'Oh lovely art' :Beckett and music

    Laura Peja: Victimised actors and despotic directors :clichés of theatre at stake in Beckett's Catastrophe

    John Paul Riquelme: Staging the modernist monologue as capable negativity :Beckett's 'A piece of monologue' between and beyond Eliot and Joyce

    Anna McMullan: Designing Beckett :Jocelyn Herbert's contribution to Samuel Beckett's theatrical aesthetics

    Annamaria Cascetta: Dianoetic laughter in tragedy :accepting finitude--Beckett's Endgame

    Geneviève Chevallier: Performing the formless

    Fábio de Souza Andrade: 'Facing other windows' :Beckett in Brazil

    Predrag Todorovic: Beckett in Belgrade

    Mariko Hori Tanaka.: 'Struggling with a dead language' :language of others in All that fall and the Japanese avant-garde theatre in the 1960s
  25. Kassel no invita a la lógica
    Author: Vila-Matas, Enrique
    Published: 2014
    Publisher:  Seix Barral, Barcelona

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    Sp.T.20.J.v 217 k
    Inter-library loan:
    No inter-library loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    ZIV eIII l 339/9
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Bw 4174
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: Spanish
    Media type: Book
    Format: Print
    ISBN: 9788432221132
    RVK Categories: IP 8910
    Edition: 1. ed.
    Subjects: Arts; Arts, Modern; Authors
    Scope: 304 S.