Publisher:
Routledge, Taylor & Francis Group, New York ; London
This book reveals a new history of the imagination told through its engagement with the body. Even as they denounced the imagination's potential for inviting luxury, vice, and corruption, American audiences avidly consumed a transatlantic visual...
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No loan of volumes, only paper copies will be sent
This book reveals a new history of the imagination told through its engagement with the body. Even as they denounced the imagination's potential for inviting luxury, vice, and corruption, American audiences avidly consumed a transatlantic visual culture of touring paintings, dioramas, gift books, and theatrical performances that pictured a preindustrial-and largely imaginary-European past. By examining the visual, material, and rhetorical strategies artists like Washington Allston, Asher B. Durand, Thomas Cole, and others used to navigate this treacherous ground, Catherine Holochwost uncovers a hidden tension in antebellum aesthetics. The book will be of interest to scholars of art history, literary and cultural history, critical race studies, performance studies, and media studies
Publisher:
Terra Foundation for American Art, Chicago ; Paris
"Humans are organisms, but "the human being" is a term referring to a complicated, self-contradictory, and historically evolving set of concepts and practices. Humans explores competing versions, constructs, and ideas of the human being that have...
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"Humans are organisms, but "the human being" is a term referring to a complicated, self-contradictory, and historically evolving set of concepts and practices. Humans explores competing versions, constructs, and ideas of the human being that have figured prominently in the arts of the United States. These essays consider a range of artworks from the colonial period to the present, examining how they have reflected, shaped, and modeled ideas of the human in American culture and politics. The book addresses to what extent artworks have conferred more humanity on some human beings than others, how art has shaped ideas about the relationships between humans and other beings and things, and in what ways different artistic constructions of the human being evolved, clashed, and intermingled over the course of American history. Humans both tells the history of a concept foundational to US civilization and proposes new means for its urgently needed rethinking"--
Humanitas. Literae. Fruges. : Humboldt, Empire, and Humanity in the Anthropocene / Alan C. Braddock -- The Inhumanity of the Mass Subject / Michael Leja -- "Monsters of Mutilation, Death and Decay" : The Tragic Figures of Monster Roster / Larne Abse Gogarty -- Follow the Figure : Cauleen Smith Confronts Land Art / Cherise Smith -- Fire Oppression : Burning and Weaving in Indigenous California / Jessica L. Horton -- James McNeill Whistler : Memory, the Canvas, and the Human Mind / Caroline Arscott -- The Human, Too Human Shape of Time : George Kubler on Arts and Stars / Jean-Philippe Antoine
