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  1. The sense of brown
    Author: Muñoz, José Esteban
    Published: [2020]; © 2020
    Publisher:  Duke University Press, Durham ; London

    The Sense of Brown, which he was completing at the time of his death, is José Esteban Muñoz's treatise on brownness and being as well as his most direct address to queer Latinx studies. Muñoz examines the work of playwrights Ricardo Bracho and Nilo... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

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    Universität Potsdam, Universitätsbibliothek
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    The Sense of Brown, which he was completing at the time of his death, is José Esteban Muñoz's treatise on brownness and being as well as his most direct address to queer Latinx studies. Muñoz examines the work of playwrights Ricardo Bracho and Nilo Cruz, artists Nao Bustamante, Isaac Julien, and Tania Bruguera, and singer José Feliciano, among others, arguing for a sense of brownness that is not fixed within the racial and national contours of Latinidad. This sense of brown is not about the individualized brown subject; rather, it demonstrates that for brown peoples, being exists within what Muñoz calls the brown commons-a lifeworld, queer ecology, and a form of collectivity. In analyzing minoritarian affect, ethnicity as a structure of feeling, and brown feelings as they emerge in, through, and beside art and performance, Muñoz illustrates how the sense of brown serves as the basis for other ways of knowing and being in the world

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Chambers-Letson, Joshua Takano (Publisher); Nyong'o, Tavia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012566
    Other identifier:
    Series: Perverse modernities
    Subjects: LITERARY CRITICISM / LGBT.; Art and race; Hispanic Americans in the performing arts; Hispanic Americans; Performance art; Queer theory; Ethnizität; Queer-Theorie; Hispanos; Ethnische Identität; Theater
    Scope: 1 Online-Ressource (xxxiii, 185 Seiten)
  2. Aesthetics of Excess
    the Art and Politics of Black and Latina Embodiment
    Author: Hernandez, Jillian
    Published: [2020]; © 2020
    Publisher:  Duke University Press, Durham

    Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed... more

    Location:
    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls Miami, Florida, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship

     
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  3. The cry of the senses
    listening to Latinx and Caribbean poetics
    Author: Ellis Neyra, Ren
    Published: [2020]; © 2020
    Publisher:  Duke University Press, Durham ; London

    In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx... more

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    Ibero-Amerikanisches Institut Preußischer Kulturbesitz, Bibliothek
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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations-across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñoz, Édouard Glissant, and Eduardo Corral-while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multi-sensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012696
    Other identifier:
    Series: Dissident acts
    Subjects: ART / Performance; Art and race; Hispanic Americans in the performing arts; Hispanic Americans; Performing arts and literature; Queer theory; Klang; Kunst; Literatur; Schwarze
    Scope: 1 Online-Ressource (xxii, 222 Seiten), Illustrationen
  4. Making race
    modernism and "racial art" in America
    Author: Francis, Jacqueline
    Published: c2012
    Publisher:  University of Washington Press, Seattle, Wash. [u.a.]

    "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
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    NA 7/Fra
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2012:2948:
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    "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0295991453; 9780295991450
    Subjects: Modernism (Art); Art criticism; Art and race; Painting, American
    Other subjects: Johnson, Malvin Gray (1896-1934); Kuniyoshi, Yasuo (1889-1953); Weber, Max (1881-1961)
    Scope: XIV, 250 S., [4] Bl, Ill, 23 cm
    Notes:

    "A McLellan book"--T.p

    Includes bibliographical references (p. 155-236) and index

    Introduction -- The meanings of modernism -- Making race in American religious painting -- Type/face/mask: racial portraiture -- The race of landscape -- Conclusion.
  5. Creative composites
    modernism, race, and the Stieglitz circle
    Author: Kroiz, Lauren
    Published: 2012
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.] ; Phillips Collection, Washington, DC

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2012:6747:
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 B 155868
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520272491
    RVK Categories: LO 94030
    Edition: 1. ed.
    Series: The Phillips book prize series ; 4
    Subjects: Arts, American; Art criticism; Art and race; Modernism (Art)
    Other subjects: Stieglitz, Alfred (1864-1946)
    Scope: 267 S., [4] Bl., zahlr. Ill., 27 cm
    Notes:

    Includes bibliographical references (pages 243-246) and index
  6. Creative composites
    modernism, race, and the Stieglitz circle
    Author: Kroiz, Lauren
    Published: 2012
    Publisher:  Univ. of California Press [u.a.], Berkeley, Calif. [u.a.]

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/NVF 751 2012
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520272491; 0520272498
    Series: The Phillips book prize series ; 4
    Subjects: Ästhetik; Ethnische Identität; Künstler; Freundeskreis; Kunstkritik; Moderne; Einwanderung
    Other subjects: Stieglitz, Alfred (1864-1946); Stieglitz, Alfred, 1864-1946 / Friends and associates; Modernism (Art) / United States; Arts, American / 20th century; Art criticism / United States / History / 20th century; Art and race
    Scope: 267 S., Ill., 26 cm
    Notes:

    Includes bibliographical references and index
  7. Black paper
    writing in a dark time
    Author: Cole, Teju
    Published: [2021]
    Publisher:  The University of Chicago Press, Chicago

    A profound book of essays from a celebrated master of the form. "Darkness is not empty," writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity--and witness the humanity of others--in a time of darkness. One... more

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    Universitäts- und Landesbibliothek Bonn
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    A profound book of essays from a celebrated master of the form. "Darkness is not empty," writes Teju Cole in Black Paper, a book that meditates on what it means to sustain our humanity--and witness the humanity of others--in a time of darkness. One of the most celebrated essayists of his generation, Cole here plays variations on the essay form, modeling ways to attend to experience--not just to take in but to think critically about what we sense and what we don't. Wide-ranging but thematically unified, the essays address ethical questions about what it means to be human and what it means to bear witness, recognizing how our individual present is informed by a collective past. Cole's writings in Black Paper approach the fractured moment of our history through a constellation of interrelated concerns: confrontation with unsettling art, elegies both public and private, the defense of writing in a time of political upheaval, the role of the color black in the visual arts, the use of shadow in photography, and the links between literature and activism. Throughout, Cole gives us intriguing new ways of thinking about blackness and its numerous connotations. As he describes the carbon-copy process in his epilogue: "Writing on the top white sheet would transfer the carbon from the black paper onto the bottom white sheet. Black transported the meaning." ; eng

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226641492
    RVK Categories: HV 98000 ; HV 98000
    Series: Berlin Family Lectures
    Subjects: Moral; Kunstsoziologie; Ethik; Rassismus; Ästhetik; Fotografie
    Other subjects: Aesthetics, Modern; Art and race; Art and society; Electronic books
    Scope: 1 Online-Ressource (xi, 264 Seiten), Illustrationen
  8. Remaking race and history
    the sculpture of Meta Warrick Fuller
    Author: Ater, Renée
    Published: 2011
    Publisher:  University of California Press, Berkeley, Calif. [u.a.]

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/K FULLER.03 5 2011
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    Location:
    Universität Münster, Philosophisches Seminar, Bibliothek
    Signature:
    N W 223
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    Source: Union catalogues
    Contributor: Fuller, Meta Warrick (Ill.)
    Language: English
    Media type: Book
    ISBN: 9780520262126; 0520262123
    Subjects: Plastik; Person of Color <Motiv>
    Other subjects: Fuller, Meta Warrick (1877-1968); Fuller, Meta Warrick, 1877-1968 / Criticism and interpretatin; Art and race; Art and society / United States / History / 20th century
    Scope: 200 S., [4] Bl., 63 Ill., 8 farb. Ill. auf Taf.
    Notes:

    Formerly CIP Uk. - Includes bibliographical references and index
  9. Visualizing equality
    African American rights and visual culture in the nineteenth century
    Author: Gonzalez, Aston
    Published: 2021
    Publisher:  The University of North Carolina Press, Chapel Hill ; Oxford University Press, Oxford

    The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the US by African Americans. Aston Gonzalez charts the... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the US by African Americans. Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781469659985
    Other identifier:
    RVK Categories: LO 94020
    Series: The John Hope Franklin series in African American history and culture
    North Carolina scholarship online
    Subjects: Schwarze; Kunst; Bürgerrecht <Motiv>; Gleichheit <Motiv>; Bürgerrecht; Emanzipation; African American art; African American artists; African Americans in art; Art and race; African Americans; African Americans; Politics in art; Civil rights movements
    Scope: 1 Online-Ressource (324 pages), Illustrations (black and white).
    Notes:

    "This book was published with the assistance of the John Hope Franklin Fund of the University of North Carolina Press"--Title page verso

    Previously issued in print: 2020

    Includes bibliographical references and index
  10. Mirage: enigmas of race, difference and desire
    [an ICA/inIVA season, 12 May - 16 July 1995]
    Contributor: Farr, Ragnar (Publisher)
    Published: 1995

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Farr, Ragnar (Publisher)
    Language: English
    Media type: Book
    ISBN: 0905263847
    RVK Categories: LH 45290
    Subjects: Art and race; Arts, Modern; Racism and the arts; Rasse; Schwarze <Motiv>; Kunst; Kunstsoziologie
    Other subjects: Fanon, Frantz <1925-1961>; Fanon, Frantz (1925-1961)
    Scope: 111 S., zahlr. Ill.
  11. Mirage: enigmas of race, difference and desire
    [an ICA/inIVA season, 12 May - 16 July 1995]
    Contributor: Farr, Ragnar (Publisher)
    Published: 1995

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Farr, Ragnar (Publisher)
    Language: English
    Media type: Book
    ISBN: 0905263847
    RVK Categories: LH 45290
    Subjects: Art and race; Arts, Modern; Racism and the arts; Rasse; Schwarze <Motiv>; Kunst; Kunstsoziologie
    Other subjects: Fanon, Frantz <1925-1961>; Fanon, Frantz (1925-1961)
    Scope: 111 S., zahlr. Ill.
  12. Kuratieren als antirassistische Praxis
    Contributor: Bayer, Natalie (HerausgeberIn); Kazeem-Kamiński, Belinda (HerausgeberIn); Sternfeld, Nora (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  de Gruyter, Berlin

    "Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "Die Publikation reflektiert Aufgaben, Strategien und Handlungsformen von Museen und Ausstellungen aus der Perspektive der postkolonialen Museologie sowie der kritischen Migrations- und Regimeforschung. Die kritische Analyse der existierenden Ansätze soll Kuratieren als antirassistische Praxis denkbar machen. Orientiert auf Handlungsmacht und auf die Schnittstellen zwischen sozialen Konfliktfeldern und kuratorischen Praxen, nehmen die Autoren das Verhältnis von Kämpfen für und gegen die Repräsentation von spezifischen Themen in den Blick. In diesem Sinne stehen Strategien des Talking Back ebenso im Fokus wie Kontaktzonen und Ansätze der Wiederaneignung"--Publisher's website

     
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    Source: Union catalogues
    Contributor: Bayer, Natalie (HerausgeberIn); Kazeem-Kamiński, Belinda (HerausgeberIn); Sternfeld, Nora (HerausgeberIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3110543060; 9783110543063
    Other identifier:
    9783110543063
    RVK Categories: LH 39930 ; AK 86200 ; MS 3530 ; AK 86500
    Series: Schriftenreihe Curating. Ausstellungstheorie & Praxis ; Band 2
    Edition Angewandte
    Subjects: Art museums; Art museums; Art; Art and race; Art and society; Curatorship; Kulturelle Einrichtung; Museum; Konzeption; Kunstwerk; Ausstellung; Ziel; Grundsatzprogramm; Einrichtung; Organisation; Kunst; Funktion; Potenzial; Kulturvermittlung; Antirassismus; Eurozentrismus; Nord-Süd-Beziehungen; Theorie; Praxis; Beispiel
    Scope: 345 Seiten, Illustrationen
    Notes:

    Gerald Bast: Grusswort

    Natalie Bayer, Belinda Kazeem-Kaminski und Nora Sternfeld: Vorwort der Herausgeber*innen

    Natalie Bayer, Belinda Kazeem-Kaminski und Nora Sternfeld: Wo ist hier die Contact-Zone?! Eine Konversation

    Natalie Bayer und Mark Terkessidis: Don't get over it, if you are not over it : Handeln Statt Repräsentieren ; Über das Reparieren hinaus : eine antirassistische Praxeologie des Kuratierens

    Belinda Kazeem-Kamiński: Unearthing : in conversation

    Christopher Wessels, Marianne Niemelä und Ahmed Al-Nawas: Wir sind zwar für Promiskuität, aber wir sind hier nicht im Motel : Antirassistische kuratorische Strategien, von den Rändern zum Zentrum

    Katharina Morawek: Die ganze Welt in Zürich : Kollaborative und transformative Strategien der Verhandlung von "Stadtbürger*innenschaft"

    Jelena Vesić: Strategien der Intervention : uneingeladenes Widersprechen ; Anmerkungen zum allgemeinen Recht auf Bafflement

    Sandrine Micossé-Aikins und Bahareh Sharifi: Widerstand kuratieren : Politische Interventionen in eine elitäre, hegemoniale Kulturlandschaft

    Minna Henriksson: Valkeat

    Nuray Demir und Nanna: Anrufungen : widerständig bleiben ; Unf̕nished Conversation

    Imayna Caceres, Sunanda Mesquita und Sophie Utikal: Heidenreich im Gespräch über mögliche Strategien gegen den Exotismus in der (bildenden) Kunst, die Ordnung der Un-Dinge und eine Postidentiät, die nicht machtblind ist ; Anti*Colonial fantasies, decolonial Strategies : a conversation

    Kemi Bassene: Karthasis, Heilung und Kampf : die Sprache des antirassistischen Körpers

    Verena Melgarejo Weinandt: A(r)mando Vo(i)ces

    Thomas J. Lax: Aneignungen : trotzdem weitermachen ; How do black lives matter in der Sammlung des MoMA? Oder : Welche Bedeutung haben Schwarze Leben in der MoMA-Sammlung?

    Anmerkungen von Natalie Bayer: Silvina der-Meguerditchian made in Turkey II und Fluchtteppich, 2000-2005

    Bonaventure Soh Bejeng Ndikung: On est ensemble et Ça va waka : Einige Gedanken zur Navigation in der Xenopolis

    Nora Sternfeld: Warum überhaupt ausstellen? Eine Antwort aus dem Jahr 2030

    Naomi Rincón Gallardo: Welcome to the Formaldehyde Trip
  13. The image of the Black in African and Asian art
    Contributor: Bindman, David (Publisher); Blier, Suzanne Preston (Publisher); Gates, Henry Louis (Publisher); Dalton, Karen C. C. (Publisher)
    Published: 2017
    Publisher:  The Belknap Press of Harvard University Press, Cambridge, Massachusetts ; London, England

    The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Regensburg
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    The book moves beyond the "West", that is to say Europe, the Americas and the Caribbean, to consider the art of Africa and the world to the east, to represent and place in historical context images of people of sub-Saharan African descent. The question remains: what does it mean for an artist of African descent to make an image of him or herself, or another person of African descent, as opposed to an image of a Black person created by an artist who is not Black? This vexed question has been at the heart of debates about "identity politics" for a very long time. In other words, in collecting images of Black subjects created by Black artists, whether from Africa or the African diaspora, we are not making epistemological or ontological claims about a work of art's so-called "authenticity," nor of its artistic quality. We simply see these works as their own canon, as another way of organizing viewing and explicating images of the Black subject in art, one related to Euro-American traditions of representation, but simultaneously with an order and history of their own as well, in the same way that a novel, let's say, by Toni Morrison exists simultaneously in the canon of American literature and of African American literature, among other literary traditions....

     
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    Source: Union catalogues
    Contributor: Bindman, David (Publisher); Blier, Suzanne Preston (Publisher); Gates, Henry Louis (Publisher); Dalton, Karen C. C. (Publisher)
    Language: English
    Media type: Book
    ISBN: 9780674504394
    RVK Categories: LH 84960
    Subjects: Blacks in art; Art and race; Art, African; Art, Asian; Schwarze <Motiv>; Kunst
    Scope: x, 434 Seiten, Illustrationen, Karten
    Notes:

    Includes bibliographical references and index
  14. Le modèle noir
    de Géricault à Matisse : Musée Orsay
    Contributor: Adrien, Aude
    Published: [2019]
    Publisher:  BeauxArts Éditions, Paris

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Contributor: Adrien, Aude
    Language: French
    Media type: Book
    ISBN: 9791020405227
    Subjects: Schwarze <Motiv>; Schwarze; Modell <Kunst>; Rezeption; Kunst
    Other subjects: Ringgold, Faith (1930-2024); Mpane, Aimé (1968-); Manet, Edouard (1832-1883): Olympia; Sulter, Maud (1960-2008); Bearden, Romare (1911-1988); Matisse, Henri (1869-1954); Thomas, Mickalene (1971-); Art and race; Blacks in art
    Scope: 65 Seiten, Illustrationen
    Notes:

    Titeldaten vom Cover

    Impressum: "Le modèle noir de Géricault à Matisse", Musée d'Orsay, du 26 mars au 21 juillet 2019
  15. The sense of brown
    ethnicity, affect and performance
    Author: Muñoz, José Esteban
    Published: 2020
    Publisher:  Duke University Press, Durham

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Takano Chambers-Letson, Joshua (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781478011033
    Subjects: Hispanic Americans in the performing arts; Hispanic Americans / Ethnic identity; Performance art; Queer theory; Art and race; Art and race; Hispanic Americans / Ethnic identity; Hispanic Americans in the performing arts; Performance art; Queer theory; Theater; Queer-Theorie; Hispanos; Ethnizität; Ethnische Identität
    Scope: xxxiii, 185 Seiten, Illustrationen
    Notes:

    The Brown Commons -- Feeling Brown: Ethnicity and Affect in Ricardo Bracho's The Sweetest Hangover (and -- Other STDs) -- The Onus of Seeing Cuba: Nilo Cruz's Cubanía -- Meandering South: Isaac Julien and The Long Road to Mazatlán -- "Chico, What Does It Feel Like to Be a Problem?": The Transmission of Brownness -- The Vulnerability Artist: Nao Bustamante and the Sad Beauty of Reparation -- Queer Theater, Queer Theory: Luis Alfaro's Cuerpo Politizado (2000) -- Performing the Bestiary: Carmelita Tropicana's With What Ass Does the Cockroach Sit?/Con Que Culo se Sienta la Cucaracha? -- Performing Greater Cuba: Tania Bruguera and the Burden of Guilt -- Wise Latinas -- Brown Worldings: Jose Rodriguez-Soltero, Tania Bruguera, and María Irene Fornés -- The Sense of Wildness: The Brown Commons after Paris Burned -- Vitalism's Afterburn: The Sense of Ana Mendieta
  16. The barbarian invasions
    a genealogy of the history of art
    Author: Michaud, Éric
    Published: [2019]; © 2019
    Publisher:  <<The>> MIT Press, Cambridge, Massachusetts ; London, England

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Contributor: Huckle, Nicholas
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780262355742
    Series: October books
    Subjects: Invasion <Motiv>; Barbar <Motiv>
    Other subjects: Art, European; Art and race; Art / Historiography / History; Art and race; Art, European; Art / Historiography; History
    Scope: 1 Online-Ressource (270 Seiten), Illustrationen
  17. Modernity in black and white
    art and image, race and identity in Brazil, 1890-1945
    Author: Cardoso, Rafael
    Published: 2021; © 2021
    Publisher:  Cambridge University Press, Cambridge ; New York

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern... more

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Introduction. Ambiguous modernities and alternate modernisms -- Heart of darkness in the bosom of the modern metropolis : favelas, race and barbarity -- A pagan festival for the up to date : art, bohemianism and carnival -- The printing of modern life : a new art for a new century -- The cosmopolitan savage : modernism, primitivism and the anthropophagic descent -- The face of the land : depicting 'real' Brazilians under Vargas -- Epilogue. Images of a culture at war with itself. "The book provides a deeper understanding of modern art in the Brazilian context, moving the focus away from the self-declared avant-gardes and towards a broad panorama of modernizing tendencies throughout the period, 1890 to 1945. The backdrop of sertão, favelas, carnival and samba - often left out of accounts that restrict readings of modernism to erudite arenas like literature, fine art or architecture - are foregrounded in an attempt to situate artistic discourses within the social and political struggles of the period. Race, class and ideological conflict are given priority as tools for deconstructing complex debates, too often taken at face value or misread as merely reflexive of European phenomena. The anthropophagic movement (Antropofagia) rates special attention in teasing out the meanings of primitivism in the Brazilian context. The book examines a range of visual cultural materials including paintings, periodicals, graphics and photographs, revealing a hidden archive that calls into question the very essence of how modernism is usually perceived in Brazil. The enduring presence of archaism and violence behind an appearance of modernity reveals itself to be not an anomaly, but rather a product of the tensions inherent to the enduring oligarchical structures of Brazilian culture and society"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781108481908; 9781108741590
    RVK Categories: LO 97450
    Series: Afro-Latin America
    Subjects: Identität; Kunst; Rasse; Selbstbild; Postkolonialismus
    Other subjects: Modernism (Art) / Brazil; Art and race; Art and society / Brazil / History / 19th century; Art and society / Brazil / History / 20th century
    Scope: xix, 263 Seiten, 12 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Includes bibliographical references and index
  18. The sense of brown
    Author: Muñoz, José Esteban
    Published: [2020]; © 2020
    Publisher:  Duke University Press, Durham ; London

    The Sense of Brown, which he was completing at the time of his death, is José Esteban Muñoz's treatise on brownness and being as well as his most direct address to queer Latinx studies. Muñoz examines the work of playwrights Ricardo Bracho and Nilo... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    The Sense of Brown, which he was completing at the time of his death, is José Esteban Muñoz's treatise on brownness and being as well as his most direct address to queer Latinx studies. Muñoz examines the work of playwrights Ricardo Bracho and Nilo Cruz, artists Nao Bustamante, Isaac Julien, and Tania Bruguera, and singer José Feliciano, among others, arguing for a sense of brownness that is not fixed within the racial and national contours of Latinidad. This sense of brown is not about the individualized brown subject; rather, it demonstrates that for brown peoples, being exists within what Muñoz calls the brown commons-a lifeworld, queer ecology, and a form of collectivity. In analyzing minoritarian affect, ethnicity as a structure of feeling, and brown feelings as they emerge in, through, and beside art and performance, Muñoz illustrates how the sense of brown serves as the basis for other ways of knowing and being in the world

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Chambers-Letson, Joshua Takano (Publisher); Nyong'o, Tavia (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012566
    Other identifier:
    Series: Perverse modernities
    Subjects: LITERARY CRITICISM / LGBT.; Art and race; Hispanic Americans in the performing arts; Hispanic Americans; Performance art; Queer theory; Queer-Theorie; Theater; Ethnizität; Ethnische Identität; Hispanos
    Scope: 1 Online-Ressource (xxxiii, 185 Seiten)
  19. Aesthetics of Excess
    the Art and Politics of Black and Latina Embodiment
    Author: Hernandez, Jillian
    Published: [2020]; © 2020
    Publisher:  Duke University Press, Durham

    Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls Miami, Florida, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship

     
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  20. The cry of the senses
    listening to Latinx and Caribbean poetics
    Author: Ellis Neyra, Ren
    Published: [2020]; © 2020
    Publisher:  Duke University Press, Durham ; London

    In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Location:
    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Location:
    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    In The Cry of the Senses, Ren Ellis Neyra examines the imaginative possibility for sound and poetics to foster new modes of sensorial solidarity in the Caribbean Americas. Weaving together the black radical tradition with Caribbean and Latinx performance, cinema, music, and literature, Ellis Neyra highlights the ways Latinx and Caribbean sonic practices challenge antiblack, colonial, post-Enlightenment, and humanist epistemologies. They locate and address the sonic in its myriad manifestations-across genres and forms, in a legal trial, and in the art and writing of Xandra Ibarra, the Fania All-Stars, Beatriz Santiago Muñoz, Édouard Glissant, and Eduardo Corral-while demonstrating how it operates as a raucous form of diasporic dissent and connectivity. Throughout, Ellis Neyra emphasizes Caribbean and Latinx sensorial practices while attuning readers to the many forms of blackness and queerness. Tracking the sonic through their method of multi-sensorial, poetic listening, Ellis Neyra shows how attending to the senses can inspire alternate, ethical ways of collective listening and being

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012696
    Other identifier:
    Series: Dissident acts
    Subjects: ART / Performance; Art and race; Hispanic Americans in the performing arts; Hispanic Americans; Performing arts and literature; Queer theory; Literatur; Klang; Schwarze; Kunst
    Scope: 1 Online-Ressource (xxii, 222 Seiten), Illustrationen
  21. The barbarian invasions
    a genealogy of the history of art
    Author: Michaud, Éric
    Published: [2019]
    Publisher:  The MIT Press, Cambridge, Massachusetts ; London

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Contributor: Huckle, Nicholas
    Language: English
    Media type: Book
    ISBN: 9780262043151; 0262043157
    Series: October books
    Subjects: Invasion <Motiv>; Barbar <Motiv>
    Other subjects: Art, European; Art and race; Art / Historiography / History; Art and race; Art, European; Art / Historiography; History
    Scope: 270 Seiten, Illustrationen, 24 cm
    Notes:

    Originalausgabe 2015 bei Éditions Gallimard, Paris erschienen
  22. Making race
    modernism and racial art in America
    Author: Francis, Jacqueline
    Published: c2012
    Publisher:  University of Washington Press, Seattle

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0295991453; 9780295804330; 9780295991450
    Subjects: Geschichte; Modernism (Art); Painting, American; Art criticism; Art and race; Künstler; Minderheit; Malerei; Ethnizität <Motiv>
    Other subjects: Johnson, Malvin Gray (1896-1934); Kuniyoshi, Yasuo (1889-1953); Weber, Max (1881-1961); Johnson, Malvin Gray (1896-1934); Kuniyoshi, Yasuo (1889-1953); Weber, Max (1881-1961)
    Scope: xiv, 250 p.
    Notes:

    "A McLellan book"

    Includes bibliographical references and index
  23. Productive failure
    writing queer transnational South Asian art histories
    Author: Patel, Alpesh Kantilal
    Published: 2017
    Publisher:  Manchester University Press, Manchester

    This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' -... more

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    Bayerische Staatsbibliothek
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    This monograph sets out to write new transnational South Asian art histories - to make visible histories of artworks that remain marginalised within the discipline of art history. However, this is done through a deliberate 'productive failure' - specifically, by not upholding the strictly genealogical approach that is regularly assumed for South Asian art histories. For instance, one chapter explores the abstract work of Cy Twombly and Natvar Bhavsar. I also examine 'whiteness', the invisible ground upon which racialized art histories often pivot, as a fraught yet productive site for writing art history. As the book progresses, art historical 'writing' includes a range of practice-led forms, such as curating exhibitions or my affective engagement with visual culture. Overall, I suggest methods for generating art history that acknowledge the complex web of factors within which art history is produced and the different forms of knowledge-production we might count as art history

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781784992545; 1784992542
    RVK Categories: LO 87860 ; LH 60230
    Series: Rethinking art's histories
    Subjects: Geschichte; Kunst; Kunstgeschichtsschreibung; Queer-Theorie; Kunst
    Other subjects: Art / South Asia / History; Art / Historiography; Art and race; Homosexuality and art; Queer theory; Art; Art and race; Art / Historiography; Homosexuality and art; Queer theory; South Asia; History
    Scope: xxii, 250 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen, Portraits, 25 cm
  24. Making race
    modernism and "racial art" in America
    Author: Francis, Jacqueline
    Published: c2012
    Publisher:  University of Washington Press, Seattle

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0295804335; 9780295804330
    Subjects: ART / American / African American; ART / American / Asian American; SOCIAL SCIENCE / Ethnic Studies / General; ART / History / General; Art and race; Art criticism; Modernism (Art); Painting, American; Geschichte; Modernism (Art); Painting, American; Art criticism; Art and race; Künstler; Minderheit; Malerei; Ethnizität <Motiv>
    Other subjects: Johnson, Malvin Gray / 1896-1934 / Criticism and interpretation / Criticism and interpretation / Criticism and interpretation; Kuniyoshi, Yasuo / 1889-1953 / Criticism and interpretation / Criticism and interpretation / Criticism and interpretation; Weber, Max / 1881-1961 / Criticism and interpretation / Criticism and interpretation / Criticism and interpretation; Johnson, Malvin Gray / 1896-1934; Kuniyoshi, Yasuo / 1889-1953; Weber, Max / 1881-1961; Johnson, Malvin Gray (1896-1934); Kuniyoshi, Yasuo (1889-1953); Weber, Max (1881-1961); Johnson, Malvin Gray (1896-1934); Kuniyoshi, Yasuo (1889-1953); Weber, Max (1881-1961)
    Scope: 1 Online-Ressource (xiv, 250 p.)
    Notes:

    "A McLellan book."

    Includes bibliographical references and index

    "Malvin Gray Johnson, Yasuo Kuniyoshi, and Max Weber were three New York City artists whose work was popularly assigned to the category of "racial art" in the interwar years of the twentieth century. The term was widely used by critics and the public at the time, and was an unexamined, unquestioned category for the work of non-whites (such as Johnson, an African American), non-Westerners (such as Kuniyoshi, a Japanese-born American), and ethnicized non-Christians (such as Weber, a Russian-born Jewish American). The discourse on racial art is a troubling chapter in the history of early American modernism that has not, until now, been sufficiently documented. Jacqueline Francis juxtaposes the work of these three artists in order to consider their understanding of the category and their stylistic responses to the expectations created by it, in the process revealing much about the nature of modernist art practices. Most American audiences in the interwar period disapproved of figural abstraction and held modernist painting in contempt, yet the critics who first expressed appreciation for Johnson, Kuniyoshi, and Weber praised their bright palettes and energetic pictures--and expected to find the residue of the minority artist's heritage in the work itself. Francis explores the flowering of racial art rhetoric in criticism and history published in the 1920s and 1930s, and analyzes its underlying presence in contemporary discussions of artists of color. Making Race is a history of a past phenomenon which has ramifications for the present. Jacqueline Francis is a senior lecturer at the California College of the Arts"--Provided by publisher

    "A comparative history of New York expressionist painters Malvin Gray Johnson (1896-1934), Yasuo Kuniyoshi (1893-1953), and Max Weber (1881-1961)"--Provided by publisher

    Introduction -- The meanings of modernism -- Making race in American religious painting -- Type/face/mask: racial portraiture -- The race of landscape -- Conclusion
  25. Visualizing equality
    African American rights and visual culture in the nineteenth century
    Author: Gonzalez, Aston
    Published: [2020]
    Publisher:  <<The>> University of North Carolina Press, Chapel Hill

    "Visualizing equality ... analyz[es] how previously unexamined or understudied African American artists shaped conceptions of race during the nineteenth century. Marshaling material from 26 private and public archives in the United States and... more

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    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    "Visualizing equality ... analyz[es] how previously unexamined or understudied African American artists shaped conceptions of race during the nineteenth century. Marshaling material from 26 private and public archives in the United States and England, Gonzalez charts the changing roles of African American visual artists as they used their work to expand black rights in the United States. Understudied or forgotten artists such as Robert Douglass Jr., Patrick Henry Reason, James P. Ball, and Augustus Washington produced images to persuade viewers of the necessity for black social equality, political enfranchisement, and freedom from slavery, and Gonzalez argues that these cultural producers helped to make the world they envisioned through their art"--

     
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