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Displaying results 1 to 25 of 95.

  1. Framed spaces
    photography and memory in contemporary installation art
    Author: McTighe, Monica E.
    Published: 2012
    Publisher:  Dartmouth College Press, Hanover, NH

    Expanding the frame. Installation art in the 1970s -- The politics of representation. Archive and memory in the work of Renée Green -- The poetics of experience. Ann Hamilton's installations and photographs -- Camera obscura. Memory in film and video... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2012:5524:
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    Expanding the frame. Installation art in the 1970s -- The politics of representation. Archive and memory in the work of Renée Green -- The poetics of experience. Ann Hamilton's installations and photographs -- Camera obscura. Memory in film and video installations in the 2000s -- Conclusion. Installation art and memory

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781611682052; 9781611682069
    RVK Categories: LH 65880
    Series: Interfaces: studies in visual culture
    Subjects: Art and photography; Installations (Art)
    Scope: [VII], 254 S, Ill, 24 cm
    Notes:

    Includes bibliographical references (pages [227]-237) and index

    Expanding the frame. Installation art in the 1970s -- The politics of representation. Archive and memory in the work of Renée Green -- The poetics of experience. Ann Hamilton's installations and photographs -- Camera obscura. Memory in film and video installations in the 2000s -- Conclusion. Installation art and memory.
  2. Images performing history
    photography and representations of the past in European art after 1989
    Author: Ruchel-Stockmans, Katarzyna
    Published: 2015
    Publisher:  Leuven University Press, Leuven

    History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 964254
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    History is increasingly made in images, not only because its records are largely photographic but also because our ideas about the past are formed in visual terms. This book offers a discussion of contemporary art practices which question the received notions of historical representations after the pivotal changes of 1989 in Europe. These art practices reveal, in different ways, the operative role of the photographic media in making and remaking history. Not limited to a particular artistic medium, they demonstrate how history is forged through enacting or re-enacting its past forms, while, on the other hand, they indicate how copying and quoting can contribute to creating a new, operative aesthetics. By foregrounding a performative character of images, art is shown to construct an alternative knowledge of the past 1989, photography and history, representation -- The revolution as a technical disturbance -- Chaosmos : montage as spatial history -- Future pasts of a community -- Painting history photographically -- Afterword : History on an endless trial

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9789462700291
    RVK Categories: AP 95000 ; AP 94900 ; LH 61110 ; LH 65827 ; LH 65880
    Series: Lieven Gevaert series ; vol. 20
    Subjects: Art and history; Art and history; Art and photography; Art and photography
    Scope: 297 Seiten, Illustrationen
    Notes:

    Dissertation, Leuven University, 2011
  3. Fotografie und ästhetische Erziehung
    Published: 1992
    Publisher:  Klinkhardt und Biermann, München

    Location:
    Technische Hochschule Augsburg
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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Bayerische Staatsgemäldesammlungen, Bibliothek
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    Hochschule München, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3781403246
    RVK Categories: AP 94750 ; AP 95280 ; LH 61220
    Series: Zeit Zeuge Kunst
    Subjects: Esthetica; Fotografie; Ästhetik; Aesthetics; Art and photography; Fotografie; Malerei <Motiv>; Kunstpsychologie; Ästhetische Erziehung; Kunst
    Scope: 220 S., Ill.
  4. Yasumasa Morimura
    requiem for the XX century : twilight of the turbulent gods
    Author: Morimura, Yasumasa
    Published: 2008
    Publisher:  Skira, Milano

    "'Requiem for the Twentieth Century' shows historical twentieth-century figures, from Che Guevara to Mao Tsedong, from Chaplin's Hitler to Vladimir Lenin, caught in moments of fatigue and distress"--P. [4] of cover. more

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    "'Requiem for the Twentieth Century' shows historical twentieth-century figures, from Che Guevara to Mao Tsedong, from Chaplin's Hitler to Vladimir Lenin, caught in moments of fatigue and distress"--P. [4] of cover.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9788861302990
    Edition: 1. publ. in Italy
    Subjects: Portraits; Art and photography; Appropriation (Art); Art and photography; Staged photography; Historische Persönlichkeit <Motiv>; Inszenierte Fotografie; Fotografie
    Other subjects: Morimura, Yasumasa / 1951-; Morimura, Yasumasa <1951->; Morimura, Yasumasa (1951-)
    Scope: 79 p., ill. (some col.), 29 cm
    Notes:

    Italian ed. also avail. (see our card no. 07262191, ISBN 978-88-6130-363-8). - Bound. - Bibl., bibl. refs., notes and biography of Y. Morimura (1951-), photographer. - Publ. on the occasion of the exhibition, Venice, Fondazione Bevilacqua La Masa, Galleria di Piazza San Marco, 2007
  5. Fragmentation of the photographic image in the digital age
    Contributor: Rubinstein, Daniel (HerausgeberIn)
    Published: 2020
    Publisher:  Routledge, London

    <P>Chapter One: The New Paradigm – Daniel Rubinstein; Part I: From Pictorial Practices to Algorithmic Capitalism,&nbsp;Chapter Two: Images Without Worlds – Claire Colebrook; Chapter Three: Undoing Imperial Modernity – Ariella Azoulay; Chapter Four:... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Chapter One: The New Paradigm – Daniel Rubinstein; Part I: From Pictorial Practices to Algorithmic Capitalism, Chapter Two: Images Without Worlds – Claire Colebrook; Chapter Three: Undoing Imperial Modernity – Ariella Azoulay; Chapter Four: Between Topography and Topology – Susan Trangmar; Chapter Five: Creating London’s Image – Pat Naldi; Chapter Six: Drone Alliances – Sarah Tuck; Psrt II: The Image Between Representation and Automation, Chapter Seven: From Photographic Representation to the ‘Photographic Genotype’ – Yael Eylat Van Essen; Chapter Eight: Graven Images: Photography after Heidegger, Lyotard and Deleuze – Daniel Rubinstein; Chapter Nine: Refuse to Let the Syntaxes of (a) History Direct Our Futures – Rosa Menkman; Chapter Ten: Atoms and Worms (Ontologies of Fragments) – Jamie Brassett; Chapter Eleven: Photographic Futures – Armen Avanessian and Anke Hennig; Part III: The Materialism of Networked Intelligence, Chapter Twelve: Empathy and Gesture: Aby Warburg in La cappella Sassetti – Andrew Benjamin; Chapter Thirteen: Post-Photographic Frenzy – Joseph Nechvatal; Chapter Fourteen: The Defragmenting Image: Stories in Cinematic Time-Travel – John Ó Maoilearca; Chapter Fifteen: Introduction to Natural Language Processing – Anamarija Ami Podrebarac; Chapter Sixteen: The Photograph of Thought – Johnny Golding

     
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  6. Photographic returns
    racial justice and the time of photography
    Author: Smith, Shawn Michelle
    Published: 2020
    Publisher:  Duke University Press, Durham

    Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Photographic returns -- Looking forward and looking back: Rashid Johnson and Frederick Douglass on photography -- Photographic remains: Sally Mann at Antietam -- The scene of the crime: Deborah Luster -- Photographic referrals: Lorna Simpson's 9 props -- Afterimages: Jason Lazarus -- Photographic reenactments: Carrie Mae Weems's constructing history -- False returns: Taryn Simon's The Innocents -- A glimpse forward: Dawoud Bey's The Birmingham project. "In PHOTOGRAPHIC RETURNS Shawn Smith sets out to examine works of contemporary art, only to find that many of the works refer back to the past, to photography's many intersections with the history of racial justice in the U.S. Smith focuses on flashpoints in that history -- spanning from the abolitionist movement, to the Civil War, lynching, and mass incarceration-- to mark the roles that photography has played in documenting the exigencies of Black life, and as a tool for resisting those racial regimes. For each of these moments, Smith shows how contemporary photographers utilize their medium as a way to recall, revise, or amplify the relationship between racial politics in the past and in the present. She argues that the tendency of African-American photographers and other artists to return to the archive of early photography does not simply point to the usefulness of early photography as document of the past, but to the recursive nature of photography itself. This study expands our theories of photography and memory by arguing that the recursive temporality of photography is central to its role in recording and remembering history. It also asserts that photography is an invaluable tool for critical practice of racial justice"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781478004684; 9781478004073
    Other identifier:
    9781478005537
    RVK Categories: AP 95000 ; HD 474 ; MS 1235 ; MS 3530
    Subjects: Photography in ethnology; Documentary photography; Art and photography; Photography in historiography; Photography; Art and history
    Scope: ix, 236 Seiten, 16 ungezählte Seiten Bildtafeln, Illustrationen
    Notes:

    Includes bibliographical references and index
  7. Framed spaces
    photography and memory in contemporary installation art
    Author: McTighe, Monica E.
    Published: 2012
    Publisher:  Dartmouth College Press, Hanover, NH

    Expanding the frame. Installation art in the 1970s -- The politics of representation. Archive and memory in the work of Renée Green -- The poetics of experience. Ann Hamilton's installations and photographs -- Camera obscura. Memory in film and video... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Expanding the frame. Installation art in the 1970s -- The politics of representation. Archive and memory in the work of Renée Green -- The poetics of experience. Ann Hamilton's installations and photographs -- Camera obscura. Memory in film and video installations in the 2000s -- Conclusion. Installation art and memory

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781611682052; 9781611682069
    RVK Categories: LH 65880
    Series: Interfaces: studies in visual culture
    Subjects: Art and photography; Installations (Art)
    Scope: [VII], 254 S, Ill, 24 cm
    Notes:

    Includes bibliographical references (pages [227]-237) and index

    Expanding the frame. Installation art in the 1970s -- The politics of representation. Archive and memory in the work of Renée Green -- The poetics of experience. Ann Hamilton's installations and photographs -- Camera obscura. Memory in film and video installations in the 2000s -- Conclusion. Installation art and memory.
  8. Als Photographieren noch ein Abenteuer war
    aus den Kindertagen der Photographie
    Published: 1983
    Publisher:  Harenberg, Dortmund

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Deutsches Museum, Bibliothek
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    Location:
    Münchner Stadtmuseum, Zentrale Bibliothek
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3883793795
    RVK Categories: AP 94200
    Series: Die bibliophilen Taschenbücher ; 379
    Subjects: Geschichte; Art and photography; Photography; Photography; Fotografie <Motiv>; Fotografie; Sammlung; Kunst; Fotoapparat; Druckgrafik
    Other subjects: Scheid, Uwe (1944-2000)
    Scope: 235 S., zahlr. Ill.
  9. Walter Benjamin, Carl Einstein et les arts primitifs
    Author: Monnoyer, Jean-Maurice
    Published: 1999
    Publisher:  Publ. de l'Univ. de Pau, Pau

    Location:
    Universitätsbibliothek Bayreuth
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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  10. Art and photography
    Published: 2003
    Publisher:  Phaidon, Berlin

    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Hochschule für Angewandte Wissenschaften Hof - Hochschule Hof, Bibliothek
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    Bayerische Staatsbibliothek
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    Münchner Stadtmuseum, Zentrale Bibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0714842869
    RVK Categories: AP 94850 ; AP 95500 ; LH 70190
    Edition: 1. publ.
    Series: Themes and movements
    Subjects: Arte e fotografia - sec. 20. (fine); Photography, Artistic; Photography in art; Art and photography; Ästhetik; Fotografie; Kunst
    Other subjects: Acconci, Vito (1940-)
    Scope: 304 S., überw. Ill.
  11. American photographic aesthetics in the twentieth century
    the five paradoxes of modernism
    Author: Salemme, Kevin
    Published: 2003
    Publisher:  Edwin Mellen Press, Lewiston, N.Y. [u.a.]

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0773467602
    Series: Studies in the photographic arts ; 5
    Subjects: Formalisme; Fotografie; Modernisme (cultuur); Geschichte; Philosophie; Art and photography; Formalism (Art); Modernism (Art); Photography; Fotografie; Ästhetik
    Scope: iv, 154 p., Ill.
    Notes:

    Includes bibliographical references (p. [149]-152) and index
  12. Fragmentation of the photographic image in the digital age
    Contributor: Rubinstein, Daniel (Publisher)
    Published: 2020
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    "Fragmentation of the Photographic Image in the Digital Age challenges orthodoxies of photographic theory and practice. Beyond understanding the image as a static representation of reality, it shows photography as a linchpin of dynamic developments... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Regensburg
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    "Fragmentation of the Photographic Image in the Digital Age challenges orthodoxies of photographic theory and practice. Beyond understanding the image as a static representation of reality, it shows photography as a linchpin of dynamic developments in augmented intelligence, neuroscience, critical theory and cybernetic cultures. Through essays by leading philosophers, political theorists, software artists, media researchers, curators, and experimental programmers photography emerges not as a mimetic or a recording device but simultaneously as a new type of critical discipline and a new artform that stands at the crossroads of visual art, contemporary philosophy and digital technologies"--

     
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    Source: Union catalogues
    Contributor: Rubinstein, Daniel (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781138493490
    RVK Categories: AP 94850
    Series: Routledge history of photography ; 5
    Subjects: Ästhetik; Digitale Fotografie
    Other subjects: Images, Photographic; Digital media / Social aspects; Art and photography; ART / History / Contemporary (1945-); ART / Digital & Video; PHOTOGRAPHY / Techniques / Digital (see also COMPUTERS / Computer Graphics / Image Processing)
    Scope: vi, 229 Seiten, Illustrationen
    Notes:

    Images without worlds / Claire Colebrook -- Refuse to let the syntaxes of (a) history direct our futures / Rosa Menkman -- The photograph of thought / Johnny Golding
  13. Photography after conceptual art
    Published: 2010
    Publisher:  Wiley-Blackwell, Chichester, West Sussex, U.K.

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781283178327
    RVK Categories: AP 94300
    Series: Art history special issue book series
    Subjects: Photography, Artistic; Photography in art; Art and photography; Photographers; Fotografie; Concept-art; Ästhetik
    Scope: 1 Online-Ressource (vii, 200 p.)
    Notes:

    Originally published as Art History, Volume 32, issue 5

    Includes bibliographical references and index
  14. Through post-atomic eyes
    Contributor: Lauzon, Claudette (Publisher); O'Brian, John (Publisher)
    Published: [2020]
    Publisher:  McGill-Queen's University Press, Montreal ; Kingston ; London ; Chicago

    "What does it mean to live in a post-atomic world? Photography and contemporary art offer a provocative lens through which to comprehend the by-products of the atomic age, from weapons proliferation, nuclear disaster, and aerial surveillance to toxic... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "What does it mean to live in a post-atomic world? Photography and contemporary art offer a provocative lens through which to comprehend the by-products of the atomic age, from weapons proliferation, nuclear disaster, and aerial surveillance to toxic waste disposal and climate change. Confronting cultural fallout from the dawn of the nuclear age, Through Post-Atomic Eyes addresses the myriad iterations of nuclear threat and their visual legacy in the twentieth and twenty-first centuries. Whether in the iconic black-and-white photograph of a mushroom cloud rising over Nagasaki in 1945 or the steady stream of real-time video documenting the 2011 meltdown at the Fukushima Daiichi nuclear power plant, atomic culture--and our understanding of it--is inextricably constructed by the visual. This book takes the image as its starting point to address the visual inheritance of atomic anxieties; the intersection of photography, nuclear industries, and military technocultures; and the complex temporality of nuclear technologies. Contemporary artists contribute lens-based works that explore the consequences of the nuclear, and its afterlives, in the Anthropocene. Revealing, through both art and prose, startling new connections between the ongoing threat of nuclear catastrophe and current global crises, Through Post-Atomic Eyes is a richly illustrated examination of how photography shapes and is shaped by nuclear culture."--

     
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    Source: Union catalogues
    Contributor: Lauzon, Claudette (Publisher); O'Brian, John (Publisher)
    Language: English
    Media type: Book
    ISBN: 0228001390; 9780228001393
    RVK Categories: AP 94200 ; AP 95240
    Series: McGill-Queen's/Beaverbrook Canadian Foundation studies in art history
    Subjects: Kernwaffe <Motiv>; Kernenergie <Motiv>; Kunst; Fotografie
    Other subjects: Photography / Social aspects; Art and photography; Art and nuclear warfare; Art and society; Nuclear accidents; Radioactive pollution; Nuclear industry; Atomic bomb / Social aspects; Art and nuclear warfare; Art and photography; Art and society; Atomic bomb ; Social aspects; Nuclear accidents; Nuclear industry; Photography ; Social aspects; Radioactive pollution
    Scope: xii, 371 Seiten, Illustrationen, 26 cm
    Notes:

    Includes bibliographical references and index
  15. Futurist conditions
    imagining time in Italian futurism
    Author: Mather, David
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early twentieth century. Yet, as David Mather's sweeping intellectual and... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early twentieth century. Yet, as David Mather's sweeping intellectual and art historical scholarship demonstrates, it was the camera-not the engine-that proved to be the primary invention against which many futurist ideas and practices were measured. Overturning several misconceptions about Italian futurism's interest in the disruptive and destructive effects of technology, Futurist Conditions provides a refreshing update to that historical narrative by arguing that the formal and conceptual approaches by futurist visual artists reoriented the possibly dehumanizing effects of mechanized imagery toward more humanizing, spiritual aims. Through its sustained analysis of the artworks and writings of Umberto Boccioni, Giacomo Balla, and the Bragaglia brothers, dating to the first decade after the movement's founding in 1909, Mather's account of their obsession with kinetic motion pivots around a 1913 debate on the place and relative import of photography among traditional artistic mediums-a debate culminating in the expulsion of the Bragaglias, but one that also prompted a range of productive responses by other futurist artists to world-changing social, political, and economic conditions"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501343124; 9781350282773
    Edition: First edition
    Subjects: Photographic equipment & techniques / bicssc; Futurism (Art); Motion in art; Art and photography; Zeitlichkeit; Zeit <Motiv>; Futurismus
    Other subjects: Bragaglia, Arturo (1893-1962); Balla, Giacomo (1871-1958); Boccioni, Umberto (1882-1916); Bragaglia, Carlo Ludovico (1894-1998); Electronic books
    Scope: 231 Seiten, Illustrationen
    Notes:

    Paperback edition published 2023

    Includes bibliographical references and index

    List of Plates -- List of Figures -- Acknowledgements -- Introduction: Temporal Imagination -- 1. The Bragaglias' Unreality -- 2. Balla's Transformation -- 3. Boccioni's Body-Buildings -- Conclusion: Collective Condition -- Index
  16. Photographie & (re)construction d'histoires
    Author: Erbetta, Alejandro
    Published: [2019]
    Publisher:  L'Harmattan, Paris

    Dans les démarches rétrospectives qui réinterprètent le passé, les artistes travaillent à partir des traces matérielles et mnésiques, telles que les images d'albums de famille, les archives, les documents ou les témoignages. Leurs oeuvres deviennent... more

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Dans les démarches rétrospectives qui réinterprètent le passé, les artistes travaillent à partir des traces matérielles et mnésiques, telles que les images d'albums de famille, les archives, les documents ou les témoignages. Leurs oeuvres deviennent alors une recréation artistique, et postulent un espace narratif singulier qui évoque une poétique de la mémoire. Partielles et fragmentaires, elles donnent à voir un récit reconfiguré par l'imaginaire et le montage

     
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  17. Futurist conditions
    imagining time in Italian futurism
    Author: Mather, David
    Published: 2020
    Publisher:  Bloomsbury Visual Arts, London ; New York ; Oxford ; New Delhi ; Sydney

    "Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early twentieth century. Yet, as David Mather's sweeping intellectual and... more

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    Bayerische Staatsbibliothek
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    "Italian futurism visualized diverse types of motion, which had been rooted in pervasive kinetic and vehicular forces generated during a period of dramatic modernization in the early twentieth century. Yet, as David Mather's sweeping intellectual and art historical scholarship demonstrates, it was the camera-not the engine-that proved to be the primary invention against which many futurist ideas and practices were measured. Overturning several misconceptions about Italian futurism's interest in the disruptive and destructive effects of technology, Futurist Conditions provides a refreshing update to that historical narrative by arguing that the formal and conceptual approaches by futurist visual artists reoriented the possibly dehumanizing effects of mechanized imagery toward more humanizing, spiritual aims. Through its sustained analysis of the artworks and writings of Umberto Boccioni, Giacomo Balla, and the Bragaglia brothers, dating to the first decade after the movement's founding in 1909, Mather's account of their obsession with kinetic motion pivots around a 1913 debate on the place and relative import of photography among traditional artistic mediums-a debate culminating in the expulsion of the Bragaglias, but one that also prompted a range of productive responses by other futurist artists to world-changing social, political, and economic conditions."

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501343094; 9781501343100
    Other identifier:
    RVK Categories: LH 67553
    Subjects: Photographic equipment & techniques / bicssc; Futurism (Art); Motion in art; Art and photography; Zeitlichkeit; Futurismus; Zeit <Motiv>
    Other subjects: Bragaglia, Carlo Ludovico (1894-1998); Boccioni, Umberto (1882-1916); Bragaglia, Arturo (1893-1962); Balla, Giacomo (1871-1958)
    Scope: 1 Online-Ressource (231 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index

    List of Plates -- List of Figures -- Acknowledgements -- Introduction: Temporal Imagination -- 1. The Bragaglias' Unreality -- 2. Balla's Transformation -- 3. Boccioni's Body-Buildings -- Conclusion: Collective Condition -- Index
  18. Intervention de l'art dans la photographie
    Author: Blanquart-Evrard, Louis-Désiré
    Published: 1864
    Publisher:  Leiber, Paris ; Jung-Treuttel, Leipzig ; C. Bailly-Baillère, Madrid

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Deutsches Museum, Bibliothek
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    Source: Union catalogues
    Language: French
    Media type: Book
    Subjects: Art and photography; Chemie; Fotografie; Technik; Ästhetik
    Other subjects: Blanquart-Evrard, Louis-Désiré (1802-1872)
    Scope: 35 Seiten, Ill., graph. Darst.
    Notes:

    Aus: Mémoires de la Société impériale des Sciences, de l'Agriculture et des Arts de Lille ; 11e Série, vol. 10, année 1863
  19. Photography after conceptual art
    Contributor: Costello, Diarmuid (Publisher); Iversen, Margaret (Publisher)
    Published: 2010
    Publisher:  Wiley-Blackwell, Chichester

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsgemäldesammlungen, Bibliothek
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    Source: Union catalogues
    Contributor: Costello, Diarmuid (Publisher); Iversen, Margaret (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781444333602; 1444333607
    RVK Categories: AP 94300
    Edition: This edition first published
    Series: Art history special issue book series
    Subjects: Photography, Artistic; Photography in art; Art and photography; Photographers; Concept-art; Fotografie; Ästhetik
    Scope: vii, 200 Seiten, Illustrationen
    Notes:

    Edition history: originally published as Volume 23, Issue 5 of "Art History". - Includes bibliographical references and index

    Auto-maticity: Ruscha and performative photography / Margaret Iversen -- Ed Ruscha, Heidegger, and deadpan photography / Aron Vinegar -- Subject, object, mimesis: the aesthetic world of the Bechers' photography / Sarah E. James -- Exit ghost: Douglas Huebler's face value / Gordon Hughes -- Productive misunderstandings: interpreting Mel Bochner's theory of photography / Luke Skrebowski -- Roni Horn's Icelandic encyclopedia / Mark Godfrey -- Thomas Demand, Jeff Wall and Sherrie Levine: deforming 'pictures' / Tamara Trodd -- Almost Merovingian: on Jeff Wall's relation to nearly everything / Wolfgang Bruckle -- Morning cleaning: Jeff Wall and The large glass / Christine Conley
  20. The lens of impressionism
    photography and painting along the Normandy coast 1850 - 1874 ; [University of Manchester Museum of Art, October 10, 2009 - January 3, 2010 ; Dallas Museum of Art, February 23, 2010 - May 23, 2010]
    Published: 2009
    Publisher:  Hudson Hills Press, New York, NY [u.a.]

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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  21. Fendenti di luce
    note su alcune istantanee di Caravaggio
    Author: Arciero, Gianfranco
    Published: 2007
    Publisher:  Nuova Arnica Ed., Roma

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788877726254
    Series: Fotografia & creatività
    Subjects: Art and photography; Licht <Motiv>
    Other subjects: Caravaggio, Michelangelo Merisi da <1573-1610>; Caravaggio, Michelangelo Merisi da (1571-1610)
    Scope: 134 p., ill. (some col.), 20 cm
    Notes:

    G. Arciero teaches at the University of Roma Tre. - Michelangelo Merisi da Caravaggio (1573- 1610)
  22. Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit
    drei Studien zur Kunstsoziologie
    Author: Benjamin, Walter
    Published: 1970
    Publisher:  Suhrkamp, Frankfurt am Main

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Universitätsbibliothek der LMU München
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Universitätsbibliothek Regensburg
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    Location:
    Universitätsbibliothek Würzburg
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  23. Picturing time
    the work of Etienne-Jules Marey (1830-1904)
    Author: Braun, Marta
    Published: 1992
    Publisher:  University of Chicago Press, Chicago

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Location:
    Deutsches Museum, Bibliothek
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    Location:
    Münchner Stadtmuseum, Zentrale Bibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Universitätsbibliothek Regensburg
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  24. Photography after conceptual art
    Contributor: Costello, Diarmuid (Publisher); Iversen, Margaret (Publisher)
    Published: 2010
    Publisher:  Wiley-Blackwell, Chichester

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Contributor: Costello, Diarmuid (Publisher); Iversen, Margaret (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781444333602; 1444333607
    RVK Categories: AP 94300
    Edition: This edition first published
    Series: Art history special issue book series
    Subjects: Photography, Artistic; Photography in art; Art and photography; Photographers; Concept-art; Fotografie; Ästhetik
    Scope: vii, 200 Seiten, Illustrationen
    Notes:

    Edition history: originally published as Volume 23, Issue 5 of "Art History". - Includes bibliographical references and index

    Auto-maticity: Ruscha and performative photography / Margaret Iversen -- Ed Ruscha, Heidegger, and deadpan photography / Aron Vinegar -- Subject, object, mimesis: the aesthetic world of the Bechers' photography / Sarah E. James -- Exit ghost: Douglas Huebler's face value / Gordon Hughes -- Productive misunderstandings: interpreting Mel Bochner's theory of photography / Luke Skrebowski -- Roni Horn's Icelandic encyclopedia / Mark Godfrey -- Thomas Demand, Jeff Wall and Sherrie Levine: deforming 'pictures' / Tamara Trodd -- Almost Merovingian: on Jeff Wall's relation to nearly everything / Wolfgang Bruckle -- Morning cleaning: Jeff Wall and The large glass / Christine Conley
  25. Walter Benjamin, Carl Einstein et les arts primitifs
    Author: Monnoyer, Jean-Maurice
    Published: 1999
    Publisher:  Publ. de l'Univ. de Pau, Pau

    Location:
    Archiv der Akademie der Künste, Bibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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