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Displaying results 1 to 25 of 358.

  1. Storia della bellezza
    Contributor: Eco, Umberto (Publisher)
    Published: 2016
    Publisher:  Bompiani, Milano

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    Source: Union catalogues
    Contributor: Eco, Umberto (Publisher)
    Language: Italian
    Media type: Book
    Format: Print
    ISBN: 9788845272134
    Other identifier:
    9788845272134
    Edition: Quarta edizione Bompiani vintage
    Series: Bompiani : Vintage
    Subjects: Array; Array; Array
    Scope: 438 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis Seite 431-433
  2. Inventing falsehood, making truth
    Vico and Neapolitan painting
    Author: Bull, Malcolm
    Published: 2013
    Publisher:  Princeton University Press, Princeton, New Jersey

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400849741
    Other identifier:
    Series: Essays in the arts
    Subjects: Geschichte; Philosophie; Art and philosophy; Painting; Painting, Baroque; Painting, Italian; Truth; Malerei; Ästhetik
    Other subjects: Vico, Giambattista (1668-1744); Vico, Giambattista (1668-1744)
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index
  3. Anarchaeologies
    reading as misreading
    Author: Graff Zivin, Erin
    Published: 2020; © 2020
    Publisher:  Fordham University Press, New York

    How do we read after the so-called death of literature? If we are to attend to the proclamations that the representational apparatuses of literature and politics are dead, what aesthetic, ethical, and political possibilities remain for us today? Our... more

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    How do we read after the so-called death of literature? If we are to attend to the proclamations that the representational apparatuses of literature and politics are dead, what aesthetic, ethical, and political possibilities remain for us today? Our critical moment, Graff Zivin argues, demands anarchaeological reading: reading for the blind spots, errors, points of opacity or untranslatability in works of philosophy and art.Rather than applying concepts from philosophy in order to understand or elucidate cultural works, the book exposes works of philosophy, literary theory, narrative, poetry, film, and performance art and activism to one another. Working specifically with art, film, and literature from Argentina (Jorge Luis Borges, Juán José Saer, Ricardo Piglia, César Aira, Albertina Carri, the Internacional Errorista), Graff Zivin allows such thinkers as Levinas, Derrida, Badiou, and Rancière to be inflected by Latin American cultural production. Through these acts of interdiscursive and interdisciplinary (or indisciplinary) exposure, such ethical and political concepts as identification and recognition, decision and event, sovereignty and will, are read as constitutively impossible, erroneous. Rather than weakening either ethics or politics, however, the anarchaeological reading these works stage and demand opens up and radicalizes the possibility of justice

     
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  4. Crescent moon over the rational
    philosophical interpretations of Paul Klee
    Author: Watson, Stephen H.
    Published: [2009]; © 2009
    Publisher:  Stanford University Press, Stanford, California

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    UB Weimar
    Signature:
    Mag Iv KleePau
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780804761253
    RVK Categories: CC 6900
    Subjects: Aesthetics, Modern; Art criticism; Philosophy, Modern; Art and philosophy
    Other subjects: Klee, Paul (1879-1940); Klee, Paul (1879-1940)
    Scope: XXII, 231 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index

    Interpreting Klee: fusing the architectonic and the poetic -- On the withdrawal of the beautiful: Adorno's and Merleau-Ponty's readings of Klee -- Gadamer, Benjamin, aesthetic modernism, and the rehabilitation of allegory: the relevance of Klee -- Of Sartre, Klee, surrealism, and philosophy: toward a nonprosaic conception of consciousness -- Heidegger, Klee's turn, and the origin of the work of art -- Fiscourse/digure: of nomadism, the specter of Oedipus, and the remnants of the sublime -- The rapture of sensuousness: color possesses me-- I am a painter.
  5. Der Weltbezug der Künste
    Schelling, Nietzsche, Kant
    Author: Jähnig, Dieter
    Published: 2011
    Publisher:  Alber, Freiburg im Breisgau [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783495481493
    RVK Categories: CF 5017 ; CG 5917 ; CG 6637 ; CC 6900
    DDC Categories: 100
    Edition: Orig.-Ausg.
    Subjects: Art and philosophy; Aesthetics, German; Aesthetics, Modern
    Other subjects: Schelling, Friedrich Wilhelm Joseph von (1775-1854); Nietzsche, Friedrich Wilhelm (1844-1900); Kant, Immanuel (1724-1804)
    Scope: 151 S., [8] Bl., Ill.
    Notes:

    Literaturverz. S. [148] - 151
  6. Inventing falsehood, making truth
    Vico and Neapolitan painting
    Author: Bull, Malcolm
    Published: 2013
    Publisher:  Princeton University Press, Princeton, NJ

    "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made--through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them--that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780691138848
    Series: Essays in the arts
    Subjects: Art and philosophy; Painting, Italian; Painting, Baroque; Painting; Truth
    Other subjects: Vico, Giambattista (1668-1744)
    Scope: xiii, 144 pages, Ill.
    Notes:

    Includes bibliographical references and index
  7. La république de l'œil
    l'expérience de l'art au siècle des Lumières
    Author: Griener, Pascal
    Published: 2010
    Publisher:  O. Jacob, Paris

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Herzog August Bibliothek Wolfenbüttel
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    Source: Staatsbibliothek zu Berlin
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782738124432
    RVK Categories: LH 65780 ; LH 61040
    Series: Collège de France
    Subjects: Art; Art, European; Aesthetics, European; Art and philosophy
    Scope: 329 p, Ill, 24 cm
  8. Art and abstract objects
    Published: 2012
    Publisher:  Oxford University Press, Oxford

    This book presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is... more

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    This book presents a lively philosophical exchange between the philosophy of art and the core areas of philosophy. The standard way of thinking about non-repeatable (single-instance) artworks such as paintings, drawings, and non-cast sculpture is that they are concrete (i.e., material, causally efficacious, located in space and time). This volume examines how philosophical enquiry into art might itself productively inform or be productively informed by enquiry into abstracta taking place within not just metaphysics but also the philosophy of mathematics, epistemology, philosophy of science, and philosophy of mind and language. While the contributors chiefly focus on the relationship between philosophy of art and contemporary metaphysics with respect to the overlap issue of abstracta, they provide a methodological blueprint from which scholars working both within and beyond philosophy of art can begin building responsible, mutually informative, and productive relationships between their respective fields

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0199691495; 9780199691494
    RVK Categories: LH 65826 ; LH 65827 ; LH 65880
    Subjects: Aesthetics; Art, Abstract; Art and philosophy; Abstraction; Art
    Scope: [VIII], 310 S, 24 cm
    Notes:

    Christy Mag Uidhir[part] I. General ontological issues. Must ontological pragmatism be self-defeating? / Guy Rohrbaugh: Introduction : art, metaphysics, and the paradox of standards

    Jerrold Levinson: Indication, abstraction, and individuation

    Marcus Rossberg: Destroying artworks

    Roy T. Cook: [part] II. Informative comparisons. Art, open-endedness, and indefinite extensibility

    P.D. Magnus: Historical individuals like Anas platyrhynchos and 'classical gas'

    Shieva Kłeinshcmidt and Jacob Ross: Repeatable artwork sentences and generics

    Allan Hazlett: [part] III. Arguments against and alternatives to. Against repeatable artworks

    Ross P. Cameron: How to be a nominalist and a fictional realist

    Andrew Kania --[part] IV. Abstracta across the arts. Reflections on the metaphysics of sculpture / Hud Hudson: Platonism vs. nominalism in contemporary musical ontology

    Sherri Irvin: Installation art and performance : a shared ontology

    David Davies: What type of 'type' is a film?

    Joseph G. Moore.: Musical works : a mash-up
  9. Heidegger and the work of art history
    Published: 2014
    Publisher:  Ashgate, Farnham, Surrey [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2015:4628:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781409456131
    RVK Categories: CI 2617 ; LH 61020
    Subjects: Art and philosophy; Art
    Other subjects: Heidegger, Martin (1889-1976)
    Scope: XV, 343, 12 S., Ill., 25 cm
    Notes:

    Includes bibliographical references (pages 321-328) and index
  10. Art as the absolute
    art's relation to metaphysics in Kant, Fichte, Schelling, Hegel and Schopenhauer
    Author: Gordon, Paul
    Published: 2015
    Publisher:  Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc, New York

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    2018/2572
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    Thüringer Universitäts- und Landesbibliothek
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    PHI:HL:575:::2015
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    CC 6900 G662
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781501308017
    Subjects: Absolute, The; Art and philosophy; Metaphysics; Idealism, German
    Scope: xv, 195 Seiten, 24 cm
    Notes:

    Literaturverzeichnis: Seite 187-191

    Kant I : the critique of judgment -- Kant II : the critique of teleological judgment -- Fichte : on the spirit and the letter in philosophy -- Schelling I : the system of transcendental idealism -- Schelling II : the philosophy of art -- Hegel : the encycopedia and lectures on aesthetics -- Schopenhauer : the world as will and representation.
  11. Senses of landscape
    Author: Sallis, John C.
    Published: 2015
    Publisher:  Northwestern University Press, Evanston, Ill.

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 949577
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780810131095; 9780810131071
    RVK Categories: CC 6900
    Series: Studies in comparative and continental philosophy
    Subjects: Landscape painting; Art and philosophy; Nature (Aesthetics)
    Scope: XIV, 147 pages, Ill.
    Notes:

    Includes index

    The bounds of landscapeThe density of landscapeThe tragedy of landscapeThe resonance of landscapeThe effacement of landscape.
  12. Cusano
    l'arte e il moderno
    Author: Cuozzo, Gianluca
    Published: luglio 2021
    Publisher:  Morcelliana, Brescia

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    Erzbischöfliche Diözesan- und Dombibliothek
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    Fbh 6060,02
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    Content information
    Source: Union catalogues
    Language: Italian
    Media type: Book
    ISBN: 9788837234836
    Edition: Prima edizione
    Series: Estetica ; 22
    Filosofia. Testi e studi
    Subjects: Art and philosophy; Aesthetics, Renaissance; Philosophy, Renaissance; Ästhetik
    Other subjects: Nicholas / of Cusa, Cardinal / 1401-1464; Nicholas / of Cusa, Cardinal / 1401-1464 / Aesthetics; Nikolaus von Kues, Kardinal (1401-1464)
    Scope: 69 Seiten, 13 ungezählte Seiten Tafeln, Illustrationen, 21 cm
    Notes:

    Literaturangaben
  13. The question of painting
    rethinking thought with Merleau-Ponty
    Author: Andrews, Jorella
    Published: 2019
    Publisher:  Bloomsbury Academic, London

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2019:708:
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472574282
    Subjects: Art and philosophy; Painting
    Other subjects: Merleau-Ponty, Maurice 1908-1961
    Scope: xvi, 344 Seiten, Illustrationen, 24 cm
  14. Inventing falsehood, making truth
    Vico and Neapolitan painting
    Author: Bull, Malcolm
    Published: 2013
    Publisher:  Princeton Univ. Press, Princeton, NJ [u.a.]

    "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists... more

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    Universitäts- und Landesbibliothek Düsseldorf
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    Kunsthistorisches Institut, Abteilung Allgemeine Kunstgeschichte, Bibliothek
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    "Can painting transform philosophy? In Inventing Falsehood, Making Truth, Malcolm Bull looks at Neapolitan art around 1700 through the eyes of the philosopher Giambattista Vico. Surrounded by extravagant examples of late Baroque painting by artists like Luca Giordano and Francesco Solimena, Vico concluded that human truth was a product of the imagination. Truth was not something that could be observed: instead, it was something made in the way that paintings were made...through the exercise of fantasy.Juxtaposing paintings and texts, Bull presents the masterpieces of late Baroque painting in early eighteenth-century Naples from an entirely new perspective. Revealing the close connections between the arguments of the philosophers and the arguments of the painters, he shows how Vico drew on both in his influential philosophy of history, The New Science. Bull suggests that painting can serve not just as an illustration for philosophical arguments, but also as the model for them...that painting itself has sometimes been a form of epistemological experiment, and that, perhaps surprisingly, the Neapolitan Baroque may have been one of the routes through which modern consciousness was formed"..

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780691138848
    Series: Essays in the arts
    Subjects: Painting; Art and philosophy; Painting, Italian; Painting, Baroque; Truth; Malerei; Ästhetik
    Other subjects: Vico, Giambattista (1668-1744); Vico, Giambattista (1668-1744)
    Scope: XIII, 144 S., Ill.
    Notes:

    Includes bibliographical references and index
  15. Art and objects
    Author: Harman, Graham
    Published: 2020
    Publisher:  Polity Press, Cambridge

    Location:
    Universitäts- und Landesbibliothek Münster
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    3K 86097
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781509512676; 9781509512683
    Subjects: Aesthetics; Art and philosophy; Object (Philosophy); Ästhetische Kommunikation; Objektkunst; Ästhetik
    Scope: xii, 204 Seiten, 23 cm
  16. Heidegger and the work of art history
    Contributor: Boetzkes, Amanda (Hrsg.); Vinegar, Aron (Hrsg.)
    Published: 2014
    Publisher:  Ashgate, Farnham [u.a.]

    Location:
    Universitäts- und Landesbibliothek Bonn
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    2015/6294
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    Source: Union catalogues
    Contributor: Boetzkes, Amanda (Hrsg.); Vinegar, Aron (Hrsg.)
    Language: English
    Media type: Book
    ISBN: 9781409456131
    RVK Categories: LH 61020 ; CI 2617
    Subjects: Art; Art and philosophy; Rezeption; Geschichtsdenken; Kunstbetrachtung; Bildwissenschaft; Ethik; Ästhetik; Ontologie; Kunstgeschichte <Fach>
    Other subjects: Heidegger, Martin, (1889-1976); Heidegger, Martin (1889-1976)
    Scope: XV, 343 S., Ill.
    Notes:

    Includes bibliographical references and index
  17. Art as the absolute
    art's relation to metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer
    Author: Gordon, Paul
    Published: 2017
    Publisher:  Bloomsbury Academic, New York

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    Ruhr-Universität Bochum, Hegel-Archiv, Bibliothek
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    M 017:1
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    FH Münster, Hochschulbibliothek
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    77 EG 439
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    Universitäts- und Landesbibliothek Münster
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781501308017; 9781501330551
    Edition: Paperback edition first published
    Subjects: Absolute, The; Art and philosophy; Metaphysics; Idealism, German; Ästhetik; Das Absolute; Metaphysik; Deutscher Idealismus
    Scope: xv, 195 Seiten, 23 cm
  18. Evidenz und Täuschung
    Stellenwert, Wirkung und Kritik von Bildern
    Published: [2015]; ©2008
    Publisher:  transcript-Verlag, Bielefeld

    Wir sind von Bildern stets umgeben und machen mannigfachen Gebrauch von ihnen. Sie sind in Alltag und Wissenschaft nicht nur selbstverständlich, sondern haben einen hohen Stellenwert: Wer Bilder zeigen kann, meint Gewissheit zu haben. Aber kann man... more

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    Wir sind von Bildern stets umgeben und machen mannigfachen Gebrauch von ihnen. Sie sind in Alltag und Wissenschaft nicht nur selbstverständlich, sondern haben einen hohen Stellenwert: Wer Bilder zeigen kann, meint Gewissheit zu haben. Aber kann man Bildern glauben? Ein tiefes Misstrauen gegenüber Bildern durchzieht die abendländische Kultur- und Geistesgeschichte: Sind es nicht Trugbilder, die mit der Wirklichkeit vertauscht werden?Stellenwert, Wirkung und Kritik von Bildern stehen im Mittelpunkt dieses Bandes. Die Beiträge aus unterschiedlichsten wissenschaftlichen Disziplinen stellen die Vielfalt und Brisanz des Themas eindrücklich unter Beweis

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839410035
    Other identifier:
    Edition: 1. Aufl
    Series: Linzer Beiträge zur Kunstwissenschaft und Philosophie ; 1
    Other subjects: Art and philosophy; Bild / Rezeption / Kongressbericht; Bild / Visuelle Wahrnehmung / Kongressbericht; Illusion; Image; Visuelle Wahrnehmung / Bild / Kongressbericht; Aesthetics; Bilderverbot; Bildwissenschaft; Fine Arts; Fälschung; Kunstwissenschaft; Trugbild; Visual Studies; Wirklichkeit; Ästhetik; ART / Criticism
    Scope: 1 online resource
  19. Crescent moon over the rational
    philosophical interpretations of Paul Klee
    Author: Watson, Stephen H.
    Published: 2009
    Publisher:  Stanford University Press, Stanford, Calif. ; Oxford University Press, Oxford

    This work reveals an evolving theoretical constellation of interpretations and their questions that address and continually renew Klee's rich legacies. more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This work reveals an evolving theoretical constellation of interpretations and their questions that address and continually renew Klee's rich legacies.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780804772990
    Other identifier:
    RVK Categories: CC 6900
    DDC Categories: 760; 750
    Subjects: Ästhetik; Aesthetics, Modern; Art criticism; Philosophy, Modern; Art and philosophy
    Other subjects: Klee, Paul (1879-1940); Klee, Paul (1879-1940); Klee, Paul (1879-1940)
    Scope: 1 Online-Ressource (xxii, 231 p.), Ill.
    Notes:

    Includes bibliographical references and index
  20. Philosophie und Kunst
    Jean Baudrillard ; eine Hommage zu seinem 75. Geburtstag
    Contributor: Gente, Peter (Publisher); Baudrillard, Jean
    Published: 2005
    Publisher:  Merve-Verl., Berlin

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    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Contributor: Gente, Peter (Publisher); Baudrillard, Jean
    Language: German
    Media type: Book
    ISBN: 3883962155
    RVK Categories: AP 11100 ; CC 6900 ; CI 5495 ; CI 5496 ; IH 14901
    DDC Categories: 100; 700
    Series: Internationaler Merve-Diskurs ; 281
    Subjects: Art and philosophy; Philosophie; Kunst; Ästhetik
    Other subjects: Baudrillard, Jean <1992-2007>; Baudrillard, Jean (1929-2007)
    Scope: 347 S., Ill., 170 mm x 120 mm, 280 gr.
    Notes:

    Bibliogr. J. Baudrillard S. 330 - 333
  21. The visual world of French theory
    figurations
    Author: Wilson, Sarah
    Published: 2010
    Publisher:  Yale Univ. Press, New Haven [Conn.]

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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780300162813
    RVK Categories: LH 61020 ; LM 10190
    Subjects: Figurative art; Narrative art (Art movement); Philosophy, French; Art and philosophy; Kunstkritik; Theorie; Ästhetik; Figuration narrative; Kunst; Philosophie
    Scope: 271 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  22. Art and objects
    Author: Harman, Graham
    Published: [2020]
    Publisher:  polity, Cambridge, UK

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781509512683; 9781509512676
    RVK Categories: CC 6900
    Subjects: Aesthetics; Art and philosophy; Object (Philosophy)
    Scope: 204 Seiten, 23 cm
  23. Adorno and art
    aesthetic theory contra critical theory
    Author: Hellings, James
    Published: 2014
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230347885
    Other identifier:
    9780230347885
    Edition: 1. publ.
    Subjects: Art and philosophy; Art; Aesthetics
    Other subjects: Adorno, Theodor W (1903-1969); Adorno, Theodor W. 1903-1969
    Scope: XIV, 199 S., 23 cm
    Notes:

    Includes bibliographical references and index

    Anti-introduction: Paint it BlackPART I: MESSAGES IN A BOTTLE: AESTHETIC THEORY CONTRA CRITICAL THEORY -- 1. Introduction -- 2. Critical Messages in a Bottle and Restoration -- 3. Excursus I: The Prevalence of a View: Being Uncompromisingly Critical at the Grand Hotel Abyss -- 4. Excursus II: The Prevalence of a View: 'Don't participate:' The Politics of Social Praxis -- 5. Aesthetic Messages in a Bottle and Progress -- 6. Messages in a Bottle as the Work of Art -- PART II: ART ITSELF THINKS: THE POLITICS OF AESTHETIC (MIS-)EDUCATION -- 7. Introduction -- 8. The Politics of Artistic Practice: 'What artist isn't socially engaged?' -- 9. The Politics of Spectatorship: Shocking Spectators -- 10. The Politics of Aesthetic (Mis-)Education -- 11. Contemporary Art Itself Thinking: Making the Invisible Visible? -- Anti-conclusion: The Russian Ending.
  24. Art and intention
    a philosophical study
    Author: Livingston, Paisley
    Published: 2005
    Publisher:  Clarendon Press, Oxford [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0199278067
    Other identifier:
    9780199278060
    RVK Categories: CC 6900 ; LH 61040
    Edition: 1. publ.
    Subjects: Art and philosophy; Intention; Art criticism
    Scope: XIV, 251 S, Ill
  25. Smile of the Buddha
    Eastern philosophy and Western art from Monet to today
    Author: Baas, Jacquelynn
    Published: 2005
    Publisher:  University of California Press, Berkeley, Calif. [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520242084
    Other identifier:
    9780520242081
    2005006293
    RVK Categories: LH 70380
    Subjects: Arts, Modern; Arts, Modern; Arts, Modern; Art and philosophy; Art and philosophy
    Scope: XVI, 294 S., Ill., 29 cm
    Notes:

    Literaturverz. S. 273 - 281. - Mit Index

    The infinite moment. Claude Monet, 1840-1926 -- Vincent van Gogh, 1853-1890 -- Paul Gauguin, 1848-1903 -- Odilon Redon, 1840-1916 -- Other dimensions. Wassily Kandinsky, 1866-1944 -- Constantin Brancusi, 1876-1957 -- Marcel Duchamp, 1887-1968 -- Georgia O'Keeffe, 1887-1986 -- The space of art. Isamu Noguchi, 1904-1988 -- Ad Reinhardt, 1913-1967 -- Yves Klein, 1928-1962 -- Jasper Johns, 1930- -- The sound of the mind. John Cage, 1912-1992 -- Nam June Paik, 1932- -- Yoko Ono, 1933- -- Laurie Anderson, 1947- -- Light and insight. Agnes Martin, 1912-2004 -- Robert Irwin, 1928- -- Vija Celmins, 1938- -- Richard Tuttle, 1941-