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Displaying results 1 to 12 of 12.

  1. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  University of Minnesota Press, Minneapolis ; Oxford University Press, Oxford

    The Bauhaus school has been understood through the writings of its founding director Walter Gropius and several artists who taught there. Far less recognised are texts written by women in the school's weaving workshop. It was here that a modernist... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    The Bauhaus school has been understood through the writings of its founding director Walter Gropius and several artists who taught there. Far less recognised are texts written by women in the school's weaving workshop. It was here that a modernist theory of weaving emerged - an investigation of its material elements, loom practice, and functional applications. The women harnessed the vocabulary of other disciplines (painting, architecture, or photography) to take a profound step in the recognition of weaving as a medium-specific craft - one that could be compared to and differentiated from others.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781452949031
    Other identifier:
    DDC Categories: 700; 740
    Subjects: Bauhaus; Textilkünstlerin; Webarbeit; Ästhetik; Textile design; Weaving; Women textile designers; Modernism (Art); Art and craft debate
    Scope: 1 Online-Ressource (xxxiv, 229 pages, 8 unnumbered pages of plates), Illustrations (black and white, and colour)
    Notes:

    Includes bibliographical references and index
  2. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014; © 2014
    Publisher:  University of Minnesota Press, Minneapolis, Minnesota

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780816687244; 9780816687237; 9781452943237
    Subjects: Geschichte; Textile design; Weaving; Women textile designers; Modernism (Art); Art and craft debate; Textilkünstlerin; Bauhaus; Webarbeit; Ästhetik
    Scope: 1 online resource (273 pages, 8 unnumbered pages of plates), color illustrations, photographs
    Notes:

    Includes index

    Description based on print version record
  3. Radical decadence
    excess in contemporary feminist textiles and craft
    Author: Skelly, Julia
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties... more

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

     

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic."--Publisher's description

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781472569400; 1472569407
    RVK Categories: LH 60250
    Subjects: Textilkunst; Textilien; Handarbeiten; Frau; Kunsthandwerk; Frauenkunst; Design; Exzess <Motiv>
    Other subjects: Feminism and art; Women artists; Art and craft debate; Excess (Philosophy); SOCIAL SCIENCE / Feminism & Feminist Theory; DESIGN / Textile & Costume; Art and craft debate; Excess (Philosophy); Feminism and art; Women artists
    Scope: xi, 125 Seiten, 16 Seiten Tafeln, Illustrationen, 25 cm
    Notes:

    Introduction: decadence, feminism and "excess" -- Consuming craft, cupcakes, and cocaine: Orly Cogan, Shane Waltener, and Shelley Miller -- Pleasure craft: Nava Lubelski, Mickalene Thomas, and Shary Boyle -- Bad women? Tracey Emin, Ghada Amer and Allyson Mitchell -- "The decaying fabrics of life and death": Rozanne Hawksley's textile art
  4. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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  5. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  Univ. of Minnesota Press, Minneapolis [u.a.]

  6. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014; ©2014
    Publisher:  University of Minnesota Press, Minneapolis

    The Bauhaus school has been understood through the writings of its founding director Walter Gropius and several artists who taught there. Far less recognised are texts written by women in the school's weaving workshop. It was here that a modernist... more

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    Leibniz-Zentrum Moderner Orient, Bibliothek, Geisteswissenschaftliche Zentren Berlin e.V.
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    Universitätsbibliothek Freiburg
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    Kompetenzzentrum für Lizenzierung
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    The Bauhaus school has been understood through the writings of its founding director Walter Gropius and several artists who taught there. Far less recognised are texts written by women in the school's weaving workshop. It was here that a modernist theory of weaving emerged - an investigation of its material elements, loom practice, and functional applications. The women harnessed the vocabulary of other disciplines (painting, architecture, or photography) to take a profound step in the recognition of weaving as a medium-specific craft - one that could be compared to and differentiated from others.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781452949031
    RVK Categories: LH 78960 ; LK 92607
    Subjects: Textile design; Weaving; Women textile designers; Modernism (Art); Art and craft debate; Textile design; Weaving; Women textile designers
    Scope: Online-Ressource (1 online resource (xxxiv, 229 pages, 8 unnumbered pages of plates))
  7. Radical decadence
    excess in contemporary feminist textiles and craft
    Author: Skelly, Julia
    Published: 2017
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic."--Publisher's description

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781472569400; 1472569407
    RVK Categories: LH 60250
    Subjects: Textilkunst; Textilien; Handarbeiten; Frau; Kunsthandwerk; Frauenkunst; Design; Exzess <Motiv>
    Other subjects: Feminism and art; Women artists; Art and craft debate; Excess (Philosophy); SOCIAL SCIENCE / Feminism & Feminist Theory; DESIGN / Textile & Costume; Art and craft debate; Excess (Philosophy); Feminism and art; Women artists
    Scope: xi, 125 Seiten, 16 Seiten Tafeln, Illustrationen, 25 cm
    Notes:

    Introduction: decadence, feminism and "excess" -- Consuming craft, cupcakes, and cocaine: Orly Cogan, Shane Waltener, and Shelley Miller -- Pleasure craft: Nava Lubelski, Mickalene Thomas, and Shary Boyle -- Bad women? Tracey Emin, Ghada Amer and Allyson Mitchell -- "The decaying fabrics of life and death": Rozanne Hawksley's textile art
  8. Radical decadence
    excess in contemporary feminist textiles and craft
    Author: Skelly, Julia
    Published: 2017; [2021]
    Publisher:  Bloomsbury Academic, London ; Bloomsbury Fashion Central

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties... more

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    Verlag (URL des Erstveröffentlichers)

    Location:
    Hochschule für Technik und Wirtschaft Berlin, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    "This pioneering book explores the notion of 'radical decadence' as concept, aesthetic and lived experience, and as an analytical framework for the study of contemporary feminist textile art. Gendered discourses of decadence that perpetuate anxieties about women's power, consumption and pleasure are deconstructed through images of drug use, female sexuality and 'excessive' living, in artworks by several contemporary textile artists including Orly Cogan, Tracey Emin, Allyson Mitchell, and Rozanne Hawksley. Perceptions of decadence are invariably bound to the negative connotations of decay and degradation, particularly with regard to the transgression of social norms related to femininity and the female body. Excessive consumption by women has historically been represented as grotesque, and until now, women's pleasure in relation to drug and alcohol use has largely gone unexamined in feminist art history and craft studies. Here, representations of female consumption, from cupcakes to alcohol and cocaine, are opened up for critical discussion. Drawing on feminist and queer theories, Julia Skelly considers portrayals of 'bad girls' in artworks that explore female sexuality - performative pieces designed to subvert and exceed feminine roles. In this provocative book, decadence is understood not as a destructive force but as a liberating aesthetic"--Bloomsbury Publishing

     
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    Source: Union catalogues
    Language: Undetermined
    Media type: Ebook
    Format: Online
    ISBN: 9781474284981
    Other identifier:
    RVK Categories: LH 60250
    Subjects: Excess (Philosophy); Art and craft debate; Women artists; Feminism and art; Design; Exzess <Motiv>; Textilien; Frauenkunst; Handarbeiten; Textilkunst; Kunsthandwerk; Frau
    Other subjects: Electronic books
    Scope: 1 Online-Ressource (xii, 141 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  9. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    Location:
    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

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    OTH- Ostbayerische Technische Hochschule Regensburg, Hochschulbibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Content information
  10. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  University of Minnesota Press, Minneapolis, Minn. [u.a.]

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2015:1938:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 928792
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
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    A 43890
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    KGS-Kgw 5289
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    Universitätsbibliothek Heidelberg
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    2015 C 1919
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    Hochschule Anhalt , Hochschulbibliothek
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    31643
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Germanisches Nationalmuseum, Bibliothek
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    Universitätsbibliothek Osnabrück
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    ZVT 6227-410 4
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    Württembergische Landesbibliothek
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    68/13673
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    Kunsthistorisches Institut, Bibliothek
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    D 126 d / 331
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    Universitätsbibliothek Vechta
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    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
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    LK 10350 S642
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    UB Weimar
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    UB Weimar
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780816687244; 9780816687237
    Other identifier:
    9780816687237
    RVK Categories: LH 78960 ; LK 92607
    Subjects: Weaving; Women textile designers; Textile design; Modernism (Art); Art and craft debate
    Scope: XXXIV, 229 S., [4] Bl., Ill., 21 cm
    Notes:

    Includes bibliographical references and index

    Includes bibliographical references and index
  11. Radical decadence
    excess in contemporary feminist textiles and craft
    Author: Skelly, Julia
    Published: 2017
    Publisher:  Bloomsbury Academic, London

    Machine generated contents note: -- Introduction: Decadence, Feminism and "Excess" Chapter 1: Consuming Craft, Cupcakes and Cocaine: Orly Cogan, Shane Waltener and Shelley Miller Chapter 2: Pleasure Craft: Nava Lubelski, Mickalene Thomas and Shary... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 5947
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    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    8/14568
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    Universitätsbibliothek Osnabrück
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    ZVN 2525-424 2
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    Machine generated contents note: -- Introduction: Decadence, Feminism and "Excess" Chapter 1: Consuming Craft, Cupcakes and Cocaine: Orly Cogan, Shane Waltener and Shelley Miller Chapter 2: Pleasure Craft: Nava Lubelski, Mickalene Thomas and Shary Boyle Chapter 3: Bad Women?: Tracey Emin, Ghada Amer and Allyson Mitchell Chapter 4: "The Decaying Fabrics of Life and Death": Rozanne Hawksley's Textile Art Bibliography -- Index

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781472569400; 9781472569417
    RVK Categories: LH 60250
    Subjects: Feminism and art; Women artists; Art and craft debate; Excess (Philosophy); Art and craft debate; Art and craft debate; DESIGN; Excess (Philosophy); Excess (Philosophy); Feminism and art; Feminism and art; SOCIAL SCIENCE; Women artists; Women artists
    Scope: xii, 125, 16 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 113-122
  12. Bauhaus weaving theory
    from feminine craft to mode of design
    Author: Smith, T'ai Lin
    Published: 2014
    Publisher:  University of Minnesota Press, Minneapolis, MN

    Acknowledgments -- Introduction -- 1. Pictures Made of Wool -- 2. Toward a Modernist Theory of Weaving -- 3. The Haptics of Optics -- 4. Weaving as Invention -- Conclusion -- Notes -- Index. The Bauhaus school in Germany has long been understood... more

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    Universitätsbibliothek Freiburg
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    Kompetenzzentrum für Lizenzierung
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    Acknowledgments -- Introduction -- 1. Pictures Made of Wool -- 2. Toward a Modernist Theory of Weaving -- 3. The Haptics of Optics -- 4. Weaving as Invention -- Conclusion -- Notes -- Index. The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school's weaving workshop. In Bauhaus Weaving Theory, T'ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop's innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts

     
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