Results for *

Displaying results 1 to 19 of 19.

  1. Objects of vision
    making sense of what we see
    Published: [2020]; © 2020
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Examines a series of linked case studies that not only highlight moments of seeming disconnect between seeing and believing, including hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, but also offer a sensory history of... more

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    "Examines a series of linked case studies that not only highlight moments of seeming disconnect between seeing and believing, including hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, but also offer a sensory history of ways of seeing"-- "Advances in technology allow us to see the invisible: fetal heartbeats, seismic activity, cell mutations, virtual space. Yet in an age when experience is so intensely mediated by visual records, the realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for what we think we know. Through a series of linked case studies that highlight moments of seeming disconnect between seeing and believing--hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, to name a few--A. Joan Saab interrogates the relationship between "visions" and visuality. Accessibly written and thoroughly enlightening, Objects of Vision is a concise history of the connections between seeing and knowing that will appeal to students and teachers of visual studies and sensory, social, and cultural history."--back cover

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271088105; 0271088109
    RVK Categories: LH 61090
    Series: Perspectives on sensory history
    Subjects: Kunstpsychologie; Ästhetik; Wahrnehmung
    Other subjects: Visual perception; Art / Psychological aspects
    Scope: xv, 150 Seiten, Illustrationen, Porträts (teilweise farbig), 27 cm
    Notes:

    Introduction : making sense of what we see -- The persistence of miraculous vision -- Technological vision : hoaxes and the desire to believe -- Camera vision and the quest for indexical truths -- Untitled : postmodern vision and the triumph of the pseudo-event -- Conclusion : how to look at a million images

  2. Heriotza - ante la muerte
    Published: [2019]
    Publisher:  San Telmo Museoa - Donostia Kultura, Donostia/San Sebastián

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: Basque; Spanish; French; English
    Media type: Book
    ISBN: 9788409087488; 8409087480
    Subjects: Tod <Motiv>; Kunst
    Other subjects: Death in art / Exhibitions; Art / Psychological aspects / Exhibitions; Death / Psychological aspects / Exhibitions; Art / Psychological aspects; Death in art; Death / Psychological aspects; Exhibition catalogs
    Scope: 283 Seiten, Illustrationen, 25 cm
    Notes:

    Impressum: Exposición: "Heriotza. Ante La Muerte", San Telmo Museoa. Donostia/San Sebastián, 2019-03-12 / 2019-05-26 March 12-May 26, 2019

  3. Art and psychoanalysis
    Author: Walsh, Maria
    Published: 2013
    Publisher:  I.B. Tauris, London

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0857721836; 1848857977; 1848857985; 9780857721839; 9781848857971; 9781848857988
    Series: Art and-
    Subjects: PHILOSOPHY / Aesthetics; Art / Psychological aspects; Psychoanalysis and art; Medicine in Art; Psychoanalysis / history; Kunst; Psychoanalyse; Psychologie; Ästhetik; Psychoanalysis and art; Art; Kunst; Psychoanalyse
    Scope: 1 Online-Ressource (ix, 155 p.)
    Notes:

    Often derided as unscientific and self-indulgent, psychoanalysis has been an invaluable resource for artists, art critics and historians throughout the twentieth century. 'Art and Psychoanalysis' investigates these encounters. The dynamics of the dream-work, Freud's 'familiar unfamiliar', fetishism, visual mastery, abjection, repetition, and the death drive are explored through detailed analysis of artists ranging from Max Ernst to Louise Bourgeois, including 1980s postmodernists such as Cindy Sherman, installation artists such as Mike Kelley and post-minimalist sculpture. Innovative and disturbing, 'Art and Psychoanalysis' investigates key psychoanalytic concepts to reveal a dynamic relationship between art and psychoanalysis which goes far beyond interpretation. There is no cure for the artist - but art can reconcile us to the traumatic nature of human experience, converting the sadistic impulses of the ego towards domination and war into a masochistic ethics of responsibility and desire

    Includes bibliographical references

  4. The artful species
    aesthetics, art, and evolution
    Published: 2012
    Publisher:  Oxford Univ. Press, Oxford

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Würzburg
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780199658541; 0199658544
    RVK Categories: CC 6900 ; LH 61045
    Edition: 1. ed.
    Subjects: Kunst; Psychologie; Ästhetik; Ästhetik; Kunst; Kulturelle Evolution
    Other subjects: Aesthetics; Human evolution; Art / Psychological aspects
    Scope: 301 S., 24 cm
    Notes:

    Includes bibliographical references

    Hier auch später erschienene, unveränderte Nachdrucke

  5. Situated aesthetics
    art beyond the Skin
    Published: 2011
    Publisher:  Imprint Academic, Exeter

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule für Philosophie, Bibliothek
    No inter-library loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781845402389; 1845402383
    RVK Categories: LP 13000
    Subjects: Art / Psychological aspects; Aesthetics; Kunst; Psychologie; Ästhetik; Kunstpsychologie; Ästhetik
    Scope: XI, 246 S., Ill.
  6. The scar of visibility
    medical performances and contemporary art
    Published: 2007
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    Introduction: bodily fantasies -- Visions of anatomy: space, exhibitions, and dense bodies -- Living bodies: staging knowledge, fantasy, and temporality -- The collaborative arts: pain and performance -- Intersections: blood, laughter, and the... more

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    Unlimited inter-library loan, copies and loan

     

    Introduction: bodily fantasies -- Visions of anatomy: space, exhibitions, and dense bodies -- Living bodies: staging knowledge, fantasy, and temporality -- The collaborative arts: pain and performance -- Intersections: blood, laughter, and the space-off -- Monsters, cyborgs, animals: crashes, cuttings, and migraines -- Medical museums and art display: the discourses of AIDS -- Reaching out: outsider art, specialists, and positions in between -- Epilogue: fantasies in the sand

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780816646531; 0816646538; 9780816646524; 081664652X
    Other identifier:
    9780816646524
    Subjects: Kunst; Psychologie; Body art; Performance art; Medicine and art; Art / Psychological aspects; Kunst; Medizin <Motiv>; Performance <Künste>
    Scope: IX, 259 S., Ill.
  7. Situated aesthetics
    art beyond the Skin
    Published: 2011
    Publisher:  Imprint Academic, Exeter

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781845402389; 1845402383
    RVK Categories: LP 13000
    Subjects: Art / Psychological aspects; Aesthetics; Kunst; Psychologie; Ästhetik; Kunstpsychologie; Ästhetik
    Scope: XI, 246 S., Ill.
  8. The aesthetics of emotion
    up the down staircase of the mind-body
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781107024458
    RVK Categories: CX 7500
    Series: Studies in emotion and social interaction
    Subjects: Kunst; Psychologie; Ästhetik; Aesthetics / Psychological aspects; Emotions; Art / Psychological aspects; Mind and body; Emotionales Verhalten; Gefühl; Ästhetisches Urteil; Ästhetische Wahrnehmung; Literatur; Ästhetik; Erkenntnistheorie
    Scope: xxv, 387 Seiten, Illustrationen, 23 cm
  9. The artful species
    aesthetics, art, and evolution
    Published: 2012
    Publisher:  Oxford Univ. Press, Oxford

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780199658541; 0199658544
    RVK Categories: CC 6900 ; LH 61045
    Edition: 1. ed.
    Subjects: Kunst; Psychologie; Ästhetik; Ästhetik; Kunst; Kulturelle Evolution
    Other subjects: Aesthetics; Human evolution; Art / Psychological aspects
    Scope: 301 S., 24 cm
    Notes:

    Includes bibliographical references

    Hier auch später erschienene, unveränderte Nachdrucke

  10. The scar of visibility
    medical performances and contemporary art
    Published: 2007
    Publisher:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

    Introduction: bodily fantasies -- Visions of anatomy: space, exhibitions, and dense bodies -- Living bodies: staging knowledge, fantasy, and temporality -- The collaborative arts: pain and performance -- Intersections: blood, laughter, and the... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität der Künste Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Introduction: bodily fantasies -- Visions of anatomy: space, exhibitions, and dense bodies -- Living bodies: staging knowledge, fantasy, and temporality -- The collaborative arts: pain and performance -- Intersections: blood, laughter, and the space-off -- Monsters, cyborgs, animals: crashes, cuttings, and migraines -- Medical museums and art display: the discourses of AIDS -- Reaching out: outsider art, specialists, and positions in between -- Epilogue: fantasies in the sand

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780816646531; 0816646538; 9780816646524; 081664652X
    Other identifier:
    9780816646524
    Subjects: Kunst; Psychologie; Body art; Performance art; Medicine and art; Art / Psychological aspects; Kunst; Medizin <Motiv>; Performance <Künste>
    Scope: IX, 259 S., Ill.
  11. The medicine of art
    disease and the aesthetic object in gilded age America
    Published: 2022
    Publisher:  Bloomsbury Visual Arts, London

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is... more

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     

    Export to reference management software   RIS file
      BibTeX file
  12. The medicine of art
    disease and the aesthetic object in gilded age America
    Published: 2022
    Publisher:  Bloomsbury Visual Arts, London

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is... more

    Access:
    Aggregator (lizenzpflichtig)
    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501346903; 9781501346897
    Other identifier:
    Subjects: Krankheit <Motiv>; Bildnis; Kunst; Medizin <Motiv>
    Other subjects: Stevenson, Robert Louis (1850-1894); Medicine and art / United States / History / 19th century; Diseases in art; Art / Psychological aspects; Artists / Health and hygiene; Art therapy; Art / Psychological aspects; Art therapy; Artists / Health and hygiene; Diseases in art; Medicine and art; United States; 1800-1899; History
    Scope: 1 Online-Ressource (xiv, 226 Seiten, 7 ungezählte Seiten Bildtafeln), Illustrationen
  13. Objects of vision
    making sense of what we see
    Published: [2020]; © 2020
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Examines a series of linked case studies that not only highlight moments of seeming disconnect between seeing and believing, including hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, but also offer a sensory history of... more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan

     

    "Examines a series of linked case studies that not only highlight moments of seeming disconnect between seeing and believing, including hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, but also offer a sensory history of ways of seeing"-- "Advances in technology allow us to see the invisible: fetal heartbeats, seismic activity, cell mutations, virtual space. Yet in an age when experience is so intensely mediated by visual records, the realization that knowledge gained through sight is inherently fallible takes on troubling new dimensions. This book considers the ways in which seeing, over time, has become the foundation for what we think we know. Through a series of linked case studies that highlight moments of seeming disconnect between seeing and believing--hoaxes, miracles, spirit paintings, manipulated photographs, and holograms, to name a few--A. Joan Saab interrogates the relationship between "visions" and visuality. Accessibly written and thoroughly enlightening, Objects of Vision is a concise history of the connections between seeing and knowing that will appeal to students and teachers of visual studies and sensory, social, and cultural history."--back cover

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271088105; 0271088109
    RVK Categories: LH 61090
    Series: Perspectives on sensory history
    Subjects: Kunstpsychologie; Ästhetik; Wahrnehmung
    Other subjects: Visual perception; Art / Psychological aspects
    Scope: xv, 150 Seiten, Illustrationen, Porträts (teilweise farbig), 27 cm
    Notes:

    Introduction : making sense of what we see -- The persistence of miraculous vision -- Technological vision : hoaxes and the desire to believe -- Camera vision and the quest for indexical truths -- Untitled : postmodern vision and the triumph of the pseudo-event -- Conclusion : how to look at a million images

  14. Situated aesthetics
    art beyond the skin
    Published: 2011
    Publisher:  Imprint Academic, Exeter

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1845402383; 1845403673; 9781845402389; 9781845403676
    Subjects: ART / General; Aesthetics; Art / Psychological aspects; Kunstpsychologie; Ästhetik; Kunst; Psychologie; Ästhetik; Art; Aesthetics; Kunstpsychologie; Ästhetik
    Scope: 1 Online-Ressource (xi, 246 pages)
    Notes:

    Authors, Liliana Albertazzi ... et al

    Includes bibliographical references and index

    This book focuses on externalist approaches to art. It is the first fruit of a workshop held in Milan in September 2009, where leading scholars in the emerging field of psychology of art compared their different approaches using a neutral language and discussing freely their goals. The event threw up common grounds for future research activities. First, there is a considerable interest in using cognitive and neural inspired techniques to help art historians, museum curators, art archiving, art preservation. Secondly, cognitive scientists and neuroscientists are rather open to using art as a special way of accessing the structures of the mind. Third, there are artists who explicitly draw inspiration out of current research on various aspects of the mind. Fourth, during the workshop, a converging methodological paradigm emerged around which more specific efforts could be encouraged. Riccardo Manzotti is Assistant Professor of Psychology at the IULM University, Milan

  15. The artful species
    aesthetics, art, and evolution
    Published: 2012
    Publisher:  Oxford University Press, Oxford

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191633119; 0191633119; 9781283919166; 1283919168; 9780191746253; 0191746258
    RVK Categories: CC 6900 ; LH 61045
    Subjects: ART / General; Aesthetics; Art / Philosophy; Art / Psychological aspects; Human evolution; Kunst; Philosophie; Psychologie; Ästhetik; Aesthetics; Art; Human evolution; Art; Kulturelle Evolution; Ästhetik; Kunst
    Scope: 1 Online-Ressource (301 Seiten)
    Notes:

    Includes bibliographical references

    The aesthetic -- The nature of art -- The theory of evolution -- How might the aesthetic, art, and evolution be related? -- Humans' aesthetic appreciation of nonhuman animals -- Landscape aesthetics -- The aesthetics of human beauty -- General theories of art as an adaptation and the origins of art -- Art as a spandrel -- Art as a technology -- Arts as adaptations

    Stephen Davies explores the idea that art, and our aesthetic sensibilities more generally, should be understood as an element in human evolution. He asks: Do animals have aesthetics? Do our aesthetic preferences have prehistoric roots? Is art universal? What is the biological role of aesthetic and artistic behaviour?

  16. The aesthetics of emotion
    up the down staircase of the mind-body
    Published: 2016
    Publisher:  Cambridge University Press, Cambridge

    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107024458
    RVK Categories: CX 7500
    Series: Studies in emotion and social interaction
    Subjects: Kunst; Psychologie; Ästhetik; Aesthetics / Psychological aspects; Emotions; Art / Psychological aspects; Mind and body; Emotionales Verhalten; Gefühl; Ästhetisches Urteil; Ästhetische Wahrnehmung; Literatur; Ästhetik; Erkenntnistheorie
    Scope: xxv, 387 Seiten, Illustrationen, 23 cm
  17. The artful species
    aesthetics, art, and evolution
    Published: 2013
    Publisher:  Oxford University Press, Oxford

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191746253
    Other identifier:
    RVK Categories: CC 6900 ; LH 61045
    Subjects: Kunst; Psychologie; Ästhetik; Aesthetics; Human evolution; Art / Psychological aspects; Kulturelle Evolution; Ästhetik; Kunst
    Scope: 1 Online-Ressource
    Notes:

    Stephen Davies explores the idea that art, and our aesthetic sensibilities more generally, should be understood as an element in human evolution. He asks: Do animals have aesthetics? Do our aesthetic preferences have prehistoric roots? Is art universal? What is the biological role of aesthetic and artistic behaviour?

    Includes bibliographical references and index

  18. The Debrist Manifesto
    Author: King, Scott
    Published: 2021
    Publisher:  International General, [Amsterdam]

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781527293861; 1527293866
    Subjects: Ästhetik; Manifest
    Other subjects: King, Scott (1969-); Art / Philosophy; Art / Psychological aspects; Self-actualization (Psychology)
    Scope: 47 Seiten, 30 cm
  19. The medicine of art
    disease and the aesthetic object in gilded age America
    Published: 2022
    Publisher:  Bloomsbury Visual Arts, London

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan

     

    In 1901, the sculptor Augustus Saint-Gaudens proclaimed in a letter to Will Low, "Health—is the thing!" Though recently diagnosed with intestinal cancer, Saint-Gaudens was revitalized by recreational sports, having realized mid-career "there is something else in life besides the four walls of an ill-ventilated studio." Health and Illness in American Gilded-Age Art puts such moments center stage to consider the role of health and illness in the way art was produced and consumed. It is the first study to address the place of organic disease—cancer, tuberculosis, syphilis—in the life and work of Gilded-Age artists. It demonstrates how well-known works of art were marked by disease, arguing that art itself functioned in medicinal terms for artists and viewers in the late nineteenth century. Not merely beautiful or entertaining objects, works of art could function as balm for the ill, providing relief from physical suffering and pain. Art did so by blunting the edges of contagious disease through a process of visual translation. In painting, for instance, hacking coughs, bloody sputum and bodily enervation were recast as signs of spiritual elevation and refinement for the tuberculous, who were shown with a pale, chalky pallor that signalled rarefied beauty rather than an alarming indication of death. Works of art thus redirected the experience of illness in an era prior to the life-saving discoveries that would soon become hallmarks of modern medical science to offer an alternate therapy.

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)