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Displaying results 1 to 25 of 32.
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Ideology, mimesis, fantasy
Charles Sealsfield, Friedrich Gerstäcker, Karl May, and other German novelists of America -
Jane Austen, game theorist
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Iris Murdoch connected
critical essays on her fiction and philosophy -
Hemingway and women
female critics and the female voice -
Jane Austen, game theorist
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Theory of the novel
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The making of racial sentiment
slavery and the birth of the frontier romance -
Seven modes of uncertainty
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The golden ass
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Masculine migrations
reading the postcolonial male in "new Canadian" narratives -
On endings
American postmodern fiction and the Cold War -
Reading behind the lines
postmemory in contemporary British war fiction -
F. Scott Fitzgerald's fiction
"an almost theatrical innocence" -
Borrowed forms
the music and ethics of transnational fiction -
Postmodern sublime
technology and American writing from Mailer to Cyberpunk -
Fiction and the philosophy of happiness
ethical inquiries in the Age of Enlightenment -
The Cambridge introduction to modern British fiction, 1950-2000
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Figurations of exile in Hitchcock and Nabokov
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Dickens, his parables, and his reader
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Afterlives of modernism
liberalism, transnationalism, and political critique -
Interpretive Conventions
The Reader in the Study of American Fiction -
Racial worldmaking
the power of popular fiction -
Borrowed forms
the music and ethics of transnational fiction -
Noble lies, slant truths, necessary angels
aspects of fictionality in the novels of Christoph Martin Wieland -
Ideology, mimesis, fantasy
Charles Sealsfield, Friedrich Gerstäcker, Karl May, and other German novelists of America