Results for *

Displaying results 1 to 13 of 13.

  1. Musiker und ihr vokales Repertoire - Untersuchungen zu Inhalt und Organisation von Musikerberufen und Liedgattungen in altbabylonischer Zeit
    Published: 2009
    Publisher:  Universitätsverlag Göttingen

    Musik ist ein wesentlicher Bestandteil geistig-kulturellen Erbes moderner wie antiker Hochkulturen. Die Musik Mesopotamiens und benachbarter Gebiete ist gerade im letzten Jahrzehnt immer mehr in den Fokus wissenschaftlichen Interesses gerückt worden.... more

     

    Musik ist ein wesentlicher Bestandteil geistig-kulturellen Erbes moderner wie antiker Hochkulturen. Die Musik Mesopotamiens und benachbarter Gebiete ist gerade im letzten Jahrzehnt immer mehr in den Fokus wissenschaftlichen Interesses gerückt worden. Es faszinieren in gleicher Weise klanglich-schöpferische Spezifika wie auch inhaltlich-funktionale und strukturelle Hintergründe zur Ausführung von Musik. Die Tätigkeitsfelder von Musikern, ihr Einflussbereich an Tempel oder Palast aber auch ihr öffentliches Ansehen sind in Hunderten von Briefen, Urkunden sowie literarischen Texten dokumentiert. Zudem ist uns auch der Wortlaut von Liedern und Gesängen erhalten geblieben, die professionelle Sänger zu unterschiedlichen Anlässen zu Gehör brachten. Zum Genuss ihrer hoch spezialisierten Vortragskunst kamen vor allem Götter und Könige, deren Wohlwollen sie mit ihrem süßen Gesang zu sichern wussten. Die vorliegende Studie setzt den Schwerpunkt in ebendiesem Bereich an, wobei der zeitliche und geographische Rahmen durch das Babylonien des 19. bis 16. Jahrhunderts v.Chr., der altbabylonischen Zeit gebildet wird. Die überwiegend aus schriftlichen Quellen gewonnenen Daten zeichnen ein genaues Bild von der institutionellen wie auch privaten Organisation von Musik. Auch wenn die originalen Musikklänge der Babylonier für immer verklungen sind, so werden doch bedeutende Details zur vokalen Aufführungspraxis bekannt, die eine Annäherung an den Ursprung möglich machen. Die Reihe “Göttinger Beiträge zun Alten Orient” setzt die erfolgreichen “Göttinger Arbeitshefte zur Altorientalischen Literatur” fort. Die Reihe wird vom Seminar für Altorientalistik der Georg-August-Universität Göttingen herausgegeben und behandelt die Erschließung und Deutung der reichhaltigen Schriftdenkmäler in akkadischer oder sumerischer Sprache aus der Zeit von ca. 3100 - 500 v. Chr.

     

    Export to reference management software   RIS file
      BibTeX file
  2. Musiker und ihr vokales Repertoire : Untersuchungen zu Inhalt und Organisation von Musikerberufen und Liedgattungen in altbabylonischer Zeit
    Published: 2009
    Publisher:  Universitätsverlag Göttingen

  3. The Virgin in Song
    Mary and the Poetry of Romanos the Melodist
    Published: [2017]; © 2017
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    According to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    According to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's command, he did so. Immediately his voice turned sweet and gentle as he spontaneously intoned his hymn "The Virgin today gives birth." So was born the career of Romanos the Melodist (ca. 485-560), one of the greatest liturgical poets of Byzantium, author of at least sixty long hymns, or kontakia, that were chanted during the night vigils preceding major feasts and festivals.In The Virgin in Song, Thomas Arentzen explores the characterization of Mary in these kontakia and the ways in which the kontakia echoed the cult of the Virgin. He focuses on three key moments in her story as marked in the liturgical calendar: her encounter with Gabriel at the Annunciation, her child's birth at Christmas, and the death of her son on Good Friday. Consistently, Arentzen contends, Romanos counters expectations by shifting emphasis away from Christ himself to focus on Mary—as the subject of the erotic gaze, as a breastfeeding figure of abundance and fertility, and finally as an authoritatively vocal woman who conveys the secrets of her son and the joys of the resurrection.Through his hymns, Romanos inspired an affective relationship between Mary and his audience, bringing the human and the holy into dialogue. By plumbing her emotional depths, the poet traces her process of understanding as she apprehends the mysteries that she embodies. By giving her a powerful voice, he grants subjectivity to a maiden who becomes a mediator. Romanos shaped a figure, Arentzen argues, who related intimately to her flock in a formative period of Christian orthodoxy

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812293913
    Other identifier:
    Series: Divinations: Rereading Late Ancient Religion
    Subjects: Ancient Studies; Classics; Literature; Medieval and Renaissance Studies; Religion; Religious Studies; Literatur; Christian poetry, Byzantine; Hymns, Greek; Hymne
    Other subjects: Maria von Nazaret, Biblische Person; Romanus Melodos (485-562)
    Scope: 1 online resource, 10 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed June 01., 2017)

  4. In the Eye of the Animal
    Zoological Imagination in Ancient Christianity
    Published: [2018]; © 2018
    Publisher:  University of Pennsylvania Press, Philadelphia

    Early Christian theology posited a strict division between animals and humans. Nevertheless, animal figures abound in early Christian literature and art—from Augustine's renowned "wonder at the agility of the mosquito on the wing," to vivid exegeses... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Early Christian theology posited a strict division between animals and humans. Nevertheless, animal figures abound in early Christian literature and art—from Augustine's renowned "wonder at the agility of the mosquito on the wing," to vivid exegeses of the six days of creation detailed in Genesis—and when they appear, the distinctions between human and animal are often dissolved. How, asks Patricia Cox Miller, does one account for the stunning zoological imagination found in a wide variety of genres of ancient Christian texts?In the Eye of the Animal complicates the role of animals in early Christian thought by showing how textual and artistic images and interpretive procedures actually celebrated a continuum of human and animal life. Synthesizing early Christian studies, contemporary philosophy, animal studies, ethology, and modern poetry, Miller identifies two contradictory strands in early Christian thinking about animals. The dominant thread viewed the body and soul of the human being as dominical, or the crowning achievement of creation; animals, with their defective souls, related to humans only as reminders of the brutish physical form. However, the second strand relied upon the idea of a continuum of animal life, which enabled comparisons between animals and humans. This second tendency, explains Miller, arises particularly in early Christian literature in which ascetic identity, the body, and ethics intersect. She explores the tension between these modes by tracing the image of the animal in early Christian literature, from the ethical animal behavior on display in Basil of Caesarea's Hexaemeron and the anonymous Physiologus, to the role of animals in articulating erotic desire, and from the idyllic intimacy of monks and animals in literature of desert ascetism to early Christian art that envisions paradise through human-animal symbiosis

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812295221
    Other identifier:
    Series: Divinations: Rereading Late Ancient Religion
    Subjects: Ancient Studies; Classics; Religion; Religious Studies; Animals (Philosophy); Animals; Animals; Church history; Tiere <Motiv>; Frühchristentum; Tiere; Christliche Literatur
    Scope: 1 online resource, 11 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)

  5. Egyptian Hieroglyphs in the Late Antique Imagination
    Published: [2019]; © 2020
    Publisher:  University of Pennsylvania Press, Philadelphia

    Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity.By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority.Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812296402
    Other identifier:
    Subjects: Ancient Studies; Archaeology; Classics; Cultural Studies; HISTORY / Ancient / Egypt; Archaeology and religion; Christian literature, Early; Church history; Egyptian language; Hieroglyphenschrift; Rezeption; Spätantike; Christliche Literatur
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)

  6. The Elegies of Maximianus
    Author: Maximianus
    Published: [2018]; © 2018
    Publisher:  University of Pennsylvania Press, Philadelphia

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Regensburg
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Juster, A. M. (Publisher); Roberts, Michael
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812294644
    Other identifier:
    RVK Categories: FX 453502
    Edition: 1st edition
    Subjects: Ancient Studies; Classics; Cultural Studies; Literature
    Other subjects: Maximianus Etruscus: Elegiae
    Scope: 1 Online-Ressource (ix, 223 Seiten)
  7. In the Eye of the Animal
    Zoological Imagination in Ancient Christianity
    Published: [2018]; © 2018
    Publisher:  University of Pennsylvania Press, Philadelphia

    Early Christian theology posited a strict division between animals and humans. Nevertheless, animal figures abound in early Christian literature and art—from Augustine's renowned "wonder at the agility of the mosquito on the wing," to vivid exegeses... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    Early Christian theology posited a strict division between animals and humans. Nevertheless, animal figures abound in early Christian literature and art—from Augustine's renowned "wonder at the agility of the mosquito on the wing," to vivid exegeses of the six days of creation detailed in Genesis—and when they appear, the distinctions between human and animal are often dissolved. How, asks Patricia Cox Miller, does one account for the stunning zoological imagination found in a wide variety of genres of ancient Christian texts?In the Eye of the Animal complicates the role of animals in early Christian thought by showing how textual and artistic images and interpretive procedures actually celebrated a continuum of human and animal life. Synthesizing early Christian studies, contemporary philosophy, animal studies, ethology, and modern poetry, Miller identifies two contradictory strands in early Christian thinking about animals. The dominant thread viewed the body and soul of the human being as dominical, or the crowning achievement of creation; animals, with their defective souls, related to humans only as reminders of the brutish physical form. However, the second strand relied upon the idea of a continuum of animal life, which enabled comparisons between animals and humans. This second tendency, explains Miller, arises particularly in early Christian literature in which ascetic identity, the body, and ethics intersect. She explores the tension between these modes by tracing the image of the animal in early Christian literature, from the ethical animal behavior on display in Basil of Caesarea's Hexaemeron and the anonymous Physiologus, to the role of animals in articulating erotic desire, and from the idyllic intimacy of monks and animals in literature of desert ascetism to early Christian art that envisions paradise through human-animal symbiosis

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812295221
    Other identifier:
    Series: Divinations: Rereading Late Ancient Religion
    Subjects: Ancient Studies; Classics; Religion; Religious Studies; Animals (Philosophy); Animals; Animals; Church history; Tiere <Motiv>; Frühchristentum; Tiere; Christliche Literatur
    Scope: 1 online resource, 11 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Nov 2018)

  8. Egyptian Hieroglyphs in the Late Antique Imagination
    Published: [2019]; © 2020
    Publisher:  University of Pennsylvania Press, Philadelphia

    Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    Throughout the pharaonic period, hieroglyphs served both practical and aesthetic purposes. Carved on stelae, statues, and temple walls, hieroglyphic inscriptions were one of the most prominent and distinctive features of ancient Egyptian visual culture. For both the literate minority of Egyptians and the vast illiterate majority of the population, hieroglyphs possessed a potent symbolic value that went beyond their capacity to render language visible. For nearly three thousand years, the hieroglyphic script remained closely bound to indigenous notions of religious and cultural identity.By the late antique period, literacy in hieroglyphs had been almost entirely lost. However, the monumental temples and tombs that marked the Egyptian landscape, together with the hieroglyphic inscriptions that adorned them, still stood as inescapable reminders that Christianity was a relatively new arrival to the ancient land of the pharaohs. In Egyptian Hieroglyphs in the Late Antique Imagination, Jennifer Westerfeld argues that depictions of hieroglyphic inscriptions in late antique Christian texts reflect the authors' attitudes toward Egypt's pharaonic past. Whether hieroglyphs were condemned as idolatrous images or valued as a source of mystical knowledge, control over the representation and interpretation of hieroglyphic texts constituted an important source of Christian authority.Westerfeld examines the ways in which hieroglyphs are deployed in the works of Eusebius and Augustine, to debate biblical chronology; in Greek, Roman, and patristic sources, to claim that hieroglyphs encoded the mysteries of the Egyptian priesthood; and in a polemical sermon by the fifth-century monastic leader Shenoute of Atripe, to argue that hieroglyphs should be destroyed lest they promote a return to idolatry. She argues that, in the absence of any genuine understanding of hieroglyphic writing, late antique Christian authors were able to take this powerful symbol of Egyptian identity and manipulate it to serve their particular theological and ideological ends

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812296402
    Other identifier:
    Subjects: Ancient Studies; Archaeology; Classics; Cultural Studies; HISTORY / Ancient / Egypt; Archaeology and religion; Christian literature, Early; Church history; Egyptian language; Hieroglyphenschrift; Rezeption; Spätantike; Christliche Literatur
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)

  9. The Virgin in Song
    Mary and the Poetry of Romanos the Melodist
    Published: [2017]; © 2017
    Publisher:  University of Pennsylvania Press, Philadelphia, Pa.

    According to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Unlimited inter-library loan, copies and loan
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Technische Hochschule Augsburg
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Bamberg
    Unlimited inter-library loan, copies and loan
    Hochschule Coburg, Zentralbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Kempten, Hochschulbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Passau
    Unlimited inter-library loan, copies and loan

     

    According to legend, the Virgin appeared one Christmas Eve to an artless young man standing in one of Constantinople's most famous Marian shrines. She offered him a scroll of papyrus with the injunction that he swallow it, and following the Virgin's command, he did so. Immediately his voice turned sweet and gentle as he spontaneously intoned his hymn "The Virgin today gives birth." So was born the career of Romanos the Melodist (ca. 485-560), one of the greatest liturgical poets of Byzantium, author of at least sixty long hymns, or kontakia, that were chanted during the night vigils preceding major feasts and festivals.In The Virgin in Song, Thomas Arentzen explores the characterization of Mary in these kontakia and the ways in which the kontakia echoed the cult of the Virgin. He focuses on three key moments in her story as marked in the liturgical calendar: her encounter with Gabriel at the Annunciation, her child's birth at Christmas, and the death of her son on Good Friday. Consistently, Arentzen contends, Romanos counters expectations by shifting emphasis away from Christ himself to focus on Mary—as the subject of the erotic gaze, as a breastfeeding figure of abundance and fertility, and finally as an authoritatively vocal woman who conveys the secrets of her son and the joys of the resurrection.Through his hymns, Romanos inspired an affective relationship between Mary and his audience, bringing the human and the holy into dialogue. By plumbing her emotional depths, the poet traces her process of understanding as she apprehends the mysteries that she embodies. By giving her a powerful voice, he grants subjectivity to a maiden who becomes a mediator. Romanos shaped a figure, Arentzen argues, who related intimately to her flock in a formative period of Christian orthodoxy

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812293913
    Other identifier:
    Series: Divinations: Rereading Late Ancient Religion
    Subjects: Ancient Studies; Classics; Literature; Medieval and Renaissance Studies; Religion; Religious Studies; Literatur; Christian poetry, Byzantine; Hymns, Greek; Hymne
    Other subjects: Maria von Nazaret, Biblische Person; Romanus Melodos (485-562)
    Scope: 1 online resource, 10 illus
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed June 01., 2017)

  10. Prudentius’ Contra Symmachum, Vergil und Rom
    Ein historisch-philologischer Beitrag zur Auseinandersetzung zwischen Christen und Heiden am Ende des 4. Jh. n. Chr.
  11. Prudentius' Contra Symmachum, Vergil und Rom
    ein historisch-philologischer Beitrag zur Auseinandersetzung zwischen Christen und Heiden am Ende des 4. Jh. n. Chr.
    Author: Kraus, Thea
    Published: 2022
    Publisher:  Reichert Verlag, Wiesbaden

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 9783752006308; 3752006307
    Other identifier:
    9783752006308
    DDC Categories: 870; 230; 930
    Subjects: Vergilius Maro, Publius; Rezeption; Prudentius Clemens, Aurelius; ; Römisches Reich; Heidentum; Christentum; Geschichte 350-400;
    Other subjects: Christen; Geschichte; Byzanz; Rom; Rome; Vergil; Altertumswissenschaften; Ancient history; Prudentius; Heiden; Auseinandersetzung; Ancient Studies; Controversy; Byzantium; Christians; History; Heathens; Altertumswissenschaften/Alte Geschichte; Kunstgeschichte/Byzanz
    Scope: 379 Seiten, XV Seiten Tafeln, Illustrationen, 25 cm
    Notes:

    Dissertation, Johannes Gutenberg Universität Mainz, 2017

  12. The Elegies of Maximianus
    Author: Maximianus
    Published: [2018]; © 2018
    Publisher:  University of Pennsylvania Press, Philadelphia

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Contributor: Juster, A. M. (Publisher); Roberts, Michael
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780812294644
    Other identifier:
    RVK Categories: FX 453502
    Edition: 1st edition
    Subjects: Ancient Studies; Classics; Cultural Studies; Literature
    Other subjects: Maximianus Etruscus: Elegiae
    Scope: 1 Online-Ressource (ix, 223 Seiten)
  13. Prudentius' Contra Symmachum, Vergil und Rom
    ein historisch-philologischer Beitrag zur Auseinandersetzung zwischen Christen und Heiden am Ende des 4. Jh. n. Chr.