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  1. <<The>> Negro in art
    a pictorial record of the Negro artist and of the Negro theme in art
    Contributor: Locke, Alain (Publisher)
    Published: 1979
    Publisher:  Hacker Art Books, New York

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    Source: Union catalogues
    Contributor: Locke, Alain (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0878170138
    RVK Categories: LH 84123
    Edition: 3. print.
    Subjects: African American artists; African Americans in art; African Americans in literature
    Scope: 224 S., 31 cm
    Notes:

    Literaturangaben

  2. The urban scene
    race, Reginald Marsh, and American art
    Published: [2015]
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 170783
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    "Examines the portrayal of race in interwar American art. Focuses on the works of urban realist Reginald Marsh and his contemporaries to show how black figures acted as cultural and visual markers and embodied complex concerns about the presence of African Americans in urban centers"--Provided by publisher The urban artist -- Reading public spaces -- Girl watching in the city -- The art of slumming -- Seeing poverty

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780271063935
    Subjects: Race in art; City and town life in art; Art, American; African Americans in art
    Other subjects: Marsh, Reginald (1898-1954)
    Scope: x, 211 Seiten, Illustrationen, 27 cm
    Notes:

    Includes bibliographical references (pages 175-201) and index

    The urban artistReading public spaces -- Girl watching in the city -- The art of slumming -- Seeing poverty.

  3. Consuming stories
    Kara Walker and the imagining of American race
    Published: [2016]; © 2016
    Publisher:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2017:4883:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 174735
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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    419892
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    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
    B 27502
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    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race--especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture--and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry--and its consumers--in processes of racialization."--Provided by publisher Introduction : Kara Walker, Storyteller --The end of Uncle Tom -- The pop of racial violence -- American romance in black and white -- The international appeal of race -- Storytelling in film and video

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520288928
    RVK Categories: LI 99999
    Subjects: Race in art; African Americans in art; Silhouettes; Installations (Art)
    Other subjects: Walker, Kara Elizabeth
    Scope: VII, 208 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 183-194

  4. Near Andersonville
    Winslow Homer's Civil War
    Published: 2010
    Publisher:  Harvard Univ. Press, Cambridge, Mass. [u.a.]

    The picture in the attic -- Behind enemy lines -- The woman in the sunlight more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2011:369:
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2011 A 11255
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    Universitätsbibliothek Hildesheim
    KUN 306 : H74
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    The picture in the attic -- Behind enemy lines -- The woman in the sunlight

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780674053205
    Series: The Nathan I. Huggins lectures
    Subjects: African Americans in art
    Other subjects: Homer, Winslow (1836-1910): Near Andersonville
    Scope: 134 S., [4] Bl., Ill.
    Notes:

    Includes bibliographical references and index

    The picture in the attic -- Behind enemy lines -- The woman in the sunlight.

  5. For all the world to see
    visual culture and the struggle for civil rights
    Published: 2010
    Publisher:  Yale Univ. Press, New Haven, Conn. [u.a.]

    Universitäts- und Landesbibliothek Düsseldorf
    hisv180.b496
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    Universitätsbibliothek Koblenz
    EN/G 2017 9871
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  6. Consuming stories
    Kara Walker and the imagining of American race
    Published: [2016]; © 2016
    Publisher:  University of California Press, Oakland, California

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a... more

    Universitäts- und Landesbibliothek Bonn
    4' 2021/379
    Loan of volumes, no copies
    Universitätsbibliothek Dortmund
    KF-Wal 460/406
    No loan of volumes, only paper copies will be sent
    Kunst- und Museumsbibliothek der Stadt Köln
    KMB/K WALKER.08 4 2016
    No inter-library loan

     

    "Rebecca Peabody uses the work of contemporary American artist Kara Walker to investigate a range of popular storytelling traditions with roots in the nineteenth century and ramifications in the present. Focusing on a few key pieces that range from a wall-size installation to a reworked photocopy in an artist's book, and from a theater curtain to a monumental sculpture, Peabody explores a significant yet neglected aspect of Walker's production: her commitment to exploring narrative depictions of race, gender, power, and desire. Consuming Stories considers Walker's sustained visual engagement with literary genres such as the romance novel, neo-slave narrative, and children's fairy tales, and internationally-known stories including Roots, Beloved, and Uncle Tom's Cabin. Walker's interruption of these familiar works, along with her generative use of the familiar in unexpected and destabilizing ways, reveals the extent to which genre-based narrative conventions depend on specific representations of race...especially as it is aligned with power, and desire. Breaking these implicit rules makes them visible - and, in turn, highlights viewers' reliance on them for narrative legibility. As this study reveals, Walker's engagement with narrative continues beyond her early silhouette work as she moves into media such as film, video, and sculpture...and when she works beyond the United States, using her tools and strategies to unsettle cultural histories abroad. Ultimately, Consuming Stories shifts the critical conversation around Walker away from the visual legacy of historical racism, and towards the present-day role of the entertainment industry...and its consumers...in processes of racialization."...Provided by publisher

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520288928
    Subjects: Race in art; African Americans in art; Silhouettes; Installations (Art); Person of Color <Motiv>; Installation <Kunst>; Rasse <Motiv>; Kunst
    Other subjects: Walker, Kara Elizabeth; Walker, Kara (1969-)
    Scope: vii, 208 Seiten, Illustrationen, 27 cm
    Notes:

    Includes bibliographical references and index

  7. Visualizing blackness and the creation of the African American literary tradition
    Published: 2014
    Publisher:  Cambridge Univ. Press, New York, NY

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    Universitätsbibliothek Bielefeld
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    Universitätsbibliothek Dortmund
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    Universitätsbibliothek der RPTU in Kaiserslautern
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    Universitätsbibliothek Koblenz
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781107300392
    Series: Cambridge studies in American literature and culture ; 167
    Subjects: American literature; African Americans in literature; African Americans in art; Blacks; African Americans
    Scope: XVII, 275 S., Ill.
  8. Visualizing blackness and the creation of the African American literary tradition
    Published: 2014
    Publisher:  Cambridge Univ. Press, New York, NY

    Universitäts- und Landesbibliothek Düsseldorf
    angm910.h646
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    43A760
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781107041585
    Series: Cambridge studies in American literature and culture ; 167
    Subjects: American literature; African Americans in literature; African Americans in art; Blacks; African Americans
    Scope: XVII, 275 S., Ill.
  9. The matter of Black living
    the aesthetic experiment of racial data, 1880-1930
    Published: 2022
    Publisher:  The University of Chicago Press, Chicago ; Oxford University Press, Oxford

    As the 19th century came to a close and questions concerning the future of African American life reached a fever pitch, many social scientists and reformers approached post-emancipation Black life as an empirical problem that could be systematically... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    As the 19th century came to a close and questions concerning the future of African American life reached a fever pitch, many social scientists and reformers approached post-emancipation Black life as an empirical problem that could be systematically solved with the help of new technologies like the social survey, photography and film. What ensued was nothing other than a 'racial data revolution', one which rendered African American life an inanimate object of inquiry in the name of social order and racial regulation. At the very same time, African American cultural producers and intellectuals such as W.E.B. Du Bois, Kelly Miller, Sutton Griggs and Zora Neale Hurston staged their own kind of revolution, un-disciplining racial data in ways that captured the dynamism of Black social life. This book excavates the dynamic interplay between racial data and Black aesthetic production.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226806884
    Other identifier:
    Series: Chicago scholarship online
    Subjects: Film; Literatur; Fotografie; Schwarze <Motiv>; American literature; African Americans in literature; African Americans in motion pictures; African Americans in art; Motion pictures; Photography; African Americans; African Americans; Social surveys
    Scope: 1 Online-Ressource (270 pages), Illustrations (black and white).
    Notes:

    Also issued in print: 2022

    Includes bibliographical references and index

  10. Visualizing equality
    African American rights and visual culture in the nineteenth century
    Published: 2021
    Publisher:  The University of North Carolina Press, Chapel Hill ; Oxford University Press, Oxford

    The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the US by African Americans. Aston Gonzalez charts the... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    The fight for racial equality in the nineteenth century played out not only in marches and political conventions but also in the print and visual culture created and disseminated throughout the US by African Americans. Aston Gonzalez charts the changing roles of African American visual artists as they helped build the world they envisioned.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781469659985
    Other identifier:
    RVK Categories: LO 94020
    Series: The John Hope Franklin series in African American history and culture
    North Carolina scholarship online
    Subjects: Schwarze; Kunst; Bürgerrecht <Motiv>; Gleichheit <Motiv>; Bürgerrecht; Emanzipation; African American art; African American artists; African Americans in art; Art and race; African Americans; African Americans; Politics in art; Civil rights movements
    Scope: 1 Online-Ressource (324 pages), Illustrations (black and white).
    Notes:

    "This book was published with the assistance of the John Hope Franklin Fund of the University of North Carolina Press"--Title page verso

    Previously issued in print: 2020

    Includes bibliographical references and index

  11. Violence from Slavery To #BlackLivesMatter
    African American History and Representation
    Author: Dix, Andrew
    Published: 2019
    Publisher:  Taylor & Francis Group, Milton ; ProQuest, Ann Arbor, Michigan

    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Contributor: Templeton, Peter
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781000732603
    RVK Categories: HR 1728 ; HD 370
    Edition: 1st ed.
    Subjects: Literatur; Schwarze; Gewalt <Motiv>; Black Lives Matter; African Americans in literature; Violence in literature; African Americans-History; African Americans-Social conditions; African americans in the arts; African Americans in art; African Americans in motion pictures; American literature-History and criticism; African Americans-Politics and government
    Scope: 1 Online-Ressource (231 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  12. The art of exclusion
    representing blacks in the nineteenth century
    Published: [1990]
    Publisher:  Smithsonian Institution Press, Washington and London

    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Erlangen-Nürnberg, Wirtschafts- und Sozialwissenschaftliche Zweigbibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0874742544; 0874742579; 9780874742572
    RVK Categories: LH 84123
    Subjects: Art - États-Unis - 19e siècle; Art américain; Kunst; Noirs américains dans l'art; Slaven (arbeid); Kunst; African Americans in art; Art, American; Schwarze <Motiv>; Schwarze; Kunstsoziologie; Kunst; Sklave <Motiv>; Ethik
    Scope: xvi, 256 Seiten, Illustrationen
    Notes:

    Literaturverz. S. 241 - 251

  13. Kara Walker
    my complement, my enemy, my oppressor, my love ; [catalog publ. on the occasion of of the exhibition at Walker Art Center, Minneapolis, Minnesota, February 17 - May 13, 2007 ...]
    Published: 2007
    Publisher:  Walker Art Center, Minneapolis

    Bayerische Staatsbibliothek
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  14. The racial unfamiliar
    illegibility in Black literature and culture
    Author: Brooks, John
    Published: [2022]
    Publisher:  Columbia University Press, New York

    "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    "Through what strategies might contemporary artists confront cultural assumptions about race? In what ways can the devices that make race feel familiar-such as stereotypes or strategic essentialism-be used to make race feel unfamiliar? What new perspectives might emerge out of such disorienting confrontations? In The Racial Unfamiliar, John Brooks argues that twenty-first-century African American artists have turned to abstractionist aesthetics to complicate and illuminate how we think and see race. Brooks shows that established categories of cultural production-such as "African American art" or "Black history"-reproduce familiar but confining ideas about race, and that some audiences assume such ideas reflect a "truth" about Black identity or Black experience in the United States. Instead of countering representations of race with "authentic" portrayals of African American identity and experience, recent artists have begun exaggerating and overemphasizing them. By inflating and abstracting clichéd representations and stereotypes, these artists expose the incongruities that underlie racist attitudes and refute the idea that any single African American experience exists to be represented. Through the production of illegible misrepresentations of a multitude of black experiences, the literary and visual works considered in this book insist that blackness exceeds categorical representation. Brooks traces the disorienting effects of this experimental aesthetic through a broad array of recent artworks, from novels and plays by Percival Everett and Suzan-Lori Parks to photography by Roy DeCarava and installation art by Kara Walker, to show how contemporary African American cultural production can be understood as an operation in abstracting and upending the cultural determinants that make racial Blackness intelligible"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780231205023; 9780231205030
    RVK Categories: LO 94000
    Series: Literature now
    Subjects: American literature; African American art; African Americans; Race in literature; Race in art; African Americans in literature; African Americans in art; African Americans; Literary criticism
    Scope: xi, 287 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  15. Kara Walker
    my complement, my enemy, my oppressor, my love ; [catalog publ. on the occasion of of the exhibition at Walker Art Center, Minneapolis, Minnesota, February 17 - May 13, 2007 ...]
    Published: 2007
    Publisher:  Walker Art Center, Minneapolis

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  16. Kara Walker: my complement, my enemy, my oppressor, my love
    [published on the occasion of the Exhibition "Kara Walker: My Complement, My Enemy, My Oppressor, My Love" ... ; Walker Art Center, Minneapolis, Minnesota, February 17 - May 13, 2007 ; ARC/Musée de la Ville de Paris, Paris, France, June 19 - September 9, 2007 ; Whitney Museum of American Art New York, New York, October 11, 2007 - February 3, 2008 ; UCLA Hammer Museum Los Angeles, California, March 2 - June 8, 2008 ; Museum of Modern Art, Fort Worth, Texas, July 6 - October 19, 2008]
    Contributor: Walker, Kara (IllustratorIn); Vergne, Philippe (HerausgeberIn)
    Published: c 2007
    Publisher:  Walker Art Center, Minneapolis, Minn.

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Union catalogues
    Contributor: Walker, Kara (IllustratorIn); Vergne, Philippe (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 093564086X
    Edition: 1. ed.
    Subjects: African Americans in art; Race in art; Stereotypes (Social psychology) in art
    Other subjects: Walker, Kara Elizabeth
    Scope: XII, 418 S., überw. Ill., 25 cm
    Notes:

    Includes bibliographical references (p. 396-406) and index

  17. Uncle Tom's cabin as visual culture
    Published: 2007
    Publisher:  Univ. of Missouri Press, Columbia, Mo. [u.a.]

    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher Picturing Uncle Tom with Little Eva: reproduction as legacy -- The passion of Uncle Tom: pictures join words to challenge patriarchy -- From Barefoot Madonna to Maggie the Ripper: Thomas Satterwhite Noble reconstructs Eliza and Cassy -- Winslow Homer visits Aunt Chloe's old Kentucky home -- Henry Ossawa Tanner's The banjo lesson and the iconic persistence of Uncle Tom

     

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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 082621715X; 9780826217158
    RVK Categories: HT 6675 ; HT 3635
    Subjects: Art and society; Art and literature; African Americans in art; National characteristics in art
    Other subjects: Stowe, Harriet Beecher (1811-1896): Uncle Tom's cabin; Uncle Tom (Fictitious character)
    Scope: XIII, 224 S., zahlr. Ill., 24 cm
    Notes:

    Includes bibliographical references (p. 205-219) and index

    Picturing Uncle Tom with Little Eva: reproduction as legacy -- The passion of Uncle Tom: pictures join words to challenge patriarchy -- From Barefoot Madonna to Maggie the Ripper: Thomas Satterwhite Noble reconstructs Eliza and Cassy -- Winslow Homer visits Aunt Chloe's old Kentucky home -- Henry Ossawa Tanner's The banjo lesson and the iconic persistence of Uncle Tom

  18. Words with wings
    a treasury of African-American poetry and art
    Published: 2001
    Publisher:  HarperCollins [u.a.], New York

    Pairs twenty works of art by African-American artists with twenty poems by twenty African-American poets. more

    Universitätsbibliothek Bayreuth
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    Pairs twenty works of art by African-American artists with twenty poems by twenty African-American poets.

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0688164153; 0060293632
    RVK Categories: HU 1982
    Subjects: Schwarze. USA; African Americans in art; African Americans in art; African Americans; African Americans; American poetry; Children's poetry, American
    Scope: [24] Bl., zahlr. Ill.
  19. Colored pictures
    race and visual representation
    Published: 2003
    Publisher:  Univ. of North Carolina Press, Chapel Hill [u.a.]

    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  20. Images of Blacks in American culture
    a reference guide to information sources
    Published: 1988
    Publisher:  Greenwood Pr., New York u.a.

    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0313248443
    RVK Categories: LO 94000
    Edition: 1. publ.
    Subjects: Beeldvorming; Cultuur; Negers; Noirs américains dans la littérature; Darstellung; Kultur; Schwarze; African Americans in art; Arts, American; Kunst; Schwarze <Motiv>; Schwarze; Künste; Massenmedien; Literatur; Musik
    Scope: XVII, 390 S., Ill.
  21. Reflections in black
    a history of black photographers 1840 to the present
    Published: 2000
    Publisher:  Norton, New York [u.a.]

    Shows that the history of black photographers intertwines with the story of African American life, as seen through photographs ranging from antebellum weddings and 1960s protest marches, to portraits of contemporary black celebrities. more

    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Staatliche Bibliothek Regensburg
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    Shows that the history of black photographers intertwines with the story of African American life, as seen through photographs ranging from antebellum weddings and 1960s protest marches, to portraits of contemporary black celebrities.

     

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  22. Mutual reflections
    Jews and Blacks in American art
    Author: Heyd, Milly
    Published: 1999
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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  23. The image of the Indian and the black man in American art
    1590 - 1900
    Published: 1974
    Publisher:  Braziller, New York

    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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  24. An economy of colour
    visual culture and the Atlantic world, 1660 - 1830
    Contributor: Quilley, Geoff (Publisher)
    Published: 2003
    Publisher:  Manchester Univ. Press, Manchester [u.a.]

    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Content information
    Source: Union catalogues
    Contributor: Quilley, Geoff (Publisher)
    Language: English
    Media type: Book
    ISBN: 0719060052; 0719060060
    RVK Categories: LH 61100
    Edition: 1. publ.
    Series: Critical perspectives in art history
    Subjects: Beeldende kunsten; Engeland; Frankrijk; Kolonialisme; Kunst; African Americans in art; Art, British; Art, French; Imperialism in art; Indians in art; Visuelle Wahrnehmung; Sklave <Motiv>; Kultur
    Scope: XII, 203 S., Ill.
  25. Archibald Motley Jr. and racial reinvention
    the old negro in new negro art
    Published: 2017
    Publisher:  University of Illinois Press, Urbana

    Bayerische Staatsbibliothek
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    Content information
    Source: Union catalogues
    Contributor: Motley, Archibald
    Language: English
    Media type: Book
    ISBN: 9780252041143; 0252041143
    Series: The New Black Studies Series
    Subjects: Kunst; Schwarze <Motiv>
    Other subjects: Motley, Archibald (1891-1981); Motley, Archibald John / Jr. / 1891-1981 / Criticism and interpretation; African Americans in art; Ethnicity in art; African American art / Themes, motives
    Scope: xiii, 217 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index