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Displaying results 1 to 15 of 15.

  1. Avidly Reads Guilty Pleasures
    Author: Zibrak, Arielle
    Published: [2021]; ©2021
    Publisher:  New York University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    "My guilty pleasure wasn't just reading low-brow fiction or even female-authored fiction, it was being femme itself."What is it about ribald romance novels, luxurious interior design, and frothy wedding dresses that often make women feel their... more

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    "My guilty pleasure wasn't just reading low-brow fiction or even female-authored fiction, it was being femme itself."What is it about ribald romance novels, luxurious interior design, and frothy wedding dresses that often make women feel their desires come with a shadow of shame? In Avidly Reads Guilty Pleasures, Arielle Zibrak considers the specifically pleasurable forms of feminine guilt and desire stimulated by supposedly "lowbrow" aesthetic tendencies. She takes up the overwhelming preoccupation with the experience of being humiliated, dominated, or even abused that has pervaded the stories that make up women's culture-from eighteenth-century epistolary novels to popular twentieth-century teen magazine features to present-day romantic comedies.In three chapters-"Rough Sex," "Expensive Sheets," and "Saying Yes to the Dress"-that mirror the plot structures of feminine fictions themselves, this book tells the story of the desires that only the guiltiest of pleasures evoke. Zibrak reexamines documents of femme culture long dismissed as "trash" to reveal the surprisingly cathartic experiences produced by tales of domination, privilege, and the material trappings of the heteropatriarchy.Part of the Avidly Reads series, this slim book gives us a new way of looking at American culture. With the singular blend of personal memoir and cultural criticism featured in the series, Avidly Reads Guilty Pleasures reclaims women's experiences for themselves.

     
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  2. The Sublime of the Political
    Narrative and Autoethnography as Theory
    Author: Caivano, Dean
    Published: [2021]; ©2021
    Publisher:  transcript Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    In an age of immediate and global exchange of information, the ability to theorize about political conditions remains largely an elite, technocratic, and esoteric enterprise. In this timely intervention, Dean Caivano and Sarah Naumes argue that... more

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    In an age of immediate and global exchange of information, the ability to theorize about political conditions remains largely an elite, technocratic, and esoteric enterprise. In this timely intervention, Dean Caivano and Sarah Naumes argue that storytelling in the form of narrative and autoethnography creates an emancipatory potential through its ability to theorize from below, welcoming marginalized and excluded voices. Drawing from the disciplines of political studies, philosophy and literary studies, this volume offers a new assessment of political texts through the lens of the sublime as a fertile terrain to challenge who can write and disseminate political ideas - and how.

     
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    Source: Union catalogues
    Contributor: Naumes, Sarah
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839447727
    Other identifier:
    RVK Categories: MD 6000 ; MB 2300 ; EC 2450
    DDC Categories: 800; 100; 320
    Series: Edition Politik ; 79
    Subjects: Das Erhabene; Politische Philosophie; Autoethnografie; Aesthetic Theory; Autoethnography; Methodology; Narrative; Political Science; Political Theory; Politics; POLITICAL SCIENCE / History & Theory
    Other subjects: Aesthetic Theory; Autoethnography; Methodology; Narrative; Political Science; Political Theory; Politics
    Scope: 1 Online-Ressource (162 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)
  3. The Sublime of the Political
    Narrative and Autoethnography as Theory
    Author: Caivano, Dean; Naumes, Sarah
    Published: 2021
    Publisher:  transcript Verlag, Bielefeld

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839447727
    Other identifier:
    Series: Edition Politik ; 79
    Subjects: Das Erhabene; Politische Philosophie; Autoethnografie
    Other subjects: (Produktform)Electronic book text; (Zielgruppe)Fachpublikum/ Wissenschaft; Aesthetic Theory; Narrative; Autoethnography; Methodology; Politics; Political Theory; Political Science; (VLB-WN)9733; Radical Democracy; (DDC Deutsch 22)320; (BISAC Subject Heading)POL010000; (BIC subject category)JPA
    Scope: Online-Ressource, 162 Seiten, Hardcover, Klebebindung
  4. Histories of the Devil
    from Marlowe to Mann and the Manichees
    Author: Tambling, Jeremy
    Published: 2017
    Publisher:  Palgrave Macmillan, London

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781137518316; 1137518316
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    9781137518316
    RVK Categories: EC 5410
    DDC Categories: 800
    Subjects: Teufel <Motiv>; Literatur
    Other subjects: DS; Aesthetic Theory; Carnival; Christianity; Comedy; Deconstruction; Diabolical; Double; Faust; Madness; Modernity; Necromancy; Nihilism; Soliloquy; Theology; Witchcraft
    Scope: xvii, 308 Seiten
  5. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: EC 5410 ; HG 431 ; HG 620
    Series: Lettre
    Subjects: Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General; Aversion in literature; Drama; Ekel; Drama; Theater; Ästhetik
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Dissertation, Technische Universität Braunschweig, 2017
  6. Dramatic Disgust
    Aesthetic Theory and Practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; ©2020
    Publisher:  transcript-Verlag, Bielefeld ; Walter de Gruyter GmbH, Berlin

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: HG 620 ; HG 431 ; EC 5410
    DDC Categories: 792; 800
    Series: Lettre
    Subjects: Ästhetik; Ekel; Drama; Theater; Aversion in literature; Drama; Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (204 Seiten)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 15. Sep 2020)
  7. The Romance of the Rose
    Third Edition
    Author: de Lorris, Guillaume; de Meun, Jean
    Published: 2023; ©1971
    Publisher:  Princeton University Press, Princeton, NJ

    Many English-speaking readers of the Roman de la rose, the famous dream allegory of the thirteenth century, have come to rely on Charles Dahlberg's elegant and precise translation of the Old French text. His line-by-line rendering in contemporary... more

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    Many English-speaking readers of the Roman de la rose, the famous dream allegory of the thirteenth century, have come to rely on Charles Dahlberg's elegant and precise translation of the Old French text. His line-by-line rendering in contemporary English is available again, this time in a third edition with an updated critical apparatus. Readers at all levels can continue to deepen their understanding of this rich tale about the Lover and his quest--against the admonishments of Reason and the obstacles set by Jealousy and Resistance--to pluck the fair Rose in the Enchanted Garden.The original introduction by Dahlberg remains an excellent overview of the work, covering such topics as the iconographic significance of the imagery and the use of irony in developing the central theme of love. His new preface reviews selected scholarship through 1990, which examines, for example, the sources and influences of the work, the two authors, the nature of the allegorical narrative as a genre, the use of first person, and the poem's early reception. The new bibliographic material incorporates that of the earlier editions. The sixty-four miniature illustrations from thirteenth-and fifteenth-century manuscripts are retained, as are the notes keyed to the Langlois edition, on which the translation is based

     
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  8. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]; © 2020
    Publisher:  transcript, Bielefeld

    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core... more

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    Aesthetic disgust is a key component of most classic works of drama because it has much more potential than to simply shock the audience. This first extensive study on dramatic disgust places this sensation among pity and fear as one of the core emotions that can achieve katharsis in drama. The book sets out in antiquity and traces the history of dramatic disgust through Kant, Freud, and Kristeva to Sarah Kane's in-yer-face theatre. It establishes a framework to analyze forms and functions of disgust in drama by investigating its different cognates (miasma, abjection, etc.). Providing a concise argument against critics who have discredited aesthetic disgust as juvenile attention-grabbing, Sarah J. Ablett explains how this repulsive emotion allows theatre to dig deeper into what it means to be human

     
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    Volltext (URL des Erstveröffentlichers)
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    Volltext (lizenzpflichtig)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9783839452103
    Other identifier:
    RVK Categories: EC 5410 ; HG 431 ; HG 620
    Series: Lettre
    Subjects: Abjection; Aesthetic Theory; Aesthetics; Disgust; History of Theatre; Literary Studies; Literature; Sarah Kane; Theatre Studies; Theatre; LITERARY CRITICISM / General; Aversion in literature; Drama; Ekel; Drama; Theater; Ästhetik
    Scope: 1 Online-Ressource (199 Seiten)
    Notes:

    Dissertation, Technische Universität Braunschweig, 2017
  9. The Romance of the Rose
    Third Edition
    Author: de Lorris, Guillaume; de Meun, Jean
    Published: [2023]; ©1971
    Publisher:  Princeton University Press, Princeton, NJ

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  10. The sublime of the political
    narrative and autoethnography as theory
    Author: Caivano, Dean; Naumes, Sarah
    Published: [2021]; © 2021
    Publisher:  transcript, Bielefeld

    In an age of immediate and global exchange of information, the ability to theorize about political conditions remains largely an elite, technocratic, and esoteric enterprise. In this timely intervention, Dean Caivano and Sarah Naumes argue that... more

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    In an age of immediate and global exchange of information, the ability to theorize about political conditions remains largely an elite, technocratic, and esoteric enterprise. In this timely intervention, Dean Caivano and Sarah Naumes argue that storytelling in the form of narrative and autoethnography creates an emancipatory potential through its ability to theorize from below, welcoming marginalized and excluded voices. Drawing from the disciplines of political studies, philosophy and literary studies, this volume offers a new assessment of political texts through the lens of the sublime as a fertile terrain to challenge who can write and disseminate political ideas - and how

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839447727
    Other identifier:
    RVK Categories: EC 7410 ; MB 2300 ; MK 1100
    Series: Edition Politik ; 79
    Subjects: Aesthetic Theory; Autoethnography; Methodology; Narrative; Political Science; Political Theory; Politics; POLITICAL SCIENCE / History & Theory; Politische Philosophie; Autoethnografie; Das Erhabene
    Scope: 1 Online-Ressource (160 Seiten)
  11. Dramatic disgust
    aesthetic theory and practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: [2020]
    Publisher:  transcript, Bielefeld

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  12. Dramatic Disgust
    Aesthetic Theory and Practice from Sophocles to Sarah Kane
    Author: Ablett, Sarah J.
    Published: 2020
    Publisher:  transcript Verlag, Bielefeld

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  13. Histories of the Devil
    From Marlowe to Mann and the Manichees
    Author: Tambling, Jeremy
    Published: 2016
    Publisher:  Palgrave Macmillan UK, London

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  14. The sublime of the political
    narrative and autoethnography as theory
    Author: Caivano, Dean; Naumes, Sarah
    Published: [2021]
    Publisher:  transcript, Bielefeld

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  15. The aesthetic cold war
    decolonization and global literature
    Author: Kalliney, Peter J.
    Published: [2022]; 2022
    Publisher:  Princeton University Press, Princeton$4Oxford

    "How decolonization and the cold war influenced literature from Africa, Asia, and the Caribbean. How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various... more

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Leipzig
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    "How decolonization and the cold war influenced literature from Africa, Asia, and the Caribbean. How did superpower competition and the cold war affect writers in the decolonizing world? In The Aesthetic Cold War, Peter Kalliney explores the various ways that rival states used cultural diplomacy and the political police to influence writers. In response, many writers from Africa, Asia, and the Caribbean--such as Chinua Achebe, Mulk Raj Anand, Eileen Chang, C.L.R. James, Alex La Guma, Doris Lessing, Ngũgĩ wa Thiong'o, and Wole Soyinka-carved out a vibrant conceptual space of aesthetic nonalignment, imagining a different and freer future for their work. Kalliney looks at how the United States and the Soviet Union, in an effort to court writers, funded international conferences, arts centers, book and magazine publishing, literary prizes, and radio programming. International spy networks, however, subjected these same writers to surveillance and intimidation by tracking their movements, tapping their phones, reading their mail, and censoring or banning their work. Writers from the global south also suffered travel restrictions, deportations, imprisonment, and even death at the hands of government agents. Although conventional wisdom suggests that cold war pressures stunted the development of postcolonial literature, Kalliney's extensive archival research shows that evenly balanced superpower competition allowed savvy writers to accept patronage without pledging loyalty to specific political blocs. Likewise, writers exploited rivalries and the emerging discourse of human rights to contest the attentions of the political police.A revisionist account of superpower involvement in literature, The Aesthetic Cold War considers how politics shaped literary production in the twentieth century"--

     
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