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  1. Wirtschaftsethik lehren mit Schillers moralischem Theater
    Author: Brinkmann, Johannes; Steenbuck, Gisela
    Published: 2002

    Abstract: "The paper departs from a presentation of a largely unknown play by German Friedrich Schiller. After a brief presentation of the play we suggest a catalogue of teaching objectives and provide some empirical references for expectable... more

     

    Abstract: "The paper departs from a presentation of a largely unknown play by German Friedrich Schiller. After a brief presentation of the play we suggest a catalogue of teaching objectives and provide some empirical references for expectable business student mindsets. In addition to offering a play summary which could be used as a seminar discussion briefing, our most important concern is how an appropriate debriefing could further individual reflection and productive group dialogue" (author's abstract)

     
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/35654
    DDC Categories: 370
    Subjects: Wirtschaftsethik
    Other subjects: (thesoz)Wirtschaftsethik; (thesoz)Schiller, F.; (thesoz)Moral; (thesoz)moralische Erziehung; (thesoz)Schauspiel; (thesoz)Karriereplanung; (thesoz)Strategie; (thesoz)Lernziel
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Zeitschrift für Wirtschafts- und Unternehmensethik ; 3 (2002) 1 ; 58-76
  2. Suzanne Collins' Hunger Games and the society of the spectacle
    Author: Sasani, Samira; Darayee, Marjan
    Published: 2015

    Abstract: The theory of spectacle is introduced by Guy Debord in his famous book The Society of Spectacle. Debord presents the society of Spectacle as a mere representation of seemingly real images which is used by the capital for its own good.... more

     

    Abstract: The theory of spectacle is introduced by Guy Debord in his famous book The Society of Spectacle. Debord presents the society of Spectacle as a mere representation of seemingly real images which is used by the capital for its own good. Spectacle consists of images such as games, entertainments or television shows which are political tools in the hands of the Capitol to stabilize its power. In fact, by applying these images through different exciting entertainments and shows, the Capitol disperses people more and destroys their unity so that people cannot be united to rebel against the Capitol’s power. This paper tries to apply the theory of spectacle to Suzanne Collin's Hunger Games and as the title of the novel is very telling of itself, it revolves around the annual event of Hunger Games connoting the starvation of the poor people in the twelve districts and the Capitol. The setting of this novel is Panem which is shown as a dystopia because of its misusing of the modern technolog

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57489
    DDC Categories: 301; 600
    Other subjects: (thesoz)Spiel; (thesoz)neue Technologie; (thesoz)Schauspiel; (thesoz)Theorie; (thesoz)Unterhaltung; (thesoz)Gesellschaft; (thesoz)Macht; (thesoz)Missbrauch; (thesoz)Auswirkung; (thesoz)Bevölkerung; (thesoz)Armut; (thesoz)Literatur; (thesoz)Roman; Collin, S.; Spektakel
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 48 ; 31-40