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  1. Literaturrezeption und Leseverhalten bei den Deutschen in der Sowjetunion
    Published: 1987
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim

    Abstract: The role of literature (fictional and non-fictional) and its reflection on the reading process of Soviet Germans is closely connected with Soviet German history up to the present situation. Principally, two reasons are responsible for this:... more

     

    Abstract: The role of literature (fictional and non-fictional) and its reflection on the reading process of Soviet Germans is closely connected with Soviet German history up to the present situation. Principally, two reasons are responsible for this: 1) the lack of a satisfying German language competence and of a general interest by the Germans and 2) many problems with the distribution of German language literature. This includes fictional and non-fictional texts. Another result on the basis of 21 in-depth interviews with Soviet German emigrants and of the analysis of the Soviet German press reveals that there exists only very little interest in the Soviet German literature. The Soviet German press, first of all the weekly "Neues Leben", functions as a forum of Soviet German questions dealing with Soviet German history, culture and literature. For many Soviet Germans, "Neues Leben" is the only German language source they read. In reading more literature from East and West Germany the intere

     

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 430; 830; 070; 300
    Corporations / Congresses:
    Osteuropa-Institut München (Herausgeber)
    Series: Arbeitsberichte Forschungsprojekt "Deutsche in der Sowjet-Gesellschaft" ; Bd. 8
    Subjects: Deutsch; Literatur; Rezeption; Russlanddeutsche
    Other subjects: (thesoz)UdSSR; (thesoz)Deutscher; (thesoz)Leseverhalten; (thesoz)Belletristik; (thesoz)Presse; (thesoz)deutsche Sprache; (thesoz)Literatur; (thesoz)Rezeption; Sowjetunion; Russlanddeutsche
    Scope: Online-Ressource, 20 S.
    Notes:

    Veröffentlichungsversion

    begutachtet

  2. Substanziell, funktional oder gar nicht? Der Religionsbegriff in der Friedens- und Konfliktforschung
    Published: 2016
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; Nomos Verlagsgesellschaft mbH & Co. KG, Baden-Baden

    Abstract: Politikwissenschaftliche Begriffe sollen dazu dienen, zwischen sozialen Phänomen zu unterscheiden - und das am besten über Kulturgrenzen hinweg. In einem kritischen Literaturüberblick werden diese Kriterien an die verwendeten... more

     

    Abstract: Politikwissenschaftliche Begriffe sollen dazu dienen, zwischen sozialen Phänomen zu unterscheiden - und das am besten über Kulturgrenzen hinweg. In einem kritischen Literaturüberblick werden diese Kriterien an die verwendeten Religionsbegriffe in der Forschung zum Verhältnis von Religion, Konflikt und Frieden angelegt. Manche Studien verzichten auf eine Definition von Religion, was jedoch Zweifel an der Belastbarkeit der Ergebnisse weckt. Andere greifen gemäß der klassischen Unterscheidung entweder auf funktionalistische oder substanzielle Religionsverständnisse zurück. Postmoderne Autoren lehnen generell den Versuch ab, Religion definieren zu wollen. Die Sichtung der Literatur zeigt, dass ein substanzieller Religionsbegriff, der den Transzendenzbezug hervorhebt, ohne Religion zu essenzialisieren, für die empirische Forschung am besten geeignet ist. Um konkreten Fragestellungen gerecht zu werden, kann ein solcher Religionsbegriff auf einer Abstraktionsleiter hinsichtlich seiner Int

     

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    Source: Union catalogues
    Contributor: Werkner, Ines-Jacqueline (Herausgeber)
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 320; 301
    Series: Religion in der Friedens- und Konfliktforschung: Interdisziplinäre Zugänge zu einem multidimensionalen Begriff ; Bd. 1
    Zeitschrift für Friedens- und Konfliktforschung: Sonderband ; Bd. 1
    Subjects: Religion; Begriff; Konfliktforschung; Empirische Forschung; Friedensforschung
    Other subjects: (thesoz)Religion; (thesoz)Religionswissenschaft; (thesoz)Konflikt; (thesoz)Begriff; (thesoz)Gewalt; (thesoz)Literatur; (thesoz)Friedensforschung; (thesoz)Konfliktforschung; Religiös motivierte Gewaltanwendung; Relation; Interdisziplinär
    Scope: Online-Ressource, 29-59 S.
    Notes:

    Preprint

    begutachtet

    In: Werkner, Ines-Jacqueline (Hg.): Religion in der Friedens- und Konfliktforschung: Interdisziplinäre Zugänge zu einem multidimensionalen Begriff. 2016. S. 29-59. ISBN 978-3-8487-2455-0

  3. Von Banting bis The Biggest Loser: Das (Re-)Framing der Verantwortung für Übergewicht vom 19. Jahrhundert bis heute
    Published: 2020
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; Deutsche Gesellschaft für Publizistik- und Kommunikationswissenschaft e.V, Stuttgart

    Abstract: Die weltweit steigende Prävalenz von Übergewicht und Adipositas wird häufig auch als "Epidemie" bezeichnet. Gleichzeitig werden Menschen mit einem hohen Körpergewicht in vielen Lebensbereichen stigmatisiert oder diskriminiert. Dazu gehört... more

     

    Abstract: Die weltweit steigende Prävalenz von Übergewicht und Adipositas wird häufig auch als "Epidemie" bezeichnet. Gleichzeitig werden Menschen mit einem hohen Körpergewicht in vielen Lebensbereichen stigmatisiert oder diskriminiert. Dazu gehört auch eine unvorteilhafte bis offen herabwürdigende Darstellung in den Medien, sei es in journalistischen Beiträgen, staatlichen Anti-Übergewichtskampagnen oder in Unterhaltungsformaten. Um zu erklären, warum Menschen mit einem höheren Körpergewicht so häufig abgewertet werden, ist das Konzept der Verantwortungszuschreibung besonders geeignet. Denn wie bei kaum einem anderen Gesundheitsproblem wird hier vorausgesetzt, dass die Regulation des Körpergewichts in der individuellen Verantwortung liegt, etwa durch eine disziplinierte Ernährung und Bewegung. In dem vorliegenden Beitrag gebe ich einen Überblick über vorherrschende Deutungsmuster zum Thema Verantwortung und Übergewicht vom 19. Jahrhundert bis heute. Anhand von historischen und aktuellen Bei

     

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    Source: Union catalogues
    Contributor: Reifegerste, Doreen (Herausgeber); Sammer, Christian (Herausgeber)
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 070; 900
    Series: Gesundheitskommunikation und Geschichte: interdisziplinäre Perspektiven
    Subjects: Übergewicht; Körpergewicht; Schönheitsideal; Gesundheitsverhalten; Stigmatisierung; Körperbild; Deutungsmuster
    Other subjects: (thesoz)Literatur; (thesoz)20. Jahrhundert; (thesoz)Gesundheit; (thesoz)historische Entwicklung; (thesoz)Körpergewicht; (thesoz)Kommunikation; (thesoz)Medien; (thesoz)Attribution; (thesoz)Werbung; (thesoz)21. Jahrhundert; (thesoz)Diskriminierung; (thesoz)19. Jahrhundert; (thesoz)Stigmatisierung; (thesoz)Verantwortung; (thesoz)Übergewicht; Framing
    Scope: Online-Ressource, 29 S.
    Notes:

    Erstveröffentlichung

    begutachtet (peer reviewed)

    In: Reifegerste, Doreen (Hg.), Sammer, Christian (Hg.): Gesundheitskommunikation und Geschichte: interdisziplinäre Perspektiven. 2020. S. 29

  4. The Politics of Imagination: Benjamin, Kracauer, Kluge
    Published: 2007
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; transcript Verlag, Bielefeld

    Abstract: This book explores Walter Benjamin, Siegfried Kracauer and Alexander Kluge's analyses of the role that a rejuvenation in the capacity for imagination can play in encouraging us to reconceive the possibilities of the past, the present, and... more

     

    Abstract: This book explores Walter Benjamin, Siegfried Kracauer and Alexander Kluge's analyses of the role that a rejuvenation in the capacity for imagination can play in encouraging us to reconceive the possibilities of the past, the present, and the future outside of the parameters of the status quo. The concept of imagination to which the title of the book refers is not a strictly defined, stable concept, but rather a term which is employed to refer to a capacity that facilitates both an active, creative relationship to one's environment, and a process of mediation between the outside world and one's own experiences and memories. Through a detailed analysis of their engagements with subjects that span a broad range of historical and thematic contexts (including topics as diverse as literature, children's play, film, photography, history, and television) the book charts the extent to which the concept of imagination plays a central role in Benjamin, Kracauer, and Kluge's explorations of a

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839406816
    Other identifier:
    DDC Categories: 150
    Series: Kultur- und Medientheorie
    Other subjects: (thesoz)Benjamin, W.; (thesoz)Kracauer, S.; (thesoz)Wahrnehmung; (thesoz)Film; (thesoz)Fotografie; (thesoz)Literatur; (thesoz)Spiel; (thesoz)Verhalten; (thesoz)Kind; Aesthetics; Alexander Kluge; Cultural Theory; Culture; Film; Imagination; Literature; Media; Media Philosophy; Media Studies; Media Theory; Movie; Siegfried Kracauer; Walter Benjamin
    Scope: Online-Ressource, 198 S.
    Notes:

    Veröffentlichungsversion

    begutachtet

  5. Der Mann in der Krise. Oder: Kapitalismuskritik in der Mainstreamkultur
    Published: 2008
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; transcript Verlag, Bielefeld

    Abstract: Die Figur des 'ganz normalen Mannes' als Verlierer unserer Gesellschaft erfreut sich seit Ende der 1990er Jahre großer Popularität. Aber was ist an der marktfähigen Rede von Männern in der Krise interessant? Die Studie zeigt, dass die... more

     

    Abstract: Die Figur des 'ganz normalen Mannes' als Verlierer unserer Gesellschaft erfreut sich seit Ende der 1990er Jahre großer Popularität. Aber was ist an der marktfähigen Rede von Männern in der Krise interessant? Die Studie zeigt, dass die Inszenierung des unrettbar realitätsuntüchtigen Mannes zum Sigle einer harschen Gesellschaftskritik wird. Hollywoodblockbuster wie "American Beauty" von Sam Mendes oder "Fight Club" von David Fincher ebenso wie die Romane von Michel Houellebecq koppeln die Erzählung von dysfunktionalen Mittelschichtsmännern an die Beschreibung der Konsumgesellschaft als weder menschliches noch zu humanisierendes System

     

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  6. Sprache und Fremdsprache: psychoanalytische Aufsätze
    Published: 2015
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; transcript Verlag, Bielefeld

    Abstract: Jedes Kapitel dieses Buches entfaltet anhand eines Stückes Literatur ein Thema aus dem Liebesleben. Für die Psychoanalytikerin Jutta Prasse sind Henry James, Gottfried Keller, Johann Peter Hebel oder Charles Dickens Bundesgenossen bei der... more

     

    Abstract: Jedes Kapitel dieses Buches entfaltet anhand eines Stückes Literatur ein Thema aus dem Liebesleben. Für die Psychoanalytikerin Jutta Prasse sind Henry James, Gottfried Keller, Johann Peter Hebel oder Charles Dickens Bundesgenossen bei der Erforschung des weiblichen und männlichen Begehrens, des Mutterideals, der Sexualität des Wissenschaftlers … Sie orientiert sich an Freud und Lacan und kommt doch ohne Fachsprache, ohne Jargon aus. Da sie den Freudschen Witz liebt, verbindet sie Seriosität und Komik, auch, wenn sie Tragisches und Rührendes behandelt. Der Leser kann sich bildend vergnügen, denn dieses Buch, dessen Autorin - unter Pseudonym - zugleich Übersetzerin literarischer Werke war, ist sehr gut zu lesen. Und es ist sehr persönlich geschrieben. Der Titel "Sprache und Fremdsprache" bezieht sich auf die Fremdheit unserer eigenen Sprache; sie ist uns nicht angeboren, doch nur durch sie können wir leben, begehren, lieben, träumen und begreifen

     

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  7. Sexualität - Geschlecht - Affekt: Sexuelle Scripts als Palimpsest in literarischen Erzähltexten und zeitgenössischen theoretischen Debatten
    Published: 2020
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; transcript Verlag, Bielefeld

    Abstract: Literary narrative texts and their potential for changing gender relations. From Max Frisch to Juli Zeh more

  8. Literaturrezeption und Leseverhalten bei den Deutschen in der Sowjetunion
    Published: [1987]
    Publisher:  Osteuropa-Inst., München

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    DDC Categories: 430; 830; 070; 300
    Series: Arbeitsbericht / Forschungsprojekt Deutsche in der Sowjetgesellschaft, Osteuropa-Institut München ; Nr. 8
    Other subjects: (thesoz)UdSSR; (thesoz)Deutscher; (thesoz)Leseverhalten; (thesoz)Belletristik; (thesoz)Presse; (thesoz)deutsche Sprache; (thesoz)Literatur; (thesoz)Rezeption; Sowjetunion; Russlanddeutsche
    Scope: 20 Bl., 30 cm
  9. Diderot's rule
    Published: 2008
    Publisher:  WZB, Berlin

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    DDC Categories: 330
    Series: Discussion papers / Wissenschaftszentrum Berlin für Sozialforschung, Research Unit Competition and Innovation ; 2008,13
    Subjects: Neues Produkt; Kulturelle Einrichtung; Vertrauensgut; Erfolgsfaktor; Viral Marketing
    Other subjects: (stw)Virales Marketing; (thesoz)Literatur; (thesoz)Gesetzmäßigkeit; (thesoz)Erfolg; (thesoz)Produkt; (thesoz)Diffusion; (thesoz)Werbung; (thesoz)Markt; (thesoz)Nachfrage; (thesoz)Buchhandel; (thesoz)Marketing; (thesoz)Kunstproduktion; (thesoz)Roman; (thesoz)Kulturindustrie; (thesoz)Prognose; (thesoz)Interdependenz; new-product success rate; demand uncertainty; word-of-mouth; creative industries; Diderot, D.; D83; L82; Z1
    Scope: IV, 31 S., graph. Darst., 30 cm
    Notes:

    Literaturverz. S. 28 - 31

  10. Zolas Rougon-Macquarts als literarische Quelle für beziehungswissenschaftliche Analysen
    Published: 1927
    Publisher:  Mohr Siebeck, Tübingen

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/19019
    DDC Categories: 300
    Series: Verhandlungen des 5. Deutschen Soziologentages vom 26. bis 29. September 1926 in Wien: Vorträge und Diskussionen in der Hauptversammlung und in den Sitzungen der Untergruppen
    Subjects: Beziehungslehre; Verlangen
    Other subjects: (thesoz)Literatur; (thesoz)Erfolg-Misserfolg; (thesoz)Soziologie; (thesoz)soziale Beziehungen; (thesoz)Inhaltsanalyse; (thesoz)19. Jahrhundert; (thesoz)historische Analyse; (thesoz)Revolution; (thesoz)öffentliche Meinung; (thesoz)Roman; (thesoz)Mensch; (thesoz)Analyseverfahren; (thesoz)Funktionsanalyse; (thesoz)Frankreich; (thesoz)sozialer Abstieg; (thesoz)Radikalismus; (thesoz)sozialer Aufstieg; (thesoz)Analyse
    Scope: Online-Ressource, 198-212 S.
    Notes:

    Veröffentlichungsversion

    begutachtet

    In: Verhandlungen des 5. Deutschen Soziologentages vom 26. bis 29. September 1926 in Wien: Vorträge und Diskussionen in der Hauptversammlung und in den Sitzungen der Untergruppen. 1927. S. 198-212

  11. Soziologie als Literatur
    Published: 1996
    Publisher:  Campus Verl, Frankfurt am Main

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    Source: Union catalogues
    Contributor: Clausen, Lars (Herausgeber)
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/17134
    DDC Categories: 301
    Series: Gesellschaften im Umbruch: Verhandlungen des 27. Kongresses der Deutschen Gesellschaft für Soziologie in Halle an der Saale 1995
    Subjects: Soziologie; Soziologe; Literatur
    Other subjects: (thesoz)Literatur; (thesoz)Rezeption; (thesoz)Medien; (thesoz)Publikation; (thesoz)Fachliteratur; (thesoz)Publikum; (thesoz)Soziologie; (thesoz)fachliche Kommunikation
    Scope: Online-Ressource, 125-137 S.
    Notes:

    Veröffentlichungsversion

    begutachtet

    In: Clausen, Lars (Hg.): Gesellschaften im Umbruch: Verhandlungen des 27. Kongresses der Deutschen Gesellschaft für Soziologie in Halle an der Saale 1995. 1996. S. 125-137. ISBN 3-593-35437-3

  12. HyperTextTheorie
    Published: 1997
    Publisher:  Westdt. Verl, Opladen

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    Source: Union catalogues
    Contributor: Rehberg, Karl-Siegbert (Herausgeber)
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/16973
    DDC Categories: 301
    Series: Differenz und Integration: die Zukunft moderner Gesellschaften ; Verhandlungen des 28. Kongresses der Deutschen Gesellschaft für Soziologie im Oktober 1996 in Dresden ; Band 2: Sektionen, Arbeitsgruppen, Foren, Fedor-Stepun-Tagung
    Subjects: Begriff; Semiotik; Textlinguistik; Literatur; Hypertext
    Other subjects: (thesoz)Literatur; (thesoz)Rezeption; (thesoz)Hypertext; (thesoz)Text; (thesoz)kommunikative Kompetenz; (thesoz)Textkommunikation; (thesoz)interaktive Medien; (thesoz)Netzwerk; (thesoz)Interaktion; (thesoz)Belletristik; (thesoz)Struktur
    Scope: Online-Ressource, 239-244 S.
    Notes:

    Veröffentlichungsversion

    begutachtet

    In: Rehberg, Karl-Siegbert (Hg.): Differenz und Integration: die Zukunft moderner Gesellschaften ; Verhandlungen des 28. Kongresses der Deutschen Gesellschaft für Soziologie im Oktober 1996 in Dresden ; Band 2: Sektionen, Arbeitsgruppen, Foren, Fedor-Stepun-Tagung. 1997. S. 239-244. ISBN 3-531-12878-7

  13. Diderot's rule
    Published: 2008

    Abstract: "Like many new products, newly released creative goods such as books, music records and movies are sometimes 'surprise' hits but often flops. Experimental and empirical research suggests that it is hard to predict the demand for a new... more

     

    Abstract: "Like many new products, newly released creative goods such as books, music records and movies are sometimes 'surprise' hits but often flops. Experimental and empirical research suggests that it is hard to predict the demand for a new creative good, and therefore its success, even for industry experts. Rules of thumb on the quantitative properties of demand uncertainty exist for various creative industries - including a rule by Denis Diderot (1763) according to which one out of ten published books is a commercial success. Yet, representative evidence on any industry's new-product success rate is scarce. This paper studies new-product success in a random sample of novels. Its empirical strategy to identify success - a simple characterization of author-publisher bargaining combined with a parsimonious model of new-product diffusion - is based on the common observation that word-of-mouth is a crucial success factor in creative industries. Parametric and semi-parametric estimation resu

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/25856
    DDC Categories: 330
    Series: Discussion Papers / Wissenschaftszentrum Berlin für Sozialforschung, Forschungsschwerpunkt Märkte und Politik, Abteilung Wettbewerb und Innovation ; Bd. 2008-13
    Subjects: Neues Produkt; Kulturelle Einrichtung; Vertrauensgut; Erfolgsfaktor; Viral Marketing
    Other subjects: (thesoz)Literatur; (thesoz)Gesetzmäßigkeit; (thesoz)Erfolg; (thesoz)Produkt; (thesoz)Diffusion; (thesoz)Werbung; (thesoz)Markt; (thesoz)Nachfrage; (thesoz)Buchhandel; (thesoz)Marketing; (thesoz)Kunstproduktion; (thesoz)Roman; (thesoz)Kulturindustrie; (thesoz)Prognose; (thesoz)Interdependenz; new-product success rate; demand uncertainty; word-of-mouth; creative industries; Diderot, D.; D83; L82; Z1; (stw)Virales Marketing
    Scope: Online-Ressource, 31 S.
    Notes:

    Veröffentlichungsversion

  14. Der totale Sinn seiner selbst: Literatur und Biographie bei Sartre oder Zur anthropologischen Grundlegung der Psychologie
    Published: 2002

    Abstract: Der Stellenwert von Literatur und Biographie im Werk von J. P. Sartre wird erörtert. Sartre begründet sein Vorgehen mit der gesellschaftlichen Vermitteltheit jedes Individuums, die auch die Modellierung des sozialen Prozesses selbst an die... more

     

    Abstract: Der Stellenwert von Literatur und Biographie im Werk von J. P. Sartre wird erörtert. Sartre begründet sein Vorgehen mit der gesellschaftlichen Vermitteltheit jedes Individuums, die auch die Modellierung des sozialen Prozesses selbst an die Struktur der vorfindlichen Praxis bindet, dabei Theorie insgesamt zu einer spezifischen Praxisform werden lassend. Es gilt mithin ferner, die Grundlegung zu einer theoretischen Erfassung der Praxis aus dieser selbst heraus zu entwickeln und dabei die aktuale Wirklichkeit der Person inmitten sozialer Prozessualität immer schon in Rechnung zu stellen. Für Sartre spielt dabei die Literatur eine zentrale Rolle, insofern sie zum einen imstande ist, die aktuale Wirklichkeit pointiert abzubilden, falls sie sich der begrifflichen Schärfe befleißigt, die Sartre allein der Prosa und dem Drama zubilligt, insofern sie zum anderen zugleich jenes Medium darstellt, in welchem sich Abbildungen dieser Art am besten vermitteln lassen. Außerdem verweist ein solcher

     

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/2812
    DDC Categories: 100; 800
    Subjects: Bedeutung; Psychologie
    Other subjects: (thesoz)Literatur; (thesoz)Hermeneutik; (thesoz)Biographie; (thesoz)Metaphysik; (thesoz)Philosophie; 2610 Literature & Fine Arts
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet

    In: Journal für Psychologie ; 10 (2002) 2 ; 177-199

  15. Mehr Literatur in barrierefreien Formaten: die Umsetzung des Vertrags von Marrakesch soll Menschen mit Lese- und Sehbehinderungen den Zugang zu Literatur erleichtern
    Published: 2017

    Abstract: Menschen mit Lese- und Sehbehinderungen können bisher nur auf die wenigsten Werke der Literatur, Kunst und Wissenschaft zugreifen. Das zu ändern, ist Ziel des Marrakesch-Vertrags von 2013. Die anstehende Umsetzung dieses völkerrechtlichen... more

     

    Abstract: Menschen mit Lese- und Sehbehinderungen können bisher nur auf die wenigsten Werke der Literatur, Kunst und Wissenschaft zugreifen. Das zu ändern, ist Ziel des Marrakesch-Vertrags von 2013. Die anstehende Umsetzung dieses völkerrechtlichen Vertrags in deutsches Recht bietet die Chance, die Herstellung und den Austausch von Werken in barrierefreien Formaten im Sinne von Menschen mit Behinderungen zu regeln. Dabei sollte die Bundesregierung dafür sorgen, dass die Rechte von Menschen mit Behinderungen nicht wie bisher anderen Interessen, insbesondere denen der Verlage, untergeordnet werden

     

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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/54434
    DDC Categories: 340; 360
    Series: Position / Deutsches Institut für Menschenrechte ; Bd. 11
    Subjects: Vertrag; Sehbehinderung; Format; Lesen; Behinderter Mensch
    Other subjects: (thesoz)Literatur; (thesoz)soziale Partizipation; (thesoz)Behinderung; (thesoz)Sehbehinderung; (thesoz)Blindheit; (thesoz)internationales Abkommen; (thesoz)Lesen; (thesoz)UNO; Menschen mit Behinderung; Vertrag von Marrakesch, Barrierefreiheit; Lesebehinderung; UN-Konvention über die Rechte von Menschen mit Behinderungen; UN-BRK
    Scope: Online-Ressource, 4 S.
    Notes:

    Veröffentlichungsversion

    begutachtet

  16. Hamartia and catharsis in Shakespeare's King Lear and Bahram Beyzaie's Death of Yazdgerd
    Published: 2016

    Abstract: King Lear (1606) is one of the political tragedies of Shakespeare in which the playwright censures Lear's hamartia wrecking havoc not only upon people's lives but bringing devastation on his own kindred. Shakespeare castigates Lear's wrath,... more

     

    Abstract: King Lear (1606) is one of the political tragedies of Shakespeare in which the playwright censures Lear's hamartia wrecking havoc not only upon people's lives but bringing devastation on his own kindred. Shakespeare castigates Lear's wrath, sense of superiority, and misjudgments which lead to catastrophic consequences. In Death of Yazdgerd (1979), an anti-authoritarian play, Bahram Beyzayie, the well-known Persiaian tragedian, also depicts the hamartia of King Yazdgerd III whose pride and unjust treatment of people end in devastation. By demonstrating such defective and reprehensible tragic heroes, both playwrights set at providing audience with an anti-heroic representation of the kings and also shattering the common god-like heroism attributed to hero kings. Bearing in mind the political instability of England after the succession of James I, Shakespeare avails himself of such anti-heroic representation to forewarn those monarchs incapable of maintaining a balance between their j

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57073
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Heldentum; (thesoz)Gerechtigkeit; (thesoz)Autorität; (thesoz)Gesellschaft; Katharsis; Shakespeare, W.; Beyzaie, B.
    Scope: Online-Ressource
    Notes:

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    In: International Letters of Social and Humanistic Sciences (2016) 74 ; 16-25

  17. Transculturalism in Tan Twan Eng's The Gift of Rain

    Abstract: While the growing body of research on Tan Twan Eng's The Gift of Rain (2009) focuses on the protagonist, Philip Hutton's traumatic condition, his Chinese identity, and his ambiguous identity, this study devotes particular attention to the... more

     

    Abstract: While the growing body of research on Tan Twan Eng's The Gift of Rain (2009) focuses on the protagonist, Philip Hutton's traumatic condition, his Chinese identity, and his ambiguous identity, this study devotes particular attention to the complexity of interactions between various cultures practised by Philip. This study aims to address this gap by applying the concept of transculturalism to analyse the processes of acquiring a foreign culture and incorporating the foreign culture into traditional cultures experienced by Philip. In other words, this study employs the concept of transculturalism to examine multicultural depictions in the novel. Scholars, such as Khan, Tiwari, Sheoran and Tan C. S. who have examined multicultural depictions in various literary texts, have found that multicultural circumstances cause certain ethnic groups to lose their cultures and identities. Hence, the multicultural circumstances depicted are perceived as negative phenomena. However, this study has

     

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    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57076
    DDC Categories: 301; 300
    Other subjects: (thesoz)Literatur; (thesoz)Transkulturalität; (thesoz)Tradition; (thesoz)kulturelle Identität; (thesoz)Akkulturation; (thesoz)ethnische Gruppe; Neokultur
    Scope: Online-Ressource
    Notes:

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    In: International Letters of Social and Humanistic Sciences (2016) 74 ; 1-15

  18. Non-identity and parodoxicality in Angela Carter's The Bloody Chamber
    Published: 2017

    Abstract: Angela Carter (1940-92) in her famous short story, The Bloody Chamber, depicts a protagonist whose identity seems to be a predetermined sign in a signifying loop from which she can make no escape. In the first part of our paper, we attempt... more

     

    Abstract: Angela Carter (1940-92) in her famous short story, The Bloody Chamber, depicts a protagonist whose identity seems to be a predetermined sign in a signifying loop from which she can make no escape. In the first part of our paper, we attempt to show how The protagonist's ensuing psychological tension is aggravated by the conflict which she feels between her ideal ego (as an innocent girl) and her ego-ideal (a rare talent for corruption) and which leads her to unrelenting introspection and interior dialogue with her existential states. Such interior dialogue provides the protagonist with an existential ground on which she empties all her life events of their presence by signifying (or verbalizing) them through Derridean Differance. Therefore, her interior dialogue results in non-identity in her subjectivization both in the realm of signs and of (social) events. Then, we focus on the protaganist's paradoxical urges spontaneously outflowed from within which, by resisting symbolization

     

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    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57078
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Erzählung; (thesoz)Identität; (thesoz)Paradoxie; (thesoz)Subjektivierung; (thesoz)psychische Situation
    Scope: Online-Ressource
    Notes:

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    In: International Letters of Social and Humanistic Sciences (2017) 75 ; 32-40

  19. Aristotelian analysis of Parvin E'tesami's poems: "The Reliever", "Two Courts" and "Words and Deeds"
    Published: 2017

    Abstract: The present paper aims at proving that Parvin E’tesami has been, consciously or unconsciously, under the profound influence of both ancient Persian and Western literatures in composing her poems. The overseas effect is mainly due to her... more

     

    Abstract: The present paper aims at proving that Parvin E’tesami has been, consciously or unconsciously, under the profound influence of both ancient Persian and Western literatures in composing her poems. The overseas effect is mainly due to her translations of Western works and her intimate familiarity with Western literature. So far research into Parvin's treatment of Aristotle, as founder of Western literary theories, has not yielded a promising result. The present researcher attempts to answer the question whether or not Aristotelian elements of anagnorisis and peripeteia play any roles in Parvin’s poems, and if so, how she uses them in some of her poems. The findings of this research show that, in the three selected poems, namely "The Reliever", "Two Courts", and "Words and Deeds", Parvin has used the third type of anagnorisis and peripeteia, in which they happen concurrently, rather than the other two types, in which anagnorisis and peripeteia either precede or succeed each other. Par

     

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    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57082
    DDC Categories: 301; 100
    Other subjects: (thesoz)Literatur; (thesoz)Dichtung; (thesoz)Einfluss; (thesoz)Iran; (thesoz)Aristoteles; Parvin E'tesami
    Scope: Online-Ressource
    Notes:

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    In: International Letters of Social and Humanistic Sciences (2017) 75 ; 10-21

  20. The influence of childhood training on the adulthood rejection of discrimination in go set a watchman
    Published: 2017

    Abstract: Racial prejudice, injustice, and discrimination against people of colored skin, especially African Americans, has become a global issue since the twenty century. Blacks are deprived of their rights regardless of their human natures and are... more

     

    Abstract: Racial prejudice, injustice, and discrimination against people of colored skin, especially African Americans, has become a global issue since the twenty century. Blacks are deprived of their rights regardless of their human natures and are disenfranchised from White's societies due to their skin color which has put them as inferior and clownish creatures in White’s point of view. Although many anti-racist effort and speeches has done to solve racist issues and eliminate racism and its circumstances, still racism is alive and Blacks are suffering from it. Although, many White individuals accept themselves as anti-racist characters that color of skin does not matter to them, they still show prejudice and discrimination towards Blacks and cannot consider them as equal as themselves. A reason to such Whites' thought and behavior is that they have faced this issue since their childhood and therefore they cannot change it because this attitude is entangled with their personality and is d

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57148
    DDC Categories: 301; 360
    Other subjects: (thesoz)Kind; (thesoz)Erziehung; (thesoz)Persönlichkeitsentwicklung; (thesoz)Diskriminierung; (thesoz)Rassismus; (thesoz)Antirassismus; (thesoz)Literatur; (thesoz)Kognition; Lee, H.
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2017) 76 ; 15-24

  21. Aṣābi' Lūlītā: postmodernizing the postcolony; Nedjma and beyond
    Published: 2017

    Abstract: This essay tackles the way the postcolony is refigured in Waciny Laredj's Aṣābi' Lūlītā (2012). It makes use of a number of theoretical insights to uncover the interplay between the representation of the colony during the colonial period... more

     

    Abstract: This essay tackles the way the postcolony is refigured in Waciny Laredj's Aṣābi' Lūlītā (2012). It makes use of a number of theoretical insights to uncover the interplay between the representation of the colony during the colonial period through a brief examination of the fly metaphor in Nedjma, first published in 1956, and that of the postcolony. Relying on intertextuality, the essay attempts to highlight how the metaphor of the femme fatale, a key trope in Nedjma, is relocated in the interstices between national and transnational ways of constructing Arab identity that continues to be both here and there. The intertextual nature of Aṣābi' complicates the postcolony as it rewrites it. This rewriting seems to highlight the tragic position of Arab characters that continue to vacillate between a traditional past and a postmodern present. Thus, Waciny Laredj subverts the femme fatale trope by making it literal and ends up shaking the very basis of the postcolonial state

     

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    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57149
    DDC Categories: 301
    Other subjects: (thesoz)Algerien; (thesoz)Roman; (thesoz)Literatur; (thesoz)arabische Länder; (thesoz)Identität; (thesoz)Postkolonialismus
    Scope: Online-Ressource
    Notes:

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    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2017) 76 ; 1-14

  22. Political narrative fiction and the responsibility of the author
    Published: 2017

    Abstract: Art in general and fiction in particular have had close affinities with politics throughout history. When there is a close tie between a narrative fiction and political issues then critics may deem it as "committed fiction". Political... more

     

    Abstract: Art in general and fiction in particular have had close affinities with politics throughout history. When there is a close tie between a narrative fiction and political issues then critics may deem it as "committed fiction". Political fiction is at the crossroads of political science and the art of fiction. And more often than not, novelists are involved with politics but not all of them are dubbed as or even consider themselves to be political novelists. In this article I attempt to investigate political fiction as a distinct genre produced (un)consciously by a range of (politically committed) novelists and critics. The authors discussed in this paper demonstrate dissimilar perspectives on freedom and democracy. Also, regarding political fiction and the responsibility of author, we will see how divergent is the attitudes of critics such as George Orwell, Allen Robbe-Grillet, Juan Goytisolo, Mario Vargas Llosa and Isabel Allende

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57150
    DDC Categories: 301; 320
    Other subjects: (thesoz)Kunst; (thesoz)Literatur; (thesoz)Fiktion; (thesoz)Politik; (thesoz)Demokratie; (thesoz)Freiheit; (thesoz)Schriftsteller; (thesoz)Einstellung; (thesoz)Verantwortung; (thesoz)politische Einstellung
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2017) 76 ; 43-48

  23. Conflict of culture and religion: Jalal Al-e-Ahmad's "Pink Nail Polish" from a Bakhtin's carnivalistic point of view

    Abstract: By the 1930s, the Iranian society was driven toward modernization. Consisted with the concept of modernization, feminism ushered a whole new era in Iranian history. Besides, the outbreak of World War II and the consequent abdication of Reza... more

     

    Abstract: By the 1930s, the Iranian society was driven toward modernization. Consisted with the concept of modernization, feminism ushered a whole new era in Iranian history. Besides, the outbreak of World War II and the consequent abdication of Reza Khan afforded women a golden opportunity to fight for their rights and emancipations. This movement was also supported by the famous male writers of the time among whom Jalal Al-e-Ahmad marked a prominent place. He was keen enough to properly explore women's situation in his works and notice the drastic effect of modernization upon women's situation. Hence, in this study, we try to investigate Al-e-Ahmad's short story entitled "Pink Nail Polish" 1948 with respect to Bakhtin's Carnivalesque's theory. Furthermore, it is shown how Bakhtin's new literary mode can create the excellent chance of studying Iranian women's situation properly. Finally, we explain that due to the drastic change of Iranian women's situation towards modernity, they may lead

     

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    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57151
    DDC Categories: 300; 301
    Other subjects: (thesoz)Iran; (thesoz)Modernisierung; (thesoz)20. Jahrhundert; (thesoz)Feminismus; (thesoz)Frau; (thesoz)soziale Lage; (thesoz)Literatur; (thesoz)Kulturkonflikt; (thesoz)religiöser Konflikt
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2017) 77 ; 35-43

  24. Female body and sexual politics in Margaret Atwood's selected novels

    Abstract: Margaret Atwood is the most prominent Canadian writer. Her feminist ideology is clearly obvious in her novels. She overtly illustrates her feminism view in human rights equality and freedom of choice. Atwood's works are consisted of the... more

     

    Abstract: Margaret Atwood is the most prominent Canadian writer. Her feminist ideology is clearly obvious in her novels. She overtly illustrates her feminism view in human rights equality and freedom of choice. Atwood's works are consisted of the fundamental freedom and human rights. In general, her fictions truly portray the women's rights that are equal to men's rights. Social constructions of gender are attacked by Atwood's novels. Her stories represent the silence and sexual discrimination in female characters. She is not only looking for annihilating of the gender system i.e. women's subjugation, but look at men and women at the same level in society. Female bodies in Atwood's point of view have been captured in patriarchal societies. Female protagonists in the selected novels explain noticeable symbols of bodily nervousness. Female characters are mostly used as objects in Atwood's stories. Women are considered as a tool or toy, as if they have no feelings, opinions or rights of their o

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57177
    DDC Categories: 300; 301
    Other subjects: (thesoz)Literatur; (thesoz)Sexualität; (thesoz)Geschlechterpolitik; (thesoz)Feminismus; (thesoz)Frau; (thesoz)Viktimisierung
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 55 ; 154-159

  25. Postmodern narrative techniques in Robert Coover's collection: Pricksongs & Descants
    Published: 2015

    Abstract: The modes of narration in postmodernist fiction are not identical with those of modernists and realists. They contravene readers' expectations, making them most often astounded and baffled. This study sets out to discuss some of the... more

     

    Abstract: The modes of narration in postmodernist fiction are not identical with those of modernists and realists. They contravene readers' expectations, making them most often astounded and baffled. This study sets out to discuss some of the techniques used by the American writer Robert Coover in his story collection; Pricksongs & Descants (1969) which are associated with postmodernist fiction. These strategies including metafictional techniques, fragmentation, ontological concern, and temporal distortion, will in the subsequent sections of this paper be explicated and elucidated. In this regard, the term postmodernism will be first defined and elaborated, and then some of the salient features of Coover's selected work stated above, will be examined in order to demonstrate the title-mentioned claim. Not all the stories of the collection will in this study be provided an analysis of, but those which are of greater significance and are noticeable in incorporating postmodern strategies

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57300
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Erzählung; (thesoz)Fiktion; (thesoz)Fragmentierung; (thesoz)Ontologie; (thesoz)Postmoderne; Erzähltechnik; Coover, R.
    Scope: Online-Ressource
    Notes:

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    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 52 ; 70-75