Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Last searches

Results for *

Displaying results 1 to 21 of 21.

  1. Politik in Fernsehserien: Analysen und Fallstudien zu House of Cards, Borgen & Co
    Contributor: Switek, Niko (Herausgeber)
    Published: 2018
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim ; transcript Verlag, Bielefeld

    Abstract: The analysis of political series is not interesting as a comparison of fiction with reality but rather because of the images and narratives they contain, which provide more information about politics more

     

    Abstract: The analysis of political series is not interesting as a comparison of fiction with reality but rather because of the images and narratives they contain, which provide more information about politics

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Switek, Niko (Herausgeber)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839442005
    Other identifier:
    DDC Categories: 070
    Series: Edition Politik ; Bd. 55
    Subjects: Fernsehserie; Politik; Politik <Motiv>
    Other subjects: (thesoz)Fernsehserie; (thesoz)Inhalt; (thesoz)Politik; (thesoz)Rezeption; (thesoz)Wirkung; (thesoz)Erzählung; (thesoz)Fiktion; (thesoz)Realität; (thesoz)Popkultur; (thesoz)Fernsehen; (thesoz)Didaktik; Kultur; Media Aesthetics; Media Studies; Medienwissenschaft; Medienästhetik; Narrative; Periodicals; Political Theory; Politische Theorie; Vergleich
    Scope: Online-Ressource, 399 S.
    Notes:

    Veröffentlichungsversion

    begutachtet
  2. Wahrheit als Institution
    Author: Kobbé, Ulrich
    Published: 2007

    Abstract: 'Der Beitrag diskutiert 'Wahrheit' als ein eine instituierende gesellschaftliche Institution. Im Kontext von Heiliger Veronika, wahrem Zeichen ('veron ikon') und der heilpflanzlichen Veronica wird der fiktionale Charakter von Wahrheit... more

     

    Abstract: 'Der Beitrag diskutiert 'Wahrheit' als ein eine instituierende gesellschaftliche Institution. Im Kontext von Heiliger Veronika, wahrem Zeichen ('veron ikon') und der heilpflanzlichen Veronica wird der fiktionale Charakter von Wahrheit aufgezeigt. Der Initiationsstatus des Geständnisses als das Diskursritual des Wahrsprechens ('parrhesia') in der abendländischen Kultur offenbart den Fetischcharakter der eingeforderten 'Wahrheit'. Dabei setzt Demokratie die Redefreiheit ebenso voraus, wie sie von der ausgesprochenen Wahrheit infrage gestellt wird. Skizziert wird diese Wahrheitslogik und -dialektik am historischen Beispiel des vor 30 Jahren dienstsuspendierten Psychologieprofessors Peter Brückner und seiner Haltung zur 'institutionellen Umklammerung des Lebens'.' (Autorenreferat)

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/28915
    DDC Categories: 150; 900
    Other subjects: (thesoz)Fiktion; (thesoz)Bundesrepublik Deutschland; (thesoz)Demokratie; (thesoz)Suspendierung; (thesoz)Dialektik; (thesoz)Diskurs; (thesoz)Wissenschaftler; (thesoz)Psychologie; (thesoz)Lacan, J.; (thesoz)Rederecht; (thesoz)Institution; (thesoz)Rede; (thesoz)Meinungsfreiheit; (thesoz)Wahrheit; (thesoz)Ritual; (thesoz)Logik; (thesoz)Zivilcourage; (thesoz)Foucault, M.; (thesoz)Kultur
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet

    In: Psychologie und Gesellschaftskritik ; 31 (2007) 1 ; 51-69
  3. Commingling of history and fiction in Julian Barnes's A history of the world in 10 ½ chapters
    Author: Abootalebi, Hassan
    Published: 2015

    Abstract: This paper intends to explore the relationship between history and fiction in the novel A History of the World in 10 1⁄2 Chapters (1989) by the British writer Julian Barnes in order to indicate how these two notions have been commingled in... more

     

    Abstract: This paper intends to explore the relationship between history and fiction in the novel A History of the World in 10 1⁄2 Chapters (1989) by the British writer Julian Barnes in order to indicate how these two notions have been commingled in different periods. In this regard, the focus of the current study is to investigate the above-mentioned novel, and to demonstrate the invalidity of historical records, their subjectivity, and how throughout history myths have become realities, with an eye on New Historicism. By the end of this study, its reader's attitude towards history and what s/he is presented with as fact and truth is hoped to change, not to readily accept historical records and stories as absolute truths, rather to consider them one possible history among many others that might have been marginalized and suppressed by a dominant ideology

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57305
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Fiktion; (thesoz)historische Entwicklung; (thesoz)Historismus; (thesoz)Wahrheit; (thesoz)Realität; (thesoz)Roman; Barnes, J.
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 52 ; 1-5
  4. About the existence of the universe among speculative physics, metaphysics and theism: an interesting overview
    Author: Di Sia, Paolo
    Published: 2015

    Abstract: In this paper an interesting overview about the existence of the universe is given. It will focused in particular on efforts of modern-speculative physics, considering then metaphysical considerations and some ideas of theism more

     

    Abstract: In this paper an interesting overview about the existence of the universe is given. It will focused in particular on efforts of modern-speculative physics, considering then metaphysical considerations and some ideas of theism

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57338
    DDC Categories: 500; 100
    Other subjects: (thesoz)Metaphysik; (thesoz)Physik; (thesoz)Realität; (thesoz)Fiktion; (thesoz)Glaube; Kosmologie; Universum; Theismus
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 50 ; 36-43
  5. The sublime in Don DeLillo's Mao II
    Author: Behrooz, Niloufar; Pirnajmuddin, Hossein
    Published: 2015

    Abstract: The world that DeLillo's characters live in is often portrayed with an inherent complexity beyond our comprehension, which ultimately leads to a quality of woe and wonder which is characteristic of the concept of the sublime. The... more

     

    Abstract: The world that DeLillo's characters live in is often portrayed with an inherent complexity beyond our comprehension, which ultimately leads to a quality of woe and wonder which is characteristic of the concept of the sublime. The inexpressibility of the events that emerge in DeLillo’s fiction has reintroduced into it what Lyotard calls "the unpresentable in presentation itself" (PC 81), or to put it in Jameson’s words, the "postmodern sublime" (38). The sublime, however, appears in DeLillo's fiction in several forms and it is the aim of this study to examine these various forms of sublimity. It is attempted to read DeLillo's Mao II in the light of theories of the sublime, drawing on figures like Burke, Kant, Lyotard, Jameson and Zizek. In DeLillo's novel, it is no longer the divine and magnificent in nature that leads to a simultaneous fear and fascination in the viewers, but the power of technology and sublime violence among other things. The sublime in DeLillo takes many differen

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57343
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Postmoderne; (thesoz)Spiritualität; (thesoz)Technologie; (thesoz)Gewalt; (thesoz)Sublimierung; (thesoz)Fiktion; DeLillo, D.
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 50 ; 137-145
  6. Queering Harry, slashing Potter: between latent meanings and resistant readings
    Author: Cuntz-Leng, Vera
    Published: 2017

    Abstract: "As a global phenomenon, Harry Potter has attracted most diverse audiences and provoked many contradictory responses and debates. While many critics have highlighted the enforcement of heteronormativity in the storyworld, fan responses -... more

     

    Abstract: "As a global phenomenon, Harry Potter has attracted most diverse audiences and provoked many contradictory responses and debates. While many critics have highlighted the enforcement of heteronormativity in the storyworld, fan responses - and especially slash fan fiction - provides us with an abundance of contradictory queer responses and non-heteronormative re-readings and rewritings of Harry Potter. By constantly confronting and intertwining the academic strategy of queer reading as introduced by Kosofsky Sedgwick with the responses of slash fans, I want to discuss the tensions between latent meanings and resistant readings that embrace the Harry Potter universe. In reference to Iser's concept of the Leerstelle, the various omissions, indeterminacies, and contradictions in Harry Potter that provide a fertile ground for the interpretation of subtextual contents and for transgressive re-writings alike will be explored and discussed within the larger framework of film history and the

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/52519
    DDC Categories: 070; 300
    Other subjects: (thesoz)Literatur; (thesoz)Rezeption; (thesoz)Fiktion; (thesoz)Geschlechtsrolle; (thesoz)Normativität; Fantasy; Queer Reading; Rezeptionsästhetik; Slash-Fandom
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: GENDER - Zeitschrift für Geschlecht, Kultur und Gesellschaft ; 9 (2017) 2 ; 91-105
  7. The autobiographical novels of Sidonie-Gabrielle Colette and Virginia Woolf: a comparative study
    Author: Ladani, Safoura Tork; Ladani, Zahra Jannessari
    Published: 2015

    Abstract: Autobiographical mode of writing informs the works of many novelists, consciously or unconsciously. There are, however, diverse techniques for formulating these conscious or unconscious autobiographical interpolations in literary works.... more

     

    Abstract: Autobiographical mode of writing informs the works of many novelists, consciously or unconsciously. There are, however, diverse techniques for formulating these conscious or unconscious autobiographical interpolations in literary works. This essay aims to study the works of Sidonie-Gabreille Colette and Virginia Woolf to trace the nuances of the autobiographical mode in two contemporary female writers from different nations. We do not aim at proving that these two writers deploy the autobiographical mode in their writings, but how similar and different their autobiographical techniques in the creation of fiction are. Therefore, Colette's and Woolf's novels, in general, will be compared and contrasted with an eye on their self-defined strategies for the development of autobiographical fiction

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/56994
    DDC Categories: 301
    Other subjects: (thesoz)Erzählung; (thesoz)Fiktion; (thesoz)Literatur; (thesoz)Schreiben; (thesoz)Biographie; (thesoz)Schriftsteller; Colette, S.-G.; Woolf, V.
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 56 ; 145-151
  8. The enchanted storyteller: John Barth and the magic of Scheherazade
    Author: Moosavi Majd, Maryam; Elahipanah, Nooshin
    Published: 2015

    Abstract: During the fifties he was considered to be an existentialist, and absurdist and later a Black Humorist, yet, John Barth proved that he would never subscribe to any specific theory and would make his own world of/about fiction by himself. A... more

     

    Abstract: During the fifties he was considered to be an existentialist, and absurdist and later a Black Humorist, yet, John Barth proved that he would never subscribe to any specific theory and would make his own world of/about fiction by himself. A traditional postmodernist as some of the critics calls him; he was obsessed with Scheherazade the narrator of the Thousand and one Nights and her art of storytelling. This essay aims to depict Barth's employment of the frame narrative and embedding structure which are the main devices of Scheherazade's mystifying narratives. Revealing the architectonic structure of his writing, we would demonstrate how traditional technique can bridge postmodernist aesthetics to recreate and replenish the exhausted materials in writings

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/56887
    DDC Categories: 301
    Other subjects: (thesoz)Fiktion; (thesoz)Literatur; (thesoz)20. Jahrhundert; (thesoz)Tradition; (thesoz)Ästhetik; (thesoz)Erzählung; (thesoz)Postmoderne
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 59 ; 65-75
  9. Peculiarities of Russian context in O. Wilde's play "Vera"
    Author: Posudiyevska, Olga
    Published: 2016

    Abstract: At the end of the XIX century the interest of British intellectual circles to the Russian Empire was intensified due to the latest events -the appearance of Nihilists on the Russian political arena. British intellectuals, especially those... more

     

    Abstract: At the end of the XIX century the interest of British intellectual circles to the Russian Empire was intensified due to the latest events -the appearance of Nihilists on the Russian political arena. British intellectuals, especially those contradicting Victorian social and moral norms, were inspired by the new type of hero-nihilist- a romantic highly-spiritual revolutionary, struggling for freedom, which was created in their imagination mostly due to Turgenev's works and the lawsuit of Vera Zasulich, widely discussed in European press. This study concentrates on the analysis of the first play by Oscar Wilde Vera, dedicated to the Russian topic, which seems at first sight a naive melodrama with confusion of historical events and features of the Russian social life. The peculiarities of Wilde's perception of Russian reality, as well as literary devices used for creating Russian background, are analyzed. Special attention is paid to the tradition of depicting a mysterious and exotic R

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/56417
    DDC Categories: 301
    Other subjects: (thesoz)19. Jahrhundert; (thesoz)Großbritannien; (thesoz)Russland; (thesoz)Osteuropa; (thesoz)Interesse; (thesoz)Literatur; (thesoz)Moral; (thesoz)Fiktion; (thesoz)Realität; (thesoz)Nihilismus; (thesoz)Weltanschauung; (thesoz)Stereotyp; Wilde, O.; Exotik; Mysterium; Weltsicht; Topic
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2016) 66 ; 67-72
  10. "Minding" the style: reading Conrad through cognitive poetics
    Author: Pirnajmuddin, Hossein; Parandeh, Alireza
    Published: 2015

    Abstract: Cognitive Poetics works on the triangle of author-text-reader. A main focus is the reader of literature, as a co-producer of the text alongside the author, in an attempt to explain how his/her knowledge and experiences are applied in... more

     

    Abstract: Cognitive Poetics works on the triangle of author-text-reader. A main focus is the reader of literature, as a co-producer of the text alongside the author, in an attempt to explain how his/her knowledge and experiences are applied in reaching an understanding of a particular text in a particular context. In this paper several examples of how contextual frames can operate in a narrative are discussed in three works of short fiction by Joseph Conrad. Analyzed in the particular context of Conradian narrative and prose style are such points as: how the readers begin a story, how they enter into the interior levels of it in order to feel and touch the events in the way its characters do, how they follow every episode of it and, in other words, how the readers "comprehend" the narrative. It is argued that the application of insights from cognitive poetics to Conrad’s fiction is of particular relevance as Conrad is a writer who embodies and foregrounds this very act and process of "compre

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57231
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Dichtung; (thesoz)Kognition; (thesoz)Fiktion; Conrad, J.
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 52 ; 44-54
  11. "Il était une fois un pays": propagande, pouvoir et ténèbres dans l'underground d'Emir Kusturica (1995)
    Author: Poamă, Andrei
    Published: 2011

    Abstract: This article retraces three levels of intelligibility of the communist adventure of Titoism as they appear in Emir Kusturica's Underground (1995). Firstly, it identifies the role played by propaganda inside the Yugoslav political regime.... more

     

    Abstract: This article retraces three levels of intelligibility of the communist adventure of Titoism as they appear in Emir Kusturica's Underground (1995). Firstly, it identifies the role played by propaganda inside the Yugoslav political regime. Secondly, it examines the way the power relations having shaped the history of the second Yugoslavia are pictured by Kusturica’s film. Finally, it analyses the organization of the fictitious space of Underground as a specific technique of construction, that is, of modification of the identity of the inhabitants

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/44658
    DDC Categories: 320; 070; 301
    Other subjects: (thesoz)postkommunistische Gesellschaft; (thesoz)Propaganda; (thesoz)Fiktion; (thesoz)Film; (thesoz)Jugoslawien; (thesoz)politisches Regime; (thesoz)Identität; (thesoz)Modernisierung; (thesoz)politische Macht
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Studia Politica: Romanian Political Science Review ; 11 (2011) 4 ; 633-645
  12. Creative Crowds: Perspektiven der Fanforschung im deutschsprachigen Raum
    Contributor: Cuntz-Leng, Vera (Herausgeber)
    Published: 2014
    Publisher:  Büchner-Verlag, Marburg ; SSOAR - Social Science Open Access Repository, Mannheim

    Abstract: Die Vorstellungen von Fans als hysterischen Teenies, aggressiven Hooligans oder nerdigen Einzelgängern haben sich drastisch gewandelt. Wurden Trekkies, Live-Rollenspieler oder Gothics vor einigen Jahren noch kritisch beäugt, debattiert... more

     

    Abstract: Die Vorstellungen von Fans als hysterischen Teenies, aggressiven Hooligans oder nerdigen Einzelgängern haben sich drastisch gewandelt. Wurden Trekkies, Live-Rollenspieler oder Gothics vor einigen Jahren noch kritisch beäugt, debattiert heute jeder über die Hobbit-Filme oder die neue Sherlock-Staffel und kann sein Ramones-Shirt beim Discounter kaufen. Durch das Internet sind Fans nicht nur im Mainstream angekommen, sondern mündiger und kreativer geworden. Längst geben sie sich nicht mehr nur der Verehrung ihrer Lieblingsfiguren und Idole hin, sie erobern auch für sich selbst und ihren kreativen Output einen Platz in der Popkultur. Der vorliegende Band versammelt Beiträge aus verschiedenen Disziplinen zu einem facettenreichen Spektrum von Fandoms, Fankulturen und Fankreationen im deutschsprachigen Raum: vom Fußballstadion bis ins Onlineforum, von Cosplayern zu Viddern, von Prince bis Twilight

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Contributor: Cuntz-Leng, Vera (Herausgeber)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783963177095
    Other identifier:
    oai:gesis.izsoz.de:document/65372
    DDC Categories: 300; 301; 070
    Subjects: Fan-Fiction; Sozialraum; Anime; Diskurs
    Other subjects: (thesoz)Fan; (thesoz)Kreativität; (thesoz)Rezeption; (thesoz)Partizipation; (thesoz)Soziale Medien; (thesoz)Computerspiel; (thesoz)Comic; (thesoz)Musik; (thesoz)Star; (thesoz)Fußball; (thesoz)Fiktion; (thesoz)deutscher Sprachraum; Fantum; Fankultur; Fandom; Fanforschung; Fanfiction; Popkultur; Lord of the Weed; Cosplay; Ultra-Fans; Transmedia Storytelling
    Scope: Online-Ressource, 408 S.
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)
  13. Political narrative fiction and the responsibility of the author
    Author: Hanif, Mohsen; Rezaei, Tahereh
    Published: 2017

    Abstract: Art in general and fiction in particular have had close affinities with politics throughout history. When there is a close tie between a narrative fiction and political issues then critics may deem it as "committed fiction". Political... more

     

    Abstract: Art in general and fiction in particular have had close affinities with politics throughout history. When there is a close tie between a narrative fiction and political issues then critics may deem it as "committed fiction". Political fiction is at the crossroads of political science and the art of fiction. And more often than not, novelists are involved with politics but not all of them are dubbed as or even consider themselves to be political novelists. In this article I attempt to investigate political fiction as a distinct genre produced (un)consciously by a range of (politically committed) novelists and critics. The authors discussed in this paper demonstrate dissimilar perspectives on freedom and democracy. Also, regarding political fiction and the responsibility of author, we will see how divergent is the attitudes of critics such as George Orwell, Allen Robbe-Grillet, Juan Goytisolo, Mario Vargas Llosa and Isabel Allende

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57150
    DDC Categories: 301; 320
    Other subjects: (thesoz)Kunst; (thesoz)Literatur; (thesoz)Fiktion; (thesoz)Politik; (thesoz)Demokratie; (thesoz)Freiheit; (thesoz)Schriftsteller; (thesoz)Einstellung; (thesoz)Verantwortung; (thesoz)politische Einstellung
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2017) 76 ; 43-48
  14. Postmodern narrative techniques in Robert Coover's collection: Pricksongs & Descants
    Author: Abootalebi, Hassan
    Published: 2015

    Abstract: The modes of narration in postmodernist fiction are not identical with those of modernists and realists. They contravene readers' expectations, making them most often astounded and baffled. This study sets out to discuss some of the... more

     

    Abstract: The modes of narration in postmodernist fiction are not identical with those of modernists and realists. They contravene readers' expectations, making them most often astounded and baffled. This study sets out to discuss some of the techniques used by the American writer Robert Coover in his story collection; Pricksongs & Descants (1969) which are associated with postmodernist fiction. These strategies including metafictional techniques, fragmentation, ontological concern, and temporal distortion, will in the subsequent sections of this paper be explicated and elucidated. In this regard, the term postmodernism will be first defined and elaborated, and then some of the salient features of Coover's selected work stated above, will be examined in order to demonstrate the title-mentioned claim. Not all the stories of the collection will in this study be provided an analysis of, but those which are of greater significance and are noticeable in incorporating postmodern strategies

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57300
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Erzählung; (thesoz)Fiktion; (thesoz)Fragmentierung; (thesoz)Ontologie; (thesoz)Postmoderne; Erzähltechnik; Coover, R.
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 52 ; 70-75
  15. Diversity of love relationship in Janette Oke's fictions
    Author: Mirenayat, Sayyed Ali; Soofastaei, Elaheh
    Published: 2015

    Abstract: Love is used in different ways in literature. The treatment of love in the love stories of Janette Oke are nearly similar and all show the roles that love plays in life of people and how deal with it. Her novels are among the finest works... more

     

    Abstract: Love is used in different ways in literature. The treatment of love in the love stories of Janette Oke are nearly similar and all show the roles that love plays in life of people and how deal with it. Her novels are among the finest works in Canadian literature without whom the world of Canadian literature would be dark and empty. Love is the eventual weakness, but philosophy, religion and art during time have portrayed it in its place as a way to a higher level of being beyond the pain and transformation of every day. This paper points out to different kinds of love relationship in Oke's fictions

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57312
    DDC Categories: 301
    Other subjects: (thesoz)Literatur; (thesoz)Kanada; (thesoz)Liebe; (thesoz)Romantik; (thesoz)Roman; (thesoz)Fiktion; (thesoz)Partnerbeziehung; Oke, J.
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 51 ; 143-146
  16. Feminism and the hard-boiled genre: breakdown in Sara Paretsky's breakdown
    Author: Jabbari, Mohsen; Beyad, Maryam Soltan
    Published: 2015

    Abstract: As feminist re-writings of the genre of crime fiction (mostly the hard-boiled) from the 1980s onward, Sara Paretsky's Warshawski novels provide a fertile field for critical and cultural studies. The aims of this paper are twofold: first, it... more

     

    Abstract: As feminist re-writings of the genre of crime fiction (mostly the hard-boiled) from the 1980s onward, Sara Paretsky's Warshawski novels provide a fertile field for critical and cultural studies. The aims of this paper are twofold: first, it traces the generic influences on her latest novel Breakdown (2012) beyond the obvious male precursors of the hard-boiled (Dashiell Hammett and Raymond Chandler) of the interwar period to the Gothic vogue in the early 19th century; and second, drawing on Roland Barthes's notion of readerly/writerly texts, Pierre Macherey’s critique of ideology in realist fiction, and Fredric Jameson's dialectical view of genre, it teases out the symptomatic fissures and contradictions in Paretsky's novel which betray the text’s inability to ultimately resist the ideology it intends to subvert

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57778
    DDC Categories: 301; 300
    Other subjects: (thesoz)Literatur; (thesoz)Kriminalroman; (thesoz)Realismus; (thesoz)Fiktion; (thesoz)Feminismus; (thesoz)Ideologie; (thesoz)Genre
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 45 ; 24-34
  17. Gespräche über Nachhaltigkeit - nachhaltige Gespräche? Die kommunikative Konstruktion der sozialen Fiktion Nachhaltigkeit
    Author: Kanter, Heike; Herbrik, Regine
    Published: 2019

    Abstract: In this article, we retrace how sustainability in our study has been communicatively constructed and how it emerged as a dynamic, but also a relatively stable, social fiction. Also, we contribute to methodological reflections on the... more

     

    Abstract: In this article, we retrace how sustainability in our study has been communicatively constructed and how it emerged as a dynamic, but also a relatively stable, social fiction. Also, we contribute to methodological reflections on the practical relevance of the (social) imaginary for action. We rely on an empirical study that explores social science-based conversations between and among individuals who talk about the sustainability of their everyday lives. Within daily life people act sustainably to a limited extent, in conflict to the universal claim of sustainability and its normative validity. The respondents see themselves confronted with this well-known dilemma. With the aid of the documentary method, and drawing on our empirical data, we elaborate on the communicative strategies used to meet the difficult combination of sustainability's demands. We focus on patterns of justification, normative-imaginary thought experiments, and rhetorical distancing from the need for action of

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/61266
    DDC Categories: 070; 300
    Other subjects: (thesoz)Fiktion; (thesoz)Diskussion; (thesoz)Gruppendiskussion; (thesoz)Kommunikation; (thesoz)Methode; (thesoz)Interview; (thesoz)Sozialforschung; (thesoz)Nachhaltigkeit; (thesoz)Konstruktivismus; (thesoz)Interpretation; (thesoz)Dokumentation; Leitfadeninterview; documentary method; dokumentarische Methode; focus group; guideline interview; interpretative social research; kommunikativer Konstruktivismus; lautes Denken; rekonstruktive Sozialforschung; soziale Fiktion; soziales Imaginäres; thinking aloud
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Forum Qualitative Sozialforschung / Forum: Qualitative Social Research ; 20 (2019) 1 ; 24
  18. A escrita como autoformação e resistência: Foucault, Nietzsche e a criação de mundos e histórias
    Author: Galvão, Bruno Abilio
    Published: 2019

    Abstract: The fiction corresponds to a style of writing that supports the construction of narratives capable of wrestling the writer from himself in a sense that, through the experiment of language itself, it constitutes aesthetically. When we... more

     

    Abstract: The fiction corresponds to a style of writing that supports the construction of narratives capable of wrestling the writer from himself in a sense that, through the experiment of language itself, it constitutes aesthetically. When we observe the works of Nietzsche, we perceive that there are a plurality of literary styles, often composed by aphorisms that demand another performance: hyperbolic writing. Through artistic writing, Nietzsche creates a world understood as the will to power in which he gives himself as a character among other psychological types. Already in Foucault's philosophy the striking feature of his works is the historical tone with which he approaches his themes. However, as he himself affirms in some interviews, he writes nothing but fictions, selects and organizes historical statements by creating various scenarios, subjects and objects of his speech. This style present in both contacts the outside provoking a repositioning of the reader, which is affected by p

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/61687
    DDC Categories: 100
    Other subjects: (thesoz)Schreiben; (thesoz)Fiktion; (thesoz)Foucault, M.; (thesoz)Nietzsche, F.; (thesoz)Widerstand; Self-creation
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 19 (2019) 1 ; 96-114
  19. Dezentrierungen des künstlerischen Selbst: die Alter Egos von Laurie Anderson und Jennifer Walshe
    Author: Kohl, Marie-Anne
    Published: 2012

    Abstract: "Auf Kohärenz ausgerichtete Selbstkonzepte von KünstlerInnen unterscheiden häufig ausdrücklich die öffentliche von der privaten, 'realen' Person. Paradoxerweise hängt die Glaubwürdigkeit der öffentlichen Persönlichkeit von einer... more

     

    Abstract: "Auf Kohärenz ausgerichtete Selbstkonzepte von KünstlerInnen unterscheiden häufig ausdrücklich die öffentliche von der privaten, 'realen' Person. Paradoxerweise hängt die Glaubwürdigkeit der öffentlichen Persönlichkeit von einer wohlkonzipierten Authentizität ab, während der Status von Authentizität der realen Künstlerin problematisch ist. Die Trennlinien zwischen öffentlich und privat, fiktiv und real, Person und Persona sind damit brüchig. Das Prinzip des Alter Egos spielt mit dieser Unbestimmtheit der Trennlinien zwischen fiktiv und real und thematisiert damit ironisierend Aspekte wie Authentizität, Subjektivität und Identität. Die grenzüberschreitenden Praktiken der Alter Egos von Laurie Anderson und Jennifer Walshe, die ich als Paradigma eines dezentrierten Subjekts verstehe, spielen auf unterschiedliche Weise mit Themen wie kohärenten Autobiografien, künstlerischen Personalstilen oder fixen Geschlechtsidentitäten und lösen auf mehreren Ebenen die Logik androzentrischer Selbst

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/39599
    DDC Categories: 300; 100
    Other subjects: (thesoz)Künstlerin; (thesoz)Persönlichkeit; (thesoz)Authentizität; (thesoz)Fiktion; (thesoz)Subjektivität; (thesoz)Identität; (thesoz)Biographie; (thesoz)Androzentrismus; Alter Ego; dezentriertes Subjekt; Autobiografie
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: GENDER - Zeitschrift für Geschlecht, Kultur und Gesellschaft ; 4 (2012) 1 ; 75–89
  20. Como não esquecer de viver o presente: um ensaio sobre a espiritualidade do amor
    Author: Stephan, Cassiana Lopes
    Published: 2018

    Abstract: Pierre Hadot shows us, in his interpretations of Goethe and the tradition of spiritual exercises, that true love has a transforming potential, since it corresponds to an exercise of the spirit capable of revealing the ideal that surrounds... more

     

    Abstract: Pierre Hadot shows us, in his interpretations of Goethe and the tradition of spiritual exercises, that true love has a transforming potential, since it corresponds to an exercise of the spirit capable of revealing the ideal that surrounds and constitutes the reality of lovers. Differently, Foucault explains, by Baudelaire and the culture of the aesthetics of existence, that the transfiguring practice of love propitiates the creation of the present time 'as if through fiction' and not by the presence of the ideal in the real. Therefore, perhaps we can affirm that the spirituality of love, conceived by Hadot, would reside in the eternalization of the present moment and in the universalization of the soul, whose beauty articulates the lovers ideally to the Nature. On the other hand, in the case of the foucauldian aesthetics of existence, the spirituality of love would concern the fictional violation of the condition that binds the self, the others and the world to the nostalgia for th

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: Portuguese
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/60907
    DDC Categories: 100
    Other subjects: (thesoz)Spiritualität; (thesoz)Liebe; (thesoz)Schönheit; (thesoz)Fiktion
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: Griot: Revista de Filosofia ; 18 (2018) 2 ; 375-396
  21. Autobiographien als Kinder ihrer Zeit
    Author: Klika, Dorle
    Published: 2016
    Publisher:  SSOAR, GESIS – Leibniz-Institut für Sozialwissenschaften e.V., Mannheim

    Abstract: Ausgehend vom gegenwärtigen Boom autobiographischen Schreibens, nimmt der Beitrag Begriffsklärungen vor (Ego-Dokumente, Autobiographie, Memoiren, Biographie) und referiert den Diskurs der Germanistik um Referenzialität, Authentizität,... more

     

    Abstract: Ausgehend vom gegenwärtigen Boom autobiographischen Schreibens, nimmt der Beitrag Begriffsklärungen vor (Ego-Dokumente, Autobiographie, Memoiren, Biographie) und referiert den Diskurs der Germanistik um Referenzialität, Authentizität, Fiktionalität und das Konzept 'narrativer Wahrheit'. Der historische Wandel autobiographischen Schreibens zur Pluralität autobiographischer Erzählstile wird am Beispiel der Autobiographien von Fanny Lewald und Christa Wolf verdeutlicht. Der Beitrag schießt mit einem Plädoyer für die Verwendung autobiographischer Texte als erziehungswissenschaftliches Quellenmaterial

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/60098
    DDC Categories: 300
    Subjects: Autobiografie
    Other subjects: (thesoz)Erzählung; (thesoz)Fiktion; (thesoz)Identität; (thesoz)Authentizität; (thesoz)Biographie
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: BIOS - Zeitschrift für Biographieforschung, Oral History und Lebensverlaufsanalysen ; 29 (2016) 2 ; 275-284