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Displaying results 1 to 6 of 6.

  1. Beyond the soundtrack
    representing music in cinema
    Published: c2007
    Publisher:  Univ. of California Press, Berkeley [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520250702; 0520250699; 9780520250703; 9780520250697
    RVK Categories: LR 53509 ; LT 53509 ; AP 51450
    Subjects: Motion picture music
    Scope: vii, 324 S, Ill., Notenbeisp., 23 cm
    Notes:

    "An Ahmanson foundation book in the humanities"--P. [4] of cover

    Includes bibliographical references (p. 297-309), filmography (p. 311-316), and index

    Hier auch später erschienene, unveränderte Nachdrucke

    Introduction. Phonoplay : recasting film music -- Musical meaning. The boy on the train, or bad symphonies and good movies : the revealing error of the "symphonic score" / Peter Franklin ; Representing Beethoven : romance and sonata form in Simon Cellan Jones's Eroica / Nicholas Cook ; Minima romantica / Susan McClary ; Melodic trains : music in Polanksi's The pianist / Lawrence Kramer ; Mute music : Polanski's The pianist and Campion's The piano / Michel Chion -- Musical agency. Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo / Richard Leppert ; Sight, sound, and the temporality of myth making in Koyaanisqatsi / Mitchell Morris ; How sound floats on land : the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy -- Auteur music / Claudia Gorbman -- Transport and transportation in audiovisual memory / Berthold Hoeckner -- The fantastical gap between diegetic and nondiegetic / Robynn J. Stilwell -- Musical identity. Early film themes : Roxy, Adorno, and the problem of cultural capital / Rick Altman ; Before Willie : reconsidering music and the animated cartoon of the 1920s / Daniel Goldmark ; Side by side : Nino Rota, music, and film / Richard Dyer ; White face, black noise : Miles Davis and the soundtrack / Krin Gabbard ; Men at the keyboard : liminal spaces and the heterotopian function of music / Gary C. Thomas
  2. Beyond the soundtrack
    representing music in cinema
    Published: 2007
    Publisher:  Univ. of California Press, Berkeley [u.a.]

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Würzburg
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520250697; 9780520250703; 0520250702
    RVK Categories: AP 51450 ; LR 53509 ; LT 53509
    Subjects: Film, Musique de - Histoire et critique; Musique de film - Histoire et critique; Motion picture music; Film; Musik <Motiv>; Filmmusik
    Scope: VII, 324 S., Ill.
    Notes:

    Includes bibliographical references, filmography, and index
  3. Beyond the soundtrack
    representing music in cinema
    Published: 2007
    Publisher:  Univ. of California Press, Berkeley [u.a.]

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780520250697; 9780520250703; 0520250702
    RVK Categories: AP 51450 ; LR 53509 ; LT 53509
    Subjects: Film, Musique de - Histoire et critique; Musique de film - Histoire et critique; Motion picture music; Film; Musik <Motiv>; Filmmusik
    Scope: VII, 324 S., Ill.
    Notes:

    Includes bibliographical references, filmography, and index
  4. Beyond the Soundtrack
    Representing Music in Cinema
    Author: Goldmark, Daniel
    Published: 2007
    Publisher:  University of California Press, Berkeley

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520940555; 9780520940550
    RVK Categories: LR 53509 ; AP 51450 ; LT 53509
    Series: Ahmanson Foundation book in the humanities
    Subjects: Motion picture music / History and criticism; Fine Arts; MUSIC / Printed Music / Musicals, Film & TV.; PERFORMING ARTS / Film & Video / General; Motion picture music; Motion picture music; Filmmusik; Film; Musik <Motiv>
    Scope: 1 online resource (333 pages)
    Notes:

    Print version record

    List of Illustrations; Introduction. Phonoplay: Recasting Film Music; PART I: MUSICAL MEANING; 1. The Boy on the Train, or Bad Symphonies and Good Movies: The Revealing Error of the "Symphonic Score"; 2. Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones's Eroica; 3. Minima Romantica; 4. Melodic Trains: Music in Polanski's The Pianist; 5. Mute Music: Polanski's The Pianist and Campion's The Piano; PART II: MUSICAL AGENCY; 6. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo

    7. Sight, Sound, and the Temporality of Myth Making in Koyaanisqatsi8. How Sound Floats on Land: The Suppression and Release of Folk and Indigenous Musics in the Cinematic Terrain; 9. Auteur Music; 10. Transport and Transportation in Audiovisual Memory; 11. The Fantastical Gap between Diegetic and Nondiegetic; PART III: MUSICAL IDENTITY; 12. Early Film Themes: Roxy, Adorno, and the Problem of Cultural Capital; 13. Before Willie: Reconsidering Music and the Animated Cartoon of the 1920s; 14. Side by Side: Nino Rota, Music, and Film; 15. White Face, Black Noise: Miles Davis and the Soundtrack

    16. Men at the Keyboard: Liminal Spaces and the Heterotopian Function of MusicNotes on Contributors; Works Cited; Index of Films Cited; Index of Names; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z.

    This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role--and many do much more--music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic repr
  5. Beyond the Soundtrack
    Representing Music in Cinema
    Author: Goldmark, Daniel
    Published: 2007
    Publisher:  University of California Press, Berkeley

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0520940555; 9780520940550
    RVK Categories: LR 53509 ; AP 51450 ; LT 53509
    Series: Ahmanson Foundation book in the humanities
    Subjects: Motion picture music / History and criticism; Fine Arts; MUSIC / Printed Music / Musicals, Film & TV.; PERFORMING ARTS / Film & Video / General; Motion picture music; Motion picture music; Filmmusik; Film; Musik <Motiv>
    Scope: 1 online resource (333 pages)
    Notes:

    Print version record

    List of Illustrations; Introduction. Phonoplay: Recasting Film Music; PART I: MUSICAL MEANING; 1. The Boy on the Train, or Bad Symphonies and Good Movies: The Revealing Error of the "Symphonic Score"; 2. Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones's Eroica; 3. Minima Romantica; 4. Melodic Trains: Music in Polanski's The Pianist; 5. Mute Music: Polanski's The Pianist and Campion's The Piano; PART II: MUSICAL AGENCY; 6. Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo

    7. Sight, Sound, and the Temporality of Myth Making in Koyaanisqatsi8. How Sound Floats on Land: The Suppression and Release of Folk and Indigenous Musics in the Cinematic Terrain; 9. Auteur Music; 10. Transport and Transportation in Audiovisual Memory; 11. The Fantastical Gap between Diegetic and Nondiegetic; PART III: MUSICAL IDENTITY; 12. Early Film Themes: Roxy, Adorno, and the Problem of Cultural Capital; 13. Before Willie: Reconsidering Music and the Animated Cartoon of the 1920s; 14. Side by Side: Nino Rota, Music, and Film; 15. White Face, Black Noise: Miles Davis and the Soundtrack

    16. Men at the Keyboard: Liminal Spaces and the Heterotopian Function of MusicNotes on Contributors; Works Cited; Index of Films Cited; Index of Names; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z.

    This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role--and many do much more--music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic repr
  6. Beyond the soundtrack
    representing music in cinema
    Published: c2007
    Publisher:  Univ. of California Press, Berkeley [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    8 A 1066
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    01.X.9294
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signature:
    24.63 GOLD 0001
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    MTz 82
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    E I fi 77
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Potsdam, Universitätsbibliothek
    Signature:
    LR 53509 GOL
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    UB Weimar
    Signature:
    239 406
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520250702; 0520250699; 9780520250703; 9780520250697
    RVK Categories: LR 53509 ; LT 53509 ; AP 51450
    Subjects: Motion picture music
    Scope: vii, 324 S, Ill., Notenbeisp., 23 cm
    Notes:

    "An Ahmanson foundation book in the humanities"--P. [4] of cover

    Includes bibliographical references (p. 297-309), filmography (p. 311-316), and index

    Hier auch später erschienene, unveränderte Nachdrucke

    Introduction. Phonoplay : recasting film music -- Musical meaning. The boy on the train, or bad symphonies and good movies : the revealing error of the "symphonic score" / Peter Franklin ; Representing Beethoven : romance and sonata form in Simon Cellan Jones's Eroica / Nicholas Cook ; Minima romantica / Susan McClary ; Melodic trains : music in Polanksi's The pianist / Lawrence Kramer ; Mute music : Polanski's The pianist and Campion's The piano / Michel Chion -- Musical agency. Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo / Richard Leppert ; Sight, sound, and the temporality of myth making in Koyaanisqatsi / Mitchell Morris ; How sound floats on land : the suppression and release of folk and indigenous musics in the cinematic terrain / Philip Brophy -- Auteur music / Claudia Gorbman -- Transport and transportation in audiovisual memory / Berthold Hoeckner -- The fantastical gap between diegetic and nondiegetic / Robynn J. Stilwell -- Musical identity. Early film themes : Roxy, Adorno, and the problem of cultural capital / Rick Altman ; Before Willie : reconsidering music and the animated cartoon of the 1920s / Daniel Goldmark ; Side by side : Nino Rota, music, and film / Richard Dyer ; White face, black noise : Miles Davis and the soundtrack / Krin Gabbard ; Men at the keyboard : liminal spaces and the heterotopian function of music / Gary C. Thomas