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  1. <<The>> great white way
    race and the Broadway musical
    Author: Hoffman, Warren
    Published: [2020]
    Publisher:  Rutgers University Press, New Brunswick

    "The initial publication of The Great White Way was and remains the first and only book-length investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today. In... more

     

    "The initial publication of The Great White Way was and remains the first and only book-length investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today. In addition to the musicals mentioned above, the book contains analyses of Tony Award-winning shows A Chorus Line, 42nd Street, and The Will Rogers Follies, as well as an examination of the role of casting practices in the musical, particularly the phenomenon of African American and interracial productions of Broadway musicals. Now updated to include a discussion of the blockbuster musicals Hamilton and The Book of Mormon, as well as other developments of the musical in recent years, The Great White Way provides both lovers of the musical and academics with a probing looking at the ways in which issues of race and ethnicity shape this all-American art form." This second edition will reflect new developments that have occurred in the world of the Broadway musical in recent years. Chapter four will be revised and an entire new chapter will be added about smash hits The Book of Mormon and Hamilton, which are both incredibly important when analyzing race and the Broadway musical. Hoffman will also include a new Afterword that will bring the book up to the 21st century and elaborate on what is happening off-Broadway as well"--

     
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  2. The American musical
    a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine
    Author: Bauch, Marc
    Published: 2003
    Publisher:  Tectum-Verl., Marburg

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    /LR 54130 B337
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    87.425.39
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
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    2004/143
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    Universität Gießen, Zweigbibliothek im Philosophikum II
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    009 LR 54130 B337 A512
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    Universitätsbibliothek Kassel, Standort Brüder-Grimm-Platz, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    35 2003 A 1
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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
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    782.140973 BAU
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    Universität Marburg, Universitätsbibliothek
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    U 2003/0076
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    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 382888458X; 9783828884588
    RVK Categories: AP 64983 ; LQ 89300 ; LR 54130 ; LR 54137
    Subjects: Musical; Stoff <Literatur>
    Other subjects: Hammerstein, Oscar (1895-1960); Rodgers, Richard (1902-1979); Bernstein, Leonard (1918-1990): West Side story; Sondheim, Stephen (1930-2021): Sunday in the park with George
    Scope: XI, 175 S.
    Notes:

    Literaturverz. S. 167 - 173
  3. Victorians on Broadway
    Literature, Adaptation, and the Modern American Musical
    Author: Weltman, Sharon Aronofsky
    Published: 2020
    Publisher:  University of Virginia Press, Charlottesville ; ProQuest, Ann Arbor, Michigan

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    Universität Mainz, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813944333
    RVK Categories: LR 54137
    Subjects: Musical; Englisch; Literatur; Vertonung; Adaption <Literatur>; Einfluss; Musiktheater
    Scope: 1 Online-Ressource (338 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  4. It's about time, don't you think?
    performing queer temporalities in American musicals
    Author: Weinzierl, Florian
    Published: 2018

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Dq 110/2156
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    Universität Marburg, Universitätsbibliothek
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    4 Z 2021/0120
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    RVK Categories: HU 1777 ; LR 54137 ; LR 54138
    DDC Categories: 420
    Subjects: Homosexualität <Motiv>; Musical; Zeit <Motiv>
    Scope: iv, 317 Seiten
    Notes:

    $dDissertation
  5. Echoes of the Holocaust on the American musical stage
    Author: Hillman, Jessica
    Published: 2012
    Publisher:  McFarland, Jefferson, NC [u.a.]

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    90.038.08
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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
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    782.140973 HIL
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0786466022; 9780786466023
    RVK Categories: LR 54137
    Subjects: Musical; Juden <Motiv>; Judenvernichtung <Motiv>; Nationalsozialismus <Motiv>
    Scope: VII, 215 S., Ill.
    Notes:

    Literaturverz. S. 201 - 209
  6. My fair lady
    eine transdisziplinäre Einführung
    Contributor: Coelsch-Foisner, Sabine (Herausgeber); Brügge, Joachim (Herausgeber)
    Published: [2015]; ©2015
    Publisher:  Universitätsverlag Winter, Heidelberg

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Signature:
    /HM 4275 C672
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    Universitätsbibliothek Gießen
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    000 LR 54137 C672
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    Source: Union catalogues
    Contributor: Coelsch-Foisner, Sabine (Herausgeber); Brügge, Joachim (Herausgeber)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783825365196; 3825365190
    Other identifier:
    9783825365196
    RVK Categories: LP 93143 ; LR 54137 ; HM 4275
    DDC Categories: 820
    Series: Wissenschaft und Kunst ; Band 16
    Subjects: Interdisziplinarität
    Other subjects: Shaw, Bernard (1856-1950): Pygmalion; Loewe, Frederick (1901-1988): My fair lady
    Scope: XIII, 184 Seiten, Notenbeispiele, 235 mm x 155 mm
    Notes:

    Literaturverzeichnis: Seite 175-182
  7. Das amerikanische Meta-Musical
    Studie zu einem literarischen Phänomen im amerikanischen Musical mit Werkanalysen zu Sally, Kiss Me Kate und Follies
    Author: Bauch, Marc
    Published: 2013
    Publisher:  WiKu-Verl., Köln

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Signature:
    /AP 71200 B337
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    90.187.73
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    Universität Gießen, Zweigbibliothek im Philosophikum II
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    009 LR 54137 B337
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    Universitätsbibliothek Kassel, Standort Holländischer Platz
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    25 Ame RA 0149
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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
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    792.60973 BAU
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    Universität Marburg, Universitätsbibliothek
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    001 LR 54137 B337
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    Source: Union catalogues
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3865534155; 9783865534156
    Other identifier:
    9783865534156
    RVK Categories: AP 71200 ; LR 54137
    DDC Categories: 810; 780
    Subjects: Musical; Libretto; Metatheater; Selbstbezüglichkeit; Musical <Motiv>
    Other subjects: Porter, Cole (1891-1964): Kiss me Kate; Sondheim, Stephen (1930-2021): Follies
    Scope: X, 236 S.
    Notes:

    Literaturverz.. S. 227 - 234
  8. Themes and topics of the American musical after world war II
    Author: Bauch, Marc
    Published: 1999

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Source: Union catalogues
    Language: English
    Media type: Book; Data medium; Microfilm
    ISBN: 3828811418
    RVK Categories: LR 54137
    Edition: [Mikrofiche-Ausg.]
    Subjects: Libretto; Stoff <Literatur>; Mikroform; Thema; Topos; Musical
    Scope: 102 S., Ill.
    Notes:

    Saarbrücken, Univ., Staatsexamensarbeit
  9. The American musical
    a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rogers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine
    Author: Bauch, Marc
    Published: 2003
    Publisher:  Tectum-Verl., Marburg

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Würzburg
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  10. The great white way
    race and the Broadway musical
    Author: Hoffman, Warren
    Published: 2014
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a... more

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation?"The Great White Way" is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from "Show Boat" (1927) to "The Scottsboro Boys" (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States.Presented chronologically, "The Great White Way" shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927-1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon--"Show Boat" (1927), "Oklahoma!" (1943), "Annie Get Your""Gun" (1946), "The Music Man" (1957), "West Side Story" (1957), "A Chorus Line" (1975), and "42nd Street" (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.

     
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  11. Music in the shadows
    noir musical films
    Author: Biesen, Sheri Chinen
    Published: 2014
    Publisher:  Johns Hopkins Univ. Press, Baltimore, Md.

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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781421408378; 9781421408385
    RVK Categories: AP 52500 ; AP 53600 ; LR 54137
    Subjects: Musical films; Film noir; Jazz in motion pictures; Film noir; Musical; Jazz <Motiv>; Musik; Blues <Motiv>
    Scope: XII, 210 S., Ill.
    Notes:

    Includes bibliographical references and index
  12. It's about time, don't you think?
    performing queer temporalities in American musicals
    Author: Weinzierl, Florian
    Published: 2018

    Location:
    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    RVK Categories: HU 1777 ; LR 54137 ; LR 54138
    DDC Categories: 420
    Subjects: Musical; Zeit <Motiv>; Homosexualität <Motiv>
    Scope: iv, 317 Seiten
    Notes:

    Dissertation, Universität Regensburg, 2018
  13. The great white way
    race and the Broadway musical
    Author: Hoffman, Warren
    Published: [2020]
    Publisher:  Rutgers University Press, New Brunswick ; Camden ; Newark, New Jersey ; London

    "The initial publication of The Great White Way was and remains the first and only book-length investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today. In... more

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Würzburg
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    "The initial publication of The Great White Way was and remains the first and only book-length investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today. In addition to the musicals mentioned above, the book contains analyses of Tony Award-winning shows A Chorus Line, 42nd Street, and The Will Rogers Follies, as well as an examination of the role of casting practices in the musical, particularly the phenomenon of African American and interracial productions of Broadway musicals. Now updated to include a discussion of the blockbuster musicals Hamilton and The Book of Mormon, as well as other developments of the musical in recent years, The Great White Way provides both lovers of the musical and academics with a probing looking at the ways in which issues of race and ethnicity shape this all-American art form." This second edition will reflect new developments that have occurred in the world of the Broadway musical in recent years. Chapter four will be revised and an entire new chapter will be added about smash hits The Book of Mormon and Hamilton, which are both incredibly important when analyzing race and the Broadway musical. Hoffman will also include a new Afterword that will bring the book up to the 21st century and elaborate on what is happening off-Broadway as well"--

     
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  14. Echoes of the Holocaust on the American musical stage
    Author: Hillman, Jessica
    Published: 2012
    Publisher:  McFarland, Jefferson, NC [u.a.]

    "With chapters on The Sound of Music, Milk and Honey, Fiddler on the Roof, Cabaret, The Rothschilds, Rags, Ragtime and The Producers, this book examines both direct and indirect references to, or resonances of, the Holocaust, tracing changing... more

    Location:
    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    "With chapters on The Sound of Music, Milk and Honey, Fiddler on the Roof, Cabaret, The Rothschilds, Rags, Ragtime and The Producers, this book examines both direct and indirect references to, or resonances of, the Holocaust, tracing changing American attitudes through the chronology progression of these musical productions and their subsequent revivals"

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780786466023
    RVK Categories: LR 54137
    Subjects: Musicals; Holocaust, Jewish (1939-1945), in music; National socialism and music; Judenvernichtung <Motiv>; Nationalsozialismus <Motiv>; Musical; Juden <Motiv>
    Scope: VII, 215 S., Ill.
    Notes:

    Includes bibliographical references and index
  15. Victorians on Broadway
    literature, adaptation, and the modern American musical
    Author: Weltman, Sharon Aronofsky
    Published: 2020
    Publisher:  University of Virginia Press, Charlottesville

    ""Victorians on Broadway" is a wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigating musical dramatizations of works by Charles... more

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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
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    792.60973 WEL
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    ""Victorians on Broadway" is a wide-ranging interdisciplinary study of live stage musicals from the mid- to late twentieth century adapted from British literature written between 1837 and 1886. Investigating musical dramatizations of works by Charles Dickens, Charlotte Brontë, Christina Rossetti, Robert Louis Stevenson, and others, Weltman considers what cultural and interpretive work adaptations such as "The King and I" (1951), "Oliver!" (1960), "Sweeney Todd" (1979), and "Jekyll and Hyde" (1997) accomplish when they are adapted for the Broadway stage. In addition, Weltman examines what these musicals teach us about the Victorian books from which they derive. "Victorians on Broadway" also provides us with a great deal of background theater history, making sure that we can understand how "the American musical" developed its own generic specificity. The book moves chronologically, reflecting the major developments in American musical theater, and Victorian-sourced Broadway musical adaptations have been produced at each stage: the Golden Age of Broadway, the musical theater experiments of the 1970s and 1980s that focus as much on concept as story (exemplified by Stephen Sondheim), and the era of pop megamusicals, revealing the Broadway musical's debt to melodrama. Organizing these chapters chronologically situates the adaptations within the history of musical theater and focuses attention on how they fit into aesthetic and intellectual movements

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813944326; 9780813944319
    RVK Categories: LR 54137
    Subjects: Musical; Englisch; Literatur; Vertonung; Adaption <Literatur>; Einfluss; Musiktheater; Musicals; Musical theater; English literature; Musicals
    Scope: xiii, 321 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 263-293

    Includes bibliographical references and index
  16. Echoes of the Holocaust on the American musical stage
    Author: Hillman, Jessica
    Published: 2012
    Publisher:  McFarland, Jefferson, NC [u.a.]

    "With chapters on The Sound of Music, Milk and Honey, Fiddler on the Roof, Cabaret, The Rothschilds, Rags, Ragtime and The Producers, this book examines both direct and indirect references to, or resonances of, the Holocaust, tracing changing... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "With chapters on The Sound of Music, Milk and Honey, Fiddler on the Roof, Cabaret, The Rothschilds, Rags, Ragtime and The Producers, this book examines both direct and indirect references to, or resonances of, the Holocaust, tracing changing American attitudes through the chronology progression of these musical productions and their subsequent revivals"

     
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780786466023
    RVK Categories: LR 54137
    Subjects: Musicals; Holocaust, Jewish (1939-1945), in music; National socialism and music; Judenvernichtung <Motiv>; Nationalsozialismus <Motiv>; Musical; Juden <Motiv>
    Scope: VII, 215 S., Ill.
    Notes:

    Includes bibliographical references and index
  17. The American musical
    a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rogers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine
    Author: Bauch, Marc
    Published: 2003
    Publisher:  Tectum-Verl., Marburg

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9783828884588; 382888458X
    RVK Categories: LR 54130 ; LR 54137 ; LS 48050
    Series: Wissenschaft im Tectum-Verlag
    Subjects: American drama; Musicals; Stoff <Literatur>; Musical
    Other subjects: Sondheim, Stephen (1930-2021): Sunday in the park with George; Hammerstein, Oscar (1895-1960); Rodgers, Richard (1902-1979): South Pacific; Hammerstein, Oscar (1895-1960): South Pacific; Bernstein, Leonard (1918-1990): West Side story; Rodgers, Richard (1902-1979)
    Scope: XI, 175 S., Ill.
  18. Music in the shadows
    noir musical films
    Author: Biesen, Sheri Chinen
    Published: 2014
    Publisher:  Johns Hopkins Univ. Press, Baltimore, Md.

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    Freie Universität Berlin, Universitätsbibliothek
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9781421408378; 9781421408385
    RVK Categories: AP 52500 ; AP 53600 ; LR 54137
    Subjects: Musical films; Film noir; Jazz in motion pictures; Film noir; Musical; Jazz <Motiv>; Musik; Blues <Motiv>
    Scope: XII, 210 S., Ill.
    Notes:

    Includes bibliographical references and index
  19. The great white way
    race and the Broadway musical
    Author: Hoffman, Warren
    Published: 2014
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a... more

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    Broadway musicals are one of America's most beloved art forms and play to millions of people each year. But what do these shows, which are often thought to be just frothy entertainment, really have to say about our country and who we are as a nation?"The Great White Way" is the first book to reveal the racial politics, content, and subtexts that have haunted musicals for almost one hundred years from "Show Boat" (1927) to "The Scottsboro Boys" (2011). Musicals mirror their time periods and reflect the political and social issues of their day. Warren Hoffman investigates the thematic content of the Broadway musical and considers how musicals work on a structural level, allowing them to simultaneously present and hide their racial agendas in plain view of their audiences. While the musical is informed by the cultural contributions of African Americans and Jewish immigrants, Hoffman argues that ultimately the history of the American musical is the history of white identity in the United States.Presented chronologically, "The Great White Way" shows how perceptions of race altered over time and how musicals dealt with those changes. Hoffman focuses first on shows leading up to and comprising the Golden Age of Broadway (1927-1960s), then turns his attention to the revivals and nostalgic vehicles that defined the final quarter of the twentieth century. He offers entirely new and surprising takes on shows from the American musical canon--"Show Boat" (1927), "Oklahoma!" (1943), "Annie Get Your""Gun" (1946), "The Music Man" (1957), "West Side Story" (1957), "A Chorus Line" (1975), and "42nd Street" (1980), among others. New archival research on the creators who produced and wrote these shows, including Leonard Bernstein, Jerome Robbins, Stephen Sondheim, and Edward Kleban, will have theater fans and scholars rethinking forever how they view this popular American entertainment.

     
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  20. The great white way
    race and the Broadway musical
    Author: Hoffman, Warren
    Published: [2020]
    Publisher:  Rutgers University Press, New Brunswick ; Camden ; Newark, New Jersey ; London

    "The initial publication of The Great White Way was and remains the first and only book-length investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today. In... more

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    "The initial publication of The Great White Way was and remains the first and only book-length investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today. In addition to the musicals mentioned above, the book contains analyses of Tony Award-winning shows A Chorus Line, 42nd Street, and The Will Rogers Follies, as well as an examination of the role of casting practices in the musical, particularly the phenomenon of African American and interracial productions of Broadway musicals. Now updated to include a discussion of the blockbuster musicals Hamilton and The Book of Mormon, as well as other developments of the musical in recent years, The Great White Way provides both lovers of the musical and academics with a probing looking at the ways in which issues of race and ethnicity shape this all-American art form." This second edition will reflect new developments that have occurred in the world of the Broadway musical in recent years. Chapter four will be revised and an entire new chapter will be added about smash hits The Book of Mormon and Hamilton, which are both incredibly important when analyzing race and the Broadway musical. Hoffman will also include a new Afterword that will bring the book up to the 21st century and elaborate on what is happening off-Broadway as well"--

     
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  21. Music in the shadows
    noir musical films
    Author: Biesen, Sheri Chinen
    Published: 2014
    Publisher:  Johns Hopkins Univ. Press, Baltimore, Md.

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1421408384; 1421408376; 9781421408385; 9781421408378
    RVK Categories: LR 54137 ; AP 53600
    Subjects: Musical films; Film noir; Jazz in motion pictures
    Scope: xii, 210 S, Ill., 24 cm
    Notes:

    Includes bibliographical references (pages 177-201) and index

    The noir musicalPreludes to the noir musical -- Blues in the night: the noir musical on the brink of World War II -- Smoky melodies: jazz noir musical drama -- Le rouge et le noir: from The red shoes to A star is born -- Dark musical melodrama: from Young at heart to West Side story -- The legacy of the noir musical.
  22. Music in the shadows
    noir musical films
    Author: Biesen, Sheri Chinen
    Published: 2014
    Publisher:  Johns Hopkins University Press, Baltimore, Maryland

    In her pioneering study, "Music in the shadows", film noir expert Sheri Chinen Biesen explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American... more

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    In her pioneering study, "Music in the shadows", film noir expert Sheri Chinen Biesen explores musical films that use film noir style and bluesy strains of jazz to inhabit a disturbing underworld and reveal the dark side of fame and the American dream. While many musicals glamorize the quest for the spotlight in Hollywood's star factory, brooding noir musical films such as "Blues in the night", "Gilda", "The red shoes", "West side story", and "Round midnight" stretch the boundaries of film noir and the musical as film genres collide. Their narratives unfold behind a stark lens: distorted, erratic angles and imbalanced hand-held shots allow the audience to experience a tortured, disillusioned perspective. Deep shadows, dim lightning, and visual composition evoke moodiness, cynicism, pessimism, and subjective psychological points of view. As in her earlier study of film noir, "Blackout: World War II and the origins of film noir", Biesen draws on extensive primary research in studio archives to situate her examination within a historical, industrial, and cultural context.

     
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    Verlag (Inhaltsverzeichnis)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781421408392; 9781421408378; 9781421408385; 1421408376; 1421408384
    RVK Categories: LR 54137 ; AP 53600
    Subjects: Musical films; Film noir; Jazz in motion pictures
    Scope: xii, 210 Seiten, Illustrationen
    Notes:

    Includes bibliographical references (pages 177-201) and index

    Includes bibliographical references and index

    The noir musicalPreludes to the noir musical -- Blues in the night: the noir musical on the brink of World War II -- Smoky melodies: jazz noir musical drama -- Le rouge et le noir: from The red shoes to A star is born -- Dark musical melodrama: from Young at heart to West Side story -- The legacy of the noir musical.
  23. The great white way
    race and the Broadway musical
    Author: Hoffman, Warren
    Published: [2020]; © 2020
    Publisher:  Rutgers University Press, New Brunswick

    Preface to the second edition -- Overture: all singin'! all dancin'! all white people? -- Act one: 1927-1957 -- Only make believe: performing race in Show boat -- Playing cowboys and indians: forging whiteness in Oklahoma! and Annie get your gun --... more

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    Preface to the second edition -- Overture: all singin'! all dancin'! all white people? -- Act one: 1927-1957 -- Only make believe: performing race in Show boat -- Playing cowboys and indians: forging whiteness in Oklahoma! and Annie get your gun -- Trouble in New York city: the racial politics of West side story and The music man -- Act Two: 1967-2019 -- Carbon copies: Black and interracial productions of white musicals -- A chorus line: The Benetton of Broadway musicals -- Everything old Is new again: nostalgia and the Broadway musical at the end of the twentieth century -- Blockbuster musicals in the Age of Obama: The book of Mormon and Hamilton -- Exit Music -- Acknowledgments. "The initial publication of The Great White Way was and remains the first and only book-length investigation into the ways in which race and ethnicity have shaped the American musical over the course of the twentieth century up through today. In addition to the musicals mentioned above, the book contains analyses of Tony Award-winning shows A Chorus Line, 42nd Street, and The Will Rogers Follies, as well as an examination of the role of casting practices in the musical, particularly the phenomenon of African American and interracial productions of Broadway musicals. Now updated to include a discussion of the blockbuster musicals Hamilton and The Book of Mormon, as well as other developments of the musical in recent years, The Great White Way provides both lovers of the musical and academics with a probing looking at the ways in which issues of race and ethnicity shape this all-American art form." This second edition will reflect new developments that have occurred in the world of the Broadway musical in recent years. Chapter four will be revised and an entire new chapter will be added about smash hits The Book of Mormon and Hamilton, which are both incredibly important when analyzing race and the Broadway musical. Hoffman will also include a new Afterword that will bring the book up to the 21st century and elaborate on what is happening off-Broadway as well"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781978807112; 9781978807389
    Other identifier:
    9781978807389
    RVK Categories: LR 54137
    Edition: Second edition
    Subjects: USA; Broadway <New York, NY>; Musical; Ethnische Identität <Motiv>; Geschichte 1927-2019;
    Scope: xi, 285 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  24. The American musical
    a literary study within the context of American drama and American theater with references to selected American musicals by Richard Rodgers, Oscar Hammerstein II, Arthur Laurents, Leonard Bernstein, Stephen Sondheim, and James Lapine
    Author: Bauch, Marc
    Published: 2003
    Publisher:  Tectum-Verl., Marburg

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
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    ISBN: 382888458X
    RVK Categories: LR 54137 ; AP 64983
    Series: Wissenschaft im Tectum-Verlag
    Subjects: Musicals; American drama
    Scope: XI, 175 S., Ill., graph. Darst.
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    Literaturverz. S. 167 - 173
  25. It's about time, don't you think?
    performing queer temporalities in American musicals
    Author: Weinzierl, Florian
    Published: 2018

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    RVK Categories: HU 1777 ; LR 54137 ; LR 54138 ; HU 1777 ; LR 54137 ; LR 54138
    DDC Categories: 420
    Subjects: Homosexualität <Motiv>; Musical; Zeit <Motiv>
    Scope: iv, 317 Seiten
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    Dissertation, Universität Regensburg, 2018