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  1. Subject to display
    reframing race in contemporary installation art
    Author: González, Jennifer
    Published: 2008
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262072861; 0262072866
    RVK Categories: LH 69100 ; LO 94036
    Subjects: Installations (Art); Art, American; Art, American; Minority artists; Race in art
    Scope: XIII, 297 S., Ill., 26 cm
    Notes:

    Literaturangaben
  2. Nothing & everything
    the influence of Buddhism on the American avant-garde, 1942-1962
    Author: Pearlman, Ellen
    Published: [2012]; © 2012
    Publisher:  Evolver Editions, Berkeley, California

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    ::8:2012:3976:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 860931
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    Universitätsbibliothek Hildesheim
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    ANG 790 : P28
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    UB Weimar
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    Mag Iq 2082
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1583943633; 9781583943632
    RVK Categories: LO 94036
    Subjects: Buddhism and the arts; Avant-garde (Aesthetics)
    Scope: XVIII, 245 Seiten, 8 ungezählte Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (p. 209-233) and index
  3. Pensée sauvage, Von Freiheit
    [anlässlich der Ausstellung Pensée Sauvage - Von Freiheit, in der Ursula-Blickle-Stiftung (20. Mai - 1. Juli 2007) und im Frankfurter Kunstverein (25. Mai - 8. Juli 2007)] = Pensée sauvage, On freedom
    Contributor: Martínez, Chus (Hrsg.); Maier, Tobi; Bambozzi, Lucas; Berg, Lene; Büttner, Andrea; Esquivias, Patricia; Guimaraes, Cao; Håkansson, Henrik; Henderson, Tamara; Hugonnier, Marine; Narkevicius, Deimantas; Oehlen, Markus; Pask, Maria; Pennanen, Anu; Raskin, Lisi; Reuter, Mandla; Ruilova, Aïda
    Published: 2007
    Publisher:  Revolver, Archiv für Aktuelle Kunst, Frankfurt, M.

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    Städel Museum, Bibliothek
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    H325/2007b
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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    14/H.p. 131
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    Source: Union catalogues
    Contributor: Martínez, Chus (Hrsg.); Maier, Tobi; Bambozzi, Lucas; Berg, Lene; Büttner, Andrea; Esquivias, Patricia; Guimaraes, Cao; Håkansson, Henrik; Henderson, Tamara; Hugonnier, Marine; Narkevicius, Deimantas; Oehlen, Markus; Pask, Maria; Pennanen, Anu; Raskin, Lisi; Reuter, Mandla; Ruilova, Aïda
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 9783865883773
    RVK Categories: LO 94036
    DDC Categories: 700
    Subjects: Freiheit <Motiv>; Künste; Kunst
    Scope: 206 S., zahlr. Ill., 24 cm
    Notes:

    Text dt. und engl.
  4. American Art Theory
    1945 - 1970
    Author: Buettner, Stewart
    Published: 1981
    Publisher:  UMI Research Press, Ann Arbor, Michigan

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    Städel Museum, Bibliothek
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    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
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    Universitätsbibliothek Kassel, Standort Kunsthochschulbibliothek
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    Universität Mainz, Zentralbibliothek
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    088.512
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    Universität Marburg, Bibliothek Kunst und Kulturwissenschaften, Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    RVK Categories: LO 94036 ; LH 61020
    Series: Studies in the fine arts. @Art theory ; 1
    Subjects: Ästhetik
    Scope: XI, 213 S., Ill.
    Notes:

    Teilw. zugl. : Evanston Ill., Northwestern Univ., Phil. Diss., 1973
  5. Ästhetik der Wiederholung
    Die US-amerikanische Neo-Avantgarde und ihre Performances
    Author: Kalu, Joy Kristin
    Published: 2014
    Publisher:  transcript Verlag, Bielefeld ; UTB GmbH, Stuttgart

    Dass in der bildenden Kunst seit den 1960er Jahren serielle und standardisierte Verfahren das Gebot der Originalität von Werk und Künstler unterwandern, ist wohlbekannt. Die Performance hingegen galt bislang als letzte Bastion einmaliger Kunst. Joy... more

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    Dass in der bildenden Kunst seit den 1960er Jahren serielle und standardisierte Verfahren das Gebot der Originalität von Werk und Künstler unterwandern, ist wohlbekannt. Die Performance hingegen galt bislang als letzte Bastion einmaliger Kunst. Joy Kristin Kalu enttarnt dieses Postulat als Fortschreibung des Mythos der Originalität der Avantgarde. Ihr Buch widmet sich jenen aufgeführten und verkörperten Wiederholungen, die in den Studien zur US-amerikanischen Neo-Avantgarde bislang unbeachtet blieben. Am Beispiel ganz unterschiedlicher ästhetischer Wiederholungsphänomene gerät dabei die Theatralität aller Wiederholung in den Blick.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839422885
    RVK Categories: CC 6900 ; LH 65830 ; LO 94036 ; AP 64983
    DDC Categories: 792; 700
    Edition: 1st ed.
    Series: Theater ; 52
    Subjects: Theatralität; Performance <Künste>; Wiederholung; Theatralik
    Scope: 1 Online-Ressource (298 p.)
  6. Bound to appear
    art, slavery, and the site of blackness in multicultural America
    Author: Copeland, Huey
    Published: 2013
    Publisher:  London, Chicago ; ProQuest, Ann Arbor, Michigan

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    Universität Mainz, Zentralbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226013121; 9780226115702 (Sekundärausgabe); 9781306269742 (Sekundärausgabe)
    RVK Categories: LO 94036
    Subjects: Sklaverei <Motiv>; Kunst; Multikulturelle Gesellschaft
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    A project of the Creative Capital/Andy Warhol Foundation Arts Writers Grant Program and Northwestern University

    Literaturverzeichnis Seite 229-248
  7. Soundworks
    race, sound, and poetry in production
    Author: Reed, Anthony
    Published: 2021
    Publisher:  Duke University Press, Durham

    Location:
    Max-Planck-Institut für empirische Ästhetik, Bibliothek
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    LO 94036 ree 2021
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781478010210; 9781478011279
    RVK Categories: LO 94036
    Series: Refiguring American music
    Scope: xii, 268 Seiten
  8. Ästhetik der Wiederholung
    Die US-amerikanische Neo-Avantgarde und ihre Performances
    Author: Kalu, Joy Kristin
    Published: 2013
    Publisher:  transcript, Bielefeld

    Location:
    Max-Planck-Institut für empirische Ästhetik, Bibliothek
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    LH 65830 kal 2013
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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    14/E.k. 48
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    Universitätsbibliothek Kassel, Standort Kunsthochschulbibliothek
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    75 Kun 58 KAL
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    Universität Mainz, Zentralbibliothek
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    262.178
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    Universität Marburg, Universitätsbibliothek
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    Z 2014/0014
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3837622886; 9783837622881
    Other identifier:
    9783837622881
    RVK Categories: CC 6900 ; LH 65830 ; LO 94036 ; AP 64983
    DDC Categories: 700; 792
    Edition: 1. Aufl.
    Series: Theater ; 52
    Subjects: Performance <Künste>; Wiederholung; Theatralik; Theatralität
    Scope: 294 S., 225 mm x 148 mm, 438 g
    Notes:

    Zugl.: Berlin, Univ., Diss., 2012
  9. The map as art
    Contemporary artists explore cartography
    Author: Harmon, Katharine A.
    Published: 2010
    Publisher:  Princeton Architectural Press, New York

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
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    34/LO 94036 H288
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781568989723; 1568989725
    RVK Categories: LO 94036
    Subjects: Karte <Motiv>; Kartografie; Kunst
    Scope: 256 S., Ill., maps, 23x25x2 cm
    Notes:

    Paperback
  10. Bound to appear
    art, slavery, and the site of blackness in multicultural America
    Author: Copeland, Huey
    Published: 2013
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
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    704.0396073 COP
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0226115704; 9780226115702
    RVK Categories: LO 94036
    Subjects: Sklaverei <Motiv>; Kunst; Multikulturelle Gesellschaft
    Scope: XVI, 256 S., zahlr. Ill.
    Notes:

    Literaturverz. S. 229 - 248
  11. African American visual aesthetics
    a postmodernist view
    Published: 1995
    Publisher:  Smithsonian Inst. Press, Washington [u.a.]

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1560986050
    RVK Categories: CC 6900 ; LO 94036
    Subjects: African American art; Postmodernism; Schwarze; Kunst; Postmoderne; Ästhetik
    Scope: IX, 140 S., zahlr. Ill.
  12. Into the light
    the projected image in American art, 1964 - 1977 ; [published on the occasion of the exhibition ... at the Whitney Museum of American Art, New York, October 18, 2001 - January 6, 2002]
    Published: 2001
    Publisher:  Whitney Museum of American Art [u.a.], New York

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    Freie Universität Berlin, Universitätsbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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  13. Debating American modernism
    Stieglitz, Duchamp, and the New York avant-garde
    Author: Balken, Debra Bricker
    Published: 2003
    Publisher:  American Federation of Arts, New York, NY

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    Europa-Universität Viadrina, Universitätsbibliothek
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  14. Subject to display
    reframing race in contemporary installation art
    Author: González, Jennifer A.
    Published: [2011]; © 2008
    Publisher:  MIT Press, Cambridge, Massachusetts ; London, England

    Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez... more

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    Freie Universität Berlin, Universitätsbibliothek
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    Over the past two decades, artists James Luna, Fred Wilson, Amalia Mesa-Bains, Pepon Osorio, and Renée Green have had a profound impact on the meaning and practice of installation art in the United States. In Subject to Display, Jennifer Gonzalez offers the first sustained analysis of their contribution, linking the history and legacy of race discourse to innovations in contemporary art. Race, writes Gonzalez, is a social discourse that has a visual history. The collection and display of bodies, images, and artifacts in museums and elsewhere is a primary means by which a nation tells the story of its past and locates the cultures of its citizens in the present. All of the five American installation artists Gonzalez considers have explored the practice of putting human subjects and their cultures on display by staging elaborate dioramas or site-specific interventions in galleries and museums; in doing so, they have created powerful social commentary of the politics of space or power of display in settings that mimic the very spaces that they critique. These artists' installations have not only contributed to the transformation of contemporary art and museum culture, they have also linked Latino, African American, and Native American subjects to the broader spectrum of historical colonialism, race dominance, and visual culture. From Luna's museum installation of his own body and belongings as "artifacts" and Wilson's provocative juxtapositions of museum objects to Mesa-Bains's allegorical home altars, Osorio's condensed spaces (bedrooms, living rooms; barbershops, prison cells) and Green's genealogies of cultural contact, the theoretical and critical endeavors of these artists demonstrate how race discourse is grounded in a visual technology of display.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780262516020
    RVK Categories: LO 94036
    Subjects: Installations (Art); Art, American; Art, American; Minority artists; Race in art; Rasse <Motiv>; Installation <Kunst>
    Scope: xiii, 297 Seiten, Illustrationen, 26 cm
    Notes:

    Includes bibliographical references (p. [251]-277) and index
  15. Debating American modernism
    Stieglitz, Duchamp, and the New York avant-garde
    Author: Balken, Debra Bricker
    Published: 2003
    Publisher:  American Federation of Arts, New York, NY

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    Bayerische Staatsbibliothek
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  16. Into the light
    the projected image in American art, 1964 - 1977 ; [published on the occasion of the exhibition ... at the Whitney Museum of American Art, New York, October 18, 2001 - January 6, 2002]
    Published: 2001
    Publisher:  Whitney Museum of American Art [u.a.], New York

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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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  17. The black arts movement
    literary nationalism in the 1960s and 1970s
    Author: Smethurst, James Edward
    Published: 2005
    Publisher:  Univ. of North Carolina Press, Chapel Hill, NC [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0807855987; 080782934X
    Other identifier:
    2004027170
    RVK Categories: HU 1728 ; LO 94036
    Series: The John Hope Franklin series in African American history and culture
    Subjects: American literature; Black nationalism; African Americans; African Americans in literature; Black nationalism in literature; Black Arts movement; USA; Geschichte 1960-1980
    Scope: XV, 471 S., Ill., 23 cm
    Notes:

    Includes bibliographical references (p. [429] - 458) and index

    Foreground and underground : the Left, nationalism, and the origins of the Black arts matrix -- Artists imagine the nation, the nation imagines art : the Black Arts Movement and popular culture, history, gender, performance, and textuality -- New York altar city : New York, the Northeast, and the development of Black arts cadres and ideologies -- Institutions for the people : Chicago, Detroit, and the Black Arts Movement in the Midwest -- Bandung world : the West Coast, the Black Arts Movement, and the development of revolutionary nationalism, cultural nationalism, third worldism, and multiculturalism -- Behold the land : regionalism, the Black nation, and the Black Arts Movement in the South
  18. Nothing & everything
    the influence of Buddhism on the American avant-garde, 1942-1962
    Author: Pearlman, Ellen
    Published: [2012]; © 2012
    Publisher:  Evolver Editions, Berkeley, California

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1583943633; 9781583943632
    RVK Categories: LO 94036
    Subjects: Buddhism and the arts; Avant-garde (Aesthetics)
    Scope: XVIII, 245 Seiten, 8 ungezählte Seiten, Illustrationen, 23 cm
    Notes:

    Includes bibliographical references (p. 209-233) and index
  19. Abject art
    repulsion and desire in American art ; June 23 - August 29, 1993, Whitney Museum of American Art
    Published: 1993
    Publisher:  Whitney Museum Of American Art, New York, NY

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0874270901
    RVK Categories: LO 94036
    Series: ISP papers ; 3
    Subjects: Skatologie; Moderne; Kunst
    Scope: 111 S., Ill.
  20. Out of order, out of sight
    Author: Piper, Adrian
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: LI 99999 ; LO 94036
    Subjects: Kunst; Ästhetik; Concept-art; Kunstkritik
    Other subjects: Piper, Adrian (1948-)
    Notes:

    Erschienen: 1 - 2
  21. Minimal concept
    zeichenhafte Sprachen im Raum ; [Publikation zum Symposion "Minimal concept. Zeichenhafte Sprachen im Raum Zwischen Werk und Idee, Wahrnehmung und Vorstellung", anläßlich der Ausstellung "Zeichnen ist eine Andere Art von Sprache. Neuere Amerikanische Zeichnungen aus einer New Yorker Privatsammlung", (21. Februar bis 25. April 1999) in der Akademie der Künste, Berlin]
    Published: 2001
    Publisher:  Verl. der Kunst, Amsterdam ; Dresden

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Universitätsbibliothek Passau
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9057051532
    RVK Categories: LH 40790 ; LH 64900 ; LO 94036
    Subjects: Minimal Art; Concept-art; Zeichnung <Motiv>
    Scope: 327 S., zahlr. Ill.
  22. Soundworks
    race, sound, and poetry in production
    Author: Reed, Anthony
    Published: 2021
    Publisher:  Duke University Press, Durham ; London

    In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    In Soundworks Anthony Reed argues that studying sound requires conceiving it as process and as work. Since the long Black Arts era (ca. 1958-1974), intellectuals, poets, and musicians have defined black sound as radical aesthetic practice. Through their recorded collaborations as well as the accompanying interviews, essays, liner notes, and other media, they continually reinvent black sound conceptually and materially. Soundwork is Reed's term for that material and conceptual labor of experimental sound practice framed by the institutions of the culture industry and shifting historical contexts. Through analyses of Langston Hughes's collaboration with Charles Mingus, Amiri Baraka's work with the New York Art Quartet, Jayne Cortez's albums with the Firespitters, and the multimedia projects of Archie Shepp, Matana Roberts, Cecil Taylor, and Jeanne Lee, Reed shows that to grasp black sound as a radical philosophical and aesthetic insurgence requires attending to it as the product of material, technical, sensual, and ideological processes

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478012795
    Other identifier:
    RVK Categories: LO 94036
    Series: Refiguring American music
    Subjects: MUSIC / Genres & Styles / Jazz; African Americans; American poetry; Jazz; Music and literature; Klang; Schwarze; Musiker
    Scope: 1 Online-Ressource (xii, 268 Seiten)
  23. Drawing degree zero
    the line from minimal to conceptual art
    Author: Lovatt, Anna
    Published: [2019]; © 2019
    Publisher:  The Pennsylvania State University Press, University Park, Pennsylvania

    "Examines the centrality of drawing to the art of the late 1960s and early 1970s. Focuses on the work of Mel Bochner, Rosemarie Castoro, Sol LeWitt, Dorothea Rockburne, and Richard Tuttle"--Provided by publisher more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Würzburg
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    Unlimited inter-library loan, copies and loan

     

    "Examines the centrality of drawing to the art of the late 1960s and early 1970s. Focuses on the work of Mel Bochner, Rosemarie Castoro, Sol LeWitt, Dorothea Rockburne, and Richard Tuttle"--Provided by publisher

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780271082431
    RVK Categories: LO 94036 ; LO 96700
    Series: Refiguring modernism ; 31
    Subjects: Ästhetik; Minimal Art; Zeichnung; Concept-art
    Other subjects: Castoro, Rosemarie (1939-2015); Tuttle, Richard (1941-); LeWitt, Sol (1928-2007); Rockburne, Dorothea (1934-); Bochner, Mel (1940-); Drawing, American / 20th century; Drawing, American; 1900-1999
    Scope: xiii, 223 Seiten, Illustrationen, 25 cm
    Notes:

    The zero degree : Mel Bochner's generic drawings -- Impediment as idea : Sol Lewitt's wall drawings -- Mind traveling : Rosemarie Castoro's inventories -- Palimpsests : Dorothea Rockburne's drawing which makes itself -- Filaments of affect : Richard Tuttle's wire pieces
  24. The map as art
    contemporary artists explore cartography
    Published: 2012
    Publisher:  Princeton Architectural, New York

    Location:
    Technische Hochschule Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: LO 94036
    Edition: 1. paperback ed.
    Subjects: Cartography in art; Art, Modern / 20th century; Karte <Motiv>; Karte; Kunst
    Scope: 255 S., überwiegend Ill.
  25. Bound to appear
    art, slavery, and the site of blackness in multicultural America
    Author: Copeland, Huey
    Published: 2013
    Publisher:  Univ. of Chicago Press, Chicago [u.a.]

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780226115702; 9780226013121
    RVK Categories: LO 94036
    Subjects: Slavery in art; Installations (Art); African American artists; Sklaverei <Motiv>; Schwarze; Kunst
    Other subjects: Wilson, Fred (1954-); Simpson, Lorna (1960-); Ligon, Glenn (1960-); Green, Renée; Simpson, Lorna (1960-); Green, Renée (1959-); Wilson, Fred (1954-); Ligon, Glenn (1960-)
    Scope: XVI, 256 S., zahlr. Ill.
    Notes:

    Includes bibliographical references and index