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Displaying results 1 to 16 of 16.

  1. Voguing and the house ballroom scene of New York City 1989-92
    Author: Regnault, Chantal
    Published: 2011
    Publisher:  Soul Jazz Records, London

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    Source: Union catalogues
    Contributor: Baker, Stuart (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780955481765; 0955481767
    RVK Categories: AP 83983 ; AP 94100
    Edition: 1. publ.
    Subjects: Regnault, Chantal.; Voguing (Dance)--New York (State)--New York--Pictorial works.
    Scope: 208 S., überw. Ill., 29 cm
  2. Dancing class
    gender, ethnicity, and social divides in American dance, 1890 - 1920
    Author: Tomko, Linda J.
    Published: 1999
    Publisher:  Indiana Univ. Press, Bloomington, Ind. [u.a.]

    Location:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signature:
    306.484 TOM
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 025333571X; 0253213274
    RVK Categories: AP 83983
    Subjects: Tanz; Sozialanthropologie; Geschlechterforschung
    Scope: XVIII, 283 S., Ill.
  3. Spreading the gospel of the modern dance
    newspaper dance criticism in the United States, 1850 - 1934
    Author: Conner, Lynne
    Published: 1997
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    86.207.61
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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signature:
    809.93355 CON
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0822939630; 0822956179
    RVK Categories: AP 83983
    Subjects: Modern Dance; Ballett; Kritik; Presse
    Scope: IX, 177 S.
    Notes:

    Literaturverz. S. 159 - 169

    Teilw. zugl.: Pittsburgh, Pa., Univ. of Pittsburgh, Diss., 1994 u.d.T.: Conner, Lynne T.: American modern dance and its critics
  4. Körper in Schieflage
    Tanzen im Strudel des Black Atlantic um 1900
    Author: Kusser, Astrid
    Published: 2014
    Publisher:  transcript Verlag, Bielefeld ; UTB GmbH, Stuttgart

    Die Geschichte schwarzer Modetänze wird bislang meist augenzwinkernd als ansteckendes Tanzfieber verhandelt. Doch nicht mysteriöse Erreger, sondern handfeste politische Konflikte um Bürgerschaft, Arbeitsteilung und Geschlechterverhältnisse waren ihre... more

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Die Geschichte schwarzer Modetänze wird bislang meist augenzwinkernd als ansteckendes Tanzfieber verhandelt. Doch nicht mysteriöse Erreger, sondern handfeste politische Konflikte um Bürgerschaft, Arbeitsteilung und Geschlechterverhältnisse waren ihre Grundlage. Die Ästhetik der schwarzen Diaspora machte diese Konflikte auf den Tanzflächen neu verhandelbar. Tanztechnik verbündete sich dabei mit Medientechniken, die ebenfalls mit Bewegung, Wahrnehmung und der Möglichkeit von Verwandlung experimentierten. Astrid Kusser geht dieser Geschichte zwischen New York, Buenos Aires, Kapstadt, Viktoria in Kamerun und Berlin nach.

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839420607
    RVK Categories: LR 54550 ; AP 83983 ; AP 83900 ; LB 48000 ; AP 83980
    DDC Categories: 300; 780; 793
    Edition: 1st ed.
    Series: Post_koloniale Medienwissenschaft ; 1
    Subjects: Modetanz; Schwarze; Gesellschaftstanz; Ästhetik; Cakewalk; Rassismus; Kolonialismus; Ethnische Beziehungen; Alltagskultur
    Scope: 1 Online-Ressource (502 p.)
  5. Merce Cunningham redux
    Contributor: Klosty, James (Fotograf)
    Published: 2019
    Publisher:  powerHouse Books, Brooklyn, NY

    James Klosty's 'Merce Cunningham' was the first book ever published about Cunningham. It appeared in 1975 and was republished in 1986. Now, for the 100th anniversary of Cunningham's birth, it is reincarnated for a twenty-first-century audience in... more

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    F 91.214.32
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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
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    792.82092 KLO
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    James Klosty's 'Merce Cunningham' was the first book ever published about Cunningham. It appeared in 1975 and was republished in 1986. Now, for the 100th anniversary of Cunningham's birth, it is reincarnated for a twenty-first-century audience in duotone printing, redesigned and completely reimagined with an additional 140 pages of photographs, many published never before. In the years since their passing, the historical importance of the partnership of John Cage and Merce Cunningham has grown to the point where no consideration of avant-garde art, music, and dance in America makes sense if Cunningham and Cage are not posited, serene and smiling, at the wellspring of its inspiration. This is true not only in America but around the globe as well. Art does not exist in a vacuum and neither did Cunningham and Cage. Painters such as Robert Rauschenberg, Jasper Johns, Andy Warhol, Frank Stella, and Robert Morris, and composers such as Earle Brown, Christian Wolff, Morton Feldman, David Tudor, and Pauline Oliveros joined the endeavor. Jasper Johns slyly lured Marcel Duchamp into allowing his iconic Large Glass to be used as decor for a Cunningham dance. Cunningham repeatedly invited Erik Satie (without Satie's permission) into his musical family. This seemingly haphazard association of innovative artists served as the nearest thing America could offer in counterbalance to Diaghilev and his Ballets Russes

     
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    Content information
    Source: Union catalogues
    Contributor: Klosty, James (Fotograf)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781576879429; 1576879429
    RVK Categories: AP 83800 ; AP 83983 ; AP 94100
    Subjects: Fotografie; Schwarzweißfotografie; Tanz <Motiv>
    Other subjects: Cunningham, Merce (1919-2009); Klosty, James (1943-)
    Scope: 376 Seiten, 33 cm x 26 cm
    Notes:

    Hier auch spätere, unveränderte Auflagen
  6. Körper in Schieflage
    Tanzen im Strudel des Black Atlantic um 1900
    Author: Kusser, Astrid
    Published: 2013
    Publisher:  Transcript, Bielefeld

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Signature:
    /AP 83983 K97
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    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    14/G.t. 4.13
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    Location:
    Universität Gießen, Fachbibliothek Geschichts- und Kulturwissenschaften / Bibliothek im Historischen Institut
    Signature:
    Dx 322
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    Universitätsbibliothek Kassel, Standort Holländischer Platz
    Signature:
    25 Ges QA 6040
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    Universität Marburg, Universitätsbibliothek
    Signature:
    001 AP 83900 K97
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 3837620603; 9783837620603
    Other identifier:
    9783837620603
    RVK Categories: LR 54550 ; AP 83983 ; AP 83900 ; LB 48000 ; AP 83980
    DDC Categories: 793; 780; 300
    Series: Post_koloniale Medienwissenschaft ; 1
    Subjects: Modetanz; Cakewalk; Rassismus; Kolonialismus; Ethnische Beziehungen; Alltagskultur; Schwarze; Gesellschaftstanz; Ästhetik
    Scope: 501 S., Ill., 23 cm
    Notes:

    Literaturangaben

    Zugl.: Köln, Univ., Diss.
  7. Voguing and the house ballroom scene of New York City 1989-92
    Contributor: Regnault, Chantal (Fotograf); Baker, Stuart (Herausgeber)
    Published: [2018]; © 2018
    Publisher:  Soul Jazz Books, London

    Location:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Signature:
    39 / A 2019/400
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    Universitätsbibliothek Kassel, Standort Holländischer Platz
    Signature:
    25 Kun 471 REGNAU
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    Source: Union catalogues
    Contributor: Regnault, Chantal (Fotograf); Baker, Stuart (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0955481767; 9780955481765
    RVK Categories: AP 94100 ; AP 83983
    Subjects: Fotografie; Porträtfotografie; Vogue <Tanz>; Tänzerin <Motiv>; Tänzer <Motiv>
    Other subjects: Regnault, Chantal (2. H. 20. Jh.)
    Scope: 208 Seiten
  8. Spreading the gospel of the modern dance
    newspaper dance criticism in the United States, 1850 - 1934
    Author: Conner, Lynne
    Published: 1997
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0822939630
    RVK Categories: AP 83983
    Subjects: Dans; Nieuwsbladen; Recensies; Geschichte; Dance criticism; Modern dance; Modern Dance; Kritik; Presse; Tanz
    Scope: 177 S.
  9. Körper in Schieflage
    Tanzen im Strudel des Black Atlantic um 1900
    Author: Kusser, Astrid
    Published: 2013
    Publisher:  transcript Verlag

    Die Geschichte schwarzer Modetänze wird bislang meist augenzwinkernd als ansteckendes Tanzfieber verhandelt. Doch nicht mysteriöse Erreger, sondern handfeste politische Konflikte um Bürgerschaft, Arbeitsteilung und Geschlechterverhältnisse waren ihre... more

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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Evangelische Hochschule Nürnberg, Bibliothek
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    Technische Hochschulbibliothek Rosenheim
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    Die Geschichte schwarzer Modetänze wird bislang meist augenzwinkernd als ansteckendes Tanzfieber verhandelt. Doch nicht mysteriöse Erreger, sondern handfeste politische Konflikte um Bürgerschaft, Arbeitsteilung und Geschlechterverhältnisse waren ihre Grundlage. Die Ästhetik der schwarzen Diaspora machte diese Konflikte auf den Tanzflächen neu verhandelbar. Tanztechnik verbündete sich dabei mit Medientechniken, die ebenfalls mit Bewegung, Wahrnehmung und der Möglichkeit von Verwandlung experimentierten. Astrid Kusser geht dieser Geschichte zwischen New York, Buenos Aires, Kapstadt, Viktoria in Kamerun und Berlin nach

     
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  10. Dancing Jewish
    Jewish identity in American modern and postmodern dance
    Author: Rossen, Rebecca
    Published: 2014
    Publisher:  Oxford Univ. Press, New York, NY [u.a.]

    While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political... more

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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. By examining the role dance has played in the struggle between Jewish identification and integration into American life, the book moves across disciplinary boundaries to show how cultural identity, nationality, ethnicity, and gender are formed and performed through the body and its motions. A dancer and choreographer, as well as an historian, Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists-including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach-Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780199791767; 9780199791774
    RVK Categories: AP 83983
    Subjects: Juden; Modern dance; Postmodern dance; Jewish dance; Jews; Postmodern dance; Tanz; Modern Dance; Ethnische Identität <Motiv>; Juden; Ethnische Identität
    Scope: XV, 312 S., Ill.
    Notes:

    Introduction ; Prelude: Make Me a Jewish Dance ; Act I: Dancing the Jew ; Chapter 1: The Dancing Jew(ess): Ethnic Ambiguity and Hasidic Drag ; Chapter 2: Biblical Heroines and Anti-Heroines ; Chapter 3: The Jewish Man and His Dancing Shtick ; Entr'acte: Make Me a Jewish Dance ; Act II: Dancing Jewish ; Chapter 4: Dancing Folk: Jewish Memory and Amnesia ; Chapter 5: Dancing Zionism, Embodying Conflict ; Conclusion: Dancing Jewish, Dancing American ; Curtain Call: Dance Me My Jewish Dance ; Bibliography ; Index
  11. Dancing Jewish
    Jewish identity in American modern and postmodern dance
    Author: Rossen, Rebecca
    Published: [2014]
    Publisher:  Oxford University Press, New York, NY

    While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political... more

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. By examining the role dance has played in the struggle between Jewish identification and integration into American life, the book moves across disciplinary boundaries to show how cultural identity, nationality, ethnicity, and gender are formed and performed through the body and its motions. A dancer and choreographer, as well as an historian, Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists-including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach-Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199375851
    Other identifier:
    RVK Categories: AP 83983
    Subjects: Juden; Modern dance; Postmodern dance; Jewish dance; Jews; Postmodern dance; Tanz; Ethnische Identität; Ethnische Identität <Motiv>; Juden; Modern Dance
    Scope: 1 Online-Ressource (XV, 312 Seiten), Illustrationen
    Notes:

    Introduction ; Prelude: Make Me a Jewish Dance ; Act I: Dancing the Jew ; Chapter 1: The Dancing Jew(ess): Ethnic Ambiguity and Hasidic Drag ; Chapter 2: Biblical Heroines and Anti-Heroines ; Chapter 3: The Jewish Man and His Dancing Shtick ; Entr'acte: Make Me a Jewish Dance ; Act II: Dancing Jewish ; Chapter 4: Dancing Folk: Jewish Memory and Amnesia ; Chapter 5: Dancing Zionism, Embodying Conflict ; Conclusion: Dancing Jewish, Dancing American ; Curtain Call: Dance Me My Jewish Dance ; Bibliography ; Index
  12. Dancing Jewish
    Jewish identity in American modern and postmodern dance
    Author: Rossen, Rebecca
    Published: 2014
    Publisher:  Oxford Univ. Press, New York, NY [u.a.]

    While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Universität der Künste Berlin, Universitätsbibliothek
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    While Jews are commonly referred to as the "people of the book," American Jewish choreographers have consistently turned to dance as a means to articulate personal and collective identities; tangle with stereotypes; advance social and political agendas; and imagine new possibilities for themselves as individuals, artists, and Jews. Dancing Jewish delineates this rich history, demonstrating that Jewish choreographers have not only been vital contributors to American modern and postmodern dance, but that they have also played a critical and unacknowledged role in the history of Jews in the United States. By examining the role dance has played in the struggle between Jewish identification and integration into American life, the book moves across disciplinary boundaries to show how cultural identity, nationality, ethnicity, and gender are formed and performed through the body and its motions. A dancer and choreographer, as well as an historian, Rebecca Rossen offers evocative analyses of dances while asserting the importance of embodied methodologies to academic research. Featuring over fifty images, a companion website, and key works from 1930 to 2005 by a wide range of artists-including David Dorfman, Dan Froot, David Gordon, Hadassah, Margaret Jenkins, Pauline Koner, Dvora Lapson, Liz Lerman, Sophie Maslow, Anna Sokolow, and Benjamin Zemach-Dancing Jewish offers a comprehensive framework for interpreting performance and establishes dance as a crucial site in which American Jews have grappled with cultural belonging, personal and collective histories, and the values that bind and pull them apart.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780199791767; 9780199791774
    RVK Categories: AP 83983
    Subjects: Juden; Modern dance; Postmodern dance; Jewish dance; Jews; Postmodern dance; Tanz; Modern Dance; Ethnische Identität <Motiv>; Juden; Ethnische Identität
    Scope: XV, 312 S., Ill.
    Notes:

    Introduction ; Prelude: Make Me a Jewish Dance ; Act I: Dancing the Jew ; Chapter 1: The Dancing Jew(ess): Ethnic Ambiguity and Hasidic Drag ; Chapter 2: Biblical Heroines and Anti-Heroines ; Chapter 3: The Jewish Man and His Dancing Shtick ; Entr'acte: Make Me a Jewish Dance ; Act II: Dancing Jewish ; Chapter 4: Dancing Folk: Jewish Memory and Amnesia ; Chapter 5: Dancing Zionism, Embodying Conflict ; Conclusion: Dancing Jewish, Dancing American ; Curtain Call: Dance Me My Jewish Dance ; Bibliography ; Index
  13. Spreading the gospel of the modern dance
    newspaper dance criticism in the United States, 1850 - 1934
    Author: Conner, Lynne
    Published: 1997
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0822939630
    RVK Categories: AP 83983
    Subjects: Dans; Nieuwsbladen; Recensies; Geschichte; Dance criticism; Modern dance; Modern Dance; Kritik; Presse; Tanz
    Scope: 177 S.
  14. Körper in Schieflage
    Tanzen im Strudel des Black Atlantic um 1900
    Author: Kusser, Astrid
    Published: 2013
    Publisher:  transcript Verlag

    Die Geschichte schwarzer Modetänze wird bislang meist augenzwinkernd als ansteckendes Tanzfieber verhandelt. Doch nicht mysteriöse Erreger, sondern handfeste politische Konflikte um Bürgerschaft, Arbeitsteilung und Geschlechterverhältnisse waren ihre... more

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    Verlag (lizenzpflichtig)

    Location:
    Alice Salomon Hochschule Berlin, Bibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Die Geschichte schwarzer Modetänze wird bislang meist augenzwinkernd als ansteckendes Tanzfieber verhandelt. Doch nicht mysteriöse Erreger, sondern handfeste politische Konflikte um Bürgerschaft, Arbeitsteilung und Geschlechterverhältnisse waren ihre Grundlage. Die Ästhetik der schwarzen Diaspora machte diese Konflikte auf den Tanzflächen neu verhandelbar. Tanztechnik verbündete sich dabei mit Medientechniken, die ebenfalls mit Bewegung, Wahrnehmung und der Möglichkeit von Verwandlung experimentierten. Astrid Kusser geht dieser Geschichte zwischen New York, Buenos Aires, Kapstadt, Viktoria in Kamerun und Berlin nach

     
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  15. Spreading the gospel of the modern dance
    newspaper dance criticism in the United States, 1850-1934
    Author: Conner, Lynne
    Published: 1997
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    The pseudonyms : performing arts criticism in the daily press before 1890 -- "Laying violent hands" : music critics and the solo dance movement -- Music into dance : Henry Taylor Parker and Carl Van Vechten -- The lost years : 1915 to 1925 --... more

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a puz 209.1 7ga/168
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    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitätsbibliothek Leipzig
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    Universität des Saarlandes, Fachrichtung Geschichte, Bibliothek
    Signature:
    Q12 q 6
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    Location:
    Württembergische Landesbibliothek
    Signature:
    48C/4064
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    The pseudonyms : performing arts criticism in the daily press before 1890 -- "Laying violent hands" : music critics and the solo dance movement -- Music into dance : Henry Taylor Parker and Carl Van Vechten -- The lost years : 1915 to 1925 -- Spreading the gospel : Lucile Marsh, Mary F. Watkins, and John Martin

     
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0822939630; 0822956179
    Other identifier:
    978082939634
    RVK Categories: AP 83983 ; AP 23283
    Subjects: Dance criticism; Modern dance; Newspapers; Dance criticism; Modern dance
    Scope: 177 S.
    Notes:

    Includes bibliographical references (p. [159]-169) and index

    Teilw. zugl.: Pittsburgh, Pa., Univ., Diss., 1994 u.d.T.: Conner, Lynne: American modern dance and its critics
  16. Körper in Schieflage
    Tanzen im Strudel des Black Atlantic um 1900
    Author: Kusser, Astrid
    Published: 2013
    Publisher:  transcript Verlag, Bielefeld

    Die Geschichte schwarzer Modetänze wird bislang meist augenzwinkernd als ansteckendes Tanzfieber verhandelt. Doch nicht mysteriöse Erreger, sondern handfeste politische Konflikte um Bürgerschaft, Arbeitsteilung und Geschlechterverhältnisse waren ihre... more

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    Universitätsbibliothek Braunschweig
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Hochschule für Bildende Künste Dresden, Bibliothek
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    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Zentrale Hochschulbibliothek Flensburg
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    Technische Universität Bergakademie Freiberg, Bibliothek 'Georgius Agricola'
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    Universitätsbibliothek Hildesheim
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    Location:
    Hochschulbibliothek Karlsruhe (PH)
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    Muthesius-Kunsthochschule, Zentrale Hochschulbibliothek
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    Universitätsbibliothek Leipzig
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    Hochschule Zittau / Görlitz, Hochschulbibliothek
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    Die Geschichte schwarzer Modetänze wird bislang meist augenzwinkernd als ansteckendes Tanzfieber verhandelt. Doch nicht mysteriöse Erreger, sondern handfeste politische Konflikte um Bürgerschaft, Arbeitsteilung und Geschlechterverhältnisse waren ihre Grundlage. Die Ästhetik der schwarzen Diaspora machte diese Konflikte auf den Tanzflächen neu verhandelbar. Tanztechnik verbündete sich dabei mit Medientechniken, die ebenfalls mit Bewegung, Wahrnehmung und der Möglichkeit von Verwandlung experimentierten. Astrid Kusser geht dieser Geschichte zwischen New York, Buenos Aires, Kapstadt, Viktoria in Kamerun und Berlin nach.

     
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