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  1. <<Die>> postnukleare Endzeitvision im Film der achtziger Jahre
    Author: Leppin, Ralf
    Published: 1997
    Publisher:  Leppin, Köln

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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 398043804X
    RVK Categories: AP 50300 ; AP 44900
    Series: Filmwissenschaft ; 1
    Subjects: Film; Atomkrieg <Motiv>; Weltuntergang <Motiv>; Geschichte 1980-1990;
    Scope: 123 S., 21 cm
    Notes:

    Zugl.: Köln, Univ., veränd. Magisterarbeit, 1988
  2. Postcolonial film
    history, empire, resistance
    Published: 2014
    Publisher:  Routledge, New York [u.a.]

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... more

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    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415716147
    RVK Categories: AP 44900
    Series: Routledge advances in film studies ; 30
    Subjects: Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures
    Scope: X, 316 S., Ill.
    Notes:

    Literaturangaben

    Nicholas HarrisonThe Sound of Broken Memory: Assia Djebar's The Nuba of the Women of Mount Chenoua (1977) / Sarah E. Mosher: New Readings of Twentieth Century Anti-Colonial Resistance Narratives. Yesterday's Mujahiddin: Gillo Pontecorvo's The Battle of Algiers (1966)

    Jerod Ra' Del Hollyfield: Approximate Others: Peter Weir's The Last Wave (1977)

    Stephen Spence: Life as an Ocean: Hou Hsiao-hsien's The Puppetmaster (1993)

    Jehanne-Marie Gavarini: Millennial Tropes of NeoEmpire. Shifting Sands, Imaginary Space, and National Identity: Cédric Klapisch's Peut-être (1999)

    Meredith Robinson: No Chains on Feet or Mind: Jean-Claude Flamand Barny's Nèg Maron (2005)

    Corinn Columpar: A Cinema of Conviviality: Ray Lawrence's Jindabyne (2006)

    Cynthia Sugars: Déjà vu All Over Again: Guy Maddin's My Winnipeg (2007)

    Vuslat Demirkoparan: New Imaginations of Neo-Postcolonialism. Identity and The Politics of Space: Fatih Akin's The Edge of Heaven (2007)

    Yu-wen Fu: Space and Cultural Memory: Te-Shen Wei's Cape No.7 (2008)

    Rebecca Weaver-Hightower: The Postcolonial Hybrid: Neill Blomkamp's District 9 (2009)

    Henry Schwarz: The Marginal Interventionist Cinema of Budhan Theatre: Dakxin Bajrange Chhara's The Lost Water (2008/2010)

    Ella Shohat and Robert Stam.: Afterword: History, Empire, Resistance
  3. Transnationale Medienlandschaften
    Populärer Film zwischen World Cinema und postkolonialem Europa
    Contributor: Ritzer, Ivo (HerausgeberIn); Steinwender, Harald (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Springer VS, Wiesbaden

    Der Band vereint Studien zu transnationalen Medienlandschaften, die das Erkenntnisinteresse auf kinematographische Vernetzungen jenseits fixer Zentren richten. Im Fokus steht eine Analyse populärer Traditionen aus postkolonialer Perspektive, die... more

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    Der Band vereint Studien zu transnationalen Medienlandschaften, die das Erkenntnisinteresse auf kinematographische Vernetzungen jenseits fixer Zentren richten. Im Fokus steht eine Analyse populärer Traditionen aus postkolonialer Perspektive, die transnationalen Film in den Kontext einer globalen Medienkultur setzt, wobei europäischen Koproduktionen und reziproken Austauschbeziehungen mit lateinamerikanischen, asiatischen und afrikanischen Kinematographien besondere Aufmerksamkeit zukommt. Der Inhalt Postkolonalität und Postkontinentalität.- Postnationalität und Kulturtransfer.- Transnationale Werkstätten. Die Zielgruppen Dozierende und Studierende der Medien- und Kulturwissenschaft Die Herausgeber Prof. Dr. Ivo Ritzer ist Professor für Medienwissenschaft an der BIGSAS der Universität Bayreuth. Dr. Harald Steinwender ist Mitarbeiter und freier Redakteur im Programmbereich Spiel-Film-Serie beim Bayerischen Rundfunk, Redaktion Kinofilm Einleitende Texte zum europäischen Populärfilm -- Fallstudien zu innereuropäischen Koproduktionen -- Fallstudien zu Koproduktionen über die europäischen Grenzen hinaus -- Werkstattbericht aus der Praxis / Filmpraktiker und ihr Zugang zum Populärkino

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Ritzer, Ivo (HerausgeberIn); Steinwender, Harald (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783658126858
    Other identifier:
    RVK Categories: AP 44900
    Series: Neue Perspektiven der Medienästhetik
    Subjects: Social sciences; Performing arts; Cultural studies; Communication; Sociology; Mass media
    Scope: 1 Online-Ressource (VII, 383 Seiten), 156 Illustrationen
  4. Reverse shots
    indigenous film and media in an international context
    Contributor: Pearson, Wendy Gay (Hrsg.)
    Published: c 2015
    Publisher:  Wilfrid Laurier University Press, Waterloo, Ont.

    Globalizing indigenous films and media -- He who dreams : reflections on an indigenous life in film -- Speakin' out Blak : new and emergent aboriginal filmmakers finding their voices -- Taking pictures b[l]ack : the work of Tracey Moffatt -- The... more

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    Globalizing indigenous films and media -- He who dreams : reflections on an indigenous life in film -- Speakin' out Blak : new and emergent aboriginal filmmakers finding their voices -- Taking pictures b[l]ack : the work of Tracey Moffatt -- The journals of Knud Rasmussen : Arctic history as post/colonial cinema -- Australian indigenous short film as a pedagogical devices : introducing Wayne Blair's The Djarn Djarns and Black talk -- "Once upon a time in a land far, far away" : representations of the pre-colonial world in Atanarjuat, Ofelas, and 10 canoes -- Ka Whawhai Tonu Matou : indigenous television in Aotearoa/New Zealand -- Superhighway across the sky ... aboriginal new media arts in Australia : a remix and email conversation between Adam Szymanski and Jenny Fraser -- On collectivity and the limits of collaboration : caching Igloolik video in the south -- The Prince George Métis Elders documentary project : matching product with process in new forms of documentary -- "Whacking the indigenous funny bone" : native humour and its healing powers in Drew Hayden Taylor's Redskins, tricksters, and puppy stew -- Situating indigenous knowledges : the talking back of Alanis Obomsawin and Shelley Niro -- "I want to say how beautiful we are" : cultural politics in Loretta Todd's Hands of history -- Filming indigeneity as Flânerie : dialectic and subtext in Terrance Odette's Heater -- Playing with land issues : subversive hybridity in The Price of milk

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Pearson, Wendy Gay (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781554583355
    RVK Categories: AP 44900 ; AP 50300
    Series: Film and media series
    Subjects: Indigenous peoples in motion pictures; Indigenous films; Indigenous peoples and mass media
    Scope: XII, 372 S., Ill., 23 cm
    Notes:

    Literaturverz. S. 319 - 344
  5. Postcolonial film
    history, empire, resistance
    Contributor: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Published: 2014
    Publisher:  Routledge, New York ; London

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... more

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    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "..

     
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    Content information
    Source: Union catalogues
    Contributor: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780415716147
    RVK Categories: AP 44900
    Series: Routledge advances in film studies ; 30
    Subjects: Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism; Postkolonialismus; Film; Kolonialismus
    Scope: x, 316 Seiten, Illustrationen
  6. Spuren eines Dritten Kinos
    Zu Ästhetik, Politik und Ökonomie des World Cinema
    Published: [2014]; ©2013
    Publisher:  transcript-Verlag, Bielefeld

    Das aktuelle Filmschaffen aus Nigeria, Algerien/Frankreich, Brasilien, China und den Philippinen knüpft in je unterschiedlicher Weise an die politischen und ästhetischen Voraussetzungen des so genannten »Third Cinema« an. Die diskursive Klammer... more

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    Das aktuelle Filmschaffen aus Nigeria, Algerien/Frankreich, Brasilien, China und den Philippinen knüpft in je unterschiedlicher Weise an die politischen und ästhetischen Voraussetzungen des so genannten »Third Cinema« an. Die diskursive Klammer indes, wie sie die Rede von einer »Dritten Welt« einst zur Verfügung stellte, hat heute an Evidenz eingebüßt.Dieses Buch will nicht die Klammer, aber doch den Diskurs wieder aufgreifen und fragt dafür nach der historischen Bedingtheit des zeitgenössischen Weltkinos ebenso wie nach seiner prekären Gegenwart und Zukunft auf heimischen Märkten und internationalen Filmfestivals

     
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    Content information
    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839420614
    Other identifier:
    RVK Categories: AP 44900
    Edition: 1. Aufl
    Series: Film
    Other subjects: Cultural Studies; Dritte Welt; Drittes Kino; Filmgeschichte; Globalisierung; Globalization; Media Studies; Medienwissenschaft; Postcolonialism; Postkolonialismus; World Cinema; Film; Moderne; SOCIAL SCIENCE / Sociology / General
    Scope: 1 online resource
  7. Theatre to cinema
    stage pictorialism and the early feature film
    Author: Brewster, Benjamin Robert
    Published: 1997
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    001 AP 46900 B848
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    Source: Union catalogues
    Contributor: Jacobs, Lea
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0198182678; 0198159501
    RVK Categories: AP 44900 ; AP 46900 ; EC 7970
    Subjects: Theater; Rezeption; Film
    Scope: XI, 244 S., Ill.
    Notes:

    Bibliography / Filmography S. 219 - 232
  8. Die postnukleare Endzeitvision im Film der achtziger Jahre
    Author: Leppin, Ralf
    Published: 1997
    Publisher:  Leppin, Köln

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Source: Union catalogues
    Language: German
    Media type: Dissertation
    Format: Print
    ISBN: 398043804X
    RVK Categories: AP 50300 ; AP 44900
    Series: Filmwissenschaft ; 1
    Subjects: Film; Atomkrieg <Motiv>; Weltuntergang <Motiv>
    Scope: 123 S., 21 cm
    Notes:

    Zugl.:Köln, Univ., veränd. Magisterarbeit, 1988
  9. Theatre to cinema
    stage pictorialism and the early feature film
    Author: Brewster, Benjamin Robert
    Published: 2003
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Source: Union catalogues
    Contributor: Jacobs, Lea
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0198159501
    RVK Categories: EC 7970 ; AP 44900 ; AP 46900
    Edition: Repr.
    Subjects: Theater; Rezeption; Film
    Scope: XII, 244 S., Ill.
    Notes:

    Bibliography / Filmography S. 219 - 232
  10. A history of film
    Author: Ellis, Jack C.
    Published: 2002
    Publisher:  Allyn and Bacon, Boston [u.a.]

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    Hochschul- und Landesbibliothek RheinMain, Unter den Eichen
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    30 SEM 000 28 A.5
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    Source: Union catalogues
    Contributor: Wexman, Virginia Wright
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0205318568
    RVK Categories: AP 44400 ; AP 44900 ; EC 7970
    Edition: 5. ed.
    Subjects: Film
    Scope: VIII, 488 S., zahlr. Ill.
  11. A history of film
    Author: Ellis, Jack C.
    Published: 1995
    Publisher:  Allyn & Bacon, Boston [u.a.]

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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
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    R/Q E 8 1
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    Language: English
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    ISBN: 020516711X
    RVK Categories: AP 44400 ; AP 44900 ; EC 7970
    Edition: 4. ed.
    Subjects: Film
    Scope: VIII, 487 S., zahlr. Ill.
  12. Postcolonial cinema studies
    Contributor: Ponzanesi, Sandra (Herausgeber); Waller, Marguerite R. (Herausgeber)
    Published: 2012
    Publisher:  Routledge, London

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    Hochschul- und Landesbibliothek Fulda, Standort Campus
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    21 / AP 44900 P819
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    Volltext (Inhaltsverzeichnis)
    Source: Union catalogues
    Contributor: Ponzanesi, Sandra (Herausgeber); Waller, Marguerite R. (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415782289; 9780415782296
    Other identifier:
    9780415782296
    RVK Categories: AP 41850 ; AP 44900 ; EC 1878 ; AP 59603 ; MK 2700 ; AP 50300 ; AP 46100
    Subjects: Film; Postkolonialismus
    Scope: xviii, 250 Seiten, Illustrationen
    Notes:

    Literaturangaben

    Sandra Ponzanesi and Marguerite Waller: Introduction

    Sandra Ponzanesi and Marguerite Waller: pt. I: Cinemas of empire. Introduction to part I

    Ruth Ben-Ghiat: Italian fascism's empire cinema: Kif Tebbi, the conquest of Libya, and the assault on the nomadic

    Julie Codell: Blackface, faciality, and colony nostalgia in 1930s empire films

    Anikó Imre: The socialist historical film

    Sandra Ponzanesi and Marguerite Waller: pt. II: Postcolonial cinemas: unframing histories. Introduction to part II

    Hamish Ford: From otherness "over there" to virtual presence: Camp de Thiaroye, The battle of Algiers, Hidden

    Jude G. Akudinobi: Fraught frames: Fatima, l'algérienne de Dakar and postcolonial quandaries

    Mireille Rosello: Postcolonial relationalities in Philippe Faucon's Dans la vie

    Mariam B. Lam: The postcolonial condition of "Indochinese" cinema from Việt Nam, Cambodia, and Laos

    Sandra Ponzanesi and Marguerite Waller: pt. III: Postcolonial cinemas: postcolonial aesthetics. Introduction to part III

    Paulo de Medeiros: Spectral postcoloniality: Lusophone postcolonial film and the imaginary of the nation

    Sabine Doran: The aesthetics of postcolonial cinema in Raul Ruiz's Three crowns of the sailor

    Marguerite Waller: The postcolonial circus: Maurizio Nichetti's Luna e l'altra

    Sandra Ponzanesi: Postcolonial adaptations: gained and lost in translation

    Sandra Ponzanesi and Marguerite Waller: pt. IV: Postcolonial cinemas and globalization. Introduction to part IV

    Shohini Chaudhuri: Unpeople: postcolonial reflections on terror, torture, and detention in Children of men

    Kanika Batra and Rich Rice: Mira Nair's Monsoon wedding and the transcoded audiologic of postcolonial convergence

    Claudia Hoffmann: Nollywood in transit: the globalization of Nigerian video culture
  13. Postcolonial film
    history, empire, resistance
    Contributor: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Published: 2018
    Publisher:  Routledge, London

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    Hochschul- und Landesbibliothek Fulda, Standort Campus
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    Contributor: Weaver-Hightower, Rebecca (Herausgeber); Hulme, Peter (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138548497
    RVK Categories: AP 44900
    Series: Routledge advances in film studies ; 30
    Subjects: Film; Kolonialismus; Postkolonialismus
    Scope: 316 Seiten, Illustrationen
    Notes:

    Literaturangaben
  14. Transnationale Medienlandschaften
    Populärer Film zwischen World Cinema und postkolonialem Europa
    Contributor: Ritzer, Ivo (Herausgeber); Steinwender, Harald (Herausgeber)
    Published: [2017]
    Publisher:  Springer VS, Wiesbaden

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    Bibliothek der Hochschule Darmstadt, Teilbibliothek Dieburg
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    40/AP 44900 R615
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    Source: Union catalogues
    Contributor: Ritzer, Ivo (Herausgeber); Steinwender, Harald (Herausgeber)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 3658126841; 9783658126841
    Other identifier:
    9783658126841
    RVK Categories: AP 44900
    DDC Categories: 791; 300
    Series: Neue Perspektiven der Medienästhetik
    Subjects: Unterhaltungsfilm; Koproduktion; Globalisierung; Postkolonialismus; Interkulturalität
    Scope: VII, 383 Seiten, Illustrationen, 21 cm x 14.8 cm
  15. Transnationale Medienlandschaften
    Populärer Film zwischen World Cinema und postkolonialem Europa
    Author: Ritzer, Ivo
    Published: 2016
    Publisher:  Springer Fachmedien Wiesbaden, Wiesbaden ; ProQuest, Ann Arbor, Michigan

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    Evangelische Hochschule Darmstadt, Bibliothek
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    Source: Union catalogues
    Contributor: Steinwender, Harald
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783658126858
    RVK Categories: AP 44900
    DDC Categories: 300; 791
    Series: Neue Perspektiven der Medienästhetik
    Subjects: Unterhaltungsfilm; Koproduktion; Globalisierung; Postkolonialismus; Interkulturalität
    Scope: 1 Online-Ressource (380 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  16. Transnationale Medienlandschaften
    Populärer Film zwischen World Cinema und postkolonialem Europa
    Contributor: Ritzer, Ivo (Herausgeber); Steinwender, Harald (Herausgeber)
    Published: 2017
    Publisher:  Springer Fachmedien Wiesbaden, Wiesbaden ; Springer International Publishing AG, Cham

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    Source: Union catalogues
    Contributor: Ritzer, Ivo (Herausgeber); Steinwender, Harald (Herausgeber)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783658126858; 365812685X
    Other identifier:
    RVK Categories: AP 44900
    DDC Categories: 300; 791
    Edition: 1st ed. 2017
    Series: Neue Perspektiven der Medienästhetik
    Subjects: Unterhaltungsfilm; Koproduktion; Globalisierung; Postkolonialismus; Interkulturalität; Mass media; Culture—Study and teaching; Performing arts; Theater; Media Sociology; Cultural Studies; Theatre and Performance Arts
    Scope: 1 Online-Ressource (VII, 383 Seiten), 156 Abb., 23 Abb. in Farbe.
  17. Die postnukleare Endzeitvision im Film der achtziger Jahre
    Author: Leppin, Ralf
    Published: 1997
    Publisher:  Leppin, Köln

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    Bayerische Staatsbibliothek
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    Language: German
    Media type: Book
    ISBN: 398043804X
    RVK Categories: AP 44900 ; AP 50300
    Series: Filmwissenschaft ; 1
    Subjects: Apocalypse in motion pictures; Nuclear warfare in motion pictures; Weltuntergang <Motiv>; Atomkrieg <Motiv>; Film
    Scope: 123 S.
    Notes:

    Zugl.: Köln, Univ., veränd. Magisterarbeit, 1988
  18. Transnationale Medienlandschaften
    Populärer Film zwischen World Cinema und postkolonialem Europa
    Contributor: Ritzer, Ivo (HerausgeberIn); Steinwender, Harald (HerausgeberIn)
    Published: [2017]; © 2017
    Publisher:  Springer VS, Wiesbaden

    Der Band vereint Studien zu transnationalen Medienlandschaften, die das Erkenntnisinteresse auf kinematographische Vernetzungen jenseits fixer Zentren richten. Im Fokus steht eine Analyse populärer Traditionen aus postkolonialer Perspektive, die... more

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    Der Band vereint Studien zu transnationalen Medienlandschaften, die das Erkenntnisinteresse auf kinematographische Vernetzungen jenseits fixer Zentren richten. Im Fokus steht eine Analyse populärer Traditionen aus postkolonialer Perspektive, die transnationalen Film in den Kontext einer globalen Medienkultur setzt, wobei europäischen Koproduktionen und reziproken Austauschbeziehungen mit lateinamerikanischen, asiatischen und afrikanischen Kinematographien besondere Aufmerksamkeit zukommt. Der Inhalt Postkolonalität und Postkontinentalität.- Postnationalität und Kulturtransfer.- Transnationale Werkstätten. Die Zielgruppen Dozierende und Studierende der Medien- und Kulturwissenschaft Die Herausgeber Prof. Dr. Ivo Ritzer ist Professor für Medienwissenschaft an der BIGSAS der Universität Bayreuth. Dr. Harald Steinwender ist Mitarbeiter und freier Redakteur im Programmbereich Spiel-Film-Serie beim Bayerischen Rundfunk, Redaktion Kinofilm Einleitende Texte zum europäischen Populärfilm -- Fallstudien zu innereuropäischen Koproduktionen -- Fallstudien zu Koproduktionen über die europäischen Grenzen hinaus -- Werkstattbericht aus der Praxis / Filmpraktiker und ihr Zugang zum Populärkino

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Ritzer, Ivo (HerausgeberIn); Steinwender, Harald (HerausgeberIn)
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783658126858
    Other identifier:
    RVK Categories: AP 44900
    Series: Neue Perspektiven der Medienästhetik
    Subjects: Social sciences; Performing arts; Cultural studies; Communication; Sociology; Mass media
    Scope: 1 Online-Ressource (VII, 383 Seiten), 156 Illustrationen
  19. Aktualitäten
    Published: 1997
    Publisher:  Stroemfeld/Roter Stern, Basel ; Frankfurt am Main

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: German; English
    Media type: Book
    ISBN: 3878777868
    RVK Categories: AP 40100 ; AP 44400 ; AP 44900
    Series: KINtop ; 6
    Subjects: Actualiteit; Films; Film; Geschichte; Documentary films; Motion pictures; Kurzfilm; Zeitgeschichte <Motiv>; Film; Dokumentarfilm; Wochenschau
    Scope: 213 S., Ill.
    Notes:

    Beitr. teilw. dt., teilw. engl.
  20. Postcolonial film
    history, empire, resistance
    Contributor: Weaver-Hightower, Rebecca (Publisher); Hulme, Peter (Publisher)
    Published: 2018
    Publisher:  Routledge, London ; New York

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... more

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    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "..

     
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    Contributor: Weaver-Hightower, Rebecca (Publisher); Hulme, Peter (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781138548497; 9780415716147
    RVK Categories: AP 44900
    Edition: First issued in paperback
    Series: Routledge advances in film studies ; 30
    Subjects: ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism; Film; Politik; Politics in motion pictures; Motion pictures; Imperialism in motion pictures; Nationalism in motion pictures; ART / Film & Video; SOCIAL SCIENCE / Media Studies; POLITICAL SCIENCE / Colonialism & Post-Colonialism; Postkolonialismus; Kolonialismus; Film
    Scope: X, 316 Seiten, Illustrationen
    Notes:

    Literaturangaben
  21. Spuren eines Dritten Kinos
    Zu Ästhetik, Politik und Ökonomie des World Cinema
    Author: Foerster, Lukas; Perneczky, Nikolaus; Tietke, Fabian
    Published: 2013
    Publisher:  transcript Verlag

    Das aktuelle Filmschaffen aus Nigeria, Algerien/Frankreich, Brasilien, China und den Philippinen knüpft in je unterschiedlicher Weise an die politischen und ästhetischen Voraussetzungen des so genannten »Third Cinema« an. Die diskursive Klammer... more

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    Das aktuelle Filmschaffen aus Nigeria, Algerien/Frankreich, Brasilien, China und den Philippinen knüpft in je unterschiedlicher Weise an die politischen und ästhetischen Voraussetzungen des so genannten »Third Cinema« an. Die diskursive Klammer indes, wie sie die Rede von einer »Dritten Welt« einst zur Verfügung stellte, hat heute an Evidenz eingebüßt.Dieses Buch will nicht die Klammer, aber doch den Diskurs wieder aufgreifen und fragt dafür nach der historischen Bedingtheit des zeitgenössischen Weltkinos ebenso wie nach seiner prekären Gegenwart und Zukunft auf heimischen Märkten und internationalen Filmfestivals

     
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9783839420614
    RVK Categories: AP 44900 ; AP 44903
    Series: Film
    Subjects: Globalisierung; Filmgeschichte; Medienwissenschaft; Globalization; Dritte Welt; Postkolonialismus; Cultural studies; Postcolonialism; Media Studies; Drittes Kino; World Cinema; Film
    Scope: 1 Online-Ressource
  22. Postcolonial film
    history, empire, resistance
    Published: 2014
    Publisher:  Routledge, New York [u.a.]

    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization... more

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    "Postcolonial Film: History, Empire, Resistance examines films of the later twentieth and early twenty-first centuries from postcolonial countries around the globe. In the mid twentieth century, the political reality of resistance and decolonization lead to the creation of dozens of new states, forming a backdrop to films of that period. Towards the century's end and at the dawn of the new millennium, film continues to form a site for interrogating colonization and decolonization, though against a backdrop that is now more neo-colonial than colonial and more culturally imperial than imperial. This volume explores how individual films emerged from and commented on postcolonial spaces and the building and breaking down of the European empire. Each chapter is a case study examining how a particular film from a postcolonial nation emerges from and reflects that nation's unique postcolonial situation. This analysis of one nation's struggle with its coloniality allows each essay to investigate just what it means to be postcolonial. "..

     
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  23. Gebrochene Sprache
    Filmautoren und Schriftsteller des Exils : Cinefest, XIII. Internationales Festival des Deutschen Film-Erbes
    Author: Bock, Hans-Michael
    Published: [2016]
    Publisher:  [Edition Text+Kritik im Richard Boorberg Verlag GmbH & Co KG], [München]

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    Bayerische Staatsbibliothek
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    Contributor: Brill, Olaf (Publisher); Schöning, Jörg (Publisher); Blom, Ivo
    Language: German
    Media type: Conference proceedings
    ISBN: 9783869165608; 386916560X
    Other identifier:
    9783869165608
    RVK Categories: AP 44900
    DDC Categories: 791
    Edition: [1. Auflage]
    Corporations / Congresses: CineFest, 13. (2016-2017, Hamburg)
    Subjects: Exil <Motiv>; Autor; Exil; Film; Deutsche
    Scope: 162 Seiten, Illustrationen, 21 x 21 cm
  24. Bilder der Endlichkeit
    Author: Engell, Lorenz
    Published: 2005
    Publisher:  VDG, Verl. und Datenbank für Geisteswiss., Weimar

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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 3897394898
    RVK Categories: AP 44900 ; AP 50300 ; AP 51800 ; EC 2410
    DDC Categories: 791
    Series: Serie moderner Film ; 5
    Subjects: Film; Motion pictures; Film; Zeit; Erzähltechnik
    Scope: 185 S.
  25. Realismus
    das Kino und die Politik des Ästhetischen
    Author: Kappelhoff, Hermann
    Published: 2008
    Publisher:  Vorwerk 8, Berlin

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: German
    Media type: Book
    ISBN: 9783940384027; 394038402X
    Other identifier:
    9783940384027
    RVK Categories: AP 45400 ; AP 54600 ; AP 44900 ; EC 2410
    DDC Categories: 791
    Subjects: Ästhetik; Aesthetics; Realism in motion pictures; Filmästhetik; Realismus
    Scope: 248 S., zahlr. Ill.