Publisher:
Hong Kong Univ. Press, Hong Kong
;
JSTOR, New York, NY
Investigates transcultural consumption of three iconic figures, the middle aged Japanese female fandom of actor Bae Yong-Joon, the Western online cult fandom of the horror film Oldboy, and the Singaporean fandom of the popstar Rain.
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Investigates transcultural consumption of three iconic figures, the middle aged Japanese female fandom of actor Bae Yong-Joon, the Western online cult fandom of the horror film Oldboy, and the Singaporean fandom of the popstar Rain.