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Displaying results 1 to 11 of 11.

  1. Live poetry
    an integrated approach to poetry in performance
    Author: Novak, Julia
    Published: 2011
    Publisher:  Rodopi, Amsterdam

    Preliminary Material -- Introduction -- Key Challenges for the Scholar of Live Poetry -- Towards a Definition of Live Poetry -- Analysing Live Poetry -- Audiotext -- Body Communication -- Contextualising the Performance -- Jackie Hagan’s “Coffee or... more

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    Universitätsbibliothek Leipzig
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    Südwestdeutscher Bibliotheksverbund (SWB)

     

    Preliminary Material -- Introduction -- Key Challenges for the Scholar of Live Poetry -- Towards a Definition of Live Poetry -- Analysing Live Poetry -- Audiotext -- Body Communication -- Contextualising the Performance -- Jackie Hagan’s “Coffee or Tea?”: A Sample Analysis -- Checklist for the Analysis of Live Poetry Performances -- Conclusion -- Bibliography -- Table of Figures -- Index. Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a ‘Live Poetry’ boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological ‘toolkit’ for the analysis of live poetry by drawing together approaches from diverse disciplines concerned with speech and forms of cultural performance. Most notably, these include literary studies, paralinguistics, musicology, kinesics, theatre and performance studies, and folklore studies. This innovative methodology is demonstrated through sample analyses based on a mixed corpus of audio and video recordings of poetry performances, as well as on personal interviews with practitioners of live poetry. Of value to the scholar and poetry enthusiast alike, this volume presents an indispensable guide for anyone interested in understanding and analysing poetry’s evolution through its current ‘spoken word’ renaissance. Visit also Novak's website of her publication

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401206921
    Other identifier:
    Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 153
    Subjects: Performance poetry; English poetry; English poetry; Poetry, Modern; Poetry, Modern
    Scope: 1 Online-Ressource (271 pages), illustrations, music
    Notes:

    Includes bibliographical references (p. 239-262) and index
  2. Live Poetry.
    an Integrated Approach to Poetry in Performance
    Author: Lajta-Novak, Julia
    Published: 2011
    Publisher:  Editions Rodopi, Amsterdam ; EBSCO Industries, Inc., Birmingham, AL, USA

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse discipl.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401206921; 9401206929
    RVK Categories: HN 1161 ; EC 4360
    Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 153 ; v. 153
    Subjects: Lyrik; Aufführungspraxis
    Scope: 1 Online-Ressource (264 pages)
    Notes:

    BibliographyTable of Figures; Index
  3. Live poetry
    an integrated approach to poetry in performance
    Author: Lajta-Novak, Julia
    Published: 2011
    Publisher:  Rodopi, Amsterdam

    "Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and... more

     

    "Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse disciplines concerned with speech and forms of cultural performance. Most notably, these include literary studies, paralinguistics, musicology, kinesics, theatre and performance studies, and folklore studies. This innovative methodology is demonstrated through sample analyses based on a mixed corpus of audio and video recordings of poetry performances, as well as on personal interviews with practitioners of live poetry. Of value to the scholar and poetry enthusiast alike, this volume presents an indispensable guide for anyone interested in understanding and analysing poetry's evolution through its current 'spoken word' renaissance."--Publisher's website.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    ISBN: 9789401206921
    Other identifier:
    RVK Categories: EC 4360
    Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 153
    Subjects: Performance poetry.; English poetry; English poetry; Poetry, Modern; Poetry, Modern
    Scope: 1 Online-Ressource (271 Seiten), Illustrationen
    Notes:

    Dissertation, Universität Wien, 2010
  4. Live poetry
    an integrated approach to poetry in performance
    Author: Novak, Julia
    Published: 2011
    Publisher:  Rodopi, Amsterdam

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042034051; 9789401206921
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 153
    Subjects: Oral interpretation of poetry; Performance poetry; Performance art; Lyrik; Slam Poetry; Performance <Künste>; Englisch
    Scope: 271 p.
    Notes:

    Includes bibliographical references and index

    pt. 1. Theorising live poetry -- pt. 2. Analysing live poetry
  5. Live poetry
    an integrated approach to poetry in performance
    Author: Lajta-Novak, Julia
    Published: 2011
    Publisher:  Rodopi, Amsterdam [u.a.]

    Location:
    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789042034051; 9789401206921
    RVK Categories: EC 4360 ; HN 1161
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 153
    Subjects: Slam Poetry; Englisch; Performance <Künste>; Lyrik
    Scope: 271 S., Ill., Notenbeisp.
  6. Live Poetry
    an Integrated Approach to Poetry in Performance
    Published: 2011
    Publisher:  Editions Rodopi, Amsterdam

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and... more

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    Hochschule Aalen, Bibliothek
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    E-Book EBSCO
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    Hochschule Esslingen, Bibliothek
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    E-Book Ebsco
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    Saarländische Universitäts- und Landesbibliothek
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    Universitätsbibliothek der Eberhard Karls Universität
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    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse discipl

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401206921
    Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 153 ; v. 153
    Subjects: Recitations; POETRY ; English, Irish, Scottish, Welsh; Recitations
    Scope: Online Ressource (264 p.)
    Notes:

    BibliographyTable of Figures; Index. - Description based on print version record
  7. Live poetry
    an integrated approach to poetry in performance
    Author: Novak, Julia
    Published: 2011
    Publisher:  Rodopi, Amsterdam ; Brill, New York

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and... more

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    Universität Mainz, Zentralbibliothek
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    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse disciplines concerned with speech and forms of cultural performance. Most notably, these include literary studies, paralinguistics, musicology, kinesics, theatre and performance studies, and folklore studies. This innovative methodology is demonstrated through sample analyses based on a mixed corpus of audio and video recordings of poetry performances, as well as on personal interviews with practitioners of live poetry. Of value to the scholar and poetry enthusiast alike, this volume presents an indispensable guide for anyone interested in understanding and analysing poetry's evolution through its current 'spoken word' renaissance. Visit also Novak's website of her publication...

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401206921
    Other identifier:
    RVK Categories: EC 4360 ; HN 1161
    Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft ; 153
    Subjects: Lyrik; Aufführungspraxis
    Scope: 1 Online-Ressource (271 pages), illustrations, music
    Notes:

    Includes bibliographical references (p. 239-262) and index.
  8. Live poetry
    an integrated approach to poetry in performance
    Author: Lajta-Novak, Julia
    Published: 2011
    Publisher:  Editions Rodopi, Amsterdam

    Access:
    Verlag (URL des Erstveröffentlichers)

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401206921; 9401206929
    RVK Categories: HN 1161 ; EC 4360
    Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 153
    Subjects: POETRY / English, Irish, Scottish, Welsh; Recitations; Recitations; Slam Poetry; Lyrik; Performance <Künste>; Englisch
    Scope: 1 online resource (271 Seiten), Illustrationen
    Notes:

    Print version record

    Cover; Title Page; Copyright Page; Table of Contents; Introduction; Part One: Theorising Live Poetry; 1. Key Challenges for the Scholar of Live Poetry; 1.1 Neglected History / a History of Neglect; 1.2 Like So Much Hot Air? Live Poetry and the Discourse of Orality; 1.2.1 Orality versus Literacy: The Great Divide; 1.2.2 From Orality to Literacy: The Evolutionist Model; 1.2.3 Performance Poetry: A Controversial Form of Live Poetry; 1.3 Literature Review; 2. Towards a Definition of Live Poetry; 2.1 Poetry as a Bi-Medial Art Form; 2.2 Live Poetry and Theatre; 2.3 A Definition of Live Poetry

    Part Two: Analysing Live Poetry3. Comparing the Written Poem and the Performed Poem; 4. Audiotext; 4.1 Audiotext and Paralanguage: Experiential Meaning Potential, Provenance, Voice Set and Voice Action; 4.2 Non-Verbal Sounds; 4.3 Articulatory Parameters; 4.3.1 Rhythm; 4.3.2 Pitch; 4.3.3 Volume; 4.3.4 Articulation; 4.3.5 Timbre; 4.4 Notation; 4.5 Composite Parameters: Tone of Voice, Accent; 4.6 Paratext; 5. Body Communication; 5.1 Kinesics: Studying Body Communication; 5.2 Functions of Body Communication; 5.3 Elements of Body Communication; 5.3.1 Gesture and Posture; 5.3.2 Facial Communication

    5.3.3 Artefactual Communication5.4 Notating Body Communication; 6. Contextualising the Performance; 6.1 A Communication Model for Live Poetry; 6.2 Participants; 6.2.1 The Poet-Performer; 6.2.2 The Audience; 6.2.3 The MC; 6.2.4 The Producer; 6.2.5 Aims and Format; 6.3 Spatio-Temporal Situation; 6.3.1 Localised Audiences in 'Borrowed Spaces'; 6.3.2 The Performance Space; 6.3.3 Place of Performance and Fictive Space; 6.3.4 Time of Performance and Act Sequence; 7. Jackie Hagan's "Coffee or Tea?": A Sample Analysis; 8. Checklist for the Analysis of Live Poetry Performances; Conclusion

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse discipl
  9. Live poetry
    an integrated approach to poetry in performance
    Author: Lajta-Novak, Julia
    Published: 2011
    Publisher:  Editions Rodopi, Amsterdam

    Access:
    Verlag (URL des Erstveröffentlichers)

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401206921; 9401206929
    RVK Categories: HN 1161 ; EC 4360
    Series: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 153
    Subjects: POETRY / English, Irish, Scottish, Welsh; Recitations; Recitations; Slam Poetry; Lyrik; Performance <Künste>; Englisch
    Scope: 1 online resource (271 Seiten), Illustrationen
    Notes:

    Print version record

    Cover; Title Page; Copyright Page; Table of Contents; Introduction; Part One: Theorising Live Poetry; 1. Key Challenges for the Scholar of Live Poetry; 1.1 Neglected History / a History of Neglect; 1.2 Like So Much Hot Air? Live Poetry and the Discourse of Orality; 1.2.1 Orality versus Literacy: The Great Divide; 1.2.2 From Orality to Literacy: The Evolutionist Model; 1.2.3 Performance Poetry: A Controversial Form of Live Poetry; 1.3 Literature Review; 2. Towards a Definition of Live Poetry; 2.1 Poetry as a Bi-Medial Art Form; 2.2 Live Poetry and Theatre; 2.3 A Definition of Live Poetry

    Part Two: Analysing Live Poetry3. Comparing the Written Poem and the Performed Poem; 4. Audiotext; 4.1 Audiotext and Paralanguage: Experiential Meaning Potential, Provenance, Voice Set and Voice Action; 4.2 Non-Verbal Sounds; 4.3 Articulatory Parameters; 4.3.1 Rhythm; 4.3.2 Pitch; 4.3.3 Volume; 4.3.4 Articulation; 4.3.5 Timbre; 4.4 Notation; 4.5 Composite Parameters: Tone of Voice, Accent; 4.6 Paratext; 5. Body Communication; 5.1 Kinesics: Studying Body Communication; 5.2 Functions of Body Communication; 5.3 Elements of Body Communication; 5.3.1 Gesture and Posture; 5.3.2 Facial Communication

    5.3.3 Artefactual Communication5.4 Notating Body Communication; 6. Contextualising the Performance; 6.1 A Communication Model for Live Poetry; 6.2 Participants; 6.2.1 The Poet-Performer; 6.2.2 The Audience; 6.2.3 The MC; 6.2.4 The Producer; 6.2.5 Aims and Format; 6.3 Spatio-Temporal Situation; 6.3.1 Localised Audiences in 'Borrowed Spaces'; 6.3.2 The Performance Space; 6.3.3 Place of Performance and Fictive Space; 6.3.4 Time of Performance and Act Sequence; 7. Jackie Hagan's "Coffee or Tea?": A Sample Analysis; 8. Checklist for the Analysis of Live Poetry Performances; Conclusion

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments. Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse discipl
  10. Live poetry
    an integrated approach to poetry in performance
    Author: Lajta-Novak, Julia
    Published: 2011
    Publisher:  Rodopi, Amsterdam [u.a.]

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9789042034051; 9789401206921
    RVK Categories: EC 4360
    Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft ; 153
    Subjects: Lyrik; Aufführungspraxis;
    Scope: 271 S., Ill., graph. Darst., Notenbeisp., 23 cm
    Notes:

    Zugl.: Wien, Univ., Diss., 2010
  11. Live Poetry
    An Integrated Approach to Poetry in Performance
    Author: Novak, Julia
    Published: 2011; ©2011
    Publisher:  Rodopi, Amsterdam

    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and... more

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Bibliothek LIV HN Sontheim
    Signature:
    ProQuest Academic Complete
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    Bibliothek LIV HN Sontheim
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    ProQuest Academic Complete
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Given the increasing popularity of literary festivals, open mics, and poetry slams, one could justifiably claim that the English-speaking world is currently experiencing a 'Live Poetry' boom. Yet, despite this raised awareness for the aesthetic and social potential of performed poetry, academia has barely responded, failing in the process to update and adapt its concept of poetry to meet these recent developments.Bridging this critical gap, this volume provides for the first time a full methodological 'toolkit' for the analysis of live poetry by drawing together approaches from diverse disciplines concerned with speech and forms of cultural performance. Most notably, these include literary studies, paralinguistics, musicology, kinesics, theatre and performance studies, and folklore studies. This innovative methodology is demonstrated through sample analyses based on a mixed corpus of audio and video recordings of poetry performances, as well as on personal interviews with practitioners of live poetry. Of value to the scholar and poetry enthusiast alike, this volume presents an indispensable guide for anyone interested in understanding and analysing poetry's evolution through its current 'spoken word' renaissance. Intro -- Live Poetry: An Integrated Approach to Poetry in Performance -- Table of Contents -- Introduction -- Part One: Theorising Live Poetry -- 1. Key Challenges for the Scholar of Live Poetry -- 1.1 Neglected History / a History of Neglect -- 1.2 Like So Much Hot Air? Live Poetry and the Discourse of Orality -- 1.2.1 Orality versus Literacy: The Great Divide -- 1.2.2 From Orality to Literacy: The Evolutionist Model -- 1.2.3 Performance Poetry: A Controversial Form of Live Poetry -- 1.3 Literature Review -- 2. Towards a Definition of Live Poetry -- 2.1 Poetry as a Bi-Medial Art Form -- 2.2 Live Poetry and Theatre -- 2.3 A Definition of Live Poetry -- Part Two: Analysing Live Poetry -- 3. Comparing the Written Poem and the Performed Poem -- 4. Audiotext -- 4.1 Audiotext and Paralanguage: Experiential Meaning Potential, Prove-nance, Voice Set and Voice Action -- 4.2 Non-Verbal Sounds -- 4.3 Articulatory Parameters -- 4.3.1 Rhythm -- 4.3.2 Pitch -- 4.3.3 Volume -- 4.3.4 Articulation -- 4.3.5 Timbre -- 4.4 Notation -- 4.5 Composite Parameters: Tone of Voice, Accent -- 4.6 Paratext -- 5. Body Communication -- 5.1 Kinesics: Studying Body Communication -- 5.2 Functions of Body Communication -- 5.3 Elements of Body Communication -- 5.3.1 Gesture and Posture -- 5.3.2 Facial Communication -- 5.3.3 Artefactual Communication -- 5.4 Notating Body Communication -- 6. Contextualising the Performance -- 6.1 A Communication Model for Live Poetry -- 6.2 Participants -- 6.2.1 The Poet-Performer -- 6.2.2 The Audience -- 6.2.3 The MC -- 6.2.4 The Producer -- 6.2.5 Aims and Format -- 6.3 Spatio-Temporal Situation -- 6.3.1 Localised Audiences in 'Borrowed Spaces' -- 6.3.2 The Performance Space -- 6.3.3 Place of Performance and Fictive Space -- 6.3.4 Time of Performance and Act Sequence -- 7. Jackie Hagan's "Coffee or Tea?": A Sample Analysis.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401206921; 9789042034051; 9781283366250
    Edition: 1st ed.
    Series: Internationale Forschungen Zur Allgemeinen und Vergleichenden Literaturwissenschaft Ser. ; v.153
    Subjects: Recitations; Oral interpretation of poetry; Performance art; Performance poetry; Electronic books
    Scope: 1 online resource (271 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Cover; Title Page; Copyright Page; Table of Contents; Introduction; Part One: Theorising Live Poetry; 1. Key Challenges for the Scholar of Live Poetry; 1.1 Neglected History / a History of Neglect; 1.2 Like So Much Hot Air? Live Poetry and the Discourse of Orality; 1.2.1 Orality versus Literacy: The Great Divide; 1.2.2 From Orality to Literacy: The Evolutionist Model; 1.2.3 Performance Poetry: A Controversial Form of Live Poetry; 1.3 Literature Review; 2. Towards a Definition of Live Poetry; 2.1 Poetry as a Bi-Medial Art Form; 2.2 Live Poetry and Theatre; 2.3 A Definition of Live Poetry

    Part Two: Analysing Live Poetry3. Comparing the Written Poem and the Performed Poem; 4. Audiotext; 4.1 Audiotext and Paralanguage: Experiential Meaning Potential, Provenance, Voice Set and Voice Action; 4.2 Non-Verbal Sounds; 4.3 Articulatory Parameters; 4.3.1 Rhythm; 4.3.2 Pitch; 4.3.3 Volume; 4.3.4 Articulation; 4.3.5 Timbre; 4.4 Notation; 4.5 Composite Parameters: Tone of Voice, Accent; 4.6 Paratext; 5. Body Communication; 5.1 Kinesics: Studying Body Communication; 5.2 Functions of Body Communication; 5.3 Elements of Body Communication; 5.3.1 Gesture and Posture; 5.3.2 Facial Communication

    5.3.3 Artefactual Communication5.4 Notating Body Communication; 6. Contextualising the Performance; 6.1 A Communication Model for Live Poetry; 6.2 Participants; 6.2.1 The Poet-Performer; 6.2.2 The Audience; 6.2.3 The MC; 6.2.4 The Producer; 6.2.5 Aims and Format; 6.3 Spatio-Temporal Situation; 6.3.1 Localised Audiences in 'Borrowed Spaces'; 6.3.2 The Performance Space; 6.3.3 Place of Performance and Fictive Space; 6.3.4 Time of Performance and Act Sequence; 7. Jackie Hagan's "Coffee or Tea?": A Sample Analysis; 8. Checklist for the Analysis of Live Poetry Performances; Conclusion

    BibliographyTable of Figures; Index